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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9F7F it is the complementary color #336080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9F7F shade: #D19F7A, #E2B18D, #F3C3A0, #FFD5B3 and #FFE7C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9F7F shade: #CC9F7F, #BB8D6C, #AA7B59, #996946 and #885733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9F7F shade: #CC9F7F, #CC8A7F and #CC7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9F7F shade: #CC9F7F, #CCB37F, #CCC87F, #BACC7F and #A6CC7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9F7F shade matches the following richer shades: #CC9F7F, #DA9C70, #E99A62 and #F79754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9F7F shade: #CC9F7F, #BDA18D, #AFA49C, #A0A6AA and #92A9B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9F7F shade: #CC7F89, #CC897F, #CC9E7F, #CCB27F and #CCC77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9F7F shade: #B27346, #C08961, #CC9F7F, #D7B59C and #E3CBBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9F7F shade: #CC9F7F, #9ECC7F and #7F7FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9F7F shade: #CC9F7F, #7FCC9E and #9E7FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9F7F shade: #CC9F7F, #9ECC7F, #7FADCC and #AD7FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9F7F shade: #CC9F7F, #87CC7F, #7FADCC and #C47FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

Complementary color

CMYK 60 / 25 / 0 / 50

HEX #336080

RGB 51 96 128

HSL 204.94, 0.43%, 0.35%

LAB 38.95, -5.25, -22.58

 

CMYK 0 / 24 / 42 / 18

HEX #D19F7A

RGB 209 159 122

HSL 25.52, 0.49%, 0.65%

LAB 69.3, 13.8, 26.48

 

CMYK 0 / 22 / 38 / 11

HEX #E2B18D

RGB 226 177 141

HSL 25.41, 0.59%, 0.72%

LAB 75.78, 13.04, 25.24

 

CMYK 0 / 20 / 34 / 5

HEX #F3C3A0

RGB 243 195 160

HSL 25.3, 0.78%, 0.79%

LAB 82.18, 12.37, 24.09

 

CMYK 0 / 16 / 30 / 0

HEX #FFD5B3

RGB 255 213 179

HSL 26.84, 1%, 0.85%

LAB 88.02, 9.9, 22.3

 

CMYK 0 / 9 / 22 / 0

HEX #FFE7C6

RGB 255 231 198

HSL 34.74, 1%, 0.89%

LAB 92.79, 3.18, 19.05

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 25 / 42 / 27

HEX #BB8D6C

RGB 187 141 108

HSL 25.06, 0.37%, 0.58%

LAB 62.25, 13.15, 24.37

 

CMYK 0 / 28 / 48 / 33

HEX #AA7B59

RGB 170 123 89

HSL 25.19, 0.32%, 0.51%

LAB 55.52, 14.07, 25.76

 

CMYK 0 / 31 / 54 / 40

HEX #996946

RGB 153 105 70

HSL 25.3, 0.37%, 0.44%

LAB 48.66, 15.16, 27.29

 

CMYK 0 / 36 / 63 / 47

HEX #885733

RGB 136 87 51

HSL 25.41, 0.45%, 0.37%

LAB 41.67, 16.47, 28.99

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 32 / 38 / 20

HEX #CC8A7F

RGB 204 138 127

HSL 8.57, 0.43%, 0.65%

LAB 63.79, 23.83, 16.15

 

CMYK 0 / 38 / 38 / 20

HEX #CC7F7F

RGB 204 127 127

HSL 0, 0.43%, 0.65%

LAB 61.26, 29.81, 12.62

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 12 / 38 / 20

HEX #CCB37F

RGB 204 179 127

HSL 40.52, 0.43%, 0.65%

LAB 73.94, 1.6, 29.87

 

CMYK 0 / 2 / 38 / 20

HEX #CCC87F

RGB 204 200 127

HSL 56.88, 0.43%, 0.65%

LAB 79.43, -9.37, 37.02

 

CMYK 9 / 0 / 38 / 20

HEX #BACC7F

RGB 186 204 127

HSL 74.03, 0.43%, 0.65%

LAB 79.13, -18.42, 36.36

 

CMYK 19 / 0 / 38 / 20

HEX #A6CC7F

RGB 166 204 127

HSL 89.61, 0.43%, 0.65%

LAB 77.77, -25.94, 34.33

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 28 / 49 / 15

HEX #DA9C70

RGB 218 156 112

HSL 24.91, 0.59%, 0.65%

LAB 69.36, 18.04, 32.15

 

CMYK 0 / 34 / 58 / 9

HEX #E99A62

RGB 233 154 98

HSL 24.89, 0.75%, 0.65%

LAB 70.4, 24.01, 41.2

 

CMYK 0 / 39 / 66 / 3

HEX #F79754

RGB 247 151 84

HSL 24.66, 0.91%, 0.65%

LAB 71.25, 30.3, 49.7

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 15 / 25 / 26

HEX #BDA18D

RGB 189 161 141

HSL 25, 0.27%, 0.65%

LAB 68.19, 7.18, 14.23

 

CMYK 0 / 6 / 11 / 31

HEX #AFA49C

RGB 175 164 156

HSL 25.26, 0.11%, 0.65%

LAB 68.07, 2.57, 5.57

 

CMYK 6 / 2 / 0 / 33

HEX #A0A6AA

RGB 160 166 170

HSL 204, 0.06%, 0.65%

LAB 67.76, -1.33, -2.81

 

CMYK 21 / 9 / 0 / 27

HEX #92A9B9

RGB 146 169 185

HSL 204.62, 0.22%, 0.65%

LAB 68.01, -4.43, -10.87

 

CMYK 0 / 38 / 33 / 20

HEX #CC7F89

RGB 204 127 137

HSL 352.21, 0.43%, 0.65%

LAB 61.5, 31.05, 7.24

 

CMYK 0 / 33 / 38 / 20

HEX #CC897F

RGB 204 137 127

HSL 7.79, 0.43%, 0.65%

LAB 63.56, 24.38, 15.82

 

CMYK 0 / 23 / 38 / 20

HEX #CC9E7F

RGB 204 158 127

HSL 24.16, 0.43%, 0.65%

LAB 68.62, 12.91, 22.76

 

CMYK 0 / 13 / 38 / 20

HEX #CCB27F

RGB 204 178 127

HSL 39.74, 0.43%, 0.65%

LAB 73.68, 2.13, 29.53

 

CMYK 0 / 2 / 38 / 20

HEX #CCC77F

RGB 204 199 127

HSL 56.1, 0.43%, 0.65%

LAB 79.17, -8.85, 36.68

 

CMYK 0 / 35 / 61 / 30

HEX #B27346

RGB 178 115 70

HSL 25, 0.44%, 0.49%

LAB 54.21, 20.28, 34.82

 

CMYK 0 / 29 / 49 / 25

HEX #C08961

RGB 192 137 97

HSL 25.26, 0.43%, 0.57%

LAB 61.62, 16.29, 29.71

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 0 / 16 / 27 / 16

HEX #D7B59C

RGB 215 181 156

HSL 25.42, 0.42%, 0.73%

LAB 76, 8.53, 17.3

 

CMYK 0 / 11 / 18 / 11

HEX #E3CBBA

RGB 227 203 186

HSL 24.88, 0.42%, 0.81%

LAB 83.23, 5.7, 11.53

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 23 / 0 / 38 / 20

HEX #9ECC7F

RGB 158 204 127

HSL 95.84, 0.43%, 0.65%

LAB 77.27, -28.84, 33.59

 

CMYK 38 / 38 / 0 / 20

HEX #7F7FCC

RGB 127 127 204

HSL 240, 0.43%, 0.65%

LAB 56.14, 18.72, -39.9

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 38 / 0 / 23 / 20

HEX #7FCC9E

RGB 127 204 158

HSL 144.16, 0.43%, 0.65%

LAB 76.17, -33.8, 15.55

 

CMYK 23 / 38 / 0 / 20

HEX #9E7FCC

RGB 158 127 204

HSL 264.16, 0.43%, 0.65%

LAB 58.8, 27.56, -35.54

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 23 / 0 / 38 / 20

HEX #9ECC7F

RGB 158 204 127

HSL 95.84, 0.43%, 0.65%

LAB 77.27, -28.84, 33.59

 

CMYK 38 / 15 / 0 / 20

HEX #7FADCC

RGB 127 173 204

HSL 204.16, 0.43%, 0.65%

LAB 68.58, -7.56, -20.65

 

CMYK 15 / 38 / 0 / 20

HEX #AD7FCC

RGB 173 127 204

HSL 275.84, 0.43%, 0.65%

LAB 60.27, 32.09, -33.13

 

CMYK 0 / 22 / 38 / 20

HEX #CC9F7F

RGB 204 159 127

HSL 24.94, 0.43%, 0.65%

LAB 68.87, 12.37, 23.1

 

CMYK 34 / 0 / 38 / 20

HEX #87CC7F

RGB 135 204 127

HSL 113.77, 0.43%, 0.65%

LAB 75.99, -36.71, 31.66

 

CMYK 38 / 15 / 0 / 20

HEX #7FADCC

RGB 127 173 204

HSL 204.16, 0.43%, 0.65%

LAB 68.58, -7.56, -20.65

 

CMYK 4 / 38 / 0 / 20

HEX #C47FCC

RGB 196 127 204

HSL 293.77, 0.43%, 0.65%

LAB 62.74, 39.18, -29.11

 

Description

Color code: HEX #CC9F7F | qconv.com Color code: HEX #CC9F7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 159 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 159 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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