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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAC49 it is the complementary color #3353B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAC49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAC49 shade: #D1AC44, #E2BE57, #F3D06A, #FFE27D and #FFF490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAC49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAC49 shade: #CCAC49, #BB9A36, #AA8823, #997610 and #886400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAC49 shade: #CBAB48, #CB8848, #CB6448 and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAC49 shade: #CBAB48, #C8CB48, #A5CB48, #81CB48 and #5ECB48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAC49 shade matches the following richer shades: #CBAB48, #DEB535 and #F1BF22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAC49 shade: #CBAB48, #B8A25B, #A5986E, #928E81 and #7F8494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAC49 shade: #CB6448, #CB8848, #CBAB48, #C9CB48 and #A6CB48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAC49 shade: #967C2A, #B79734, #CBAB48, #D4BA68 and #DEC988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAC49 shade: #CCAC49, #4FCB48 and #7648CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAC49 shade: #CCAC49, #48CBAB and #AB48CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAC49 shade: #CCAC49, #4FCB48, #4869CB and #C548CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAC49 shade: #CCAC49, #48CB69, #4869CB and #CB48AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

Complementary color

CMYK 72 / 54 / 0 / 29

HEX #3353B6

RGB 51 83 182

HSL 225.34, 0.56%, 0.46%

LAB 38.32, 22.83, -55.94

 

CMYK 0 / 18 / 67 / 18

HEX #D1AC44

RGB 209 172 68

HSL 44.26, 0.61%, 0.54%

LAB 71.88, 2.33, 56.59

 

CMYK 0 / 16 / 62 / 11

HEX #E2BE57

RGB 226 190 87

HSL 44.46, 0.71%, 0.61%

LAB 78.28, 1.25, 55.57

 

CMYK 0 / 14 / 56 / 5

HEX #F3D06A

RGB 243 208 106

HSL 44.67, 0.85%, 0.68%

LAB 84.59, 0.33, 54.41

 

CMYK 0 / 11 / 51 / 0

HEX #FFE27D

RGB 255 226 125

HSL 46.62, 1%, 0.75%

LAB 90.38, -2.46, 52.57

 

CMYK 0 / 4 / 44 / 0

HEX #FFF490

RGB 255 244 144

HSL 54.05, 1%, 0.78%

LAB 95.15, -9.73, 49.33

 

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

CMYK 0 / 18 / 71 / 27

HEX #BB9A36

RGB 187 154 54

HSL 45.11, 0.55%, 0.47%

LAB 64.92, 1.63, 54.65

 

CMYK 0 / 20 / 79 / 33

HEX #AA8823

RGB 170 136 35

HSL 44.89, 0.66%, 0.4%

LAB 58.3, 3.01, 55.04

 

CMYK 0 / 23 / 90 / 40

HEX #997610

RGB 153 118 16

HSL 44.67, 0.81%, 0.33%

LAB 51.57, 4.69, 54.36

 

CMYK 0 / 26 / 100 / 47

HEX #886400

RGB 136 100 0

HSL 44.12, 1%, 0.27%

LAB 44.73, 6.69, 51.99

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 0 / 33 / 65 / 20

HEX #CB8848

RGB 203 136 72

HSL 29.31, 0.56%, 0.54%

LAB 62.32, 19.45, 44.05

 

CMYK 0 / 51 / 65 / 20

HEX #CB6448

RGB 203 100 72

HSL 12.82, 0.56%, 0.54%

LAB 54.32, 38.66, 34.67

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 1 / 0 / 65 / 20

HEX #C8CB48

RGB 200 203 72

HSL 61.37, 0.56%, 0.54%

LAB 79.3, -17.25, 62.44

 

CMYK 19 / 0 / 65 / 20

HEX #A5CB48

RGB 165 203 72

HSL 77.4, 0.56%, 0.54%

LAB 76.79, -31.47, 59.02

 

CMYK 36 / 0 / 65 / 20

HEX #81CB48

RGB 129 203 72

HSL 93.89, 0.56%, 0.54%

LAB 74.73, -44.77, 56.2

 

CMYK 54 / 0 / 65 / 20

HEX #5ECB48

RGB 94 203 72

HSL 109.92, 0.56%, 0.54%

LAB 73.26, -55.48, 54.18

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 0 / 18 / 76 / 13

HEX #DEB535

RGB 222 181 53

HSL 45.44, 0.72%, 0.54%

LAB 75.35, 2.46, 66.36

 

CMYK 0 / 21 / 86 / 5

HEX #F1BF22

RGB 241 191 34

HSL 45.51, 0.88%, 0.54%

LAB 79.66, 4.83, 76.45

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 0 / 12 / 51 / 28

HEX #B8A25B

RGB 184 162 91

HSL 45.81, 0.4%, 0.54%

LAB 67.12, -1.33, 39.61

 

CMYK 0 / 8 / 33 / 35

HEX #A5986E

RGB 165 152 110

HSL 45.82, 0.23%, 0.54%

LAB 63, -1.74, 23.87

 

CMYK 0 / 3 / 12 / 43

HEX #928E81

RGB 146 142 129

HSL 45.88, 0.07%, 0.54%

LAB 59.01, -0.9, 7.45

 

CMYK 14 / 11 / 0 / 42

HEX #7F8494

RGB 127 132 148

HSL 225.71, 0.09%, 0.54%

LAB 55.23, 1.59, -9.2

 

CMYK 0 / 51 / 65 / 20

HEX #CB6448

RGB 203 100 72

HSL 12.82, 0.56%, 0.54%

LAB 54.32, 38.66, 34.67

 

CMYK 0 / 33 / 65 / 20

HEX #CB8848

RGB 203 136 72

HSL 29.31, 0.56%, 0.54%

LAB 62.32, 19.45, 44.05

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 1 / 0 / 65 / 20

HEX #C9CB48

RGB 201 203 72

HSL 60.92, 0.56%, 0.54%

LAB 79.38, -16.84, 62.54

 

CMYK 18 / 0 / 65 / 20

HEX #A6CB48

RGB 166 203 72

HSL 76.95, 0.56%, 0.54%

LAB 76.85, -31.07, 59.11

 

CMYK 0 / 17 / 72 / 41

HEX #967C2A

RGB 150 124 42

HSL 45.56, 0.56%, 0.38%

LAB 53.02, 0.89, 46.48

 

CMYK 0 / 17 / 72 / 28

HEX #B79734

RGB 183 151 52

HSL 45.34, 0.56%, 0.46%

LAB 63.71, 1.38, 54.13

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB48

RGB 203 171 72

HSL 45.34, 0.56%, 0.54%

LAB 71.07, 0.51, 53.79

 

CMYK 0 / 12 / 51 / 17

HEX #D4BA68

RGB 212 186 104

HSL 45.56, 0.56%, 0.62%

LAB 76.14, -1.18, 44.64

 

CMYK 0 / 9 / 39 / 13

HEX #DEC988

RGB 222 201 136

HSL 45.35, 0.57%, 0.7%

LAB 81.34, -1.75, 35.16

 

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

CMYK 61 / 0 / 65 / 20

HEX #4FCB48

RGB 79 203 72

HSL 116.79, 0.56%, 0.54%

LAB 72.79, -59.17, 53.53

 

CMYK 42 / 65 / 0 / 20

HEX #7648CB

RGB 118 72 203

HSL 261.07, 0.56%, 0.54%

LAB 42.46, 48.21, -61.23

 

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

CMYK 65 / 0 / 16 / 20

HEX #48CBAB

RGB 72 203 171

HSL 165.34, 0.56%, 0.54%

LAB 74.21, -43.26, 5.51

 

CMYK 16 / 65 / 0 / 20

HEX #AB48CB

RGB 171 72 203

HSL 285.34, 0.56%, 0.54%

LAB 49.01, 59.79, -50.33

 

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

CMYK 61 / 0 / 65 / 20

HEX #4FCB48

RGB 79 203 72

HSL 116.79, 0.56%, 0.54%

LAB 72.79, -59.17, 53.53

 

CMYK 65 / 48 / 0 / 20

HEX #4869CB

RGB 72 105 203

HSL 224.89, 0.56%, 0.54%

LAB 46.7, 19.52, -54.55

 

CMYK 3 / 65 / 0 / 20

HEX #C548CB

RGB 197 72 203

HSL 297.25, 0.56%, 0.54%

LAB 52.75, 65.84, -44.16

 

CMYK 0 / 16 / 64 / 20

HEX #CCAC49

RGB 204 172 73

HSL 45.34, 0.56%, 0.54%

LAB 71.43, 0.48, 53.77

 

CMYK 65 / 0 / 48 / 20

HEX #48CB69

RGB 72 203 105

HSL 135.11, 0.56%, 0.54%

LAB 72.96, -56.5, 38.44

 

CMYK 65 / 48 / 0 / 20

HEX #4869CB

RGB 72 105 203

HSL 224.89, 0.56%, 0.54%

LAB 46.7, 19.52, -54.55

 

CMYK 0 / 65 / 16 / 20

HEX #CB48AB

RGB 203 72 171

HSL 314.66, 0.56%, 0.54%

LAB 52.14, 62.25, -26.5

 

Description

Color code: HEX #CCAC49 | qconv.com Color code: HEX #CCAC49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 172 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 172 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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