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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAB2B it is the complementary color #3354D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAB2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAB2B shade: #D1AB26, #E2BD39, #F3CF4C, #FFE15F and #FFF372

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAB2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAB2B shade: #CCAB2B, #BB9918, #AA8705, #997500 and #886300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAB2B shade: #CAA92B, #CA7E2B, #CA542B and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAB2B shade: #CAA92B, #C0CA2B, #95CA2B, #6ACA2B and #3FCA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAB2B shade matches the following richer shades: #CAA92B, #DEB517 and #F2C103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAB2B shade: #CAA92B, #B69E3F, #A29252, #8F8666 and #7B7B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAB2B shade: #CA532B, #CA7D2B, #CAA72B, #C2CA2B and #98CA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAB2B shade: #86701C, #A88D24, #CAA92B, #D8BA46 and #DFC768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAB2B shade: #CCAB2B, #2DCA2B and #682BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAB2B shade: #CCAB2B, #2BCAA7 and #A72BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAB2B shade: #CCAB2B, #2DCA2B, #2B4DCA and #C72BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAB2B shade: #CCAB2B, #2BCA58, #2B4DCA and #CA2B9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

Complementary color

CMYK 76 / 60 / 0 / 17

HEX #3354D4

RGB 51 84 212

HSL 227.7, 0.65%, 0.52%

LAB 40.89, 33.24, -69.18

 

CMYK 0 / 18 / 82 / 18

HEX #D1AB26

RGB 209 171 38

HSL 46.67, 0.69%, 0.48%

LAB 71.43, 1.56, 67.24

 

CMYK 0 / 16 / 75 / 11

HEX #E2BD39

RGB 226 189 57

HSL 46.86, 0.74%, 0.55%

LAB 77.79, 0.16, 67.38

 

CMYK 0 / 15 / 69 / 5

HEX #F3CF4C

RGB 243 207 76

HSL 47.07, 0.87%, 0.63%

LAB 84.07, -1.05, 66.92

 

CMYK 0 / 12 / 63 / 0

HEX #FFE15F

RGB 255 225 95

HSL 48.75, 1%, 0.69%

LAB 89.83, -4.13, 65.49

 

CMYK 0 / 5 / 55 / 0

HEX #FFF372

RGB 255 243 114

HSL 54.89, 1%, 0.72%

LAB 94.56, -11.79, 62.52

 

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

CMYK 0 / 18 / 87 / 27

HEX #BB9918

RGB 187 153 24

HSL 47.48, 0.77%, 0.41%

LAB 64.49, 1.06, 64.3

 

CMYK 0 / 21 / 97 / 33

HEX #AA8705

RGB 170 135 5

HSL 47.27, 0.94%, 0.34%

LAB 57.93, 2.85, 62.06

 

CMYK 0 / 24 / 100 / 40

HEX #997500

RGB 153 117 0

HSL 45.88, 1%, 0.3%

LAB 51.26, 4.97, 57.39

 

CMYK 0 / 27 / 100 / 47

HEX #886300

RGB 136 99 0

HSL 43.68, 1%, 0.27%

LAB 44.46, 7.27, 51.8

 

CMYK 0 / 16 / 79 / 21

HEX #CAA92B

RGB 202 169 43

HSL 47.55, 0.65%, 0.48%

LAB 70.25, -0.28, 64.37

 

CMYK 0 / 38 / 79 / 21

HEX #CA7E2B

RGB 202 126 43

HSL 31.32, 0.65%, 0.48%

LAB 59.57, 23, 54.52

 

CMYK 0 / 58 / 79 / 21

HEX #CA542B

RGB 202 84 43

HSL 15.47, 0.65%, 0.48%

LAB 50.77, 44.74, 46.01

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 0 / 16 / 79 / 21

HEX #CAA92B

RGB 202 169 43

HSL 47.55, 0.65%, 0.48%

LAB 70.25, -0.28, 64.37

 

CMYK 5 / 0 / 79 / 21

HEX #C0CA2B

RGB 192 202 43

HSL 63.77, 0.65%, 0.48%

LAB 78.24, -21.5, 71.2

 

CMYK 26 / 0 / 79 / 21

HEX #95CA2B

RGB 149 202 43

HSL 80, 0.65%, 0.48%

LAB 75.33, -38.9, 67.48

 

CMYK 48 / 0 / 79 / 21

HEX #6ACA2B

RGB 106 202 43

HSL 96.23, 0.65%, 0.48%

LAB 73.21, -53.81, 64.74

 

CMYK 69 / 0 / 79 / 21

HEX #3FCA2B

RGB 63 202 43

HSL 112.45, 0.65%, 0.48%

LAB 71.87, -64.48, 63.01

 

CMYK 0 / 16 / 79 / 21

HEX #CAA92B

RGB 202 169 43

HSL 47.55, 0.65%, 0.48%

LAB 70.25, -0.28, 64.37

 

CMYK 0 / 18 / 90 / 13

HEX #DEB517

RGB 222 181 23

HSL 47.64, 0.81%, 0.48%

LAB 75.23, 1.62, 74.47

 

CMYK 0 / 20 / 99 / 5

HEX #F2C103

RGB 242 193 3

HSL 47.7, 0.98%, 0.48%

LAB 80.19, 3.8, 81.54

 

CMYK 0 / 16 / 79 / 21

HEX #CAA92B

RGB 202 169 43

HSL 47.55, 0.65%, 0.48%

LAB 70.25, -0.28, 64.37

 

CMYK 0 / 13 / 65 / 29

HEX #B69E3F

RGB 182 158 63

HSL 47.9, 0.49%, 0.48%

LAB 65.56, -2.22, 51.29

 

CMYK 0 / 10 / 49 / 36

HEX #A29252

RGB 162 146 82

HSL 48, 0.33%, 0.48%

LAB 60.65, -2.91, 35.88

 

CMYK 0 / 6 / 29 / 44

HEX #8F8666

RGB 143 134 102

HSL 46.83, 0.17%, 0.48%

LAB 55.94, -1.91, 18.49

HEX #8F8666

CMYK 0 / 0 / 1 / 52

HEX #7B7B7A

RGB 123 123 122

HSL 60, 0%, 0.48%

LAB 51.59, -0.2, 0.54

HEX #7B7B7A

CMYK 0 / 59 / 79 / 21

HEX #CA532B

RGB 202 83 43

HSL 15.09, 0.65%, 0.48%

LAB 50.59, 45.21, 45.83

 

CMYK 0 / 38 / 79 / 21

HEX #CA7D2B

RGB 202 125 43

HSL 30.94, 0.65%, 0.48%

LAB 59.34, 23.55, 54.3

 

CMYK 0 / 17 / 79 / 21

HEX #CAA72B

RGB 202 167 43

HSL 46.79, 0.65%, 0.48%

LAB 69.73, 0.78, 63.9

 

CMYK 4 / 0 / 79 / 21

HEX #C2CA2B

RGB 194 202 43

HSL 63.02, 0.65%, 0.48%

LAB 78.39, -20.66, 71.39

 

CMYK 25 / 0 / 79 / 21

HEX #98CA2B

RGB 152 202 43

HSL 78.87, 0.65%, 0.48%

LAB 75.51, -37.74, 67.71

 

CMYK 0 / 16 / 79 / 47

HEX #86701C

RGB 134 112 28

HSL 47.55, 0.65%, 0.32%

LAB 47.93, -0.44, 46.66

 

CMYK 0 / 16 / 79 / 34

HEX #A88D24

RGB 168 141 36

HSL 47.73, 0.65%, 0.4%

LAB 59.44, -0.61, 55.65

 

CMYK 0 / 16 / 79 / 21

HEX #CAA92B

RGB 202 169 43

HSL 47.55, 0.65%, 0.48%

LAB 70.25, -0.28, 64.37

 

CMYK 0 / 14 / 68 / 15

HEX #D8BA46

RGB 216 186 70

HSL 47.67, 0.65%, 0.56%

LAB 76.17, -1.93, 60.43

 

CMYK 0 / 11 / 53 / 13

HEX #DFC768

RGB 223 199 104

HSL 47.9, 0.65%, 0.64%

LAB 80.48, -3.4, 50.08

 

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

CMYK 78 / 0 / 79 / 21

HEX #2DCA2B

RGB 45 202 43

HSL 119.25, 0.65%, 0.48%

LAB 71.54, -67.38, 62.57

 

CMYK 49 / 79 / 0 / 21

HEX #682BCA

RGB 104 43 202

HSL 263.02, 0.65%, 0.48%

LAB 35.86, 59.47, -71.49

 

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

CMYK 79 / 0 / 17 / 21

HEX #2BCAA7

RGB 43 202 167

HSL 166.79, 0.65%, 0.48%

LAB 73.25, -47.73, 6.22

 

CMYK 17 / 79 / 0 / 21

HEX #A72BCA

RGB 167 43 202

HSL 286.79, 0.65%, 0.48%

LAB 44.53, 69.64, -56.99

 

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

CMYK 78 / 0 / 79 / 21

HEX #2DCA2B

RGB 45 202 43

HSL 119.25, 0.65%, 0.48%

LAB 71.54, -67.38, 62.57

 

CMYK 79 / 62 / 0 / 21

HEX #2B4DCA

RGB 43 77 202

HSL 227.17, 0.65%, 0.48%

LAB 38, 33.26, -68.16

 

CMYK 1 / 79 / 0 / 21

HEX #C72BCA

RGB 199 43 202

HSL 298.87, 0.65%, 0.48%

LAB 49.66, 75.64, -48.48

 

CMYK 0 / 16 / 79 / 20

HEX #CCAB2B

RGB 204 171 43

HSL 47.7, 0.65%, 0.48%

LAB 70.97, -0.47, 65.09

 

CMYK 79 / 0 / 56 / 21

HEX #2BCA58

RGB 43 202 88

HSL 136.98, 0.65%, 0.48%

LAB 71.87, -63.24, 45.16

 

CMYK 79 / 62 / 0 / 21

HEX #2B4DCA

RGB 43 77 202

HSL 227.17, 0.65%, 0.48%

LAB 38, 33.26, -68.16

 

CMYK 0 / 79 / 22 / 21

HEX #CA2B9D

RGB 202 43 157

HSL 316.98, 0.65%, 0.48%

LAB 47.9, 69.86, -24.81

 

Description

Color code: HEX #CCAB2B | qconv.com Color code: HEX #CCAB2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 171 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 171 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 79 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 79% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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