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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9F62 it is the complementary color #33609D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9F62 shade: #D19F5D, #E2B170, #F3C383, #FFD596 and #FFE7A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9F62 shade: #CC9F62, #BB8D4F, #AA7B3C, #996929 and #885716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9F62 shade: #CC9F61, #CC8261, #CC6561 and #CC6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9F62 shade: #CC9F61, #CCBB61, #C0CC61, #A3CC61 and #86CC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9F62 shade matches the following richer shades: #CC9F61, #DDA150, #EEA43F and #FFA62E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9F62 shade: #CC9F61, #BB9C72, #AA9983, #999794 and #8894A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9F62 shade: #CC6561, #CC8161, #CC9E61, #CCBA61 and #C1CC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9F62 shade: #A57636, #C28B42, #CC9F61, #D6B280 and #E0C59F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9F62 shade: #CC9F62, #7ACC61 and #7361CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9F62 shade: #CC9F62, #61CC9E and #9E61CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9F62 shade: #CC9F62, #7ACC61, #618FCC and #B361CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9F62 shade: #CC9F62, #61CC68, #618FCC and #CC61C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

Complementary color

CMYK 68 / 39 / 0 / 38

HEX #33609D

RGB 51 96 157

HSL 214.53, 0.51%, 0.41%

LAB 40.42, 5.08, -37.76

 

CMYK 0 / 24 / 56 / 18

HEX #D19F5D

RGB 209 159 93

HSL 34.14, 0.56%, 0.59%

LAB 68.85, 11.02, 41.27

 

CMYK 0 / 22 / 50 / 11

HEX #E2B170

RGB 226 177 112

HSL 34.21, 0.66%, 0.66%

LAB 75.32, 10.05, 39.89

 

CMYK 0 / 20 / 46 / 5

HEX #F3C383

RGB 243 195 131

HSL 34.29, 0.82%, 0.73%

LAB 81.69, 9.21, 38.56

 

CMYK 0 / 16 / 41 / 0

HEX #FFD596

RGB 255 213 150

HSL 36, 1%, 0.79%

LAB 87.51, 6.53, 36.61

 

CMYK 0 / 9 / 34 / 0

HEX #FFE7A9

RGB 255 231 169

HSL 43.26, 1%, 0.83%

LAB 92.25, -0.55, 33.21

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

CMYK 0 / 25 / 58 / 27

HEX #BB8D4F

RGB 187 141 79

HSL 34.44, 0.44%, 0.52%

LAB 61.81, 10.38, 39.43

 

CMYK 0 / 28 / 65 / 33

HEX #AA7B3C

RGB 170 123 60

HSL 34.36, 0.48%, 0.45%

LAB 55.11, 11.59, 40.87

 

CMYK 0 / 31 / 73 / 40

HEX #996929

RGB 153 105 41

HSL 34.29, 0.58%, 0.38%

LAB 48.3, 13.05, 42.21

 

CMYK 0 / 36 / 84 / 47

HEX #885716

RGB 136 87 22

HSL 34.21, 0.72%, 0.31%

LAB 41.39, 14.84, 43.07

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F61

RGB 204 159 97

HSL 34.77, 0.51%, 0.59%

LAB 68.39, 9.26, 38.52

 

CMYK 0 / 36 / 52 / 20

HEX #CC8261

RGB 204 130 97

HSL 18.5, 0.51%, 0.59%

LAB 61.36, 25.06, 29.66

 

CMYK 0 / 50 / 52 / 20

HEX #CC6561

RGB 204 101 97

HSL 2.24, 0.51%, 0.59%

LAB 55.08, 40.41, 21.42

 

CMYK 0 / 52 / 52 / 20

HEX #CC6161

RGB 204 97 97

HSL 0, 0.51%, 0.59%

LAB 54.29, 42.43, 20.36

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F61

RGB 204 159 97

HSL 34.77, 0.51%, 0.59%

LAB 68.39, 9.26, 38.52

 

CMYK 0 / 8 / 52 / 20

HEX #CCBB61

RGB 204 187 97

HSL 50.47, 0.51%, 0.59%

LAB 75.6, -5.63, 47.26

 

CMYK 6 / 0 / 52 / 20

HEX #C0CC61

RGB 192 204 97

HSL 66.73, 0.51%, 0.59%

LAB 79.19, -19.19, 51.24

 

CMYK 20 / 0 / 52 / 20

HEX #A3CC61

RGB 163 204 97

HSL 82.99, 0.51%, 0.59%

LAB 77.18, -30.56, 48.38

 

CMYK 34 / 0 / 52 / 20

HEX #86CC61

RGB 134 204 97

HSL 99.25, 0.51%, 0.59%

LAB 75.52, -41.02, 46

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F61

RGB 204 159 97

HSL 34.77, 0.51%, 0.59%

LAB 68.39, 9.26, 38.52

 

CMYK 0 / 27 / 64 / 13

HEX #DDA150

RGB 221 161 80

HSL 34.47, 0.67%, 0.59%

LAB 70.48, 14.05, 49.95

 

CMYK 0 / 31 / 74 / 7

HEX #EEA43F

RGB 238 164 63

HSL 34.63, 0.84%, 0.59%

LAB 72.95, 18.69, 60.78

 

CMYK 0 / 35 / 82 / 0

HEX #FFA62E

RGB 255 166 46

HSL 34.45, 1%, 0.59%

LAB 75.28, 24.13, 70.03

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F61

RGB 204 159 97

HSL 34.77, 0.51%, 0.59%

LAB 68.39, 9.26, 38.52

 

CMYK 0 / 17 / 39 / 27

HEX #BB9C72

RGB 187 156 114

HSL 34.52, 0.35%, 0.59%

LAB 66.18, 5.58, 26.29

 

CMYK 0 / 10 / 23 / 33

HEX #AA9983

RGB 170 153 131

HSL 33.85, 0.19%, 0.59%

LAB 64.13, 2.67, 13.85

 

CMYK 0 / 1 / 3 / 40

HEX #999794

RGB 153 151 148

HSL 36, 0.02%, 0.59%

LAB 62.54, 0.16, 1.83

 

CMYK 18 / 10 / 0 / 35

HEX #8894A5

RGB 136 148 165

HSL 215.17, 0.14%, 0.59%

LAB 60.9, -0.61, -10.38

 

CMYK 0 / 50 / 52 / 20

HEX #CC6561

RGB 204 101 97

HSL 2.24, 0.51%, 0.59%

LAB 55.08, 40.41, 21.42

 

CMYK 0 / 37 / 52 / 20

HEX #CC8161

RGB 204 129 97

HSL 17.94, 0.51%, 0.59%

LAB 61.13, 25.6, 29.37

 

CMYK 0 / 23 / 52 / 20

HEX #CC9E61

RGB 204 158 97

HSL 34.21, 0.51%, 0.59%

LAB 68.13, 9.81, 38.21

 

CMYK 0 / 9 / 52 / 20

HEX #CCBA61

RGB 204 186 97

HSL 49.91, 0.51%, 0.59%

LAB 75.34, -5.11, 46.95

 

CMYK 5 / 0 / 52 / 20

HEX #C1CC61

RGB 193 204 97

HSL 66.17, 0.51%, 0.59%

LAB 79.26, -18.79, 51.34

 

CMYK 0 / 28 / 67 / 35

HEX #A57636

RGB 165 118 54

HSL 34.59, 0.51%, 0.43%

LAB 53.19, 11.8, 41.57

 

CMYK 0 / 28 / 66 / 24

HEX #C28B42

RGB 194 139 66

HSL 34.22, 0.51%, 0.51%

LAB 61.94, 13.58, 46.3

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F61

RGB 204 159 97

HSL 34.77, 0.51%, 0.59%

LAB 68.39, 9.26, 38.52

 

CMYK 0 / 17 / 40 / 16

HEX #D6B280

RGB 214 178 128

HSL 34.88, 0.51%, 0.67%

LAB 74.63, 6.26, 30.42

 

CMYK 0 / 12 / 29 / 12

HEX #E0C59F

RGB 224 197 159

HSL 35.08, 0.51%, 0.75%

LAB 80.9, 3.91, 22.58

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

CMYK 40 / 0 / 52 / 20

HEX #7ACC61

RGB 122 204 97

HSL 105.98, 0.51%, 0.59%

LAB 74.94, -44.97, 45.16

 

CMYK 44 / 52 / 0 / 20

HEX #7361CC

RGB 115 97 204

HSL 250.09, 0.51%, 0.59%

LAB 47.69, 33.59, -53.37

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

CMYK 52 / 0 / 23 / 20

HEX #61CC9E

RGB 97 204 158

HSL 154.21, 0.51%, 0.59%

LAB 74.95, -41.69, 13.65

 

CMYK 23 / 52 / 0 / 20

HEX #9E61CC

RGB 158 97 204

HSL 274.21, 0.51%, 0.59%

LAB 52.04, 44.4, -46.19

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

CMYK 40 / 0 / 52 / 20

HEX #7ACC61

RGB 122 204 97

HSL 105.98, 0.51%, 0.59%

LAB 74.94, -44.97, 45.16

 

CMYK 52 / 30 / 0 / 20

HEX #618FCC

RGB 97 143 204

HSL 214.21, 0.51%, 0.59%

LAB 58.55, 1.77, -36.25

 

CMYK 12 / 52 / 0 / 20

HEX #B361CC

RGB 179 97 204

HSL 285.98, 0.51%, 0.59%

LAB 54.55, 50.04, -42.05

 

CMYK 0 / 22 / 52 / 20

HEX #CC9F62

RGB 204 159 98

HSL 34.53, 0.51%, 0.59%

LAB 68.4, 9.35, 38.02

 

CMYK 52 / 0 / 49 / 20

HEX #61CC68

RGB 97 204 104

HSL 123.93, 0.51%, 0.59%

LAB 74.01, -51.3, 40.41

 

CMYK 52 / 30 / 0 / 20

HEX #618FCC

RGB 97 143 204

HSL 214.21, 0.51%, 0.59%

LAB 58.55, 1.77, -36.25

 

CMYK 0 / 52 / 3 / 20

HEX #CC61C5

RGB 204 97 197

HSL 303.93, 0.51%, 0.59%

LAB 57.48, 55.63, -33.23

 

Description

Color code: HEX #CC9F62 | qconv.com Color code: HEX #CC9F62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 159 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 159 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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