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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9C6C it is the complementary color #336393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9C6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9C6C shade: #D19C67, #E2AE7A, #F3C08D, #FFD2A0 and #FFE4B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9C6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9C6C shade: #CC9C6C, #BB8A59, #AA7846, #996633 and #885420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9C6C shade: #CB9C6C, #CB826C and #CB6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9C6C shade: #CB9C6C, #CBB56C, #C8CB6C, #AECB6C and #94CB6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9C6C shade matches the following richer shades: #CB9C6C, #DB9C5C, #EB9C4C and #FC9C3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9C6C shade: #CB9C6C, #BB9C7C, #AB9C8C, #9B9C9C and #8B9CAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9C6C shade: #CB6C6F, #CB826C, #CB9C6C, #CBB56C and #C8CB6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9C6C shade: #A9723B, #C1874D, #CB9C6C, #D6B08A and #E1C5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9C6C shade: #CC9C6C, #88CB6C and #756CCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9C6C shade: #CC9C6C, #6CCB9C and #9C6CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9C6C shade: #CC9C6C, #88CB6C, #6C9CCB and #AF6CCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9C6C shade: #CC9C6C, #6CCB6C, #6C9CCB and #CB6CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

Complementary color

CMYK 65 / 33 / 0 / 42

HEX #336393

RGB 51 99 147

HSL 210, 0.48%, 0.39%

LAB 40.79, -0.43, -31.18

 

CMYK 0 / 25 / 51 / 18

HEX #D19C67

RGB 209 156 103

HSL 30, 0.54%, 0.61%

LAB 68.25, 13.51, 35.32

 

CMYK 0 / 23 / 46 / 11

HEX #E2AE7A

RGB 226 174 122

HSL 30, 0.64%, 0.68%

LAB 74.73, 12.59, 33.94

 

CMYK 0 / 21 / 42 / 5

HEX #F3C08D

RGB 243 192 141

HSL 30, 0.81%, 0.75%

LAB 81.11, 11.8, 32.65

 

CMYK 0 / 18 / 37 / 0

HEX #FFD2A0

RGB 255 210 160

HSL 31.58, 1%, 0.81%

LAB 86.94, 9.17, 30.73

 

CMYK 0 / 11 / 30 / 0

HEX #FFE4B3

RGB 255 228 179

HSL 38.68, 1%, 0.85%

LAB 91.69, 2.19, 27.33

 

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

CMYK 0 / 26 / 52 / 27

HEX #BB8A59

RGB 187 138 89

HSL 30, 0.42%, 0.54%

LAB 61.19, 12.89, 33.39

 

CMYK 0 / 29 / 59 / 33

HEX #AA7846

RGB 170 120 70

HSL 30, 0.42%, 0.47%

LAB 54.47, 14.02, 34.91

 

CMYK 0 / 33 / 67 / 40

HEX #996633

RGB 153 102 51

HSL 30, 0.5%, 0.4%

LAB 47.64, 15.37, 36.5

 

CMYK 0 / 38 / 76 / 47

HEX #885420

RGB 136 84 32

HSL 30, 0.62%, 0.33%

LAB 40.7, 17.02, 38

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 36 / 47 / 20

HEX #CB826C

RGB 203 130 108

HSL 13.89, 0.48%, 0.61%

LAB 61.43, 25.7, 23.6

 

CMYK 0 / 47 / 47 / 20

HEX #CB6C6C

RGB 203 108 108

HSL 0, 0.48%, 0.61%

LAB 56.59, 37.46, 17.05

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 11 / 47 / 20

HEX #CBB56C

RGB 203 181 108

HSL 46.11, 0.48%, 0.61%

LAB 74.08, -1.89, 39.91

 

CMYK 1 / 0 / 47 / 20

HEX #C8CB6C

RGB 200 203 108

HSL 61.89, 0.48%, 0.61%

LAB 79.66, -14.46, 46.7

 

CMYK 14 / 0 / 47 / 20

HEX #AECB6C

RGB 174 203 108

HSL 78.32, 0.48%, 0.61%

LAB 77.75, -24.73, 43.95

 

CMYK 27 / 0 / 47 / 20

HEX #94CB6C

RGB 148 203 108

HSL 94.74, 0.48%, 0.61%

LAB 76.12, -34.41, 41.58

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 29 / 58 / 14

HEX #DB9C5C

RGB 219 156 92

HSL 30.24, 0.64%, 0.61%

LAB 69.19, 16.74, 42.45

 

CMYK 0 / 34 / 68 / 8

HEX #EB9C4C

RGB 235 156 76

HSL 30.19, 0.8%, 0.61%

LAB 70.84, 22.33, 52.69

 

CMYK 0 / 38 / 76 / 1

HEX #FC9C3C

RGB 252 156 60

HSL 30, 0.97%, 0.61%

LAB 72.76, 28.57, 62.39

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7C

RGB 187 156 124

HSL 30.48, 0.32%, 0.61%

LAB 66.36, 6.81, 21.06

 

CMYK 0 / 9 / 18 / 33

HEX #AB9C8C

RGB 171 156 140

HSL 30.97, 0.16%, 0.61%

LAB 65.22, 2.8, 10.37

 

CMYK 1 / 0 / 0 / 39

HEX #9B9C9C

RGB 155 156 156

HSL 180, 0.01%, 0.61%

LAB 64.28, -0.36, -0.13

 

CMYK 19 / 9 / 0 / 33

HEX #8B9CAC

RGB 139 156 172

HSL 209.09, 0.17%, 0.61%

LAB 63.54, -2.5, -10.35

 

CMYK 0 / 47 / 45 / 20

HEX #CB6C6F

RGB 203 108 111

HSL 358.11, 0.48%, 0.61%

LAB 56.65, 37.76, 15.4

 

CMYK 0 / 36 / 47 / 20

HEX #CB826C

RGB 203 130 108

HSL 13.89, 0.48%, 0.61%

LAB 61.43, 25.7, 23.6

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 11 / 47 / 20

HEX #CBB56C

RGB 203 181 108

HSL 46.11, 0.48%, 0.61%

LAB 74.08, -1.89, 39.91

 

CMYK 1 / 0 / 47 / 20

HEX #C8CB6C

RGB 200 203 108

HSL 61.89, 0.48%, 0.61%

LAB 79.66, -14.46, 46.7

 

CMYK 0 / 33 / 65 / 34

HEX #A9723B

RGB 169 114 59

HSL 30, 0.48%, 0.45%

LAB 52.71, 16.16, 38.63

 

CMYK 0 / 30 / 60 / 24

HEX #C1874D

RGB 193 135 77

HSL 30, 0.48%, 0.53%

LAB 60.96, 16.1, 39.62

 

CMYK 0 / 23 / 47 / 20

HEX #CB9C6C

RGB 203 156 108

HSL 30.32, 0.48%, 0.61%

LAB 67.69, 11.51, 31.82

 

CMYK 0 / 18 / 36 / 16

HEX #D6B08A

RGB 214 176 138

HSL 30, 0.48%, 0.69%

LAB 74.31, 8.49, 24.65

 

CMYK 0 / 12 / 25 / 12

HEX #E1C5A9

RGB 225 197 169

HSL 30, 0.48%, 0.77%

LAB 81.18, 5.64, 17.68

 

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

CMYK 33 / 0 / 47 / 20

HEX #88CB6C

RGB 136 203 108

HSL 102.32, 0.48%, 0.61%

LAB 75.47, -38.58, 40.62

 

CMYK 42 / 47 / 0 / 20

HEX #756CCB

RGB 117 108 203

HSL 245.68, 0.48%, 0.61%

LAB 50.47, 27.19, -48.34

 

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

CMYK 47 / 0 / 23 / 20

HEX #6CCB9C

RGB 108 203 156

HSL 150.32, 0.48%, 0.61%

LAB 75.01, -38.97, 14.88

 

CMYK 23 / 47 / 0 / 20

HEX #9C6CCB

RGB 156 108 203

HSL 270.32, 0.48%, 0.61%

LAB 54.14, 37.55, -42.3

 

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

CMYK 33 / 0 / 47 / 20

HEX #88CB6C

RGB 136 203 108

HSL 102.32, 0.48%, 0.61%

LAB 75.47, -38.58, 40.62

 

CMYK 47 / 23 / 0 / 20

HEX #6C9CCB

RGB 108 156 203

HSL 209.68, 0.48%, 0.61%

LAB 62.74, -3.36, -29.13

 

CMYK 14 / 47 / 0 / 20

HEX #AF6CCB

RGB 175 108 203

HSL 282.32, 0.48%, 0.61%

LAB 56.24, 42.94, -38.85

 

CMYK 0 / 24 / 47 / 20

HEX #CC9C6C

RGB 204 156 108

HSL 30, 0.48%, 0.61%

LAB 67.8, 11.92, 31.97

 

CMYK 47 / 0 / 47 / 20

HEX #6CCB6C

RGB 108 203 108

HSL 120, 0.48%, 0.61%

LAB 74.18, -47.34, 38.73

 

CMYK 47 / 23 / 0 / 20

HEX #6C9CCB

RGB 108 156 203

HSL 209.68, 0.48%, 0.61%

LAB 62.74, -3.36, -29.13

 

CMYK 0 / 47 / 0 / 20

HEX #CB6CCB

RGB 203 108 203

HSL 300, 0.48%, 0.61%

LAB 59.65, 51.02, -33.27

 

Description

Color code: HEX #CC9C6C | qconv.com Color code: HEX #CC9C6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 156 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 156 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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