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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB85C it is the complementary color #3347A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB85C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB85C shade: #D1B857, #E2CA6A, #F3DC7D, #FFEE90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB85C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB85C shade: #CCB85C, #BBA649, #AA9436, #998223 and #887010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB85C shade: #CCB85C, #CC9A5C, #CC7C5C, #CC5E5C and #CC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB85C shade: #CCB85C, #C1CC5C, #A3CC5C, #85CC5C and #67CC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB85C shade matches the following richer shades: #CCB85C, #DDC34B and #EECE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB85C shade: #CCB85C, #BAAD6E, #A9A17F, #989690 and #868BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB85C shade: #CC7C5C, #CC995C, #CCB75C, #C2CC5C and #A5CC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB85C shade: #A28E33, #C1AA3D, #CCB85C, #D5C57C and #DFD39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB85C shade: #CCB85C, #5CCC5E and #8B5CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB85C shade: #CCB85C, #5CCCB7 and #B75CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB85C shade: #CCB85C, #5CCC5E, #5C71CC and #CC5CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB85C shade: #CCB85C, #5CCC7F, #5C71CC and #CC5CA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

Complementary color

CMYK 69 / 56 / 0 / 36

HEX #3347A3

RGB 51 71 163

HSL 229.29, 0.52%, 0.42%

LAB 33.68, 23.7, -52.17

 

CMYK 0 / 12 / 58 / 18

HEX #D1B857

RGB 209 184 87

HSL 47.7, 0.57%, 0.58%

LAB 75.15, -2.76, 51.62

 

CMYK 0 / 11 / 53 / 11

HEX #E2CA6A

RGB 226 202 106

HSL 48, 0.67%, 0.65%

LAB 81.54, -3.55, 50.44

 

CMYK 0 / 9 / 49 / 5

HEX #F3DC7D

RGB 243 220 125

HSL 48.31, 0.83%, 0.72%

LAB 87.83, -4.22, 49.24

 

CMYK 0 / 7 / 44 / 0

HEX #FFEE90

RGB 255 238 144

HSL 50.81, 1%, 0.78%

LAB 93.63, -6.76, 47.44

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 0 / 11 / 61 / 27

HEX #BBA649

RGB 187 166 73

HSL 48.95, 0.46%, 0.51%

LAB 68.25, -3.65, 49.81

 

CMYK 0 / 13 / 68 / 33

HEX #AA9436

RGB 170 148 54

HSL 48.62, 0.52%, 0.44%

LAB 61.65, -2.66, 50.77

 

CMYK 0 / 15 / 77 / 40

HEX #998223

RGB 153 130 35

HSL 48.31, 0.63%, 0.37%

LAB 54.93, -1.43, 51.28

 

CMYK 0 / 18 / 88 / 47

HEX #887010

RGB 136 112 16

HSL 48, 0.79%, 0.3%

LAB 48.08, 0.09, 50.77

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 0 / 25 / 55 / 20

HEX #CC9A5C

RGB 204 154 92

HSL 33.21, 0.52%, 0.58%

LAB 67.07, 11.55, 39.49

 

CMYK 0 / 39 / 55 / 20

HEX #CC7C5C

RGB 204 124 92

HSL 17.14, 0.52%, 0.58%

LAB 59.91, 27.87, 30.56

 

CMYK 0 / 54 / 55 / 20

HEX #CC5E5C

RGB 204 94 92

HSL 1.07, 0.52%, 0.58%

LAB 53.62, 43.5, 22.38

 

CMYK 0 / 55 / 55 / 20

HEX #CC5C5C

RGB 204 92 92

HSL 0, 0.52%, 0.58%

LAB 53.24, 44.48, 21.88

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 5 / 0 / 55 / 20

HEX #C1CC5C

RGB 193 204 92

HSL 65.89, 0.52%, 0.58%

LAB 79.21, -19.21, 53.59

 

CMYK 20 / 0 / 55 / 20

HEX #A3CC5C

RGB 163 204 92

HSL 81.96, 0.52%, 0.58%

LAB 77.13, -31.05, 50.64

 

CMYK 35 / 0 / 55 / 20

HEX #85CC5C

RGB 133 204 92

HSL 98.04, 0.52%, 0.58%

LAB 75.42, -41.92, 48.21

 

CMYK 50 / 0 / 55 / 20

HEX #67CC5C

RGB 103 204 92

HSL 114.11, 0.52%, 0.58%

LAB 74.09, -51.25, 46.31

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 0 / 12 / 66 / 13

HEX #DDC34B

RGB 221 195 75

HSL 49.32, 0.68%, 0.58%

LAB 78.99, -4.19, 61.44

 

CMYK 0 / 13 / 76 / 7

HEX #EECE3A

RGB 238 206 58

HSL 49.33, 0.84%, 0.58%

LAB 83.24, -3.45, 72.56

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 0 / 7 / 41 / 27

HEX #BAAD6E

RGB 186 173 110

HSL 49.74, 0.36%, 0.58%

LAB 70.49, -4.44, 34.03

 

CMYK 0 / 5 / 25 / 34

HEX #A9A17F

RGB 169 161 127

HSL 48.57, 0.2%, 0.58%

LAB 66.1, -2.69, 18.78

 

CMYK 0 / 1 / 5 / 40

HEX #989690

RGB 152 150 144

HSL 45, 0.04%, 0.58%

LAB 62.08, -0.39, 3.41

 

CMYK 17 / 14 / 0 / 36

HEX #868BA2

RGB 134 139 162

HSL 229.29, 0.13%, 0.58%

LAB 58.17, 3.14, -12.78

 

CMYK 0 / 39 / 55 / 20

HEX #CC7C5C

RGB 204 124 92

HSL 17.14, 0.52%, 0.58%

LAB 59.91, 27.87, 30.56

 

CMYK 0 / 25 / 55 / 20

HEX #CC995C

RGB 204 153 92

HSL 32.68, 0.52%, 0.58%

LAB 66.82, 12.09, 39.19

 

CMYK 0 / 10 / 55 / 20

HEX #CCB75C

RGB 204 183 92

HSL 48.75, 0.52%, 0.58%

LAB 74.49, -3.95, 48.37

 

CMYK 5 / 0 / 55 / 20

HEX #C2CC5C

RGB 194 204 92

HSL 65.36, 0.52%, 0.58%

LAB 79.29, -18.8, 53.69

 

CMYK 19 / 0 / 55 / 20

HEX #A5CC5C

RGB 165 204 92

HSL 80.89, 0.52%, 0.58%

LAB 77.26, -30.29, 50.82

 

CMYK 0 / 12 / 69 / 36

HEX #A28E33

RGB 162 142 51

HSL 49.19, 0.52%, 0.42%

LAB 59.22, -3.14, 49.31

 

CMYK 0 / 12 / 68 / 24

HEX #C1AA3D

RGB 193 170 61

HSL 49.55, 0.52%, 0.5%

LAB 69.77, -3.93, 56.88

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 0 / 8 / 42 / 16

HEX #D5C57C

RGB 213 197 124

HSL 49.21, 0.51%, 0.66%

LAB 79.35, -4.56, 38.59

 

CMYK 0 / 5 / 30 / 13

HEX #DFD39B

RGB 223 211 155

HSL 49.41, 0.52%, 0.74%

LAB 84.3, -4.26, 29.28

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 55 / 0 / 54 / 20

HEX #5CCC5E

RGB 92 204 94

HSL 121.07, 0.52%, 0.58%

LAB 73.72, -53.92, 44.84

 

CMYK 32 / 55 / 0 / 20

HEX #8B5CCC

RGB 139 92 204

HSL 265.18, 0.52%, 0.58%

LAB 48.89, 42.26, -51.33

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 55 / 0 / 10 / 20

HEX #5CCCB7

RGB 92 204 183

HSL 168.75, 0.52%, 0.58%

LAB 75.38, -37.01, 0.8

 

CMYK 10 / 55 / 0 / 20

HEX #B75CCC

RGB 183 92 204

HSL 288.75, 0.52%, 0.58%

LAB 54.11, 53.61, -42.7

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 55 / 0 / 54 / 20

HEX #5CCC5E

RGB 92 204 94

HSL 121.07, 0.52%, 0.58%

LAB 73.72, -53.92, 44.84

 

CMYK 55 / 45 / 0 / 20

HEX #5C71CC

RGB 92 113 204

HSL 228.75, 0.52%, 0.58%

LAB 50.03, 18.69, -49.73

 

CMYK 0 / 55 / 1 / 20

HEX #CC5CCA

RGB 204 92 202

HSL 301.07, 0.52%, 0.58%

LAB 56.84, 58.83, -37.08

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85C

RGB 204 184 92

HSL 49.29, 0.52%, 0.58%

LAB 74.76, -4.48, 48.67

 

CMYK 55 / 0 / 38 / 20

HEX #5CCC7F

RGB 92 204 127

HSL 138.75, 0.52%, 0.58%

LAB 74.19, -48.91, 28.95

 

CMYK 55 / 45 / 0 / 20

HEX #5C71CC

RGB 92 113 204

HSL 228.75, 0.52%, 0.58%

LAB 50.03, 18.69, -49.73

 

CMYK 0 / 55 / 18 / 20

HEX #CC5CA8

RGB 204 92 168

HSL 319.29, 0.52%, 0.58%

LAB 55.4, 53.33, -19.73

 

Description

Color code: HEX #CCB85C | qconv.com Color code: HEX #CCB85C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 184 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 184 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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