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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC94DB it is the complementary color #336B24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC94DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC94DB shade: #D194D6, #E2A6E9, #F3B8FC, #FFCAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC94DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC94DB shade: #CC94DB, #BB82C8, #AA70B5, #995EA2 and #884C8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC94DB shade: #CC94DB, #DB94D7, #DB94C4, #DB94B1 and #DB949D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC94DB shade: #CC94DB, #B994DB, #A694DB and #9494DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC94DB shade matches the following richer shades: #CC94DB, #D388E7, #DA7DF2 and #E071FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC94DB shade: #CC94DB, #C69FD0, #BFABC4, #B8B7B9 and #B2C2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC94DB shade: #A694DB, #B994DB, #CC94DB, #DB94D8 and #DB94C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC94DB shade: #AF56C7, #BE75D1, #CC94DB, #DBB3E6 and #EAD2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC94DB shade: #CC94DB, #DB9495 and #94DBAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC94DB shade: #CC94DB, #DBCC94 and #94DBCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC94DB shade: #CC94DB, #DB9495, #A3DB94 and #94DBDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC94DB shade: #CC94DB, #DBA894, #A3DB94 and #94C7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

Complementary color

CMYK 52 / 0 / 66 / 58

HEX #336B24

RGB 51 107 36

HSL 107.32, 0.5%, 0.28%

LAB 40.16, -33.06, 33.27

 

CMYK 2 / 31 / 0 / 16

HEX #D194D6

RGB 209 148 214

HSL 295.45, 0.45%, 0.71%

LAB 69.18, 33.84, -24.66

 

CMYK 3 / 29 / 0 / 9

HEX #E2A6E9

RGB 226 166 233

HSL 293.73, 0.6%, 0.78%

LAB 75.65, 33.17, -25.02

 

CMYK 4 / 27 / 0 / 1

HEX #F3B8FC

RGB 243 184 252

HSL 292.06, 0.92%, 0.85%

LAB 82.04, 32.54, -25.36

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 7 / 35 / 0 / 22

HEX #BB82C8

RGB 187 130 200

HSL 288.86, 0.39%, 0.65%

LAB 62.25, 33.93, -27.69

 

CMYK 6 / 38 / 0 / 29

HEX #AA70B5

RGB 170 112 181

HSL 290.43, 0.32%, 0.57%

LAB 55.55, 34.68, -27.38

 

CMYK 6 / 42 / 0 / 36

HEX #995EA2

RGB 153 94 162

HSL 292.06, 0.27%, 0.5%

LAB 48.74, 35.47, -27.04

 

CMYK 5 / 47 / 0 / 44

HEX #884C8F

RGB 136 76 143

HSL 293.73, 0.31%, 0.43%

LAB 41.82, 36.27, -26.64

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 32 / 2 / 14

HEX #DB94D7

RGB 219 148 215

HSL 303.38, 0.5%, 0.72%

LAB 70.28, 37.23, -23.44

 

CMYK 0 / 32 / 11 / 14

HEX #DB94C4

RGB 219 148 196

HSL 319.44, 0.5%, 0.72%

LAB 69.63, 33.91, -13.9

 

CMYK 0 / 32 / 19 / 14

HEX #DB94B1

RGB 219 148 177

HSL 335.49, 0.5%, 0.72%

LAB 69.05, 30.85, -4.18

 

CMYK 0 / 32 / 28 / 14

HEX #DB949D

RGB 219 148 157

HSL 352.39, 0.5%, 0.72%

LAB 68.51, 27.96, 6.22

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 16 / 32 / 0 / 14

HEX #B994DB

RGB 185 148 219

HSL 271.27, 0.5%, 0.72%

LAB 66.98, 27.29, -31.01

 

CMYK 24 / 32 / 0 / 14

HEX #A694DB

RGB 166 148 219

HSL 255.21, 0.5%, 0.72%

LAB 65.28, 21.52, -33.78

 

CMYK 32 / 32 / 0 / 14

HEX #9494DB

RGB 148 148 219

HSL 240, 0.5%, 0.72%

LAB 63.83, 16.3, -36.15

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 9 / 41 / 0 / 9

HEX #D388E7

RGB 211 136 231

HSL 287.37, 0.66%, 0.72%

LAB 67.45, 44.19, -36.71

 

CMYK 10 / 48 / 0 / 5

HEX #DA7DF2

RGB 218 125 242

HSL 287.69, 0.82%, 0.72%

LAB 66.51, 54.02, -44.18

 

CMYK 12 / 56 / 0 / 0

HEX #E071FE

RGB 224 113 254

HSL 287.23, 0.99%, 0.72%

LAB 65.6, 63.74, -52.15

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 5 / 24 / 0 / 18

HEX #C69FD0

RGB 198 159 208

HSL 287.76, 0.34%, 0.72%

LAB 70.42, 23.07, -19.55

 

CMYK 3 / 13 / 0 / 23

HEX #BFABC4

RGB 191 171 196

HSL 288, 0.17%, 0.72%

LAB 72.35, 11.76, -10.1

 

CMYK 1 / 1 / 0 / 27

HEX #B8B7B9

RGB 184 183 185

HSL 270, 0.01%, 0.72%

LAB 74.55, 0.73, -0.9

 

CMYK 8 / 0 / 11 / 24

HEX #B2C2AD

RGB 178 194 173

HSL 105.71, 0.15%, 0.72%

LAB 76.72, -9.39, 8.7

 

CMYK 24 / 32 / 0 / 14

HEX #A694DB

RGB 166 148 219

HSL 255.21, 0.5%, 0.72%

LAB 65.28, 21.52, -33.78

 

CMYK 16 / 32 / 0 / 14

HEX #B994DB

RGB 185 148 219

HSL 271.27, 0.5%, 0.72%

LAB 66.98, 27.29, -31.01

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 32 / 1 / 14

HEX #DB94D8

RGB 219 148 216

HSL 302.54, 0.5%, 0.72%

LAB 70.31, 37.41, -23.93

 

CMYK 0 / 32 / 10 / 14

HEX #DB94C5

RGB 219 148 197

HSL 318.59, 0.5%, 0.72%

LAB 69.66, 34.07, -14.4

 

CMYK 12 / 57 / 0 / 22

HEX #AF56C7

RGB 175 86 199

HSL 287.26, 0.5%, 0.56%

LAB 51.72, 53.46, -43.7

 

CMYK 9 / 44 / 0 / 18

HEX #BE75D1

RGB 190 117 209

HSL 287.61, 0.5%, 0.64%

LAB 60.13, 43.71, -36.02

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 5 / 22 / 0 / 10

HEX #DBB3E6

RGB 219 179 230

HSL 287.06, 0.5%, 0.8%

LAB 77.88, 23.33, -20.06

 

CMYK 3 / 13 / 0 / 6

HEX #EAD2F0

RGB 234 210 240

HSL 288, 0.5%, 0.88%

LAB 86.94, 13.59, -11.66

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 32 / 32 / 14

HEX #DB9495

RGB 219 148 149

HSL 359.15, 0.5%, 0.72%

LAB 68.32, 26.9, 10.41

 

CMYK 32 / 0 / 20 / 14

HEX #94DBAF

RGB 148 219 175

HSL 142.82, 0.5%, 0.72%

LAB 81.87, -31.33, 14.68

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 7 / 32 / 14

HEX #DBCC94

RGB 219 204 148

HSL 47.32, 0.5%, 0.72%

LAB 82.05, -3.07, 29.84

 

CMYK 32 / 0 / 7 / 14

HEX #94DBCC

RGB 148 219 204

HSL 167.32, 0.5%, 0.72%

LAB 82.55, -25.39, 0.3

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 32 / 32 / 14

HEX #DB9495

RGB 219 148 149

HSL 359.15, 0.5%, 0.72%

LAB 68.32, 26.9, 10.41

 

CMYK 26 / 0 / 32 / 14

HEX #A3DB94

RGB 163 219 148

HSL 107.32, 0.5%, 0.72%

LAB 82.16, -31.15, 29.3

 

CMYK 32 / 0 / 0 / 14

HEX #94DBDA

RGB 148 219 218

HSL 179.15, 0.5%, 0.72%

LAB 82.92, -22.24, -6.58

 

CMYK 7 / 32 / 0 / 14

HEX #CC94DB

RGB 204 148 219

HSL 287.32, 0.5%, 0.72%

LAB 68.85, 33.22, -27.98

 

CMYK 0 / 23 / 32 / 14

HEX #DBA894

RGB 219 168 148

HSL 16.9, 0.5%, 0.72%

LAB 73.03, 15.99, 17.56

 

CMYK 26 / 0 / 32 / 14

HEX #A3DB94

RGB 163 219 148

HSL 107.32, 0.5%, 0.72%

LAB 82.16, -31.15, 29.3

 

CMYK 32 / 9 / 0 / 14

HEX #94C7DB

RGB 148 199 219

HSL 196.9, 0.5%, 0.72%

LAB 77.43, -11.82, -15.31

 

Description

Color code: HEX #CC94DB | qconv.com Color code: HEX #CC94DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 148 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 148 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 32 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 32% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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