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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC7F5F it is the complementary color #3380A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC7F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC7F5F shade: #D17F5A, #E2916D, #F3A380, #FFB593 and #FFC7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC7F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC7F5F shade: #CC7F5F, #BB6D4C, #AA5B39, #994926 and #883713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC7F5F shade: #CD8060, #CD6360 and #CD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC7F5F shade: #CD8060, #CD9D60, #CDBB60, #C2CD60 and #A4CD60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC7F5F shade matches the following richer shades: #CD8060, #DE794F and #EF723E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC7F5F shade: #CD8060, #BC8771, #AB8E82, #9A9593 and #899CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC7F5F shade: #CD607B, #CD6260, #CD7F60, #CD9C60 and #CDB960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC7F5F shade: #A65634, #C36741, #CD8060, #D7997F and #E1B29F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC7F5F shade: #CC7F5F, #98CD60 and #606DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC7F5F shade: #CC7F5F, #60CD7F and #7F60CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC7F5F shade: #CC7F5F, #98CD60, #60AECD and #9560CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC7F5F shade: #CC7F5F, #78CD60, #60AECD and #B560CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

Complementary color

CMYK 68 / 20 / 0 / 37

HEX #3380A0

RGB 51 128 160

HSL 197.61, 0.52%, 0.41%

LAB 50.31, -13.07, -24.03

 

CMYK 0 / 39 / 57 / 18

HEX #D17F5A

RGB 209 127 90

HSL 18.66, 0.56%, 0.59%

LAB 61.2, 28.11, 33.42

 

CMYK 0 / 36 / 52 / 11

HEX #E2916D

RGB 226 145 109

HSL 18.46, 0.67%, 0.66%

LAB 67.67, 26.88, 31.76

 

CMYK 0 / 33 / 47 / 5

HEX #F3A380

RGB 243 163 128

HSL 18.26, 0.83%, 0.73%

LAB 74.07, 25.78, 30.24

 

CMYK 0 / 29 / 42 / 0

HEX #FFB593

RGB 255 181 147

HSL 18.89, 1%, 0.79%

LAB 79.85, 22.88, 28.03

 

CMYK 0 / 22 / 35 / 0

HEX #FFC7A6

RGB 255 199 166

HSL 22.25, 1%, 0.83%

LAB 84.41, 15.58, 24.17

 

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

CMYK 0 / 42 / 59 / 27

HEX #BB6D4C

RGB 187 109 76

HSL 17.84, 0.45%, 0.52%

LAB 54.05, 27.81, 31.61

 

CMYK 0 / 46 / 66 / 33

HEX #AA5B39

RGB 170 91 57

HSL 18.05, 0.5%, 0.45%

LAB 47.4, 29.29, 33.57

 

CMYK 0 / 52 / 75 / 40

HEX #994926

RGB 153 73 38

HSL 18.26, 0.6%, 0.37%

LAB 40.7, 30.93, 35.71

 

CMYK 0 / 60 / 86 / 47

HEX #883713

RGB 136 55 19

HSL 18.46, 0.75%, 0.3%

LAB 34.01, 32.71, 37.76

 

CMYK 0 / 38 / 53 / 20

HEX #CD8060

RGB 205 128 96

HSL 17.61, 0.52%, 0.59%

LAB 61.01, 26.46, 29.79

 

CMYK 0 / 52 / 53 / 20

HEX #CD6360

RGB 205 99 96

HSL 1.65, 0.52%, 0.59%

LAB 54.81, 41.71, 21.67

 

CMYK 0 / 53 / 53 / 20

HEX #CD6060

RGB 205 96 96

HSL 0, 0.52%, 0.59%

LAB 54.23, 43.2, 20.89

 

CMYK 0 / 38 / 53 / 20

HEX #CD8060

RGB 205 128 96

HSL 17.61, 0.52%, 0.59%

LAB 61.01, 26.46, 29.79

 

CMYK 0 / 23 / 53 / 20

HEX #CD9D60

RGB 205 157 96

HSL 33.58, 0.52%, 0.59%

LAB 67.97, 10.68, 38.56

 

CMYK 0 / 9 / 53 / 20

HEX #CDBB60

RGB 205 187 96

HSL 50.09, 0.52%, 0.59%

LAB 75.68, -5.29, 47.85

 

CMYK 5 / 0 / 53 / 20

HEX #C2CD60

RGB 194 205 96

HSL 66.06, 0.52%, 0.59%

LAB 79.6, -18.97, 52.22

 

CMYK 20 / 0 / 53 / 20

HEX #A4CD60

RGB 164 205 96

HSL 82.57, 0.52%, 0.59%

LAB 77.52, -30.75, 49.26

 

CMYK 0 / 38 / 53 / 20

HEX #CD8060

RGB 205 128 96

HSL 17.61, 0.52%, 0.59%

LAB 61.01, 26.46, 29.79

 

CMYK 0 / 45 / 64 / 13

HEX #DE794F

RGB 222 121 79

HSL 17.62, 0.68%, 0.59%

LAB 61.45, 35.69, 40.05

 

CMYK 0 / 52 / 74 / 6

HEX #EF723E

RGB 239 114 62

HSL 17.63, 0.85%, 0.59%

LAB 62.28, 44.87, 50.34

 

CMYK 0 / 38 / 53 / 20

HEX #CD8060

RGB 205 128 96

HSL 17.61, 0.52%, 0.59%

LAB 61.01, 26.46, 29.79

 

CMYK 0 / 28 / 40 / 26

HEX #BC8771

RGB 188 135 113

HSL 17.6, 0.36%, 0.59%

LAB 60.97, 17.46, 19.86

 

CMYK 0 / 17 / 24 / 33

HEX #AB8E82

RGB 171 142 130

HSL 17.56, 0.2%, 0.59%

LAB 61.32, 9.02, 10.47

 

CMYK 0 / 3 / 5 / 40

HEX #9A9593

RGB 154 149 147

HSL 17.14, 0.03%, 0.59%

LAB 62.06, 1.46, 1.7

 

CMYK 16 / 5 / 0 / 36

HEX #899CA4

RGB 137 156 164

HSL 197.78, 0.13%, 0.59%

LAB 63.16, -4.95, -6.44

 

CMYK 0 / 53 / 40 / 20

HEX #CD607B

RGB 205 96 123

HSL 345.14, 0.52%, 0.59%

LAB 54.84, 45.85, 5.86

 

CMYK 0 / 52 / 53 / 20

HEX #CD6260

RGB 205 98 96

HSL 1.1, 0.52%, 0.59%

LAB 54.62, 42.21, 21.4

 

CMYK 0 / 38 / 53 / 20

HEX #CD7F60

RGB 205 127 96

HSL 17.06, 0.52%, 0.59%

LAB 60.78, 27, 29.49

 

CMYK 0 / 24 / 53 / 20

HEX #CD9C60

RGB 205 156 96

HSL 33.03, 0.52%, 0.59%

LAB 67.73, 11.22, 38.25

 

CMYK 0 / 10 / 53 / 20

HEX #CDB960

RGB 205 185 96

HSL 48.99, 0.52%, 0.59%

LAB 75.15, -4.25, 47.23

 

CMYK 0 / 48 / 69 / 35

HEX #A65634

RGB 166 86 52

HSL 17.89, 0.52%, 0.43%

LAB 45.65, 30.04, 34.15

 

CMYK 0 / 47 / 67 / 24

HEX #C36741

RGB 195 103 65

HSL 17.54, 0.52%, 0.51%

LAB 53.69, 33.53, 37.47

 

CMYK 0 / 38 / 53 / 20

HEX #CD8060

RGB 205 128 96

HSL 17.61, 0.52%, 0.59%

LAB 61.01, 26.46, 29.79

 

CMYK 0 / 29 / 41 / 16

HEX #D7997F

RGB 215 153 127

HSL 17.73, 0.52%, 0.67%

LAB 68.58, 20.01, 22.9

 

CMYK 0 / 21 / 29 / 12

HEX #E1B29F

RGB 225 178 159

HSL 17.27, 0.52%, 0.75%

LAB 76.28, 14.36, 16.21

 

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

CMYK 26 / 0 / 53 / 20

HEX #98CD60

RGB 152 205 96

HSL 89.17, 0.52%, 0.59%

LAB 76.79, -35.23, 48.22

 

CMYK 53 / 47 / 0 / 20

HEX #606DCD

RGB 96 109 205

HSL 232.84, 0.52%, 0.59%

LAB 49.29, 22.33, -51.47

 

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

CMYK 53 / 0 / 38 / 20

HEX #60CD7F

RGB 96 205 127

HSL 137.06, 0.52%, 0.59%

LAB 74.62, -48.36, 29.56

 

CMYK 38 / 53 / 0 / 20

HEX #7F60CD

RGB 127 96 205

HSL 257.06, 0.52%, 0.59%

LAB 48.62, 37.31, -52.4

 

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

CMYK 26 / 0 / 53 / 20

HEX #98CD60

RGB 152 205 96

HSL 89.17, 0.52%, 0.59%

LAB 76.79, -35.23, 48.22

 

CMYK 53 / 15 / 0 / 20

HEX #60AECD

RGB 96 174 205

HSL 197.06, 0.52%, 0.59%

LAB 67.4, -15.39, -23.12

 

CMYK 27 / 53 / 0 / 20

HEX #9560CD

RGB 149 96 205

HSL 269.17, 0.52%, 0.59%

LAB 50.88, 42.82, -48.66

 

CMYK 0 / 38 / 53 / 20

HEX #CC7F5F

RGB 204 127 95

HSL 17.61, 0.52%, 0.59%

LAB 60.64, 26.51, 29.84

 

CMYK 41 / 0 / 53 / 20

HEX #78CD60

RGB 120 205 96

HSL 106.79, 0.52%, 0.59%

LAB 75.14, -46.14, 45.85

 

CMYK 53 / 15 / 0 / 20

HEX #60AECD

RGB 96 174 205

HSL 197.06, 0.52%, 0.59%

LAB 67.4, -15.39, -23.12

 

CMYK 12 / 53 / 0 / 20

HEX #B560CD

RGB 181 96 205

HSL 286.79, 0.52%, 0.59%

LAB 54.66, 51.29, -42.43

 

Description

Color code: HEX #CC7F5F | qconv.com Color code: HEX #CC7F5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 127 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 127 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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