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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA49D it is the complementary color #335B62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA49D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA49D shade: #D1A498, #E2B6AB, #F3C8BE, #FFDAD1 and #FFECE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA49D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA49D shade: #CCA49D, #BB928A, #AA8077, #996E64 and #885C51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA49D shade: #CDA49D and #CD9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA49D shade: #CDA49D, #CDB19D, #CDBE9D, #CDCB9D and #C2CD9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA49D shade matches the following richer shades: #CDA49D, #D99C91, #E59485, #F18B79 and #FD836E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA49D shade: #CDA49D, #C1ADA9, #B5B5B5, #A9BEC1 and #9DC6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA49D shade: #CD9DB0, #CD9DA4, #CDA49D, #CDB09D and #CDBD9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA49D shade: #B17267, #BF8B82, #CDA49D, #DBBEB9 and #E9D7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA49D shade: #CCA49D, #BDCD9D and #9DAACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA49D shade: #CCA49D, #9DCDA4 and #A49DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA49D shade: #CCA49D, #BDCD9D, #9DC6CD and #AD9DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA49D shade: #CCA49D, #AFCD9D, #9DC6CD and #BB9DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

Complementary color

CMYK 48 / 7 / 0 / 62

HEX #335B62

RGB 51 91 98

HSL 188.94, 0.32%, 0.29%

LAB 36.11, -11.99, -8.43

 

CMYK 0 / 22 / 27 / 18

HEX #D1A498

RGB 209 164 152

HSL 12.63, 0.38%, 0.71%

LAB 71.13, 14.83, 12.57

 

CMYK 0 / 19 / 24 / 11

HEX #E2B6AB

RGB 226 182 171

HSL 12, 0.49%, 0.78%

LAB 77.62, 14.25, 11.61

 

CMYK 0 / 18 / 22 / 5

HEX #F3C8BE

RGB 243 200 190

HSL 11.32, 0.69%, 0.85%

LAB 84.01, 13.72, 10.71

 

CMYK 0 / 15 / 18 / 0

HEX #FFDAD1

RGB 255 218 209

HSL 11.74, 1%, 0.91%

LAB 89.86, 11.45, 9.18

 

CMYK 0 / 7 / 11 / 0

HEX #FFECE4

RGB 255 236 228

HSL 17.78, 1%, 0.95%

LAB 94.68, 5.12, 6.18

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

CMYK 0 / 22 / 26 / 27

HEX #BB928A

RGB 187 146 138

HSL 9.8, 0.26%, 0.64%

LAB 64.13, 14.23, 10.15

 

CMYK 0 / 25 / 30 / 33

HEX #AA8077

RGB 170 128 119

HSL 10.59, 0.23%, 0.57%

LAB 57.38, 14.9, 11.18

 

CMYK 0 / 28 / 35 / 40

HEX #996E64

RGB 153 110 100

HSL 11.32, 0.21%, 0.5%

LAB 50.5, 15.68, 12.33

 

CMYK 0 / 32 / 40 / 47

HEX #885C51

RGB 136 92 81

HSL 12, 0.25%, 0.43%

LAB 43.48, 16.58, 13.63

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 23 / 23 / 20

HEX #CD9D9D

RGB 205 157 157

HSL 0, 0.32%, 0.71%

LAB 69.13, 17.84, 6.91

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 14 / 23 / 20

HEX #CDB19D

RGB 205 177 157

HSL 25, 0.32%, 0.71%

LAB 74.1, 6.99, 13.96

 

CMYK 0 / 7 / 23 / 20

HEX #CDBE9D

RGB 205 190 157

HSL 41.25, 0.32%, 0.71%

LAB 77.42, 0.06, 18.6

 

CMYK 0 / 1 / 23 / 20

HEX #CDCB9D

RGB 205 203 157

HSL 57.5, 0.32%, 0.71%

LAB 80.81, -6.72, 23.26

 

CMYK 5 / 0 / 23 / 20

HEX #C2CD9D

RGB 194 205 157

HSL 73.75, 0.32%, 0.71%

LAB 80.5, -11.86, 22.7

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 28 / 33 / 15

HEX #D99C91

RGB 217 156 145

HSL 9.17, 0.49%, 0.71%

LAB 69.88, 21.31, 14.79

 

CMYK 0 / 35 / 42 / 10

HEX #E59485

RGB 229 148 133

HSL 9.38, 0.65%, 0.71%

LAB 69.13, 28.81, 20.61

 

CMYK 0 / 42 / 50 / 5

HEX #F18B79

RGB 241 139 121

HSL 9, 0.81%, 0.71%

LAB 68.42, 36.92, 26.53

 

CMYK 0 / 48 / 57 / 1

HEX #FD836E

RGB 253 131 110

HSL 8.81, 0.97%, 0.71%

LAB 68.2, 44.54, 32.59

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 10 / 12 / 24

HEX #C1ADA9

RGB 193 173 169

HSL 10, 0.16%, 0.71%

LAB 72.29, 6.52, 4.67

 

CMYK 0 / 0 / 0 / 29

HEX #B5B5B5

RGB 181 181 181

HSL 0, 0%, 0.71%

LAB 73.68, 0, -0.01

 

CMYK 12 / 2 / 0 / 24

HEX #A9BEC1

RGB 169 190 193

HSL 187.5, 0.16%, 0.71%

LAB 75.52, -6.53, -3.95

 

CMYK 23 / 3 / 0 / 20

HEX #9DC6CD

RGB 157 198 205

HSL 188.75, 0.32%, 0.71%

LAB 77.26, -11.94, -7.96

 

CMYK 0 / 23 / 14 / 20

HEX #CD9DB0

RGB 205 157 176

HSL 336.25, 0.32%, 0.71%

LAB 69.63, 20.8, -2.93

 

CMYK 0 / 23 / 20 / 20

HEX #CD9DA4

RGB 205 157 164

HSL 351.25, 0.32%, 0.71%

LAB 69.31, 18.89, 3.27

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 14 / 23 / 20

HEX #CDB09D

RGB 205 176 157

HSL 23.75, 0.32%, 0.71%

LAB 73.85, 7.53, 13.6

 

CMYK 0 / 8 / 23 / 20

HEX #CDBD9D

RGB 205 189 157

HSL 40, 0.32%, 0.71%

LAB 77.17, 0.59, 18.24

 

CMYK 0 / 36 / 42 / 31

HEX #B17267

RGB 177 114 103

HSL 8.92, 0.32%, 0.55%

LAB 54.41, 23.56, 16.41

 

CMYK 0 / 27 / 32 / 25

HEX #BF8B82

RGB 191 139 130

HSL 8.85, 0.32%, 0.63%

LAB 62.64, 18.57, 12.62

 

CMYK 0 / 20 / 23 / 20

HEX #CDA49D

RGB 205 164 157

HSL 8.75, 0.32%, 0.71%

LAB 70.85, 14.02, 9.36

 

CMYK 0 / 13 / 16 / 14

HEX #DBBEB9

RGB 219 190 185

HSL 8.82, 0.32%, 0.79%

LAB 79.27, 9.5, 6.31

 

CMYK 0 / 8 / 9 / 9

HEX #E9D7D4

RGB 233 215 212

HSL 8.57, 0.32%, 0.87%

LAB 87.33, 5.7, 3.71

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

CMYK 8 / 0 / 23 / 20

HEX #BDCD9D

RGB 189 205 157

HSL 80, 0.32%, 0.71%

LAB 80.13, -13.71, 22.14

 

CMYK 23 / 17 / 0 / 20

HEX #9DAACD

RGB 157 170 205

HSL 223.75, 0.32%, 0.71%

LAB 69.7, 3.09, -19.31

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

CMYK 23 / 0 / 20 / 20

HEX #9DCDA4

RGB 157 205 164

HSL 128.75, 0.32%, 0.71%

LAB 78.18, -23.78, 15.39

 

CMYK 20 / 23 / 0 / 20

HEX #A49DCD

RGB 164 157 205

HSL 248.75, 0.32%, 0.71%

LAB 66.84, 12.54, -23.63

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

CMYK 8 / 0 / 23 / 20

HEX #BDCD9D

RGB 189 205 157

HSL 80, 0.32%, 0.71%

LAB 80.13, -13.71, 22.14

 

CMYK 23 / 3 / 0 / 20

HEX #9DC6CD

RGB 157 198 205

HSL 188.75, 0.32%, 0.71%

LAB 77.26, -11.94, -7.96

 

CMYK 16 / 23 / 0 / 20

HEX #AD9DCD

RGB 173 157 205

HSL 260, 0.32%, 0.71%

LAB 67.58, 15.4, -22.42

 

CMYK 0 / 20 / 23 / 20

HEX #CCA49D

RGB 204 164 157

HSL 8.94, 0.32%, 0.71%

LAB 70.75, 13.64, 9.2

 

CMYK 15 / 0 / 23 / 20

HEX #AFCD9D

RGB 175 205 157

HSL 97.5, 0.32%, 0.71%

LAB 79.16, -18.77, 20.65

 

CMYK 23 / 3 / 0 / 20

HEX #9DC6CD

RGB 157 198 205

HSL 188.75, 0.32%, 0.71%

LAB 77.26, -11.94, -7.96

 

CMYK 9 / 23 / 0 / 20

HEX #BB9DCD

RGB 187 157 205

HSL 277.5, 0.32%, 0.71%

LAB 68.81, 19.95, -20.43

 

Description

Color code: HEX #CCA49D | qconv.com Color code: HEX #CCA49D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 164 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 164 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 23 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 23% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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