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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBE78 it is the complementary color #334187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBE78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBE78 shade: #D1BE73, #E2D086, #F3E299, #FFF4AC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBE78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBE78 shade: #CCBE78, #BBAC65, #AA9A52, #99883F and #88762C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBE78 shade: #CDBF7A, #CDA87A, #CD927A, #CD7C7A and #CD7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBE78 shade: #CDBF7A, #C4CD7A, #AECD7A, #97CD7A and #81CD7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBE78 shade matches the following richer shades: #CDBF7A, #DBC96B, #EAD35C and #F9DC4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBE78 shade: #CDBF7A, #BEB589, #AFAB98, #A0A1A6 and #9197B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBE78 shade: #CD937A, #CDA97A, #CDBF7A, #C4CD7A and #AECD7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBE78 shade: #B19F43, #C1B05C, #CDBF7A, #D8CD98 and #E3DCB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBE78 shade: #CCBE78, #7ACD7D and #9E7ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBE78 shade: #CCBE78, #7ACDBF and #BF7ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBE78 shade: #CCBE78, #7ACD7D, #7A88CD and #CD7ACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBE78 shade: #CCBE78, #7ACD95, #7A88CD and #CD7AB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

Complementary color

CMYK 62 / 52 / 0 / 47

HEX #334187

RGB 51 65 135

HSL 230, 0.45%, 0.36%

LAB 29.99, 17.43, -41.05

 

CMYK 0 / 9 / 45 / 18

HEX #D1BE73

RGB 209 190 115

HSL 47.87, 0.51%, 0.64%

LAB 77.05, -3.47, 40.19

 

CMYK 0 / 8 / 41 / 11

HEX #E2D086

RGB 226 208 134

HSL 48.26, 0.61%, 0.71%

LAB 83.44, -3.99, 38.97

 

CMYK 0 / 7 / 37 / 5

HEX #F3E299

RGB 243 226 153

HSL 48.67, 0.79%, 0.78%

LAB 89.74, -4.45, 37.8

 

CMYK 0 / 4 / 33 / 0

HEX #FFF4AC

RGB 255 244 172

HSL 52.05, 1%, 0.84%

LAB 95.56, -6.73, 36.08

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

CMYK 0 / 8 / 46 / 27

HEX #BBAC65

RGB 187 172 101

HSL 49.53, 0.39%, 0.56%

LAB 70.18, -4.45, 38.33

 

CMYK 0 / 9 / 52 / 33

HEX #AA9A52

RGB 170 154 82

HSL 49.09, 0.35%, 0.49%

LAB 63.56, -3.81, 39.59

 

CMYK 0 / 11 / 59 / 40

HEX #99883F

RGB 153 136 63

HSL 48.67, 0.42%, 0.42%

LAB 56.82, -3.04, 40.84

 

CMYK 0 / 13 / 68 / 47

HEX #88762C

RGB 136 118 44

HSL 48.26, 0.51%, 0.35%

LAB 49.95, -2.06, 41.94

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 0 / 18 / 40 / 20

HEX #CDA87A

RGB 205 168 122

HSL 33.25, 0.45%, 0.64%

LAB 71.14, 7.32, 28.85

 

CMYK 0 / 29 / 40 / 20

HEX #CD927A

RGB 205 146 122

HSL 17.35, 0.45%, 0.64%

LAB 65.7, 19.28, 21.58

 

CMYK 0 / 40 / 40 / 20

HEX #CD7C7A

RGB 205 124 122

HSL 1.45, 0.45%, 0.64%

LAB 60.6, 31.23, 14.58

 

CMYK 0 / 40 / 40 / 20

HEX #CD7A7A

RGB 205 122 122

HSL 0, 0.45%, 0.64%

LAB 60.16, 32.3, 13.96

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 4 / 0 / 40 / 20

HEX #C4CD7A

RGB 196 205 122

HSL 66.51, 0.45%, 0.64%

LAB 80.07, -15.62, 40.23

 

CMYK 15 / 0 / 40 / 20

HEX #AECD7A

RGB 174 205 122

HSL 82.41, 0.45%, 0.64%

LAB 78.5, -24.09, 37.92

 

CMYK 26 / 0 / 40 / 20

HEX #97CD7A

RGB 151 205 122

HSL 99.04, 0.45%, 0.64%

LAB 77.07, -32.47, 35.79

 

CMYK 37 / 0 / 40 / 20

HEX #81CD7A

RGB 129 205 122

HSL 114.94, 0.45%, 0.64%

LAB 75.91, -39.83, 34.06

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 0 / 8 / 51 / 14

HEX #DBC96B

RGB 219 201 107

HSL 50.36, 0.61%, 0.64%

LAB 80.68, -5.82, 48.79

 

CMYK 0 / 10 / 61 / 8

HEX #EAD35C

RGB 234 211 92

HSL 50.28, 0.77%, 0.64%

LAB 84.41, -5.89, 60.34

 

CMYK 0 / 12 / 69 / 2

HEX #F9DC4D

RGB 249 220 77

HSL 49.88, 0.93%, 0.64%

LAB 87.9, -5.09, 70.58

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 0 / 5 / 28 / 25

HEX #BEB589

RGB 190 181 137

HSL 49.81, 0.29%, 0.64%

LAB 73.42, -3.75, 23.62

 

CMYK 0 / 2 / 13 / 31

HEX #AFAB98

RGB 175 171 152

HSL 49.57, 0.13%, 0.64%

LAB 69.83, -1.9, 10.29

 

CMYK 4 / 3 / 0 / 35

HEX #A0A1A6

RGB 160 161 166

HSL 230, 0.03%, 0.64%

LAB 66.3, 0.62, -2.72

 

CMYK 20 / 17 / 0 / 29

HEX #9197B5

RGB 145 151 181

HSL 230, 0.2%, 0.64%

LAB 62.92, 4.32, -16.31

 

CMYK 0 / 28 / 40 / 20

HEX #CD937A

RGB 205 147 122

HSL 18.07, 0.45%, 0.64%

LAB 65.94, 18.73, 21.91

 

CMYK 0 / 18 / 40 / 20

HEX #CDA97A

RGB 205 169 122

HSL 33.98, 0.45%, 0.64%

LAB 71.39, 6.78, 29.19

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 4 / 0 / 40 / 20

HEX #C4CD7A

RGB 196 205 122

HSL 66.51, 0.45%, 0.64%

LAB 80.07, -15.62, 40.23

 

CMYK 15 / 0 / 40 / 20

HEX #AECD7A

RGB 174 205 122

HSL 82.41, 0.45%, 0.64%

LAB 78.5, -24.09, 37.92

 

CMYK 0 / 10 / 62 / 31

HEX #B19F43

RGB 177 159 67

HSL 50.18, 0.45%, 0.48%

LAB 65.4, -4.67, 49.16

 

CMYK 0 / 9 / 52 / 24

HEX #C1B05C

RGB 193 176 92

HSL 49.9, 0.45%, 0.56%

LAB 71.66, -4.89, 44.78

 

CMYK 0 / 7 / 40 / 20

HEX #CDBF7A

RGB 205 191 122

HSL 49.88, 0.45%, 0.64%

LAB 77.07, -4.87, 36.56

 

CMYK 0 / 5 / 30 / 15

HEX #D8CD98

RGB 216 205 152

HSL 49.69, 0.45%, 0.72%

LAB 82.12, -4.24, 27.82

 

CMYK 0 / 3 / 20 / 11

HEX #E3DCB6

RGB 227 220 182

HSL 50.67, 0.45%, 0.8%

LAB 87.43, -3.71, 19.56

 

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

CMYK 40 / 0 / 39 / 20

HEX #7ACD7D

RGB 122 205 125

HSL 122.17, 0.45%, 0.64%

LAB 75.63, -41.54, 32.1

 

CMYK 23 / 40 / 0 / 20

HEX #9E7ACD

RGB 158 122 205

HSL 266.02, 0.45%, 0.64%

LAB 57.65, 30.66, -37.9

 

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

CMYK 40 / 0 / 7 / 20

HEX #7ACDBF

RGB 122 205 191

HSL 169.88, 0.45%, 0.64%

LAB 77.02, -28.57, -0.98

 

CMYK 7 / 40 / 0 / 20

HEX #BF7ACD

RGB 191 122 205

HSL 289.88, 0.45%, 0.64%

LAB 61.14, 40.53, -32.2

 

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

CMYK 40 / 0 / 39 / 20

HEX #7ACD7D

RGB 122 205 125

HSL 122.17, 0.45%, 0.64%

LAB 75.63, -41.54, 32.1

 

CMYK 40 / 34 / 0 / 20

HEX #7A88CD

RGB 122 136 205

HSL 229.88, 0.45%, 0.64%

LAB 58.18, 12.34, -37.28

 

CMYK 0 / 40 / 1 / 20

HEX #CD7ACA

RGB 205 122 202

HSL 302.17, 0.45%, 0.64%

LAB 62.64, 44.25, -28.04

 

CMYK 0 / 7 / 41 / 20

HEX #CCBE78

RGB 204 190 120

HSL 50, 0.45%, 0.64%

LAB 76.69, -4.97, 37.09

 

CMYK 40 / 0 / 27 / 20

HEX #7ACD95

RGB 122 205 149

HSL 139.52, 0.45%, 0.64%

LAB 76.05, -37.43, 20.13

 

CMYK 40 / 34 / 0 / 20

HEX #7A88CD

RGB 122 136 205

HSL 229.88, 0.45%, 0.64%

LAB 58.18, 12.34, -37.28

 

CMYK 0 / 40 / 14 / 20

HEX #CD7AB1

RGB 205 122 177

HSL 320.24, 0.45%, 0.64%

LAB 61.72, 39.93, -15.3

 

Description

Color code: HEX #CCBE78 | qconv.com Color code: HEX #CCBE78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 190 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 190 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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