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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC187 it is the complementary color #333E78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC187 shade: #D1C182, #E2D395, #F3E5A8, #FFF7BB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC187 shade: #CCC187, #BBAF74, #AA9D61, #998B4E and #88793B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC187 shade: #CBC086, #CBAD86, #CB9B86, #CB8886 and #CB8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC187 shade: #CBC086, #C3CB86, #B1CB86, #9ECB86 and #8BCB86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC187 shade matches the following richer shades: #CBC086, #D9C978, #E7D36A and #F5DD5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC187 shade: #CBC086, #BDB694, #AFADA2, #A1A3B0 and #939ABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC187 shade: #CB9A86, #CBAD86, #CBBF86, #C4CB86 and #B2CB86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC187 shade: #B2A24C, #BFB169, #CBC086, #D7CFA3 and #E4DEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC187 shade: #CCC187, #86CB88 and #A486CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC187 shade: #CCC187, #86CBBF and #BF86CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC187 shade: #CCC187, #86CB88, #8691CB and #CB86C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC187 shade: #CCC187, #86CB9D, #8691CB and #CB86B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

Complementary color

CMYK 58 / 48 / 0 / 53

HEX #333E78

RGB 51 62 120

HSL 230.43, 0.4%, 0.34%

LAB 28.13, 14.03, -34.67

 

CMYK 0 / 8 / 38 / 18

HEX #D1C182

RGB 209 193 130

HSL 47.85, 0.46%, 0.66%

LAB 78.06, -3.42, 33.77

 

CMYK 0 / 7 / 34 / 11

HEX #E2D395

RGB 226 211 149

HSL 48.31, 0.57%, 0.74%

LAB 84.45, -3.84, 32.62

 

CMYK 0 / 6 / 31 / 5

HEX #F3E5A8

RGB 243 229 168

HSL 48.8, 0.76%, 0.81%

LAB 90.74, -4.2, 31.52

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7BB

RGB 255 247 187

HSL 52.94, 1%, 0.87%

LAB 96.56, -6.37, 29.88

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

CMYK 0 / 6 / 38 / 27

HEX #BBAF74

RGB 187 175 116

HSL 49.86, 0.34%, 0.59%

LAB 71.2, -4.41, 31.82

 

CMYK 0 / 8 / 43 / 33

HEX #AA9D61

RGB 170 157 97

HSL 49.32, 0.3%, 0.52%

LAB 64.58, -3.93, 33.05

 

CMYK 0 / 9 / 49 / 40

HEX #998B4E

RGB 153 139 78

HSL 48.8, 0.32%, 0.45%

LAB 57.83, -3.35, 34.34

 

CMYK 0 / 11 / 57 / 47

HEX #88793B

RGB 136 121 59

HSL 48.31, 0.39%, 0.38%

LAB 50.95, -2.62, 35.65

 

CMYK 0 / 5 / 34 / 20

HEX #CBC086

RGB 203 192 134

HSL 50.43, 0.4%, 0.66%

LAB 77.35, -4.81, 30.67

 

CMYK 0 / 15 / 34 / 20

HEX #CBAD86

RGB 203 173 134

HSL 33.91, 0.4%, 0.66%

LAB 72.43, 5.25, 24.1

 

CMYK 0 / 24 / 34 / 20

HEX #CB9B86

RGB 203 155 134

HSL 18.26, 0.4%, 0.66%

LAB 67.92, 15.01, 17.93

 

CMYK 0 / 33 / 34 / 20

HEX #CB8886

RGB 203 136 134

HSL 1.74, 0.4%, 0.66%

LAB 63.36, 25.4, 11.58

 

CMYK 0 / 34 / 34 / 20

HEX #CB8686

RGB 203 134 134

HSL 0, 0.4%, 0.66%

LAB 62.9, 26.49, 10.92

 

CMYK 0 / 5 / 34 / 20

HEX #CBC086

RGB 203 192 134

HSL 50.43, 0.4%, 0.66%

LAB 77.35, -4.81, 30.67

 

CMYK 4 / 0 / 34 / 20

HEX #C3CB86

RGB 195 203 134

HSL 66.96, 0.4%, 0.66%

LAB 79.63, -13.59, 33.55

 

CMYK 13 / 0 / 34 / 20

HEX #B1CB86

RGB 177 203 134

HSL 82.61, 0.4%, 0.66%

LAB 78.33, -20.43, 31.6

 

CMYK 22 / 0 / 34 / 20

HEX #9ECB86

RGB 158 203 134

HSL 99.13, 0.4%, 0.66%

LAB 77.1, -27.36, 29.75

 

CMYK 32 / 0 / 34 / 20

HEX #8BCB86

RGB 139 203 134

HSL 115.65, 0.4%, 0.66%

LAB 76.02, -33.86, 28.12

 

CMYK 0 / 5 / 34 / 20

HEX #CBC086

RGB 203 192 134

HSL 50.43, 0.4%, 0.66%

LAB 77.35, -4.81, 30.67

 

CMYK 0 / 7 / 45 / 15

HEX #D9C978

RGB 217 201 120

HSL 50.1, 0.56%, 0.66%

LAB 80.67, -5.43, 42.35

 

CMYK 0 / 9 / 54 / 9

HEX #E7D36A

RGB 231 211 106

HSL 50.4, 0.72%, 0.66%

LAB 84.29, -6.11, 53.79

 

CMYK 0 / 10 / 62 / 4

HEX #F5DD5C

RGB 245 221 92

HSL 50.59, 0.88%, 0.66%

LAB 87.92, -6.41, 64.44

 

CMYK 0 / 5 / 34 / 20

HEX #CBC086

RGB 203 192 134

HSL 50.43, 0.4%, 0.66%

LAB 77.35, -4.81, 30.67

 

CMYK 0 / 4 / 22 / 26

HEX #BDB694

RGB 189 182 148

HSL 49.76, 0.24%, 0.66%

LAB 73.81, -3.11, 18.23

 

CMYK 0 / 1 / 7 / 31

HEX #AFADA2

RGB 175 173 162

HSL 50.77, 0.08%, 0.66%

LAB 70.6, -1.28, 5.89

 

CMYK 9 / 7 / 0 / 31

HEX #A1A3B0

RGB 161 163 176

HSL 232, 0.09%, 0.66%

LAB 67.21, 1.88, -6.96

 

CMYK 23 / 19 / 0 / 25

HEX #939ABE

RGB 147 154 190

HSL 230.23, 0.25%, 0.66%

LAB 64.19, 5.37, -19.43

 

CMYK 0 / 24 / 34 / 20

HEX #CB9A86

RGB 203 154 134

HSL 17.39, 0.4%, 0.66%

LAB 67.67, 15.55, 17.59

 

CMYK 0 / 15 / 34 / 20

HEX #CBAD86

RGB 203 173 134

HSL 33.91, 0.4%, 0.66%

LAB 72.43, 5.25, 24.1

 

CMYK 0 / 6 / 34 / 20

HEX #CBBF86

RGB 203 191 134

HSL 49.57, 0.4%, 0.66%

LAB 77.09, -4.29, 30.32

 

CMYK 3 / 0 / 34 / 20

HEX #C4CB86

RGB 196 203 134

HSL 66.09, 0.4%, 0.66%

LAB 79.71, -13.2, 33.67

 

CMYK 12 / 0 / 34 / 20

HEX #B2CB86

RGB 178 203 134

HSL 81.74, 0.4%, 0.66%

LAB 78.4, -20.06, 31.71

 

CMYK 0 / 9 / 57 / 30

HEX #B2A24C

RGB 178 162 76

HSL 50.59, 0.4%, 0.5%

LAB 66.39, -5.18, 46.06

 

CMYK 0 / 7 / 45 / 25

HEX #BFB169

RGB 191 177 105

HSL 50.23, 0.4%, 0.58%

LAB 71.92, -5.03, 38.52

 

CMYK 0 / 5 / 34 / 20

HEX #CBC086

RGB 203 192 134

HSL 50.43, 0.4%, 0.66%

LAB 77.35, -4.81, 30.67

 

CMYK 0 / 4 / 24 / 16

HEX #D7CFA3

RGB 215 207 163

HSL 50.77, 0.39%, 0.74%

LAB 82.76, -4.18, 22.91

 

CMYK 0 / 3 / 16 / 11

HEX #E4DEBF

RGB 228 222 191

HSL 50.27, 0.41%, 0.82%

LAB 88.21, -3.03, 15.95

 

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

CMYK 34 / 0 / 33 / 20

HEX #86CB88

RGB 134 203 136

HSL 121.74, 0.4%, 0.66%

LAB 75.8, -35.15, 26.73

 

CMYK 19 / 34 / 0 / 20

HEX #A486CB

RGB 164 134 203

HSL 266.09, 0.4%, 0.66%

LAB 61.01, 25.14, -31.49

 

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

CMYK 34 / 0 / 6 / 20

HEX #86CBBF

RGB 134 203 191

HSL 169.57, 0.4%, 0.66%

LAB 77.01, -24.36, -0.93

 

CMYK 6 / 34 / 0 / 20

HEX #BF86CB

RGB 191 134 203

HSL 289.57, 0.4%, 0.66%

LAB 63.7, 33.6, -27.1

 

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

CMYK 34 / 0 / 33 / 20

HEX #86CB88

RGB 134 203 136

HSL 121.74, 0.4%, 0.66%

LAB 75.8, -35.15, 26.73

 

CMYK 34 / 29 / 0 / 20

HEX #8691CB

RGB 134 145 203

HSL 230.43, 0.4%, 0.66%

LAB 61.33, 9.86, -31.18

 

CMYK 0 / 34 / 1 / 20

HEX #CB86C9

RGB 203 134 201

HSL 301.74, 0.4%, 0.66%

LAB 64.93, 37.05, -23.98

 

CMYK 0 / 5 / 34 / 20

HEX #CCC187

RGB 204 193 135

HSL 50.43, 0.4%, 0.66%

LAB 77.71, -4.81, 30.64

 

CMYK 34 / 0 / 23 / 20

HEX #86CB9D

RGB 134 203 157

HSL 140, 0.4%, 0.66%

LAB 76.2, -31.44, 16.17

 

CMYK 34 / 29 / 0 / 20

HEX #8691CB

RGB 134 145 203

HSL 230.43, 0.4%, 0.66%

LAB 61.33, 9.86, -31.18

 

CMYK 0 / 34 / 11 / 20

HEX #CB86B4

RGB 203 134 180

HSL 320, 0.4%, 0.66%

LAB 64.19, 33.32, -13.29

 

Description

Color code: HEX #CCC187 | qconv.com Color code: HEX #CCC187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 193 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 193 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 34 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 34% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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