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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBDF03F it is the complementary color #33420F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBDF03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBDF03F shade: #D1BDEB3F, #E2CFFE3F, #F3E1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBDF03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBDF03F shade: #CCBDF03F, #BBABDD3F, #AA99CA3F, #9987B73F and #8875A43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBDF03F shade: #CCBCF0, #D9BCF0, #E7BCF0, #F0BCEB and #F0BCDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBDF03F shade: #CCBCF0, #BEBCF0 and #BCBCF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBDF03F shade matches the following richer shades: #CCBCF0, #C9B6F7 and #C6AFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBDF03F shade: #CCBCF0, #CEC3E9, #D1CAE3, #D4D0DC and #D6D7D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBDF03F shade: #BCC9F0, #BDBCF0, #CBBCF0, #D9BCF0 and #E6BCF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBDF03F shade: #9879E1, #B29BE8, #CCBCF0, #E6DEF8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBDF03F shade: #CCBDF0, #F0BCD7 and #C2F0BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBDF03F shade: #CCBDF0, #F0CBBC and #BCF0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBDF03F shade: #CCBDF0, #F0BCD7, #E1F0BC and #BCF0D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBDF03F shade: #CCBDF0, #F0BCC8, #E1F0BC and #BCF0E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 5 / 0 / 1

HEX #CCBDF03F

RGBA 204 189 240 0.25

HSLA 257.65, 0.63%, 0.84%, 0.25

LABA 79.34, 15.15, -23.35, 0.25

 

Complementary color

CMYK 6 / 0 / 19 / 19

HEX #33420F3F

RGBA 51 66 15 0.25

HSLA 77.65, 0.63%, 0.16%, 0.25

LABA 25.67, -14.86, 27.74, 0.25

 

CMYK 3 / 5 / 0 / 2

HEX #D1BDEB3F

RGBA 209 189 235 0.25

HSLA 266.09, 0.53%, 0.83%, 0.25

LABA 79.58, 15.69, -20.26, 0.25

 

CMYK 3 / 5 / 0 / 0

HEX #E2CFFE3F

RGBA 226 207 254 0.25

HSLA 264.26, 0.96%, 0.9%, 0.25

LABA 85.98, 15.3, -20.57, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F3E1FF3F

RGBA 243 225 255 0.25

HSLA 276, 1%, 0.94%, 0.25

LABA 91.74, 11.47, -12.31, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 4 / 5 / 0 / 1

HEX #CCBDF03F

RGBA 204 189 240 0.25

HSLA 257.65, 0.63%, 0.84%, 0.25

LABA 79.34, 15.15, -23.35, 0.25

 

CMYK 4 / 6 / 0 / 3

HEX #BBABDD3F

RGBA 187 171 221 0.25

HSLA 259.2, 0.42%, 0.77%, 0.25

LABA 72.83, 15.57, -23.11, 0.25

 

CMYK 4 / 6 / 0 / 5

HEX #AA99CA3F

RGBA 170 153 202 0.25

HSLA 260.82, 0.32%, 0.7%, 0.25

LABA 66.21, 16.02, -22.88, 0.25

 

CMYK 4 / 7 / 0 / 7

HEX #9987B73F

RGBA 153 135 183 0.25

HSLA 262.5, 0.25%, 0.62%, 0.25

LABA 59.45, 16.52, -22.66, 0.25

 

CMYK 4 / 7 / 0 / 9

HEX #8875A43F

RGBA 136 117 164 0.25

HSLA 264.26, 0.21%, 0.55%, 0.25

LABA 52.55, 17.07, -22.48, 0.25

 

CMYK 15 / 22 / 0 / 6

HEX #CCBCF0

RGB 204 188 240

HSL 258.46, 0.63%, 0.84%

LAB 79.1, 15.69, -23.73

 

CMYK 10 / 22 / 0 / 6

HEX #D9BCF0

RGB 217 188 240

HSL 273.46, 0.63%, 0.84%

LAB 80.18, 19.8, -21.97

 

CMYK 4 / 22 / 0 / 6

HEX #E7BCF0

RGB 231 188 240

HSL 289.62, 0.63%, 0.84%

LAB 81.43, 24.3, -19.97

 

CMYK 0 / 22 / 2 / 6

HEX #F0BCEB

RGB 240 188 235

HSL 305.77, 0.63%, 0.84%

LAB 82.1, 26.32, -16.19

 

CMYK 0 / 22 / 8 / 6

HEX #F0BCDD

RGB 240 188 221

HSL 321.92, 0.63%, 0.84%

LAB 81.68, 23.88, -9.31

 

CMYK 15 / 22 / 0 / 6

HEX #CCBCF0

RGB 204 188 240

HSL 258.46, 0.63%, 0.84%

LAB 79.1, 15.69, -23.73

 

CMYK 21 / 22 / 0 / 6

HEX #BEBCF0

RGB 190 188 240

HSL 242.31, 0.63%, 0.84%

LAB 78, 11.37, -25.5

 

CMYK 22 / 22 / 0 / 6

HEX #BCBCF0

RGB 188 188 240

HSL 240, 0.63%, 0.84%

LAB 77.84, 10.76, -25.75

 

CMYK 15 / 22 / 0 / 6

HEX #CCBCF0

RGB 204 188 240

HSL 258.46, 0.63%, 0.84%

LAB 79.1, 15.69, -23.73

 

CMYK 19 / 26 / 0 / 3

HEX #C9B6F7

RGB 201 182 247

HSL 257.54, 0.8%, 0.84%

LAB 77.63, 19.55, -29.75

 

CMYK 22 / 31 / 0 / 1

HEX #C6AFFD

RGB 198 175 253

HSL 257.69, 0.95%, 0.84%

LAB 75.92, 23.83, -35.64

 

CMYK 15 / 22 / 0 / 6

HEX #CCBCF0

RGB 204 188 240

HSL 258.46, 0.63%, 0.84%

LAB 79.1, 15.69, -23.73

 

CMYK 12 / 16 / 0 / 9

HEX #CEC3E9

RGB 206 195 233

HSL 257.37, 0.46%, 0.84%

LAB 80.76, 11.08, -17.44

 

CMYK 8 / 11 / 0 / 11

HEX #D1CAE3

RGB 209 202 227

HSL 256.8, 0.31%, 0.84%

LAB 82.56, 7.11, -11.5

 

CMYK 4 / 5 / 0 / 14

HEX #D4D0DC

RGB 212 208 220

HSL 260, 0.15%, 0.84%

LAB 84.11, 3.58, -5.44

 

CMYK 0 / 0 / 1 / 16

HEX #D6D7D5

RGB 214 215 213

HSL 90, 0.02%, 0.84%

LAB 85.86, -0.7, 0.86

 

CMYK 22 / 16 / 0 / 6

HEX #BCC9F0

RGB 188 201 240

HSL 225, 0.63%, 0.84%

LAB 81.16, 3.74, -20.71

 

CMYK 21 / 22 / 0 / 6

HEX #BDBCF0

RGB 189 188 240

HSL 241.15, 0.63%, 0.84%

LAB 77.92, 11.06, -25.63

 

CMYK 15 / 22 / 0 / 6

HEX #CBBCF0

RGB 203 188 240

HSL 257.31, 0.63%, 0.84%

LAB 79.01, 15.38, -23.86

 

CMYK 10 / 22 / 0 / 6

HEX #D9BCF0

RGB 217 188 240

HSL 273.46, 0.63%, 0.84%

LAB 80.18, 19.8, -21.97

 

CMYK 4 / 22 / 0 / 6

HEX #E6BCF0

RGB 230 188 240

HSL 288.46, 0.63%, 0.84%

LAB 81.34, 23.98, -20.12

 

CMYK 32 / 46 / 0 / 12

HEX #9879E1

RGB 152 121 225

HSL 257.88, 0.63%, 0.68%

LAB 57.83, 34.51, -48.9

 

CMYK 23 / 33 / 0 / 9

HEX #B29BE8

RGB 178 155 232

HSL 257.92, 0.63%, 0.76%

LAB 68.56, 24.2, -35.78

 

CMYK 15 / 22 / 0 / 6

HEX #CCBCF0

RGB 204 188 240

HSL 258.46, 0.63%, 0.84%

LAB 79.1, 15.69, -23.73

 

CMYK 7 / 10 / 0 / 3

HEX #E6DEF8

RGB 230 222 248

HSL 258.46, 0.65%, 0.92%

LAB 89.79, 7.49, -11.66

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 21 / 0 / 6

HEX #CCBDF0

RGB 204 189 240

HSL 257.65, 0.63%, 0.84%

LAB 79.34, 15.15, -23.35

 

CMYK 0 / 22 / 10 / 6

HEX #F0BCD7

RGB 240 188 215

HSL 328.85, 0.63%, 0.84%

LAB 81.51, 22.87, -6.34

 

CMYK 19 / 0 / 22 / 6

HEX #C2F0BC

RGB 194 240 188

HSL 113.08, 0.63%, 0.84%

LAB 90.51, -24.35, 20.38

 

CMYK 15 / 21 / 0 / 6

HEX #CCBDF0

RGB 204 189 240

HSL 257.65, 0.63%, 0.84%

LAB 79.34, 15.15, -23.35

 

CMYK 0 / 15 / 22 / 6

HEX #F0CBBC

RGB 240 203 188

HSL 17.31, 0.63%, 0.84%

LAB 84.42, 10.76, 12.32

 

CMYK 22 / 0 / 15 / 6

HEX #BCF0CB

RGB 188 240 203

HSL 137.31, 0.63%, 0.84%

LAB 90.47, -23.72, 12.51

 

CMYK 15 / 21 / 0 / 6

HEX #CCBDF0

RGB 204 189 240

HSL 257.65, 0.63%, 0.84%

LAB 79.34, 15.15, -23.35

 

CMYK 0 / 22 / 10 / 6

HEX #F0BCD7

RGB 240 188 215

HSL 328.85, 0.63%, 0.84%

LAB 81.51, 22.87, -6.34

 

CMYK 6 / 0 / 22 / 6

HEX #E1F0BC

RGB 225 240 188

HSL 77.31, 0.63%, 0.84%

LAB 92.56, -13.63, 23.53

 

CMYK 22 / 0 / 11 / 6

HEX #BCF0D5

RGB 188 240 213

HSL 148.85, 0.63%, 0.84%

LAB 90.7, -21.86, 7.64

 

CMYK 15 / 21 / 0 / 6

HEX #CCBDF0

RGB 204 189 240

HSL 257.65, 0.63%, 0.84%

LAB 79.34, 15.15, -23.35

 

CMYK 0 / 22 / 17 / 6

HEX #F0BCC8

RGB 240 188 200

HSL 346.15, 0.63%, 0.84%

LAB 81.11, 20.47, 1.14

 

CMYK 6 / 0 / 22 / 6

HEX #E1F0BC

RGB 225 240 188

HSL 77.31, 0.63%, 0.84%

LAB 92.56, -13.63, 23.53

 

CMYK 22 / 0 / 5 / 6

HEX #BCF0E5

RGB 188 240 229

HSL 167.31, 0.63%, 0.84%

LAB 91.08, -18.71, -0.13

 

Description

Color code: HEX #CCBDF03F | qconv.com Color code: HEX #CCBDF03F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 189 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 189 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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