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Color name
HEX #CC9F32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9F32 it is the complementary color #3360CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9F32 shade: #D19F2D, #E2B140, #F3C353, #FFD566 and #FFE779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9F32 shade: #CC9F32, #BB8D1F, #AA7B0C, #996900 and #885700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9F32 shade: #CDA032, #CD7632, #CD4C32 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9F32 shade: #CDA032, #CDCA32, #A7CD32, #7DCD32 and #53CD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9F32 shade matches the following richer shades: #CDA032, #E2A81D and #F7B108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9F32 shade: #CDA032, #B99746, #A48F5B, #8F8670 and #7B7E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9F32 shade: #CD4C32, #CD7532, #CD9F32, #CDC832 and #A9CD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9F32 shade: #8B6C22, #AC862A, #CDA032, #D5AF53 and #DDBF74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9F32 shade: #CC9F32, #41CD32 and #6032CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9F32 shade: #CC9F32, #32CD9F and #9F32CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9F32 shade: #CC9F32, #41CD32, #3260CD and #BE32CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9F32 shade: #CC9F32, #32CD51, #3260CD and #CD32AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

Complementary color

CMYK 75 / 53 / 0 / 20

HEX #3360CD

RGB 51 96 205

HSL 222.47, 0.61%, 0.5%

LAB 43.47, 22.95, -60.96

 

CMYK 0 / 24 / 78 / 18

HEX #D19F2D

RGB 209 159 45

HSL 41.71, 0.65%, 0.5%

LAB 68.42, 8.2, 62.28

 

CMYK 0 / 22 / 72 / 11

HEX #E2B140

RGB 226 177 64

HSL 41.85, 0.74%, 0.57%

LAB 74.81, 6.76, 61.81

 

CMYK 0 / 20 / 66 / 5

HEX #F3C353

RGB 243 195 83

HSL 42, 0.87%, 0.64%

LAB 81.13, 5.52, 60.93

 

CMYK 0 / 16 / 60 / 0

HEX #FFD566

RGB 255 213 102

HSL 43.53, 1%, 0.7%

LAB 86.9, 2.4, 59.19

 

CMYK 0 / 9 / 53 / 0

HEX #FFE779

RGB 255 231 121

HSL 49.25, 1%, 0.74%

LAB 91.59, -5.31, 55.9

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

CMYK 0 / 25 / 83 / 27

HEX #BB8D1F

RGB 187 141 31

HSL 42.31, 0.72%, 0.43%

LAB 61.41, 7.79, 59.81

 

CMYK 0 / 28 / 93 / 33

HEX #AA7B0C

RGB 170 123 12

HSL 42.15, 0.87%, 0.36%

LAB 54.8, 9.65, 58.56

 

CMYK 0 / 31 / 100 / 40

HEX #996900

RGB 153 105 0

HSL 41.18, 1%, 0.3%

LAB 48.1, 11.83, 55.25

 

CMYK 0 / 36 / 100 / 47

HEX #885700

RGB 136 87 0

HSL 38.38, 1%, 0.27%

LAB 41.3, 14.3, 49.69

 

CMYK 0 / 22 / 76 / 20

HEX #CDA032

RGB 205 160 50

HSL 42.58, 0.61%, 0.5%

LAB 68.28, 6.11, 60.17

 

CMYK 0 / 42 / 76 / 20

HEX #CD7632

RGB 205 118 50

HSL 26.32, 0.61%, 0.5%

LAB 58.19, 28.87, 50.28

 

CMYK 0 / 63 / 76 / 20

HEX #CD4C32

RGB 205 76 50

HSL 10.06, 0.61%, 0.5%

LAB 49.95, 49.75, 41.75

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 22 / 76 / 20

HEX #CDA032

RGB 205 160 50

HSL 42.58, 0.61%, 0.5%

LAB 68.28, 6.11, 60.17

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA32

RGB 205 202 50

HSL 58.84, 0.61%, 0.5%

LAB 79.3, -15.74, 70.46

 

CMYK 19 / 0 / 76 / 20

HEX #A7CD32

RGB 167 205 50

HSL 74.71, 0.61%, 0.5%

LAB 77.35, -32.9, 67.64

 

CMYK 39 / 0 / 76 / 20

HEX #7DCD32

RGB 125 205 50

HSL 90.97, 0.61%, 0.5%

LAB 74.98, -48.5, 64.56

 

CMYK 60 / 0 / 76 / 20

HEX #53CD32

RGB 83 205 50

HSL 107.23, 0.61%, 0.5%

LAB 73.37, -60.75, 62.44

 

CMYK 0 / 22 / 76 / 20

HEX #CDA032

RGB 205 160 50

HSL 42.58, 0.61%, 0.5%

LAB 68.28, 6.11, 60.17

 

CMYK 0 / 26 / 87 / 11

HEX #E2A81D

RGB 226 168 29

HSL 42.34, 0.77%, 0.5%

LAB 72.4, 10.34, 71.16

 

CMYK 0 / 28 / 97 / 3

HEX #F7B108

RGB 247 177 8

HSL 42.43, 0.94%, 0.5%

LAB 76.82, 14.34, 78.91

 

CMYK 0 / 22 / 76 / 20

HEX #CDA032

RGB 205 160 50

HSL 42.58, 0.61%, 0.5%

LAB 68.28, 6.11, 60.17

 

CMYK 0 / 18 / 62 / 27

HEX #B99746

RGB 185 151 70

HSL 42.26, 0.45%, 0.5%

LAB 64.07, 3.35, 46.5

 

CMYK 0 / 13 / 45 / 36

HEX #A48F5B

RGB 164 143 91

HSL 42.74, 0.29%, 0.5%

LAB 60.15, 0.52, 30.51

 

CMYK 0 / 6 / 22 / 44

HEX #8F8670

RGB 143 134 112

HSL 42.58, 0.12%, 0.5%

LAB 56.15, -0.41, 13.08

 

CMYK 7 / 5 / 0 / 48

HEX #7B7E84

RGB 123 126 132

HSL 220, 0.04%, 0.5%

LAB 52.73, 0.13, -3.65

 

CMYK 0 / 63 / 76 / 20

HEX #CD4C32

RGB 205 76 50

HSL 10.06, 0.61%, 0.5%

LAB 49.95, 49.75, 41.75

 

CMYK 0 / 43 / 76 / 20

HEX #CD7532

RGB 205 117 50

HSL 25.94, 0.61%, 0.5%

LAB 57.97, 29.4, 50.06

 

CMYK 0 / 22 / 76 / 20

HEX #CD9F32

RGB 205 159 50

HSL 42.19, 0.61%, 0.5%

LAB 68.02, 6.65, 59.92

 

CMYK 0 / 2 / 76 / 20

HEX #CDC832

RGB 205 200 50

HSL 58.06, 0.61%, 0.5%

LAB 78.76, -14.74, 69.97

 

CMYK 18 / 0 / 76 / 20

HEX #A9CD32

RGB 169 205 50

HSL 73.94, 0.61%, 0.5%

LAB 77.48, -32.1, 67.81

 

CMYK 0 / 22 / 76 / 45

HEX #8B6C22

RGB 139 108 34

HSL 42.29, 0.61%, 0.34%

LAB 47.4, 4.49, 43.92

 

CMYK 0 / 22 / 76 / 33

HEX #AC862A

RGB 172 134 42

HSL 42.46, 0.61%, 0.42%

LAB 58.03, 5.32, 52.21

 

CMYK 0 / 22 / 76 / 20

HEX #CDA032

RGB 205 160 50

HSL 42.58, 0.61%, 0.5%

LAB 68.28, 6.11, 60.17

 

CMYK 0 / 18 / 61 / 16

HEX #D5AF53

RGB 213 175 83

HSL 42.46, 0.61%, 0.58%

LAB 73.17, 3.39, 51.34

 

CMYK 0 / 14 / 48 / 13

HEX #DDBF74

RGB 221 191 116

HSL 42.86, 0.61%, 0.66%

LAB 78.4, 0.99, 41.6

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

CMYK 68 / 0 / 76 / 20

HEX #41CD32

RGB 65 205 50

HSL 114.19, 0.61%, 0.5%

LAB 72.9, -64.62, 61.83

 

CMYK 53 / 76 / 0 / 20

HEX #6032CD

RGB 96 50 205

HSL 257.81, 0.61%, 0.5%

LAB 36.32, 56.1, -72.51

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

CMYK 76 / 0 / 22 / 20

HEX #32CD9F

RGB 50 205 159

HSL 162.19, 0.61%, 0.5%

LAB 74.09, -50.15, 11.74

 

CMYK 22 / 76 / 0 / 20

HEX #9F32CD

RGB 159 50 205

HSL 282.19, 0.61%, 0.5%

LAB 44.32, 66.48, -59.13

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

CMYK 68 / 0 / 76 / 20

HEX #41CD32

RGB 65 205 50

HSL 114.19, 0.61%, 0.5%

LAB 72.9, -64.62, 61.83

 

CMYK 76 / 53 / 0 / 20

HEX #3260CD

RGB 50 96 205

HSL 222.19, 0.61%, 0.5%

LAB 43.44, 22.83, -61.02

 

CMYK 7 / 76 / 0 / 20

HEX #BE32CD

RGB 190 50 205

HSL 294.19, 0.61%, 0.5%

LAB 49.05, 72.42, -51.26

 

CMYK 0 / 22 / 75 / 20

HEX #CC9F32

RGB 204 159 50

HSL 42.47, 0.61%, 0.5%

LAB 67.92, 6.22, 59.79

 

CMYK 76 / 0 / 60 / 20

HEX #32CD51

RGB 50 205 81

HSL 132, 0.61%, 0.5%

LAB 72.85, -64.19, 49.53

 

CMYK 76 / 53 / 0 / 20

HEX #3260CD

RGB 50 96 205

HSL 222.19, 0.61%, 0.5%

LAB 43.44, 22.83, -61.02

 

CMYK 0 / 76 / 15 / 20

HEX #CD32AE

RGB 205 50 174

HSL 312, 0.61%, 0.5%

LAB 49.88, 70.83, -31.76

 

Description

Color code: HEX #CC9F32 | qconv.com Color code: HEX #CC9F32 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 159 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 159 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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