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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCABEB it is the complementary color #335414. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCABEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCABEB shade: #D1ABE6, #E2BDF9, #F3CFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCABEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCABEB shade: #CCABEB, #BB99D8, #AA87C5, #9975B2 and #88639F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCABEB shade: #CDACEC, #DEACEC, #ECACE8, #ECACD7 and #ECACC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCABEB shade: #CDACEC, #BCACEC and #ACACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCABEB shade matches the following richer shades: #CDACEC, #CDA4F4 and #CE9CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCABEB shade: #CDACEC, #CDB5E3, #CCBDDB, #CCC5D3 and #CCCDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCABEB shade: #ACAEEC, #BBACEC, #CCACEC, #DDACEC and #ECACEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCABEB shade: #A56ADC, #B98BE4, #CDACEC, #E1CEF3 and #F5EFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCABEB shade: #CCABEB, #ECACBF and #ACECB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCABEB shade: #CCABEB, #ECCCAC and #ACECCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCABEB shade: #CCABEB, #ECACBF, #CCECAC and #ACECD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCABEB shade: #CCABEB, #ECACAC, #CCECAC and #ACECEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

Complementary color

CMYK 39 / 0 / 76 / 67

HEX #335414

RGB 51 84 20

HSL 90.94, 0.62%, 0.2%

LAB 32.02, -23.97, 31.98

 

CMYK 9 / 26 / 0 / 10

HEX #D1ABE6

RGB 209 171 230

HSL 278.64, 0.54%, 0.79%

LAB 75.07, 24.45, -24.42

 

CMYK 9 / 24 / 0 / 2

HEX #E2BDF9

RGB 226 189 249

HSL 277, 0.83%, 0.86%

LAB 81.51, 23.92, -24.7

 

CMYK 5 / 19 / 0 / 0

HEX #F3CFFF

RGB 243 207 255

HSL 285, 1%, 0.91%

LAB 87.44, 20.92, -18.76

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

CMYK 13 / 29 / 0 / 15

HEX #BB99D8

RGB 187 153 216

HSL 272.38, 0.45%, 0.72%

LAB 68.24, 24.48, -27.39

 

CMYK 14 / 31 / 0 / 23

HEX #AA87C5

RGB 170 135 197

HSL 273.87, 0.35%, 0.65%

LAB 61.57, 25.11, -27.19

 

CMYK 14 / 34 / 0 / 30

HEX #9975B2

RGB 153 117 178

HSL 275.41, 0.28%, 0.58%

LAB 54.77, 25.79, -27.01

 

CMYK 14 / 38 / 0 / 38

HEX #88639F

RGB 136 99 159

HSL 277, 0.24%, 0.51%

LAB 47.83, 26.53, -26.84

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 6 / 27 / 0 / 7

HEX #DEACEC

RGB 222 172 236

HSL 286.88, 0.63%, 0.8%

LAB 76.73, 29.24, -25.03

 

CMYK 0 / 27 / 2 / 7

HEX #ECACE8

RGB 236 172 232

HSL 303.75, 0.63%, 0.8%

LAB 77.97, 32.99, -20.85

 

CMYK 0 / 27 / 9 / 7

HEX #ECACD7

RGB 236 172 215

HSL 319.69, 0.63%, 0.8%

LAB 77.43, 30.02, -12.45

 

CMYK 0 / 27 / 16 / 7

HEX #ECACC6

RGB 236 172 198

HSL 335.63, 0.63%, 0.8%

LAB 76.93, 27.25, -3.94

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 20 / 27 / 0 / 7

HEX #BCACEC

RGB 188 172 236

HSL 255, 0.63%, 0.8%

LAB 73.71, 18.64, -29.93

 

CMYK 27 / 27 / 0 / 7

HEX #ACACEC

RGB 172 172 236

HSL 240, 0.63%, 0.8%

LAB 72.45, 13.88, -31.97

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 16 / 33 / 0 / 4

HEX #CDA4F4

RGB 205 164 244

HSL 270.75, 0.78%, 0.8%

LAB 73.59, 29.96, -34.34

 

CMYK 18 / 38 / 0 / 1

HEX #CE9CFC

RGB 206 156 252

HSL 271.25, 0.94%, 0.8%

LAB 72.18, 36.35, -40.86

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 10 / 20 / 0 / 11

HEX #CDB5E3

RGB 205 181 227

HSL 271.3, 0.45%, 0.8%

LAB 77.02, 17.11, -19.86

 

CMYK 7 / 14 / 0 / 14

HEX #CCBDDB

RGB 204 189 219

HSL 270, 0.29%, 0.8%

LAB 78.66, 10.85, -13.07

 

CMYK 3 / 7 / 0 / 17

HEX #CCC5D3

RGB 204 197 211

HSL 270, 0.14%, 0.8%

LAB 80.44, 5.01, -6.11

 

CMYK 0 / 0 / 1 / 20

HEX #CCCDCB

RGB 204 205 203

HSL 90, 0.02%, 0.8%

LAB 82.28, -0.7, 0.86

 

CMYK 27 / 26 / 0 / 7

HEX #ACAEEC

RGB 172 174 236

HSL 238.13, 0.63%, 0.8%

LAB 72.96, 12.76, -31.19

 

CMYK 21 / 27 / 0 / 7

HEX #BBACEC

RGB 187 172 236

HSL 254.06, 0.63%, 0.8%

LAB 73.63, 18.34, -30.06

 

CMYK 14 / 27 / 0 / 7

HEX #CCACEC

RGB 204 172 236

HSL 270, 0.63%, 0.8%

LAB 75.08, 23.57, -27.71

 

CMYK 6 / 27 / 0 / 7

HEX #DDACEC

RGB 221 172 236

HSL 285.94, 0.63%, 0.8%

LAB 76.64, 28.93, -25.18

 

CMYK 0 / 27 / 1 / 7

HEX #ECACEA

RGB 236 172 234

HSL 301.88, 0.63%, 0.8%

LAB 78.04, 33.35, -21.83

 

CMYK 25 / 52 / 0 / 14

HEX #A56ADC

RGB 165 106 220

HSL 271.05, 0.62%, 0.64%

LAB 55.56, 45.06, -49.62

 

CMYK 19 / 39 / 0 / 11

HEX #B98BE4

RGB 185 139 228

HSL 271.01, 0.62%, 0.72%

LAB 65.26, 34.29, -38.66

 

CMYK 13 / 27 / 0 / 7

HEX #CDACEC

RGB 205 172 236

HSL 270.94, 0.63%, 0.8%

LAB 75.16, 23.88, -27.57

 

CMYK 7 / 15 / 0 / 5

HEX #E1CEF3

RGB 225 206 243

HSL 270.81, 0.61%, 0.88%

LAB 85.31, 13.33, -15.76

 

CMYK 2 / 5 / 0 / 2

HEX #F5EFFB

RGB 245 239 251

HSL 270, 0.6%, 0.96%

LAB 95.21, 4.14, -5.07

 

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

CMYK 0 / 27 / 19 / 7

HEX #ECACBF

RGB 236 172 191

HSL 342.19, 0.63%, 0.8%

LAB 76.74, 26.18, -0.4

 

CMYK 27 / 0 / 24 / 7

HEX #ACECB3

RGB 172 236 179

HSL 126.56, 0.63%, 0.8%

LAB 87.98, -31.15, 21.31

 

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

CMYK 0 / 14 / 27 / 7

HEX #ECCCAC

RGB 236 204 172

HSL 30, 0.63%, 0.8%

LAB 83.96, 6.52, 20.11

 

CMYK 27 / 0 / 14 / 7

HEX #ACECCC

RGB 172 236 204

HSL 150, 0.63%, 0.8%

LAB 88.51, -26.58, 9.07

 

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

CMYK 0 / 27 / 19 / 7

HEX #ECACBF

RGB 236 172 191

HSL 342.19, 0.63%, 0.8%

LAB 76.74, 26.18, -0.4

 

CMYK 14 / 0 / 27 / 7

HEX #CCECAC

RGB 204 236 172

HSL 90, 0.63%, 0.8%

LAB 89.77, -21.47, 27.68

 

CMYK 27 / 0 / 8 / 7

HEX #ACECD9

RGB 172 236 217

HSL 162.19, 0.63%, 0.8%

LAB 88.81, -23.98, 2.72

 

CMYK 13 / 27 / 0 / 8

HEX #CCABEB

RGB 204 171 235

HSL 270.94, 0.62%, 0.8%

LAB 74.8, 23.91, -27.59

 

CMYK 0 / 27 / 27 / 7

HEX #ECACAC

RGB 236 172 172

HSL 0, 0.63%, 0.8%

LAB 76.26, 23.45, 9.28

 

CMYK 14 / 0 / 27 / 7

HEX #CCECAC

RGB 204 236 172

HSL 90, 0.63%, 0.8%

LAB 89.77, -21.47, 27.68

 

CMYK 27 / 0 / 0 / 7

HEX #ACECEC

RGB 172 236 236

HSL 180, 0.63%, 0.8%

LAB 89.31, -19.93, -6.49

 

Description

Color code: HEX #CCABEB | qconv.com Color code: HEX #CCABEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 171 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 171 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 27 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 27% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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