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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB4AB00 it is the complementary color #334B5400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB4AB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB4AB00 shade: #D1B4A600, #E2C6B900, #F3D8CC00, #FFEADF00 and #FFFCF200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB4AB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB4AB00 shade: #CCB4AB00, #BBA29800, #AA908500, #997E7200 and #886C5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB4AB00 shade: #CDB5AD and #CDADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB4AB00 shade: #CDB5AD, #CDBEAD, #CDC7AD, #CACDAD and #C1CDAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB4AB00 shade matches the following richer shades: #CDB5AD, #D7B1A2, #E2AC97, #EDA78D and #F8A282

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB4AB00 shade: #CDB5AD, #C2BAB8, #B7BFC2, #ACC4CD and #A2C9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB4AB00 shade: #CDADB5, #CDADAD, #CDB5AD, #CDBEAD and #CDC6AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB4AB00 shade: #AD887A, #BD9F93, #CDB5AD, #DCCCC6 and #ECE3E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB4AB00 shade: #CCB4AB, #BECDAD and #ADB1CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB4AB00 shade: #CCB4AB, #ADCDB5 and #B5ADCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB4AB00 shade: #CCB4AB, #BECDAD, #ADC4CD and #BCADCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB4AB00 shade: #CCB4AB, #B4CDAD, #ADC4CD and #C5ADCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #CCB4AB00

RGBA 204 180 171 0

HSLA 16.36, 0.24%, 0.74%, 0

LABA 75.09, 7.13, 7.73, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #334B5400

RGBA 51 75 84 0

HSLA 196.36, 0.24%, 0.26%, 0

LABA 30.34, -6.57, -8.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1B4A600

RGBA 209 180 166 0

HSLA 19.53, 0.32%, 0.74%, 0

LABA 75.42, 8.22, 10.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2C6B900

RGBA 226 198 185 0

HSLA 19.02, 0.41%, 0.81%, 0

LABA 81.87, 7.81, 10.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F3D8CC00

RGBA 243 216 204 0

HSLA 18.46, 0.62%, 0.88%, 0

LABA 88.22, 7.44, 9.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEADF00

RGBA 255 234 223 0

HSLA 20.63, 1%, 0.94%, 0

LABA 94.07, 5.35, 7.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCF200

RGBA 255 252 242 0

HSLA 46.15, 1%, 0.97%, 0

LABA 98.94, -0.71, 5.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCB4AB00

RGBA 204 180 171 0

HSLA 16.36, 0.24%, 0.74%, 0

LABA 75.09, 7.13, 7.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BBA29800

RGBA 187 162 152 0

HSLA 17.14, 0.2%, 0.66%, 0

LABA 68.51, 7.52, 8.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AA908500

RGBA 170 144 133 0

HSLA 17.84, 0.18%, 0.59%, 0

LABA 61.81, 7.97, 9.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #997E7200

RGBA 153 126 114 0

HSLA 18.46, 0.16%, 0.52%, 0

LABA 54.98, 8.48, 10.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #886C5F00

RGBA 136 108 95 0

HSLA 19.02, 0.18%, 0.45%, 0

LABA 47.99, 9.08, 11.49, 0

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 16 / 16 / 20

HEX #CDADAD

RGB 205 173 173

HSL 0, 0.24%, 0.74%

LAB 73.47, 11.59, 4.32

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 7 / 16 / 20

HEX #CDBEAD

RGB 205 190 173

HSL 31.88, 0.24%, 0.74%

LAB 77.77, 2.47, 10.48

 

CMYK 0 / 3 / 16 / 20

HEX #CDC7AD

RGB 205 199 173

HSL 48.75, 0.24%, 0.74%

LAB 80.09, -2.27, 13.77

 

CMYK 1 / 0 / 16 / 20

HEX #CACDAD

RGB 202 205 173

HSL 65.63, 0.24%, 0.74%

LAB 81.42, -6.49, 15.61

 

CMYK 6 / 0 / 16 / 20

HEX #C1CDAD

RGB 193 205 173

HSL 82.5, 0.24%, 0.74%

LAB 80.75, -9.75, 14.56

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 18 / 25 / 16

HEX #D7B1A2

RGB 215 177 162

HSL 16.98, 0.4%, 0.74%

LAB 75.14, 11.51, 12.84

 

CMYK 0 / 24 / 33 / 11

HEX #E2AC97

RGB 226 172 151

HSL 16.8, 0.56%, 0.74%

LAB 74.77, 16.92, 18.45

 

CMYK 0 / 30 / 41 / 7

HEX #EDA78D

RGB 237 167 141

HSL 16.25, 0.73%, 0.74%

LAB 74.55, 22.67, 23.76

 

CMYK 0 / 35 / 48 / 3

HEX #F8A282

RGB 248 162 130

HSL 16.27, 0.89%, 0.74%

LAB 74.45, 28.45, 29.78

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 4 / 5 / 24

HEX #C2BAB8

RGB 194 186 184

HSL 12, 0.08%, 0.74%

LAB 76.1, 2.46, 2.01

 

CMYK 6 / 2 / 0 / 24

HEX #B7BFC2

RGB 183 191 194

HSL 196.36, 0.08%, 0.74%

LAB 76.81, -2.18, -2.47

 

CMYK 16 / 4 / 0 / 20

HEX #ACC4CD

RGB 172 196 205

HSL 196.36, 0.25%, 0.74%

LAB 77.67, -6.22, -7.25

 

CMYK 25 / 7 / 0 / 15

HEX #A2C9D8

RGB 162 201 216

HSL 196.67, 0.41%, 0.74%

LAB 78.7, -9.52, -11.71

 

CMYK 0 / 16 / 12 / 20

HEX #CDADB5

RGB 205 173 181

HSL 345, 0.24%, 0.74%

LAB 73.68, 12.9, 0.23

 

CMYK 0 / 16 / 16 / 20

HEX #CDADAD

RGB 205 173 173

HSL 0, 0.24%, 0.74%

LAB 73.47, 11.59, 4.32

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 7 / 16 / 20

HEX #CDBEAD

RGB 205 190 173

HSL 31.88, 0.24%, 0.74%

LAB 77.77, 2.47, 10.48

 

CMYK 0 / 3 / 16 / 20

HEX #CDC6AD

RGB 205 198 173

HSL 46.88, 0.24%, 0.74%

LAB 79.83, -1.75, 13.41

 

CMYK 0 / 21 / 29 / 32

HEX #AD887A

RGB 173 136 122

HSL 16.47, 0.24%, 0.58%

LAB 59.8, 12.02, 12.9

 

CMYK 0 / 16 / 22 / 26

HEX #BD9F93

RGB 189 159 147

HSL 17.14, 0.24%, 0.66%

LAB 67.81, 9.16, 10.37

 

CMYK 0 / 12 / 16 / 20

HEX #CDB5AD

RGB 205 181 173

HSL 15, 0.24%, 0.74%

LAB 75.48, 7.28, 7.21

 

CMYK 0 / 7 / 10 / 14

HEX #DCCCC6

RGB 220 204 198

HSL 16.36, 0.24%, 0.82%

LAB 83.17, 4.55, 4.98

 

CMYK 0 / 4 / 5 / 7

HEX #ECE3E0

RGB 236 227 224

HSL 15, 0.24%, 0.9%

LAB 90.85, 2.54, 2.54

 

CMYK 0 / 12 / 16 / 20

HEX #CCB4AB

RGB 204 180 171

HSL 16.36, 0.24%, 0.74%

LAB 75.09, 7.13, 7.73

 

CMYK 7 / 0 / 16 / 20

HEX #BECDAD

RGB 190 205 173

HSL 88.13, 0.24%, 0.74%

LAB 80.53, -10.82, 14.23

 

CMYK 16 / 14 / 0 / 20

HEX #ADB1CD

RGB 173 177 205

HSL 232.5, 0.24%, 0.74%

LAB 72.72, 4.31, -14.64

 

CMYK 0 / 12 / 16 / 20

HEX #CCB4AB

RGB 204 180 171

HSL 16.36, 0.24%, 0.74%

LAB 75.09, 7.13, 7.73

 

CMYK 16 / 0 / 12 / 20

HEX #ADCDB5

RGB 173 205 181

HSL 135, 0.24%, 0.74%

LAB 79.55, -15.32, 8.4

 

CMYK 12 / 16 / 0 / 20

HEX #B5ADCD

RGB 181 173 205

HSL 255, 0.24%, 0.74%

LAB 72.31, 9.12, -15.19

 

CMYK 0 / 12 / 16 / 20

HEX #CCB4AB

RGB 204 180 171

HSL 16.36, 0.24%, 0.74%

LAB 75.09, 7.13, 7.73

 

CMYK 7 / 0 / 16 / 20

HEX #BECDAD

RGB 190 205 173

HSL 88.13, 0.24%, 0.74%

LAB 80.53, -10.82, 14.23

 

CMYK 16 / 4 / 0 / 20

HEX #ADC4CD

RGB 173 196 205

HSL 196.88, 0.24%, 0.74%

LAB 77.74, -5.9, -7.14

 

CMYK 8 / 16 / 0 / 20

HEX #BCADCD

RGB 188 173 205

HSL 268.13, 0.24%, 0.74%

LAB 72.88, 11.43, -14.27

 

CMYK 0 / 12 / 16 / 20

HEX #CCB4AB

RGB 204 180 171

HSL 16.36, 0.24%, 0.74%

LAB 75.09, 7.13, 7.73

 

CMYK 12 / 0 / 16 / 20

HEX #B4CDAD

RGB 180 205 173

HSL 106.88, 0.24%, 0.74%

LAB 79.83, -14.35, 13.14

 

CMYK 16 / 4 / 0 / 20

HEX #ADC4CD

RGB 173 196 205

HSL 196.88, 0.24%, 0.74%

LAB 77.74, -5.9, -7.14

 

CMYK 4 / 16 / 0 / 20

HEX #C5ADCD

RGB 197 173 205

HSL 285, 0.24%, 0.74%

LAB 73.65, 14.45, -13.04

 

Description

Color code: HEX #CCB4AB00 | qconv.com Color code: HEX #CCB4AB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 180 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 180 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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