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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA0AB it is the complementary color #335F54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA0AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA0AB shade: #D1A0A6, #E2B2B9, #F3C4CC, #FFD6DF and #FFE8F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA0AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA0AB shade: #CCA0AB, #BB8E98, #AA7C85, #996A72 and #88585F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA0AB shade: #CB9FAA and #CB9F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA0AB shade: #CB9FAA, #CB9FB6, #CB9FC2, #C99FCB and #BD9FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA0AB shade matches the following richer shades: #CB9FAA, #D793A4, #E3879E, #EF7B98 and #FB6F92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA0AB shade: #CB9FAA, #BFABB0, #B3B7B6, #A7C3BC and #9BCFC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA0AB shade: #CB9FC2, #CB9FB6, #CB9FAA, #CBA09F and #CBAB9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA0AB shade: #AE697B, #BD8492, #CB9FAA, #DABAC2 and #E8D5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA0AB shade: #CCA0AB, #CBC99F and #9FBCCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA0AB shade: #CCA0AB, #AACB9F and #9FAACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA0AB shade: #CCA0AB, #CBC99F, #9FCBC0 and #9FA1CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA0AB shade: #CCA0AB, #C0CB9F, #9FCBC0 and #AA9FCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

Complementary color

CMYK 46 / 0 / 12 / 63

HEX #335F54

RGB 51 95 84

HSL 165, 0.3%, 0.29%

LAB 36.98, -18.21, 1.55

 

CMYK 0 / 23 / 21 / 18

HEX #D1A0A6

RGB 209 160 166

HSL 352.65, 0.35%, 0.72%

LAB 70.49, 19.04, 3.92

 

CMYK 0 / 21 / 18 / 11

HEX #E2B2B9

RGB 226 178 185

HSL 351.25, 0.45%, 0.79%

LAB 76.99, 18.46, 3.11

 

CMYK 0 / 19 / 16 / 5

HEX #F3C4CC

RGB 243 196 204

HSL 349.79, 0.66%, 0.86%

LAB 83.39, 17.92, 2.35

 

CMYK 0 / 16 / 13 / 0

HEX #FFD6DF

RGB 255 214 223

HSL 346.83, 1%, 0.92%

LAB 89.24, 15.69, 0.92

 

CMYK 0 / 9 / 5 / 0

HEX #FFE8F2

RGB 255 232 242

HSL 333.91, 1%, 0.95%

LAB 94.05, 9.49, -2

 

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

CMYK 0 / 24 / 19 / 27

HEX #BB8E98

RGB 187 142 152

HSL 346.67, 0.25%, 0.65%

LAB 63.49, 18.58, 1.33

 

CMYK 0 / 27 / 22 / 33

HEX #AA7C85

RGB 170 124 133

HSL 348.26, 0.21%, 0.58%

LAB 56.74, 19.24, 2.17

 

CMYK 0 / 31 / 25 / 40

HEX #996A72

RGB 153 106 114

HSL 349.79, 0.19%, 0.51%

LAB 49.85, 19.99, 3.11

 

CMYK 0 / 35 / 30 / 47

HEX #88585F

RGB 136 88 95

HSL 351.25, 0.21%, 0.44%

LAB 42.82, 20.84, 4.18

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 22 / 22 / 20

HEX #CB9F9F

RGB 203 159 159

HSL 0, 0.3%, 0.71%

LAB 69.47, 16.29, 6.25

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 22 / 10 / 20

HEX #CB9FB6

RGB 203 159 182

HSL 328.64, 0.3%, 0.71%

LAB 70.08, 20, -5.62

 

CMYK 0 / 22 / 4 / 20

HEX #CB9FC2

RGB 203 159 194

HSL 312.27, 0.3%, 0.71%

LAB 70.45, 22.11, -11.73

 

CMYK 1 / 22 / 0 / 20

HEX #C99FCB

RGB 201 159 203

HSL 297.27, 0.3%, 0.71%

LAB 70.54, 23.1, -16.58

 

CMYK 7 / 22 / 0 / 20

HEX #BD9FCB

RGB 189 159 203

HSL 280.91, 0.3%, 0.71%

LAB 69.42, 19.09, -18.39

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 32 / 24 / 16

HEX #D793A4

RGB 215 147 164

HSL 345, 0.46%, 0.71%

LAB 68.02, 28.01, 1.53

 

CMYK 0 / 41 / 30 / 11

HEX #E3879E

RGB 227 135 158

HSL 345, 0.62%, 0.71%

LAB 66.62, 37.91, 3.04

 

CMYK 0 / 49 / 36 / 6

HEX #EF7B98

RGB 239 123 152

HSL 345, 0.78%, 0.71%

LAB 65.58, 47.49, 5.14

 

CMYK 0 / 56 / 42 / 2

HEX #FB6F92

RGB 251 111 146

HSL 345, 0.95%, 0.71%

LAB 64.93, 56.57, 7.84

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 10 / 8 / 25

HEX #BFABB0

RGB 191 171 176

HSL 345, 0.14%, 0.71%

LAB 71.78, 8.08, 0.06

 

CMYK 2 / 0 / 1 / 28

HEX #B3B7B6

RGB 179 183 182

HSL 165, 0.03%, 0.71%

LAB 74.08, -1.58, 0.01

 

CMYK 14 / 0 / 4 / 24

HEX #A7C3BC

RGB 167 195 188

HSL 165, 0.19%, 0.71%

LAB 76.6, -10.82, 0.33

 

CMYK 25 / 0 / 6 / 19

HEX #9BCFC2

RGB 155 207 194

HSL 165, 0.35%, 0.71%

LAB 79.32, -19.54, 0.98

 

CMYK 0 / 22 / 4 / 20

HEX #CB9FC2

RGB 203 159 194

HSL 312.27, 0.3%, 0.71%

LAB 70.45, 22.11, -11.73

 

CMYK 0 / 22 / 10 / 20

HEX #CB9FB6

RGB 203 159 182

HSL 328.64, 0.3%, 0.71%

LAB 70.08, 20, -5.62

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 21 / 22 / 20

HEX #CBA09F

RGB 203 160 159

HSL 1.36, 0.3%, 0.71%

LAB 69.71, 15.75, 6.6

 

CMYK 0 / 16 / 22 / 20

HEX #CBAB9F

RGB 203 171 159

HSL 16.36, 0.3%, 0.71%

LAB 72.45, 9.76, 10.5

 

CMYK 0 / 40 / 29 / 32

HEX #AE697B

RGB 174 105 123

HSL 344.35, 0.3%, 0.55%

LAB 52.43, 29.95, 1.84

 

CMYK 0 / 30 / 23 / 26

HEX #BD8492

RGB 189 132 146

HSL 345.26, 0.3%, 0.63%

LAB 61.13, 23.95, 1.33

 

CMYK 0 / 22 / 16 / 20

HEX #CB9FAA

RGB 203 159 170

HSL 345, 0.3%, 0.71%

LAB 69.75, 18, 0.55

 

CMYK 0 / 15 / 11 / 15

HEX #DABAC2

RGB 218 186 194

HSL 345, 0.3%, 0.79%

LAB 78.41, 12.73, 0.21

 

CMYK 0 / 8 / 6 / 9

HEX #E8D5D9

RGB 232 213 217

HSL 347.37, 0.29%, 0.87%

LAB 86.88, 7.23, 0.4

 

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

CMYK 0 / 1 / 22 / 20

HEX #CBC99F

RGB 203 201 159

HSL 57.27, 0.3%, 0.71%

LAB 80.16, -6.16, 21.3

 

CMYK 22 / 7 / 0 / 20

HEX #9FBCCB

RGB 159 188 203

HSL 200.45, 0.3%, 0.71%

LAB 74.6, -6.51, -10.82

 

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

CMYK 16 / 0 / 22 / 20

HEX #AACB9F

RGB 170 203 159

HSL 105, 0.3%, 0.71%

LAB 78.32, -19.21, 18.38

 

CMYK 22 / 16 / 0 / 20

HEX #9FAACB

RGB 159 170 203

HSL 225, 0.3%, 0.71%

LAB 69.78, 3.25, -18.08

 

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

CMYK 0 / 1 / 22 / 20

HEX #CBC99F

RGB 203 201 159

HSL 57.27, 0.3%, 0.71%

LAB 80.16, -6.16, 21.3

 

CMYK 22 / 0 / 5 / 20

HEX #9FCBC0

RGB 159 203 192

HSL 165, 0.3%, 0.71%

LAB 78.4, -16.7, 0.73

 

CMYK 22 / 21 / 0 / 20

HEX #9FA1CB

RGB 159 161 203

HSL 237.27, 0.3%, 0.71%

LAB 67.41, 8.26, -21.68

 

CMYK 0 / 22 / 16 / 20

HEX #CCA0AB

RGB 204 160 171

HSL 345, 0.3%, 0.71%

LAB 70.12, 17.98, 0.55

 

CMYK 5 / 0 / 22 / 20

HEX #C0CB9F

RGB 192 203 159

HSL 75, 0.3%, 0.71%

LAB 79.85, -11.28, 20.73

 

CMYK 22 / 0 / 5 / 20

HEX #9FCBC0

RGB 159 203 192

HSL 165, 0.3%, 0.71%

LAB 78.4, -16.7, 0.73

 

CMYK 16 / 22 / 0 / 20

HEX #AA9FCB

RGB 170 159 203

HSL 255, 0.3%, 0.71%

LAB 67.76, 12.87, -21.06

 

Description

Color code: HEX #CCA0AB | qconv.com Color code: HEX #CCA0AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 160 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 160 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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