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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAF49 it is the complementary color #3350B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAF49 shade: #D1AF44, #E2C157, #F3D36A, #FFE57D and #FFF790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAF49 shade: #CCAF49, #BB9D36, #AA8B23, #997910 and #886700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAF49 shade: #CBAE48, #CB8B48, #CB6748 and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAF49 shade: #CBAE48, #C5CB48, #A2CB48, #7ECB48 and #5BCB48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAF49 shade matches the following richer shades: #CBAE48, #DEB935 and #F1C322

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAF49 shade: #CBAE48, #B8A45B, #A5996E, #928F81 and #7F8494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAF49 shade: #CB6748, #CB8A48, #CBAD48, #C7CB48 and #A4CB48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAF49 shade: #967F2A, #B79A34, #CBAE48, #D4BD68 and #DECB88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAF49 shade: #CCAF49, #4CCB48 and #7848CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAF49 shade: #CCAF49, #48CBAD and #AD48CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAF49 shade: #CCAF49, #4CCB48, #4867CB and #C748CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAF49 shade: #CCAF49, #48CB6B, #4867CB and #CB48A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

Complementary color

CMYK 72 / 56 / 0 / 29

HEX #3350B6

RGB 51 80 182

HSL 226.72, 0.56%, 0.46%

LAB 37.51, 24.8, -57.24

 

CMYK 0 / 16 / 67 / 18

HEX #D1AF44

RGB 209 175 68

HSL 45.53, 0.61%, 0.54%

LAB 72.65, 0.74, 57.4

 

CMYK 0 / 15 / 62 / 11

HEX #E2C157

RGB 226 193 87

HSL 45.76, 0.71%, 0.61%

LAB 79.04, -0.31, 56.41

 

CMYK 0 / 13 / 56 / 5

HEX #F3D36A

RGB 243 211 106

HSL 45.99, 0.85%, 0.68%

LAB 85.34, -1.2, 55.29

 

CMYK 0 / 10 / 51 / 0

HEX #FFE57D

RGB 255 229 125

HSL 48, 1%, 0.75%

LAB 91.13, -3.97, 53.48

 

CMYK 0 / 3 / 44 / 0

HEX #FFF790

RGB 255 247 144

HSL 55.68, 1%, 0.78%

LAB 95.91, -11.21, 50.28

 

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

CMYK 0 / 16 / 71 / 27

HEX #BB9D36

RGB 187 157 54

HSL 46.47, 0.55%, 0.47%

LAB 65.71, 0.01, 55.45

 

CMYK 0 / 18 / 79 / 33

HEX #AA8B23

RGB 170 139 35

HSL 46.22, 0.66%, 0.4%

LAB 59.1, 1.35, 55.77

 

CMYK 0 / 21 / 90 / 40

HEX #997910

RGB 153 121 16

HSL 45.99, 0.81%, 0.33%

LAB 52.38, 2.99, 55

 

CMYK 0 / 24 / 100 / 47

HEX #886700

RGB 136 103 0

HSL 45.44, 1%, 0.27%

LAB 45.54, 4.94, 52.55

 

CMYK 0 / 14 / 65 / 20

HEX #CBAE48

RGB 203 174 72

HSL 46.72, 0.56%, 0.54%

LAB 71.85, -1.08, 54.63

 

CMYK 0 / 32 / 65 / 20

HEX #CB8B48

RGB 203 139 72

HSL 30.69, 0.56%, 0.54%

LAB 63.04, 17.82, 44.88

 

CMYK 0 / 49 / 65 / 20

HEX #CB6748

RGB 203 103 72

HSL 14.2, 0.56%, 0.54%

LAB 54.93, 37.12, 35.41

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 14 / 65 / 20

HEX #CBAE48

RGB 203 174 72

HSL 46.72, 0.56%, 0.54%

LAB 71.85, -1.08, 54.63

 

CMYK 3 / 0 / 65 / 20

HEX #C5CB48

RGB 197 203 72

HSL 62.75, 0.56%, 0.54%

LAB 79.07, -18.5, 62.12

 

CMYK 20 / 0 / 65 / 20

HEX #A2CB48

RGB 162 203 72

HSL 78.78, 0.56%, 0.54%

LAB 76.59, -32.64, 58.76

 

CMYK 38 / 0 / 65 / 20

HEX #7ECB48

RGB 126 203 72

HSL 95.27, 0.56%, 0.54%

LAB 74.58, -45.78, 56

 

CMYK 55 / 0 / 65 / 20

HEX #5BCB48

RGB 91 203 72

HSL 111.3, 0.56%, 0.54%

LAB 73.16, -56.26, 54.04

 

CMYK 0 / 14 / 65 / 20

HEX #CBAE48

RGB 203 174 72

HSL 46.72, 0.56%, 0.54%

LAB 71.85, -1.08, 54.63

 

CMYK 0 / 17 / 76 / 13

HEX #DEB935

RGB 222 185 53

HSL 46.86, 0.72%, 0.54%

LAB 76.37, 0.36, 67.31

 

CMYK 0 / 19 / 86 / 5

HEX #F1C322

RGB 241 195 34

HSL 46.67, 0.88%, 0.54%

LAB 80.65, 2.76, 77.25

 

CMYK 0 / 14 / 65 / 20

HEX #CBAE48

RGB 203 174 72

HSL 46.72, 0.56%, 0.54%

LAB 71.85, -1.08, 54.63

 

CMYK 0 / 11 / 51 / 28

HEX #B8A45B

RGB 184 164 91

HSL 47.1, 0.4%, 0.54%

LAB 67.65, -2.41, 40.26

 

CMYK 0 / 7 / 33 / 35

HEX #A5996E

RGB 165 153 110

HSL 46.91, 0.23%, 0.54%

LAB 63.27, -2.29, 24.23

 

CMYK 0 / 2 / 12 / 43

HEX #928F81

RGB 146 143 129

HSL 49.41, 0.07%, 0.54%

LAB 59.29, -1.45, 7.84

 

CMYK 14 / 11 / 0 / 42

HEX #7F8494

RGB 127 132 148

HSL 225.71, 0.09%, 0.54%

LAB 55.23, 1.59, -9.2

 

CMYK 0 / 49 / 65 / 20

HEX #CB6748

RGB 203 103 72

HSL 14.2, 0.56%, 0.54%

LAB 54.93, 37.12, 35.41

 

CMYK 0 / 32 / 65 / 20

HEX #CB8A48

RGB 203 138 72

HSL 30.23, 0.56%, 0.54%

LAB 62.79, 18.36, 44.6

 

CMYK 0 / 15 / 65 / 20

HEX #CBAD48

RGB 203 173 72

HSL 46.26, 0.56%, 0.54%

LAB 71.59, -0.55, 54.35

 

CMYK 2 / 0 / 65 / 20

HEX #C7CB48

RGB 199 203 72

HSL 61.83, 0.56%, 0.54%

LAB 79.23, -17.67, 62.33

 

CMYK 19 / 0 / 65 / 20

HEX #A4CB48

RGB 164 203 72

HSL 77.86, 0.56%, 0.54%

LAB 76.72, -31.86, 58.93

 

CMYK 0 / 15 / 72 / 41

HEX #967F2A

RGB 150 127 42

HSL 47.22, 0.56%, 0.38%

LAB 53.85, -0.79, 47.31

 

CMYK 0 / 16 / 72 / 28

HEX #B79A34

RGB 183 154 52

HSL 46.72, 0.56%, 0.46%

LAB 64.5, -0.24, 54.93

 

CMYK 0 / 14 / 65 / 20

HEX #CBAE48

RGB 203 174 72

HSL 46.72, 0.56%, 0.54%

LAB 71.85, -1.08, 54.63

 

CMYK 0 / 11 / 51 / 17

HEX #D4BD68

RGB 212 189 104

HSL 47.22, 0.56%, 0.62%

LAB 76.92, -2.75, 45.58

 

CMYK 0 / 9 / 39 / 13

HEX #DECB88

RGB 222 203 136

HSL 46.74, 0.57%, 0.7%

LAB 81.85, -2.78, 35.83

 

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

CMYK 63 / 0 / 65 / 20

HEX #4CCB48

RGB 76 203 72

HSL 118.17, 0.56%, 0.54%

LAB 72.7, -59.84, 53.41

 

CMYK 41 / 65 / 0 / 20

HEX #7848CB

RGB 120 72 203

HSL 261.98, 0.56%, 0.54%

LAB 42.67, 48.62, -60.87

 

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

CMYK 65 / 0 / 15 / 20

HEX #48CBAD

RGB 72 203 173

HSL 166.26, 0.56%, 0.54%

LAB 74.26, -42.77, 4.51

 

CMYK 15 / 65 / 0 / 20

HEX #AD48CB

RGB 173 72 203

HSL 286.26, 0.56%, 0.54%

LAB 49.29, 60.25, -49.88

 

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

CMYK 63 / 0 / 65 / 20

HEX #4CCB48

RGB 76 203 72

HSL 118.17, 0.56%, 0.54%

LAB 72.7, -59.84, 53.41

 

CMYK 65 / 49 / 0 / 20

HEX #4867CB

RGB 72 103 203

HSL 225.8, 0.56%, 0.54%

LAB 46.16, 20.78, -55.42

 

CMYK 2 / 65 / 0 / 20

HEX #C748CB

RGB 199 72 203

HSL 298.17, 0.56%, 0.54%

LAB 53.05, 66.31, -43.67

 

CMYK 0 / 14 / 64 / 20

HEX #CCAF49

RGB 204 175 73

HSL 46.72, 0.56%, 0.54%

LAB 72.21, -1.11, 54.61

 

CMYK 65 / 0 / 47 / 20

HEX #48CB6B

RGB 72 203 107

HSL 136.03, 0.56%, 0.54%

LAB 72.99, -56.19, 37.48

 

CMYK 65 / 49 / 0 / 20

HEX #4867CB

RGB 72 103 203

HSL 225.8, 0.56%, 0.54%

LAB 46.16, 20.78, -55.42

 

CMYK 0 / 65 / 17 / 20

HEX #CB48A8

RGB 203 72 168

HSL 316.03, 0.56%, 0.54%

LAB 52.02, 61.81, -24.94

 

Description

Color code: HEX #CCAF49 | qconv.com Color code: HEX #CCAF49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 175 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 175 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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