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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9E71 it is the complementary color #33618E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9E71 shade: #D19E6C, #E2B07F, #F3C292, #FFD4A5 and #FFE6B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9E71 shade: #CC9E71, #BB8C5E, #AA7A4B, #996838 and #885625

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9E71 shade: #CC9E71, #CC8571 and #CC7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9E71 shade: #CC9E71, #CCB671, #C9CC71, #B0CC71 and #97CC71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9E71 shade matches the following richer shades: #CC9E71, #DB9D61, #EB9D51 and #FB9D42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9E71 shade: #CC9E71, #BC9E80, #AC9E90, #9D9EA0 and #8D9EAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9E71 shade: #CC7175, #CC8471, #CC9D71, #CCB571 and #CACC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9E71 shade: #AC743E, #C18952, #CC9E71, #D7B28F and #E2C7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9E71 shade: #CC9E71, #8DCC71 and #7871CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9E71 shade: #CC9E71, #71CC9D and #9D71CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9E71 shade: #CC9E71, #8DCC71, #71A0CC and #AF71CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9E71 shade: #CC9E71, #72CC71, #71A0CC and #CA71CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

Complementary color

CMYK 64 / 32 / 0 / 44

HEX #33618E

RGB 51 97 142

HSL 209.67, 0.47%, 0.38%

LAB 39.93, -0.98, -29.54

 

CMYK 0 / 24 / 48 / 18

HEX #D19E6C

RGB 209 158 108

HSL 29.7, 0.52%, 0.62%

LAB 68.82, 12.9, 33.39

 

CMYK 0 / 22 / 44 / 11

HEX #E2B07F

RGB 226 176 127

HSL 29.7, 0.63%, 0.69%

LAB 75.3, 12.04, 32.04

 

CMYK 0 / 20 / 40 / 5

HEX #F3C292

RGB 243 194 146

HSL 29.69, 0.8%, 0.76%

LAB 81.68, 11.28, 30.79

 

CMYK 0 / 17 / 35 / 0

HEX #FFD4A5

RGB 255 212 165

HSL 31.33, 1%, 0.82%

LAB 87.52, 8.71, 28.91

 

CMYK 0 / 10 / 28 / 0

HEX #FFE6B8

RGB 255 230 184

HSL 38.87, 1%, 0.86%

LAB 92.27, 1.81, 25.56

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 25 / 50 / 27

HEX #BB8C5E

RGB 187 140 94

HSL 29.68, 0.41%, 0.55%

LAB 61.77, 12.25, 31.42

 

CMYK 0 / 28 / 56 / 33

HEX #AA7A4B

RGB 170 122 75

HSL 29.68, 0.39%, 0.48%

LAB 55.04, 13.31, 32.91

 

CMYK 0 / 32 / 63 / 40

HEX #996838

RGB 153 104 56

HSL 29.69, 0.46%, 0.41%

LAB 48.21, 14.57, 34.5

 

CMYK 0 / 37 / 73 / 47

HEX #885625

RGB 136 86 37

HSL 29.7, 0.57%, 0.34%

LAB 41.25, 16.11, 36.09

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 35 / 45 / 20

HEX #CC8571

RGB 204 133 113

HSL 13.19, 0.47%, 0.62%

LAB 62.34, 24.98, 22.04

 

CMYK 0 / 45 / 45 / 20

HEX #CC7171

RGB 204 113 113

HSL 0, 0.47%, 0.62%

LAB 57.88, 35.73, 15.96

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 11 / 45 / 20

HEX #CCB671

RGB 204 182 113

HSL 45.49, 0.47%, 0.62%

LAB 74.5, -1.51, 37.9

 

CMYK 1 / 0 / 45 / 20

HEX #C9CC71

RGB 201 204 113

HSL 61.98, 0.47%, 0.62%

LAB 80.06, -14.08, 44.78

 

CMYK 14 / 0 / 45 / 20

HEX #B0CC71

RGB 176 204 113

HSL 78.46, 0.47%, 0.62%

LAB 78.23, -23.9, 42.11

 

CMYK 26 / 0 / 45 / 20

HEX #97CC71

RGB 151 204 113

HSL 94.95, 0.47%, 0.62%

LAB 76.65, -33.18, 39.79

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 28 / 56 / 14

HEX #DB9D61

RGB 219 157 97

HSL 29.51, 0.63%, 0.62%

LAB 69.5, 16.59, 40.25

 

CMYK 0 / 33 / 66 / 8

HEX #EB9D51

RGB 235 157 81

HSL 29.61, 0.79%, 0.62%

LAB 71.13, 22.09, 50.63

 

CMYK 0 / 37 / 74 / 2

HEX #FB9D42

RGB 251 157 66

HSL 29.51, 0.96%, 0.62%

LAB 72.9, 27.89, 59.97

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 16 / 32 / 26

HEX #BC9E80

RGB 188 158 128

HSL 30, 0.31%, 0.62%

LAB 67.05, 6.64, 19.81

 

CMYK 0 / 8 / 16 / 33

HEX #AC9E90

RGB 172 158 144

HSL 30, 0.14%, 0.62%

LAB 65.93, 2.73, 9.16

 

CMYK 2 / 1 / 0 / 37

HEX #9D9EA0

RGB 157 158 160

HSL 220, 0.02%, 0.62%

LAB 65.09, 0.03, -1.17

 

CMYK 19 / 10 / 0 / 31

HEX #8D9EAF

RGB 141 158 175

HSL 210, 0.18%, 0.62%

LAB 64.33, -2.27, -10.84

 

CMYK 0 / 45 / 43 / 20

HEX #CC7175

RGB 204 113 117

HSL 357.36, 0.47%, 0.62%

LAB 57.97, 36.15, 13.77

 

CMYK 0 / 35 / 45 / 20

HEX #CC8471

RGB 204 132 113

HSL 12.53, 0.47%, 0.62%

LAB 62.11, 25.53, 21.72

 

CMYK 0 / 23 / 45 / 20

HEX #CC9D71

RGB 204 157 113

HSL 29.01, 0.47%, 0.62%

LAB 68.13, 11.89, 29.71

 

CMYK 0 / 11 / 45 / 20

HEX #CCB571

RGB 204 181 113

HSL 44.84, 0.47%, 0.62%

LAB 74.24, -0.99, 37.57

 

CMYK 1 / 0 / 45 / 20

HEX #CACC71

RGB 202 204 113

HSL 61.32, 0.47%, 0.62%

LAB 80.14, -13.68, 44.89

 

CMYK 0 / 33 / 64 / 33

HEX #AC743E

RGB 172 116 62

HSL 29.45, 0.47%, 0.46%

LAB 53.61, 16.55, 38.19

 

CMYK 0 / 29 / 58 / 24

HEX #C18952

RGB 193 137 82

HSL 29.73, 0.47%, 0.54%

LAB 61.51, 15.38, 37.67

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 0 / 17 / 33 / 16

HEX #D7B28F

RGB 215 178 143

HSL 29.17, 0.47%, 0.7%

LAB 75, 8.43, 22.92

 

CMYK 0 / 12 / 23 / 11

HEX #E2C7AD

RGB 226 199 173

HSL 29.43, 0.48%, 0.78%

LAB 81.86, 5.52, 16.51

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 31 / 0 / 45 / 20

HEX #8DCC71

RGB 141 204 113

HSL 101.54, 0.47%, 0.62%

LAB 76.09, -36.68, 38.97

 

CMYK 41 / 45 / 0 / 20

HEX #7871CC

RGB 120 113 204

HSL 244.62, 0.47%, 0.62%

LAB 52.02, 25.23, -46.44

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 45 / 0 / 23 / 20

HEX #71CC9D

RGB 113 204 157

HSL 149.01, 0.47%, 0.62%

LAB 75.53, -37.91, 15.1

 

CMYK 23 / 45 / 0 / 20

HEX #9D71CC

RGB 157 113 204

HSL 269.01, 0.47%, 0.62%

LAB 55.42, 35.25, -40.84

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 31 / 0 / 45 / 20

HEX #8DCC71

RGB 141 204 113

HSL 101.54, 0.47%, 0.62%

LAB 76.09, -36.68, 38.97

 

CMYK 45 / 22 / 0 / 20

HEX #71A0CC

RGB 113 160 204

HSL 209.01, 0.47%, 0.62%

LAB 64.17, -4.07, -27.46

 

CMYK 14 / 45 / 0 / 20

HEX #AF71CC

RGB 175 113 204

HSL 280.88, 0.47%, 0.62%

LAB 57.35, 40.44, -37.67

 

CMYK 0 / 23 / 45 / 20

HEX #CC9E71

RGB 204 158 113

HSL 29.67, 0.47%, 0.62%

LAB 68.38, 11.35, 30.04

 

CMYK 44 / 0 / 45 / 20

HEX #72CC71

RGB 114 204 113

HSL 119.34, 0.47%, 0.62%

LAB 74.8, -45.3, 37.06

 

CMYK 45 / 22 / 0 / 20

HEX #71A0CC

RGB 113 160 204

HSL 209.01, 0.47%, 0.62%

LAB 64.17, -4.07, -27.46

 

CMYK 1 / 45 / 0 / 20

HEX #CA71CC

RGB 202 113 204

HSL 298.68, 0.47%, 0.62%

LAB 60.54, 48.37, -32.46

 

Description

Color code: HEX #CC9E71 | qconv.com Color code: HEX #CC9E71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 158 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 158 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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