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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9570 it is the complementary color #336A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9570 shade: #D1956B, #E2A77E, #F3B991, #FFCBA4 and #FFDDB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9570 shade: #CC9570, #BB835D, #AA714A, #995F37 and #884D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9570 shade: #CC9571, #CC7D71 and #CC7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9570 shade: #CC9571, #CCAE71, #CCC671, #B8CC71 and #A0CC71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9570 shade matches the following richer shades: #CC9571, #DB9261, #EB8F51 and #FB8C42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9570 shade: #CC9571, #BC9880, #AC9B90, #9D9EA0 and #8DA1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9570 shade: #CC717D, #CC7D71, #CC9571, #CCAD71 and #CCC671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9570 shade: #AC6A3E, #C17F52, #CC9571, #D7AC8F and #E2C2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9570 shade: #CC9570, #95CC71 and #7171CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9570 shade: #CC9570, #71CC95 and #9571CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9570 shade: #CC9570, #95CC71, #71A7CC and #A771CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9570 shade: #CC9570, #7ACC71, #71A7CC and #C371CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

Complementary color

CMYK 64 / 26 / 0 / 44

HEX #336A8F

RGB 51 106 143

HSL 204.13, 0.47%, 0.38%

LAB 42.76, -6.12, -25.71

 

CMYK 0 / 29 / 49 / 18

HEX #D1956B

RGB 209 149 107

HSL 24.71, 0.53%, 0.62%

LAB 66.61, 17.69, 31.08

 

CMYK 0 / 26 / 44 / 11

HEX #E2A77E

RGB 226 167 126

HSL 24.6, 0.63%, 0.69%

LAB 73.1, 16.74, 29.69

 

CMYK 0 / 24 / 40 / 5

HEX #F3B991

RGB 243 185 145

HSL 24.49, 0.8%, 0.76%

LAB 79.5, 15.91, 28.4

 

CMYK 0 / 20 / 36 / 0

HEX #FFCBA4

RGB 255 203 164

HSL 25.71, 1%, 0.82%

LAB 85.33, 13.26, 26.47

 

CMYK 0 / 13 / 28 / 0

HEX #FFDDB7

RGB 255 221 183

HSL 31.67, 1%, 0.86%

LAB 90.04, 6.28, 23.01

 

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

CMYK 0 / 30 / 50 / 27

HEX #BB835D

RGB 187 131 93

HSL 24.26, 0.41%, 0.55%

LAB 59.51, 17.14, 29.09

 

CMYK 0 / 34 / 56 / 33

HEX #AA714A

RGB 170 113 74

HSL 24.38, 0.39%, 0.48%

LAB 52.79, 18.3, 30.67

 

CMYK 0 / 38 / 64 / 40

HEX #995F37

RGB 153 95 55

HSL 24.49, 0.47%, 0.41%

LAB 45.95, 19.67, 32.39

 

CMYK 0 / 43 / 74 / 47

HEX #884D24

RGB 136 77 36

HSL 24.6, 0.58%, 0.34%

LAB 39.02, 21.3, 34.21

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 39 / 45 / 20

HEX #CC7D71

RGB 204 125 113

HSL 7.91, 0.47%, 0.62%

LAB 60.51, 29.32, 19.56

 

CMYK 0 / 45 / 45 / 20

HEX #CC7171

RGB 204 113 113

HSL 0, 0.47%, 0.62%

LAB 57.88, 35.73, 15.96

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 15 / 45 / 20

HEX #CCAE71

RGB 204 174 113

HSL 40.22, 0.47%, 0.62%

LAB 72.43, 2.73, 35.27

 

CMYK 0 / 3 / 45 / 20

HEX #CCC671

RGB 204 198 113

HSL 56.04, 0.47%, 0.62%

LAB 78.7, -9.83, 43.16

 

CMYK 10 / 0 / 45 / 20

HEX #B8CC71

RGB 184 204 113

HSL 73.19, 0.47%, 0.62%

LAB 78.79, -20.8, 42.93

 

CMYK 22 / 0 / 45 / 20

HEX #A0CC71

RGB 160 204 113

HSL 89.01, 0.47%, 0.62%

LAB 77.19, -29.92, 40.59

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 33 / 56 / 14

HEX #DB9261

RGB 219 146 97

HSL 24.1, 0.63%, 0.62%

LAB 66.89, 22.51, 37.03

 

CMYK 0 / 39 / 66 / 8

HEX #EB8F51

RGB 235 143 81

HSL 24.16, 0.79%, 0.62%

LAB 67.95, 29.49, 47.02

 

CMYK 0 / 44 / 74 / 2

HEX #FB8C42

RGB 251 140 66

HSL 24, 0.96%, 0.62%

LAB 69.23, 36.66, 56.21

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 19 / 32 / 26

HEX #BC9880

RGB 188 152 128

HSL 24, 0.31%, 0.62%

LAB 65.52, 9.93, 17.71

 

CMYK 0 / 10 / 16 / 33

HEX #AC9B90

RGB 172 155 144

HSL 23.57, 0.14%, 0.62%

LAB 65.14, 4.38, 8.03

 

CMYK 2 / 1 / 0 / 37

HEX #9D9EA0

RGB 157 158 160

HSL 220, 0.02%, 0.62%

LAB 65.09, 0.03, -1.17

 

CMYK 19 / 8 / 0 / 31

HEX #8DA1AF

RGB 141 161 175

HSL 204.71, 0.18%, 0.62%

LAB 65.16, -3.93, -9.61

 

CMYK 0 / 45 / 39 / 20

HEX #CC717D

RGB 204 113 125

HSL 352.09, 0.47%, 0.62%

LAB 58.16, 37.05, 9.4

 

CMYK 0 / 39 / 45 / 20

HEX #CC7D71

RGB 204 125 113

HSL 7.91, 0.47%, 0.62%

LAB 60.51, 29.32, 19.56

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 15 / 45 / 20

HEX #CCAD71

RGB 204 173 113

HSL 39.56, 0.47%, 0.62%

LAB 72.17, 3.26, 34.94

 

CMYK 0 / 3 / 45 / 20

HEX #CCC671

RGB 204 198 113

HSL 56.04, 0.47%, 0.62%

LAB 78.7, -9.83, 43.16

 

CMYK 0 / 38 / 64 / 33

HEX #AC6A3E

RGB 172 106 62

HSL 24, 0.47%, 0.46%

LAB 51.18, 22.16, 35.36

 

CMYK 0 / 34 / 58 / 24

HEX #C17F52

RGB 193 127 82

HSL 24.32, 0.47%, 0.54%

LAB 59.09, 20.9, 34.71

 

CMYK 0 / 27 / 45 / 20

HEX #CC9571

RGB 204 149 113

HSL 23.74, 0.47%, 0.62%

LAB 66.16, 16.25, 27.12

 

CMYK 0 / 20 / 33 / 16

HEX #D7AC8F

RGB 215 172 143

HSL 24.17, 0.47%, 0.7%

LAB 73.5, 11.65, 20.88

 

CMYK 0 / 14 / 23 / 11

HEX #E2C2AD

RGB 226 194 173

HSL 23.77, 0.48%, 0.78%

LAB 80.61, 8.16, 14.76

 

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

CMYK 27 / 0 / 45 / 20

HEX #95CC71

RGB 149 204 113

HSL 96.26, 0.47%, 0.62%

LAB 76.54, -33.89, 39.63

 

CMYK 45 / 45 / 0 / 20

HEX #7171CC

RGB 113 113 204

HSL 240, 0.47%, 0.62%

LAB 51.47, 23.49, -47.34

 

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

CMYK 45 / 0 / 27 / 20

HEX #71CC95

RGB 113 204 149

HSL 143.74, 0.47%, 0.62%

LAB 75.37, -39.49, 19.13

 

CMYK 27 / 45 / 0 / 20

HEX #9571CC

RGB 149 113 204

HSL 263.74, 0.47%, 0.62%

LAB 54.62, 33, -42.16

 

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

CMYK 27 / 0 / 45 / 20

HEX #95CC71

RGB 149 204 113

HSL 96.26, 0.47%, 0.62%

LAB 76.54, -33.89, 39.63

 

CMYK 45 / 18 / 0 / 20

HEX #71A7CC

RGB 113 167 204

HSL 204.4, 0.47%, 0.62%

LAB 66.14, -7.94, -24.43

 

CMYK 18 / 45 / 0 / 20

HEX #A771CC

RGB 167 113 204

HSL 275.6, 0.47%, 0.62%

LAB 56.47, 38.12, -39.12

 

CMYK 0 / 27 / 45 / 20

HEX #CC9570

RGB 204 149 112

HSL 24.13, 0.47%, 0.62%

LAB 66.14, 16.15, 27.65

 

CMYK 40 / 0 / 45 / 20

HEX #7ACC71

RGB 122 204 113

HSL 114.07, 0.47%, 0.62%

LAB 75.15, -42.89, 37.58

 

CMYK 45 / 18 / 0 / 20

HEX #71A7CC

RGB 113 167 204

HSL 204.4, 0.47%, 0.62%

LAB 66.14, -7.94, -24.43

 

CMYK 4 / 45 / 0 / 20

HEX #C371CC

RGB 195 113 204

HSL 294.07, 0.47%, 0.62%

LAB 59.68, 46.31, -33.86

 

Description

Color code: HEX #CC9570 | qconv.com Color code: HEX #CC9570 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 149 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 149 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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