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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC159 it is the complementary color #333EA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC159 shade: #D1C154, #E2D367, #F3E57A, #FFF78D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC159 shade: #CCC159, #BBAF46, #AA9D33, #998B20 and #88790D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC159 shade: #CBC057, #CBA157, #CB8257, #CB6257 and #CB5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC159 shade: #CBC057, #B7CB57, #98CB57, #79CB57 and #59CB57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC159 shade matches the following richer shades: #CBC057, #DDCF45 and #EFDD34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC159 shade: #CBC057, #BAB269, #A8A47B, #96958C and #84879E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC159 shade: #CB8257, #CBA157, #CBC057, #B8CB57 and #99CB57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC159 shade: #9F9531, #BFB23B, #CBC057, #D5CC77 and #DFD896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC159 shade: #CCC159, #57CB63 and #9157CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC159 shade: #CCC159, #57CBC0 and #C057CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC159 shade: #CCC159, #57CB63, #5763CB and #CB57C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC159 shade: #CCC159, #57CB86, #5763CB and #CB579D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

Complementary color

CMYK 69 / 63 / 0 / 35

HEX #333EA6

RGB 51 62 166

HSL 234.26, 0.53%, 0.43%

LAB 31.58, 30.71, -57.38

 

CMYK 0 / 8 / 60 / 18

HEX #D1C154

RGB 209 193 84

HSL 52.32, 0.58%, 0.57%

LAB 77.48, -7.65, 55.6

 

CMYK 0 / 7 / 54 / 11

HEX #E2D367

RGB 226 211 103

HSL 52.68, 0.68%, 0.65%

LAB 83.83, -8.39, 54.54

 

CMYK 0 / 6 / 50 / 5

HEX #F3E57A

RGB 243 229 122

HSL 53.06, 0.83%, 0.72%

LAB 90.09, -9.01, 53.4

 

CMYK 0 / 3 / 45 / 0

HEX #FFF78D

RGB 255 247 141

HSL 55.79, 1%, 0.78%

LAB 95.87, -11.49, 51.66

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

CMYK 0 / 6 / 63 / 27

HEX #BBAF46

RGB 187 175 70

HSL 53.85, 0.46%, 0.5%

LAB 70.64, -8.6, 53.78

 

CMYK 0 / 8 / 70 / 33

HEX #AA9D33

RGB 170 157 51

HSL 53.45, 0.54%, 0.43%

LAB 64.08, -7.67, 54.51

 

CMYK 0 / 9 / 79 / 40

HEX #998B20

RGB 153 139 32

HSL 53.06, 0.65%, 0.36%

LAB 57.41, -6.51, 54.63

 

CMYK 0 / 11 / 90 / 47

HEX #88790D

RGB 136 121 13

HSL 52.68, 0.83%, 0.29%

LAB 50.61, -5.07, 53.54

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 0 / 21 / 57 / 20

HEX #CBA157

RGB 203 161 87

HSL 38.28, 0.53%, 0.57%

LAB 68.66, 6.93, 43.93

 

CMYK 0 / 36 / 57 / 20

HEX #CB8257

RGB 203 130 87

HSL 22.24, 0.53%, 0.57%

LAB 61.09, 23.81, 34.75

 

CMYK 0 / 52 / 57 / 20

HEX #CB6257

RGB 203 98 87

HSL 5.69, 0.53%, 0.57%

LAB 54.15, 40.73, 25.96

 

CMYK 0 / 57 / 57 / 20

HEX #CB5757

RGB 203 87 87

HSL 0, 0.53%, 0.57%

LAB 52.06, 46.13, 23.23

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 10 / 0 / 57 / 20

HEX #B7CB57

RGB 183 203 87

HSL 70.34, 0.53%, 0.57%

LAB 78.15, -23.16, 54.44

 

CMYK 25 / 0 / 57 / 20

HEX #98CB57

RGB 152 203 87

HSL 86.38, 0.53%, 0.57%

LAB 76.12, -35.2, 51.58

 

CMYK 40 / 0 / 57 / 20

HEX #79CB57

RGB 121 203 87

HSL 102.41, 0.53%, 0.57%

LAB 74.49, -46, 49.28

 

CMYK 56 / 0 / 57 / 20

HEX #59CB57

RGB 89 203 87

HSL 118.97, 0.53%, 0.57%

LAB 73.24, -55.16, 47.51

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 0 / 6 / 69 / 13

HEX #DDCF45

RGB 221 207 69

HSL 54.47, 0.69%, 0.57%

LAB 82.07, -10.64, 66.98

 

CMYK 0 / 8 / 78 / 6

HEX #EFDD34

RGB 239 221 52

HSL 54.22, 0.85%, 0.57%

LAB 87.15, -10.81, 78

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 0 / 4 / 44 / 27

HEX #BAB269

RGB 186 178 105

HSL 54.07, 0.37%, 0.57%

LAB 71.76, -7.61, 38.22

 

CMYK 0 / 2 / 27 / 34

HEX #A8A47B

RGB 168 164 123

HSL 54.67, 0.21%, 0.57%

LAB 66.75, -5.28, 21.85

 

CMYK 0 / 1 / 7 / 41

HEX #96958C

RGB 150 149 140

HSL 54, 0.05%, 0.57%

LAB 61.54, -1.32, 4.87

 

CMYK 16 / 15 / 0 / 38

HEX #84879E

RGB 132 135 158

HSL 233.08, 0.12%, 0.57%

LAB 56.78, 3.84, -12.59

 

CMYK 0 / 36 / 57 / 20

HEX #CB8257

RGB 203 130 87

HSL 22.24, 0.53%, 0.57%

LAB 61.09, 23.81, 34.75

 

CMYK 0 / 21 / 57 / 20

HEX #CBA157

RGB 203 161 87

HSL 38.28, 0.53%, 0.57%

LAB 68.66, 6.93, 43.93

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 9 / 0 / 57 / 20

HEX #B8CB57

RGB 184 203 87

HSL 69.83, 0.53%, 0.57%

LAB 78.22, -22.76, 54.54

 

CMYK 25 / 0 / 57 / 20

HEX #99CB57

RGB 153 203 87

HSL 85.86, 0.53%, 0.57%

LAB 76.17, -34.83, 51.67

 

CMYK 0 / 6 / 69 / 38

HEX #9F9531

RGB 159 149 49

HSL 54.55, 0.53%, 0.41%

LAB 60.86, -8.39, 51.75

 

CMYK 0 / 7 / 69 / 25

HEX #BFB23B

RGB 191 178 59

HSL 54.09, 0.53%, 0.49%

LAB 71.71, -9.1, 59.6

 

CMYK 0 / 5 / 57 / 20

HEX #CBC057

RGB 203 192 87

HSL 54.31, 0.53%, 0.57%

LAB 76.73, -9.43, 53.26

 

CMYK 0 / 4 / 44 / 16

HEX #D5CC77

RGB 213 204 119

HSL 54.26, 0.53%, 0.65%

LAB 81.11, -8.67, 43.32

 

CMYK 0 / 3 / 33 / 13

HEX #DFD896

RGB 223 216 150

HSL 54.25, 0.53%, 0.73%

LAB 85.5, -7.43, 33.46

 

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

CMYK 57 / 0 / 51 / 20

HEX #57CB63

RGB 87 203 99

HSL 126.21, 0.53%, 0.57%

LAB 73.31, -54.1, 41.9

 

CMYK 29 / 57 / 0 / 20

HEX #9157CB

RGB 145 87 203

HSL 270, 0.53%, 0.57%

LAB 48.45, 46.23, -51.43

 

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

CMYK 57 / 0 / 5 / 20

HEX #57CBC0

RGB 87 203 192

HSL 174.31, 0.53%, 0.57%

LAB 75.17, -35.26, -4.39

 

CMYK 5 / 57 / 0 / 20

HEX #C057CB

RGB 192 87 203

HSL 294.31, 0.53%, 0.57%

LAB 54.38, 58.15, -41.63

 

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

CMYK 57 / 0 / 51 / 20

HEX #57CB63

RGB 87 203 99

HSL 126.21, 0.53%, 0.57%

LAB 73.31, -54.1, 41.9

 

CMYK 57 / 51 / 0 / 20

HEX #5763CB

RGB 87 99 203

HSL 233.79, 0.53%, 0.57%

LAB 45.99, 26.03, -55.65

 

CMYK 0 / 57 / 5 / 20

HEX #CB57C0

RGB 203 87 192

HSL 305.69, 0.53%, 0.57%

LAB 55.4, 59.13, -33.62

 

CMYK 0 / 5 / 56 / 20

HEX #CCC159

RGB 204 193 89

HSL 54.26, 0.53%, 0.57%

LAB 77.1, -9.37, 52.79

 

CMYK 57 / 0 / 34 / 20

HEX #57CB86

RGB 87 203 134

HSL 144.31, 0.53%, 0.57%

LAB 73.84, -48.38, 24.81

 

CMYK 57 / 51 / 0 / 20

HEX #5763CB

RGB 87 99 203

HSL 233.79, 0.53%, 0.57%

LAB 45.99, 26.03, -55.65

 

CMYK 0 / 57 / 23 / 20

HEX #CB579D

RGB 203 87 157

HSL 323.79, 0.53%, 0.57%

LAB 53.97, 53.76, -15.49

 

Description

Color code: HEX #CCC159 | qconv.com Color code: HEX #CCC159 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 193 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 193 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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