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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAF72 it is the complementary color #33508D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAF72 shade: #D1AF6D, #E2C180, #F3D393, #FFE5A6 and #FFF7B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAF72 shade: #CCAF72, #BB9D5F, #AA8B4C, #997939 and #886726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAF72 shade: #CCAE71, #CC9671, #CC7D71 and #CC7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAF72 shade: #CCAE71, #CCC771, #B8CC71, #9FCC71 and #87CC71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAF72 shade matches the following richer shades: #CCAE71, #DBB461, #EBB951 and #FBBF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAF72 shade: #CCAE71, #BCA980, #ACA390, #9D9EA0 and #8D98AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAF72 shade: #CC7D71, #CC9571, #CCAD71, #CCC671 and #B9CC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAF72 shade: #AC883E, #C19D52, #CCAE71, #D7BF8F and #E2D1AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAF72 shade: #CCAF72, #7DCC71 and #8971CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAF72 shade: #CCAF72, #71CCAD and #AD71CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAF72 shade: #CCAF72, #7DCC71, #718FCC and #BF71CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAF72 shade: #CCAF72, #71CC80, #718FCC and #CC71BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

Complementary color

CMYK 64 / 43 / 0 / 45

HEX #33508D

RGB 51 80 141

HSL 220.67, 0.47%, 0.38%

LAB 34.73, 9.58, -37.15

 

CMYK 0 / 16 / 48 / 18

HEX #D1AF6D

RGB 209 175 109

HSL 39.6, 0.52%, 0.62%

LAB 73.1, 3.85, 38.3

 

CMYK 0 / 15 / 43 / 11

HEX #E2C180

RGB 226 193 128

HSL 39.8, 0.63%, 0.69%

LAB 79.54, 3.16, 37.02

 

CMYK 0 / 13 / 40 / 5

HEX #F3D393

RGB 243 211 147

HSL 40, 0.8%, 0.76%

LAB 85.88, 2.55, 35.81

 

CMYK 0 / 10 / 35 / 0

HEX #FFE5A6

RGB 255 229 166

HSL 42.47, 1%, 0.83%

LAB 91.71, 0.11, 34

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7B9

RGB 255 247 185

HSL 53.14, 1%, 0.86%

LAB 96.53, -6.62, 30.84

 

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

CMYK 0 / 16 / 49 / 27

HEX #BB9D5F

RGB 187 157 95

HSL 40.43, 0.4%, 0.55%

LAB 66.14, 3.02, 36.4

 

CMYK 0 / 18 / 55 / 33

HEX #AA8B4C

RGB 170 139 76

HSL 40.21, 0.38%, 0.48%

LAB 59.46, 3.87, 37.75

 

CMYK 0 / 21 / 63 / 40

HEX #997939

RGB 153 121 57

HSL 40, 0.46%, 0.41%

LAB 52.67, 4.91, 39.11

 

CMYK 0 / 24 / 72 / 47

HEX #886726

RGB 136 103 38

HSL 39.8, 0.56%, 0.34%

LAB 45.74, 6.2, 40.32

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 26 / 45 / 20

HEX #CC9671

RGB 204 150 113

HSL 24.4, 0.47%, 0.62%

LAB 66.4, 15.7, 27.44

 

CMYK 0 / 39 / 45 / 20

HEX #CC7D71

RGB 204 125 113

HSL 7.91, 0.47%, 0.62%

LAB 60.51, 29.32, 19.56

 

CMYK 0 / 45 / 45 / 20

HEX #CC7171

RGB 204 113 113

HSL 0, 0.47%, 0.62%

LAB 57.88, 35.73, 15.96

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 2 / 45 / 20

HEX #CCC771

RGB 204 199 113

HSL 56.7, 0.47%, 0.62%

LAB 78.97, -10.34, 43.49

 

CMYK 10 / 0 / 45 / 20

HEX #B8CC71

RGB 184 204 113

HSL 73.19, 0.47%, 0.62%

LAB 78.79, -20.8, 42.93

 

CMYK 22 / 0 / 45 / 20

HEX #9FCC71

RGB 159 204 113

HSL 89.67, 0.47%, 0.62%

LAB 77.13, -30.29, 40.5

 

CMYK 34 / 0 / 45 / 20

HEX #87CC71

RGB 135 204 113

HSL 105.49, 0.47%, 0.62%

LAB 75.78, -38.71, 38.51

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 18 / 56 / 14

HEX #DBB461

RGB 219 180 97

HSL 40.82, 0.63%, 0.62%

LAB 75.18, 4.3, 47.1

 

CMYK 0 / 21 / 66 / 8

HEX #EBB951

RGB 235 185 81

HSL 40.52, 0.79%, 0.62%

LAB 77.85, 7.27, 58.04

 

CMYK 0 / 24 / 74 / 2

HEX #FBBF42

RGB 251 191 66

HSL 40.54, 0.96%, 0.62%

LAB 80.83, 10.11, 67.84

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 10 / 32 / 26

HEX #BCA980

RGB 188 169 128

HSL 41, 0.31%, 0.62%

LAB 69.91, 0.67, 23.7

 

CMYK 0 / 5 / 16 / 33

HEX #ACA390

RGB 172 163 144

HSL 40.71, 0.14%, 0.62%

LAB 67.26, -0.01, 11.04

 

CMYK 2 / 1 / 0 / 37

HEX #9D9EA0

RGB 157 158 160

HSL 220, 0.02%, 0.62%

LAB 65.09, 0.03, -1.17

 

CMYK 19 / 13 / 0 / 31

HEX #8D98AF

RGB 141 152 175

HSL 220.59, 0.18%, 0.62%

LAB 62.69, 1.07, -13.31

 

CMYK 0 / 39 / 45 / 20

HEX #CC7D71

RGB 204 125 113

HSL 7.91, 0.47%, 0.62%

LAB 60.51, 29.32, 19.56

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 15 / 45 / 20

HEX #CCAD71

RGB 204 173 113

HSL 39.56, 0.47%, 0.62%

LAB 72.17, 3.26, 34.94

 

CMYK 0 / 3 / 45 / 20

HEX #CCC671

RGB 204 198 113

HSL 56.04, 0.47%, 0.62%

LAB 78.7, -9.83, 43.16

 

CMYK 9 / 0 / 45 / 20

HEX #B9CC71

RGB 185 204 113

HSL 72.53, 0.47%, 0.62%

LAB 78.86, -20.41, 43.03

 

CMYK 0 / 21 / 64 / 33

HEX #AC883E

RGB 172 136 62

HSL 40.36, 0.47%, 0.46%

LAB 58.72, 5.34, 43.99

 

CMYK 0 / 19 / 58 / 24

HEX #C19D52

RGB 193 157 82

HSL 40.54, 0.47%, 0.54%

LAB 66.57, 4.44, 43.7

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 11 / 33 / 16

HEX #D7BF8F

RGB 215 191 143

HSL 40, 0.47%, 0.7%

LAB 78.28, 1.54, 27.36

 

CMYK 0 / 8 / 23 / 11

HEX #E2D1AD

RGB 226 209 173

HSL 40.75, 0.48%, 0.78%

LAB 84.37, 0.3, 20.01

 

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

CMYK 39 / 0 / 45 / 20

HEX #7DCC71

RGB 125 204 113

HSL 112.09, 0.47%, 0.62%

LAB 75.29, -41.95, 37.78

 

CMYK 33 / 45 / 0 / 20

HEX #8971CC

RGB 137 113 204

HSL 255.82, 0.47%, 0.62%

LAB 53.48, 29.69, -44.03

 

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

CMYK 45 / 0 / 15 / 20

HEX #71CCAD

RGB 113 204 173

HSL 159.56, 0.47%, 0.62%

LAB 75.89, -34.51, 7.03

 

CMYK 15 / 45 / 0 / 20

HEX #AD71CC

RGB 173 113 204

HSL 279.56, 0.47%, 0.62%

LAB 57.13, 39.86, -38.04

 

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

CMYK 39 / 0 / 45 / 20

HEX #7DCC71

RGB 125 204 113

HSL 112.09, 0.47%, 0.62%

LAB 75.29, -41.95, 37.78

 

CMYK 45 / 30 / 0 / 20

HEX #718FCC

RGB 113 143 204

HSL 220.22, 0.47%, 0.62%

LAB 59.45, 5.62, -34.78

 

CMYK 6 / 45 / 0 / 20

HEX #BF71CC

RGB 191 113 204

HSL 291.43, 0.47%, 0.62%

LAB 59.2, 45.13, -34.64

 

CMYK 0 / 14 / 44 / 20

HEX #CCAF72

RGB 204 175 114

HSL 40.67, 0.47%, 0.62%

LAB 72.7, 2.3, 35.1

 

CMYK 45 / 0 / 37 / 20

HEX #71CC80

RGB 113 204 128

HSL 129.89, 0.47%, 0.62%

LAB 74.99, -43.26, 29.64

 

CMYK 45 / 30 / 0 / 20

HEX #718FCC

RGB 113 143 204

HSL 220.22, 0.47%, 0.62%

LAB 59.45, 5.62, -34.78

 

CMYK 0 / 45 / 8 / 20

HEX #CC71BC

RGB 204 113 188

HSL 310.55, 0.47%, 0.62%

LAB 60.14, 46.14, -23.98

 

Description

Color code: HEX #CCAF72 | qconv.com Color code: HEX #CCAF72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 175 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 175 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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