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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC024 it is the complementary color #333FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC024 shade: #D1C01F, #E2D232, #F3E445, #FFF658 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC024 shade: #CCC024, #BBAE11, #AA9C00, #998A00 and #887800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC024 shade: #CCC024, #CC9324, #CC6524, #CC3824 and #CC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC024 shade: #CCC024, #AACC24, #7DCC24, #50CC24 and #24CC25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC024 shade matches the following richer shades: #CCC024 and #DFD011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC024 shade: #CCC024, #B8AF37, #A59F4B, #928E5E and #7E7D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC024 shade: #CC6424, #CC9124, #CCBE24, #ADCC24 and #80CC24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC024 shade: #867E18, #A99F1E, #CCC024, #DDD13C and #E3D95F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC024 shade: #CCC024, #24CC38 and #7B24CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC024 shade: #CCC024, #24CCBE and #BE24CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC024 shade: #CCC024, #24CC38, #2432CC and #CC24B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC024 shade: #CCC024, #24CC6A, #2432CC and #CC2486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

Complementary color

CMYK 77 / 71 / 0 / 14

HEX #333FDB

RGB 51 63 219

HSL 235.71, 0.7%, 0.53%

LAB 36.69, 48.54, -80.09

 

CMYK 0 / 8 / 85 / 18

HEX #D1C01F

RGB 209 192 31

HSL 54.27, 0.74%, 0.47%

LAB 76.89, -9.57, 73.64

 

CMYK 0 / 7 / 78 / 11

HEX #E2D232

RGB 226 210 50

HSL 54.55, 0.75%, 0.54%

LAB 83.17, -10.85, 74.62

 

CMYK 0 / 6 / 72 / 5

HEX #F3E445

RGB 243 228 69

HSL 54.83, 0.88%, 0.61%

LAB 89.38, -11.95, 74.77

 

CMYK 0 / 4 / 65 / 0

HEX #FFF658

RGB 255 246 88

HSL 56.77, 1%, 0.67%

LAB 95.11, -14.92, 73.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 0 / 7 / 91 / 27

HEX #BBAE11

RGB 187 174 17

HSL 55.41, 0.83%, 0.4%

LAB 70.09, -10.22, 70.12

 

CMYK 0 / 8 / 100 / 33

HEX #AA9C00

RGB 170 156 0

HSL 55.06, 1%, 0.33%

LAB 63.61, -8.61, 66.91

 

CMYK 0 / 10 / 100 / 40

HEX #998A00

RGB 153 138 0

HSL 54.12, 1%, 0.3%

LAB 57.03, -6.73, 61.45

 

CMYK 0 / 12 / 100 / 47

HEX #887800

RGB 136 120 0

HSL 52.94, 1%, 0.27%

LAB 50.3, -4.76, 55.88

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 0 / 28 / 82 / 20

HEX #CC9324

RGB 204 147 36

HSL 39.64, 0.7%, 0.47%

LAB 64.83, 12.2, 61.92

 

CMYK 0 / 50 / 82 / 20

HEX #CC6524

RGB 204 101 36

HSL 23.21, 0.7%, 0.47%

LAB 54.31, 36.88, 52.63

 

CMYK 0 / 73 / 82 / 20

HEX #CC3824

RGB 204 56 36

HSL 7.14, 0.7%, 0.47%

LAB 46.7, 56.93, 45.66

 

CMYK 0 / 82 / 82 / 20

HEX #CC2424

RGB 204 36 36

HSL 0, 0.7%, 0.47%

LAB 44.56, 62.94, 43.65

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 17 / 0 / 82 / 20

HEX #AACC24

RGB 170 204 36

HSL 72.14, 0.7%, 0.47%

LAB 77.2, -31.79, 71.51

 

CMYK 39 / 0 / 82 / 20

HEX #7DCC24

RGB 125 204 36

HSL 88.21, 0.7%, 0.47%

LAB 74.62, -48.77, 68.25

 

CMYK 61 / 0 / 82 / 20

HEX #50CC24

RGB 80 204 36

HSL 104.29, 0.7%, 0.47%

LAB 72.9, -61.91, 66.07

 

CMYK 82 / 0 / 82 / 20

HEX #24CC25

RGB 36 204 37

HSL 120.36, 0.7%, 0.47%

LAB 72.02, -69.4, 64.68

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 0 / 7 / 92 / 13

HEX #DFD011

RGB 223 208 17

HSL 55.63, 0.86%, 0.47%

LAB 82.29, -11.9, 80.84

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 0 / 5 / 70 / 28

HEX #B8AF37

RGB 184 175 55

HSL 55.81, 0.54%, 0.47%

LAB 70.26, -10.78, 59.51

 

CMYK 0 / 4 / 55 / 35

HEX #A59F4B

RGB 165 159 75

HSL 56, 0.38%, 0.47%

LAB 64.41, -9.26, 43.96

 

CMYK 0 / 3 / 36 / 43

HEX #928E5E

RGB 146 142 94

HSL 55.38, 0.22%, 0.47%

LAB 58.29, -6.18, 26.14

 

CMYK 0 / 1 / 10 / 51

HEX #7E7D72

RGB 126 125 114

HSL 55, 0.05%, 0.47%

LAB 52.19, -1.72, 6.13

 

CMYK 0 / 51 / 82 / 20

HEX #CC6424

RGB 204 100 36

HSL 22.86, 0.7%, 0.47%

LAB 54.11, 37.39, 52.45

 

CMYK 0 / 29 / 82 / 20

HEX #CC9124

RGB 204 145 36

HSL 38.93, 0.7%, 0.47%

LAB 64.34, 13.29, 61.49

 

CMYK 0 / 7 / 82 / 20

HEX #CCBE24

RGB 204 190 36

HSL 55, 0.7%, 0.47%

LAB 75.94, -10.58, 71.46

 

CMYK 15 / 0 / 82 / 20

HEX #ADCC24

RGB 173 204 36

HSL 71.07, 0.7%, 0.47%

LAB 77.4, -30.58, 71.77

 

CMYK 37 / 0 / 82 / 20

HEX #80CC24

RGB 128 204 36

HSL 87.14, 0.7%, 0.47%

LAB 74.76, -47.74, 68.44

 

CMYK 0 / 6 / 82 / 47

HEX #867E18

RGB 134 126 24

HSL 55.64, 0.7%, 0.31%

LAB 51.9, -8.46, 51.62

 

CMYK 0 / 6 / 82 / 34

HEX #A99F1E

RGB 169 159 30

HSL 55.68, 0.7%, 0.39%

LAB 64.42, -10.07, 62

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 0 / 5 / 73 / 13

HEX #DDD13C

RGB 221 209 60

HSL 55.53, 0.7%, 0.55%

LAB 82.54, -12.07, 70.68

 

CMYK 0 / 4 / 58 / 11

HEX #E3D95F

RGB 227 217 95

HSL 55.45, 0.7%, 0.63%

LAB 85.39, -11.59, 59.95

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 82 / 0 / 73 / 20

HEX #24CC38

RGB 36 204 56

HSL 127.14, 0.7%, 0.47%

LAB 72.13, -68.12, 58.82

 

CMYK 40 / 82 / 0 / 20

HEX #7B24CC

RGB 123 36 204

HSL 271.07, 0.7%, 0.47%

LAB 37.54, 65.12, -69.8

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 82 / 0 / 7 / 20

HEX #24CCBE

RGB 36 204 190

HSL 175, 0.7%, 0.47%

LAB 74.37, -43.08, -4.6

 

CMYK 7 / 82 / 0 / 20

HEX #BE24CC

RGB 190 36 204

HSL 295, 0.7%, 0.47%

LAB 47.71, 75.97, -52.83

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 82 / 0 / 73 / 20

HEX #24CC38

RGB 36 204 56

HSL 127.14, 0.7%, 0.47%

LAB 72.13, -68.12, 58.82

 

CMYK 82 / 75 / 0 / 20

HEX #2432CC

RGB 36 50 204

HSL 235, 0.7%, 0.47%

LAB 31.84, 49.85, -79.46

 

CMYK 0 / 82 / 10 / 20

HEX #CC24B8

RGB 204 36 184

HSL 307.14, 0.7%, 0.47%

LAB 48.96, 75.59, -39.08

 

CMYK 0 / 6 / 82 / 20

HEX #CCC024

RGB 204 192 36

HSL 55.71, 0.7%, 0.47%

LAB 76.48, -11.6, 71.92

 

CMYK 82 / 0 / 48 / 20

HEX #24CC6A

RGB 36 204 106

HSL 145, 0.7%, 0.47%

LAB 72.63, -61.99, 37.38

 

CMYK 82 / 75 / 0 / 20

HEX #2432CC

RGB 36 50 204

HSL 235, 0.7%, 0.47%

LAB 31.84, 49.85, -79.46

 

CMYK 0 / 82 / 34 / 20

HEX #CC2486

RGB 204 36 134

HSL 325, 0.7%, 0.47%

LAB 46.74, 69.39, -12.7

 

Description

Color code: HEX #CCC024 | qconv.com Color code: HEX #CCC024 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 192 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 192 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 82% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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