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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9B91 it is the complementary color #33646E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9B91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9B91 shade: #D19B8C, #E2AD9F, #F3BFB2, #FFD1C5 and #FFE3D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9B91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9B91 shade: #CC9B91, #BB897E, #AA776B, #996558 and #885345

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9B91 shade: #CC998F and #CC8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9B91 shade: #CC998F, #CCAA8F, #CCBA8F, #CCCA8F and #BDCC8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9B91 shade matches the following richer shades: #CC998F, #D99182, #E68875 and #F37F68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9B91 shade: #CC998F, #BEA29C, #B1ABAA, #A4B4B7 and #97BCC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9B91 shade: #CC8FA5, #CC8F95, #CC998F, #CCA98F and #CCB98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9B91 shade: #B26657, #BF8073, #CC998F, #D9B3AB and #E6CDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9B91 shade: #CC9B91, #B5CC8F and #8F9DCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9B91 shade: #CC9B91, #8FCC99 and #998FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9B91 shade: #CC9B91, #B5CC8F, #8FC2CC and #A58FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9B91 shade: #CC9B91, #A3CC8F, #8FC2CC and #B78FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

Complementary color

CMYK 54 / 9 / 0 / 57

HEX #33646E

RGB 51 100 110

HSL 190.17, 0.37%, 0.32%

LAB 39.49, -13.51, -10.75

 

CMYK 0 / 26 / 33 / 18

HEX #D19B8C

RGB 209 155 140

HSL 13.04, 0.43%, 0.68%

LAB 68.67, 18.12, 15.75

 

CMYK 0 / 23 / 30 / 11

HEX #E2AD9F

RGB 226 173 159

HSL 12.54, 0.54%, 0.75%

LAB 75.18, 17.42, 14.68

 

CMYK 0 / 21 / 27 / 5

HEX #F3BFB2

RGB 243 191 178

HSL 12, 0.73%, 0.83%

LAB 81.58, 16.78, 13.68

 

CMYK 0 / 18 / 23 / 0

HEX #FFD1C5

RGB 255 209 197

HSL 12.41, 1%, 0.89%

LAB 87.43, 14.39, 12.03

 

CMYK 0 / 11 / 15 / 0

HEX #FFE3D8

RGB 255 227 216

HSL 16.92, 1%, 0.92%

LAB 92.2, 7.86, 8.87

 

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

CMYK 0 / 27 / 33 / 27

HEX #BB897E

RGB 187 137 126

HSL 10.82, 0.31%, 0.61%

LAB 61.62, 17.57, 13.4

 

CMYK 0 / 30 / 37 / 33

HEX #AA776B

RGB 170 119 107

HSL 11.43, 0.27%, 0.54%

LAB 54.87, 18.4, 14.6

 

CMYK 0 / 34 / 42 / 40

HEX #996558

RGB 153 101 88

HSL 12, 0.27%, 0.47%

LAB 47.99, 19.35, 15.94

 

CMYK 0 / 39 / 49 / 47

HEX #885345

RGB 136 83 69

HSL 12.54, 0.33%, 0.4%

LAB 40.98, 20.47, 17.5

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 30 / 30 / 20

HEX #CC8F8F

RGB 204 143 143

HSL 0, 0.37%, 0.68%

LAB 65.33, 23.14, 9.3

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 17 / 30 / 20

HEX #CCAA8F

RGB 204 170 143

HSL 26.56, 0.37%, 0.68%

LAB 71.94, 8.42, 18.56

 

CMYK 0 / 9 / 30 / 20

HEX #CCBA8F

RGB 204 186 143

HSL 42.3, 0.37%, 0.68%

LAB 76.03, -0.13, 24.16

 

CMYK 0 / 1 / 30 / 20

HEX #CCCA8F

RGB 204 202 143

HSL 58.03, 0.37%, 0.68%

LAB 80.21, -8.47, 29.78

 

CMYK 7 / 0 / 30 / 20

HEX #BDCC8F

RGB 189 204 143

HSL 74.75, 0.37%, 0.68%

LAB 79.61, -15.21, 28.77

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 33 / 40 / 15

HEX #D99182

RGB 217 145 130

HSL 10.34, 0.53%, 0.68%

LAB 66.99, 25.45, 19.11

 

CMYK 0 / 41 / 49 / 10

HEX #E68875

RGB 230 136 117

HSL 10.09, 0.69%, 0.68%

LAB 66.3, 33.93, 25.67

 

CMYK 0 / 48 / 57 / 5

HEX #F37F68

RGB 243 127 104

HSL 9.93, 0.85%, 0.68%

LAB 65.93, 42.38, 32.69

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 15 / 18 / 25

HEX #BEA29C

RGB 190 162 156

HSL 10.59, 0.21%, 0.68%

LAB 68.89, 9.29, 6.92

 

CMYK 0 / 3 / 4 / 31

HEX #B1ABAA

RGB 177 171 170

HSL 8.57, 0.04%, 0.68%

LAB 70.44, 1.96, 1.27

 

CMYK 10 / 2 / 0 / 28

HEX #A4B4B7

RGB 164 180 183

HSL 189.47, 0.12%, 0.68%

LAB 72.2, -4.91, -3.43

 

CMYK 23 / 4 / 0 / 23

HEX #97BCC4

RGB 151 188 196

HSL 190.67, 0.28%, 0.68%

LAB 73.89, -10.56, -8.13

 

CMYK 0 / 30 / 19 / 20

HEX #CC8FA5

RGB 204 143 165

HSL 338.36, 0.37%, 0.68%

LAB 65.9, 26.34, -2.27

 

CMYK 0 / 30 / 27 / 20

HEX #CC8F95

RGB 204 143 149

HSL 354.1, 0.37%, 0.68%

LAB 65.48, 23.97, 6.13

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 17 / 30 / 20

HEX #CCA98F

RGB 204 169 143

HSL 25.57, 0.37%, 0.68%

LAB 71.69, 8.96, 18.21

 

CMYK 0 / 9 / 30 / 20

HEX #CCB98F

RGB 204 185 143

HSL 41.31, 0.37%, 0.68%

LAB 75.77, 0.4, 23.81

 

CMYK 0 / 43 / 51 / 30

HEX #B26657

RGB 178 102 87

HSL 9.89, 0.37%, 0.52%

LAB 51.45, 28.92, 21.74

 

CMYK 0 / 33 / 40 / 25

HEX #BF8073

RGB 191 128 115

HSL 10.26, 0.37%, 0.6%

LAB 59.66, 22.78, 17.01

 

CMYK 0 / 25 / 30 / 20

HEX #CC998F

RGB 204 153 143

HSL 9.84, 0.37%, 0.68%

LAB 67.73, 17.67, 12.69

 

CMYK 0 / 18 / 21 / 15

HEX #D9B3AB

RGB 217 179 171

HSL 10.43, 0.38%, 0.76%

LAB 76.03, 12.49, 9.23

 

CMYK 0 / 11 / 13 / 10

HEX #E6CDC8

RGB 230 205 200

HSL 10, 0.38%, 0.84%

LAB 84.31, 7.91, 5.67

 

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

CMYK 11 / 0 / 30 / 20

HEX #B5CC8F

RGB 181 204 143

HSL 82.62, 0.37%, 0.68%

LAB 79.04, -18.2, 27.91

 

CMYK 30 / 23 / 0 / 20

HEX #8F9DCC

RGB 143 157 204

HSL 226.23, 0.37%, 0.68%

LAB 65.21, 5.88, -25.7

 

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

CMYK 30 / 0 / 25 / 20

HEX #8FCC99

RGB 143 204 153

HSL 129.84, 0.37%, 0.68%

LAB 76.88, -29.83, 19.31

 

CMYK 25 / 30 / 0 / 20

HEX #998FCC

RGB 153 143 204

HSL 249.84, 0.37%, 0.68%

LAB 62.32, 16.86, -30.1

 

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

CMYK 11 / 0 / 30 / 20

HEX #B5CC8F

RGB 181 204 143

HSL 82.62, 0.37%, 0.68%

LAB 79.04, -18.2, 27.91

 

CMYK 30 / 5 / 0 / 20

HEX #8FC2CC

RGB 143 194 204

HSL 189.84, 0.37%, 0.68%

LAB 75.32, -14.23, -10.4

 

CMYK 19 / 30 / 0 / 20

HEX #A58FCC

RGB 165 143 204

HSL 261.64, 0.37%, 0.68%

LAB 63.35, 20.55, -28.43

 

CMYK 0 / 24 / 29 / 20

HEX #CC9B91

RGB 204 155 145

HSL 10.17, 0.37%, 0.68%

LAB 68.26, 16.85, 12.32

 

CMYK 20 / 0 / 30 / 20

HEX #A3CC8F

RGB 163 204 143

HSL 100.33, 0.37%, 0.68%

LAB 77.85, -24.73, 26.1

 

CMYK 30 / 5 / 0 / 20

HEX #8FC2CC

RGB 143 194 204

HSL 189.84, 0.37%, 0.68%

LAB 75.32, -14.23, -10.4

 

CMYK 10 / 30 / 0 / 20

HEX #B78FCC

RGB 183 143 204

HSL 279.34, 0.37%, 0.68%

LAB 65.02, 26.25, -25.71

 

Description

Color code: HEX #CC9B91 | qconv.com Color code: HEX #CC9B91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 155 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 155 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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