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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC90FE3F it is the complementary color #336F013F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC90FE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC90FE3F shade: #D190F93F, #E2A2FF3F, #F3B4FF3F, #FFC6FF3F and #FFD8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC90FE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC90FE3F shade: #CC90FE3F, #BB7EEB3F, #AA6CD83F, #995AC53F and #8848B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC90FE3F shade: #CC90FE, #EA90FE, #FE90F5, #FE90D7 and #FE90B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC90FE3F shade: #CC90FE, #AE90FE, #9190FE and #9090FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC90FE3F shade matches the following richer shades: #CC90FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC90FE3F shade: #CC90FE, #CB99F5, #CAA2EC, #C9ABE3 and #C9B4DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC90FE3F shade: #9090FE, #AD90FE, #CB90FE, #E890FE and #FE90F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC90FE3F shade: #A63EFD, #B967FD, #CC90FE, #DFB9FE and #F1E2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC90FE3F shade: #CC90FE, #FE90AD and #90FE9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC90FE3F shade: #CC90FE, #FECB90 and #90FECB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC90FE3F shade: #CC90FE, #FE90AD, #C3FE90 and #90FEE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC90FE3F shade: #CC90FE, #FE9490, #C3FE90 and #90FAFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 11 / 0 / 0

HEX #CC90FE3F

RGBA 204 144 254 0.25

HSLA 272.73, 0.98%, 0.78%, 0.25

LABA 69.43, 42.72, -46.27, 0.25

 

Complementary color

CMYK 14 / 0 / 25 / 14

HEX #336F013F

RGBA 51 111 1 0.25

HSLA 92.73, 0.98%, 0.22%, 0.25

LABA 41.33, -37, 46.19, 0.25

 

CMYK 4 / 11 / 0 / 1

HEX #D190F93F

RGBA 209 144 249 0.25

HSLA 277.14, 0.9%, 0.77%, 0.25

LABA 69.71, 43.04, -43.06, 0.25

 

CMYK 3 / 9 / 0 / 0

HEX #E2A2FF3F

RGBA 226 162 255 0.25

HSLA 281.29, 1%, 0.82%, 0.25

LABA 75.59, 39.61, -37.02, 0.25

 

CMYK 1 / 7 / 0 / 0

HEX #F3B4FF3F

RGBA 243 180 255 0.25

HSLA 290.4, 1%, 0.85%, 0.25

LABA 81.25, 35.22, -28.17, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC6FF3F

RGBA 255 198 255 0.25

HSLA 300, 1%, 0.89%, 0.25

LABA 86.44, 29.52, -20.16, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD8FF3F

RGBA 255 216 255 0.25

HSLA 300, 1%, 0.92%, 0.25

LABA 90.59, 20.08, -13.92, 0.25

 

CMYK 5 / 11 / 0 / 0

HEX #CC90FE3F

RGBA 204 144 254 0.25

HSLA 272.73, 0.98%, 0.78%, 0.25

LABA 69.43, 42.72, -46.27, 0.25

 

CMYK 5 / 12 / 0 / 2

HEX #BB7EEB3F

RGBA 187 126 235 0.25

HSLA 273.58, 0.73%, 0.71%, 0.25

LABA 62.91, 43.54, -46.21, 0.25

 

CMYK 5 / 13 / 0 / 4

HEX #AA6CD83F

RGBA 170 108 216 0.25

HSLA 274.44, 0.58%, 0.64%, 0.25

LABA 56.32, 44.39, -46.13, 0.25

 

CMYK 6 / 14 / 0 / 6

HEX #995AC53F

RGBA 153 90 197 0.25

HSLA 275.33, 0.48%, 0.56%, 0.25

LABA 49.64, 45.24, -46.02, 0.25

 

CMYK 6 / 15 / 0 / 8

HEX #8848B23F

RGBA 136 72 178 0.25

HSLA 276.23, 0.42%, 0.49%, 0.25

LABA 42.89, 46.06, -45.84, 0.25

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 8 / 43 / 0 / 0

HEX #EA90FE

RGB 234 144 254

HSL 289.09, 0.98%, 0.78%

LAB 72.62, 51.15, -41.03

 

CMYK 0 / 43 / 4 / 0

HEX #FE90F5

RGB 254 144 245

HSL 304.91, 0.98%, 0.78%

LAB 74.58, 55.29, -32.93

 

CMYK 0 / 43 / 15 / 0

HEX #FE90D7

RGB 254 144 215

HSL 321.27, 0.98%, 0.78%

LAB 73.5, 50.45, -18.17

 

CMYK 0 / 43 / 27 / 0

HEX #FE90B9

RGB 254 144 185

HSL 337.64, 0.98%, 0.78%

LAB 72.57, 46.18, -2.96

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 31 / 43 / 0 / 0

HEX #AE90FE

RGB 174 144 254

HSL 256.36, 0.98%, 0.78%

LAB 66.6, 34.59, -50.92

 

CMYK 43 / 43 / 0 / 0

HEX #9190FE

RGB 145 144 254

HSL 240.55, 0.98%, 0.78%

LAB 64.26, 27.31, -54.77

 

CMYK 43 / 43 / 0 / 0

HEX #9090FE

RGB 144 144 254

HSL 240, 0.98%, 0.78%

LAB 64.19, 27.07, -54.89

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 17 / 38 / 0 / 4

HEX #CB99F5

RGB 203 153 245

HSL 272.61, 0.82%, 0.78%

LAB 70.92, 35.59, -39.04

 

CMYK 14 / 31 / 0 / 7

HEX #CAA2EC

RGB 202 162 236

HSL 272.43, 0.66%, 0.78%

LAB 72.53, 28.43, -31.64

 

CMYK 11 / 25 / 0 / 11

HEX #C9ABE3

RGB 201 171 227

HSL 272.14, 0.5%, 0.78%

LAB 74.25, 21.29, -24.11

 

CMYK 8 / 17 / 0 / 15

HEX #C9B4DA

RGB 201 180 218

HSL 273.16, 0.34%, 0.78%

LAB 76.14, 14.54, -16.34

 

CMYK 43 / 43 / 0 / 0

HEX #9090FE

RGB 144 144 254

HSL 240, 0.98%, 0.78%

LAB 64.19, 27.07, -54.89

 

CMYK 32 / 43 / 0 / 0

HEX #AD90FE

RGB 173 144 254

HSL 255.82, 0.98%, 0.78%

LAB 66.51, 34.33, -51.06

 

CMYK 20 / 43 / 0 / 0

HEX #CB90FE

RGB 203 144 254

HSL 272.18, 0.98%, 0.78%

LAB 69.33, 42.44, -46.43

 

CMYK 9 / 43 / 0 / 0

HEX #E890FE

RGB 232 144 254

HSL 288, 0.98%, 0.78%

LAB 72.4, 50.58, -41.4

 

CMYK 0 / 43 / 3 / 0

HEX #FE90F7

RGB 254 144 247

HSL 303.82, 0.98%, 0.78%

LAB 74.66, 55.63, -33.89

 

CMYK 34 / 75 / 0 / 1

HEX #A63EFD

RGB 166 62 253

HSL 272.67, 0.98%, 0.62%

LAB 50.27, 73.35, -76.64

 

CMYK 27 / 59 / 0 / 1

HEX #B967FD

RGB 185 103 253

HSL 272.8, 0.97%, 0.7%

LAB 59.07, 59.02, -62.29

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 12 / 27 / 0 / 0

HEX #DFB9FE

RGB 223 185 254

HSL 273.04, 0.97%, 0.86%

LAB 80.48, 26.15, -28.97

 

CMYK 5 / 11 / 0 / 0

HEX #F1E2FF

RGB 241 226 255

HSL 271.03, 1%, 0.94%

LAB 91.83, 10.3, -12.2

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 0 / 43 / 32 / 0

HEX #FE90AD

RGB 254 144 173

HSL 344.18, 0.98%, 0.78%

LAB 72.25, 44.65, 3.23

 

CMYK 43 / 0 / 37 / 0

HEX #90FE9F

RGB 144 254 159

HSL 128.18, 0.98%, 0.78%

LAB 91.38, -50.77, 35.82

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 0 / 20 / 43 / 0

HEX #FECB90

RGB 254 203 144

HSL 32.18, 0.98%, 0.78%

LAB 84.89, 10.69, 36.25

 

CMYK 43 / 0 / 20 / 0

HEX #90FECB

RGB 144 254 203

HSL 152.18, 0.98%, 0.78%

LAB 92.19, -42.9, 14.65

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 0 / 43 / 32 / 0

HEX #FE90AD

RGB 254 144 173

HSL 344.18, 0.98%, 0.78%

LAB 72.25, 44.65, 3.23

 

CMYK 23 / 0 / 43 / 0

HEX #C3FE90

RGB 195 254 144

HSL 92.18, 0.98%, 0.78%

LAB 93.67, -36.79, 46.59

 

CMYK 43 / 0 / 11 / 0

HEX #90FEE1

RGB 144 254 225

HSL 164.18, 0.98%, 0.78%

LAB 92.68, -38.28, 4.02

 

CMYK 20 / 43 / 0 / 0

HEX #CC90FE

RGB 204 144 254

HSL 272.73, 0.98%, 0.78%

LAB 69.43, 42.72, -46.27

 

CMYK 0 / 42 / 43 / 0

HEX #FE9490

RGB 254 148 144

HSL 2.18, 0.98%, 0.78%

LAB 72.4, 39.35, 19.52

 

CMYK 23 / 0 / 43 / 0

HEX #C3FE90

RGB 195 254 144

HSL 92.18, 0.98%, 0.78%

LAB 93.67, -36.79, 46.59

 

CMYK 43 / 2 / 0 / 0

HEX #90FAFE

RGB 144 250 254

HSL 182.18, 0.98%, 0.78%

LAB 92.33, -29.68, -11.52

 

Description

Color code: HEX #CC90FE3F | qconv.com Color code: HEX #CC90FE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 144 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 144 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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