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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC7C1C it is the complementary color #3383E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC7C1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC7C1C shade: #D17C17, #E28E2A, #F3A03D, #FFB250 and #FFC463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC7C1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC7C1C shade: #CC7C1C, #BB6A09, #AA5800, #994600 and #883400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC7C1C shade: #CA7B1C, #CA4C1C, #CA1D1C and #CA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC7C1C shade: #CA7B1C, #CAAA1C, #BBCA1C, #8CCA1C and #5DCA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC7C1C shade matches the following richer shades: #CA7B1C and #DD7C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC7C1C shade: #CA7B1C, #B7792E, #A57741, #927653 and #807466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC7C1C shade: #CA1C1C, #CA4A1C, #CA791C, #CAA71C and #BECA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC7C1C shade: #814F12, #A66517, #CA7B1C, #E2902C and #E7A351

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC7C1C shade: #CC7C1C, #4ACA1C and #331CCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC7C1C shade: #CC7C1C, #1CCA79 and #791CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC7C1C shade: #CC7C1C, #4ACA1C, #1C6DCA and #9B1CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC7C1C shade: #CC7C1C, #1CCA21, #1C6DCA and #CA1CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

Complementary color

CMYK 78 / 42 / 0 / 11

HEX #3383E3

RGB 51 131 227

HSL 212.73, 0.76%, 0.55%

LAB 54.54, 9.1, -55.63

 

CMYK 0 / 41 / 89 / 18

HEX #D17C17

RGB 209 124 23

HSL 32.58, 0.8%, 0.45%

LAB 59.92, 26.5, 62.01

 

CMYK 0 / 37 / 81 / 11

HEX #E28E2A

RGB 226 142 42

HSL 32.61, 0.76%, 0.53%

LAB 66.28, 24.54, 62.15

 

CMYK 0 / 34 / 75 / 5

HEX #F3A03D

RGB 243 160 61

HSL 32.64, 0.88%, 0.6%

LAB 72.58, 22.81, 61.44

 

CMYK 0 / 30 / 69 / 0

HEX #FFB250

RGB 255 178 80

HSL 33.6, 1%, 0.66%

LAB 78.27, 19.22, 59.57

 

CMYK 0 / 23 / 61 / 0

HEX #FFC463

RGB 255 196 99

HSL 37.31, 1%, 0.69%

LAB 82.72, 10.96, 55.82

 

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

CMYK 0 / 43 / 95 / 27

HEX #BB6A09

RGB 187 106 9

HSL 32.7, 0.91%, 0.38%

LAB 52.83, 26.62, 58.7

 

CMYK 0 / 48 / 100 / 33

HEX #AA5800

RGB 170 88 0

HSL 31.06, 1%, 0.33%

LAB 46.35, 29, 55.26

 

CMYK 0 / 54 / 100 / 40

HEX #994600

RGB 153 70 0

HSL 27.45, 1%, 0.3%

LAB 39.84, 31.48, 50.04

 

CMYK 0 / 62 / 100 / 47

HEX #883400

RGB 136 52 0

HSL 22.94, 1%, 0.27%

LAB 33.33, 33.82, 44.81

 

CMYK 0 / 39 / 86 / 21

HEX #CA7B1C

RGB 202 123 28

HSL 32.76, 0.76%, 0.45%

LAB 58.79, 24.17, 59.28

 

CMYK 0 / 62 / 86 / 21

HEX #CA4C1C

RGB 202 76 28

HSL 16.55, 0.76%, 0.45%

LAB 49.26, 47.99, 51.42

 

CMYK 0 / 86 / 86 / 21

HEX #CA1D1C

RGB 202 29 28

HSL 0.34, 0.76%, 0.45%

LAB 43.54, 63.77, 46.65

 

CMYK 0 / 86 / 86 / 21

HEX #CA1C1C

RGB 202 28 28

HSL 0, 0.76%, 0.45%

LAB 43.46, 63.97, 46.59

 

CMYK 0 / 39 / 86 / 21

HEX #CA7B1C

RGB 202 123 28

HSL 32.76, 0.76%, 0.45%

LAB 58.79, 24.17, 59.28

 

CMYK 0 / 16 / 86 / 21

HEX #CAAA1C

RGB 202 170 28

HSL 48.97, 0.76%, 0.45%

LAB 70.45, -1.26, 68.79

 

CMYK 7 / 0 / 86 / 21

HEX #BBCA1C

RGB 187 202 28

HSL 65.17, 0.76%, 0.45%

LAB 77.81, -24.05, 74.29

 

CMYK 31 / 0 / 86 / 21

HEX #8CCA1C

RGB 140 202 28

HSL 81.38, 0.76%, 0.45%

LAB 74.76, -42.85, 70.51

 

CMYK 54 / 0 / 86 / 21

HEX #5DCA1C

RGB 93 202 28

HSL 97.59, 0.76%, 0.45%

LAB 72.66, -58.24, 67.88

 

CMYK 0 / 39 / 86 / 21

HEX #CA7B1C

RGB 202 123 28

HSL 32.76, 0.76%, 0.45%

LAB 58.79, 24.17, 59.28

 

CMYK 0 / 44 / 96 / 13

HEX #DD7C09

RGB 221 124 9

HSL 32.55, 0.92%, 0.45%

LAB 61.49, 31.33, 66.8

 

CMYK 0 / 39 / 86 / 21

HEX #CA7B1C

RGB 202 123 28

HSL 32.76, 0.76%, 0.45%

LAB 58.79, 24.17, 59.28

 

CMYK 0 / 34 / 75 / 28

HEX #B7792E

RGB 183 121 46

HSL 32.85, 0.6%, 0.45%

LAB 56.03, 17.65, 48.98

 

CMYK 0 / 28 / 61 / 35

HEX #A57741

RGB 165 119 65

HSL 32.4, 0.43%, 0.45%

LAB 53.57, 12, 36.36

 

CMYK 0 / 19 / 43 / 43

HEX #927653

RGB 146 118 83

HSL 33.33, 0.28%, 0.45%

LAB 51.49, 5.97, 23.39

 

CMYK 0 / 9 / 20 / 50

HEX #807466

RGB 128 116 102

HSL 32.31, 0.11%, 0.45%

LAB 49.54, 2.18, 9.42

 

CMYK 0 / 86 / 86 / 21

HEX #CA1C1C

RGB 202 28 28

HSL 0, 0.76%, 0.45%

LAB 43.46, 63.97, 46.59

 

CMYK 0 / 63 / 86 / 21

HEX #CA4A1C

RGB 202 74 28

HSL 15.86, 0.76%, 0.45%

LAB 48.93, 48.87, 51.14

 

CMYK 0 / 40 / 86 / 21

HEX #CA791C

RGB 202 121 28

HSL 32.07, 0.76%, 0.45%

LAB 58.33, 25.25, 58.9

 

CMYK 0 / 17 / 86 / 21

HEX #CAA71C

RGB 202 167 28

HSL 47.93, 0.76%, 0.45%

LAB 69.67, 0.33, 68.16

 

CMYK 6 / 0 / 86 / 21

HEX #BECA1C

RGB 190 202 28

HSL 64.14, 0.76%, 0.45%

LAB 78.04, -22.79, 74.57

 

CMYK 0 / 39 / 86 / 49

HEX #814F12

RGB 129 79 18

HSL 32.97, 0.76%, 0.29%

LAB 38.38, 16.14, 41.61

 

CMYK 0 / 39 / 86 / 35

HEX #A66517

RGB 166 101 23

HSL 32.73, 0.76%, 0.37%

LAB 48.85, 20.47, 50.74

 

CMYK 0 / 39 / 86 / 21

HEX #CA7B1C

RGB 202 123 28

HSL 32.76, 0.76%, 0.45%

LAB 58.79, 24.17, 59.28

 

CMYK 0 / 36 / 81 / 11

HEX #E2902C

RGB 226 144 44

HSL 32.97, 0.76%, 0.53%

LAB 66.75, 23.54, 61.84

 

CMYK 0 / 29 / 65 / 9

HEX #E7A351

RGB 231 163 81

HSL 32.8, 0.76%, 0.61%

LAB 72.08, 17.24, 51.57

 

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

CMYK 63 / 0 / 86 / 21

HEX #4ACA1C

RGB 74 202 28

HSL 104.14, 0.76%, 0.45%

LAB 72.08, -62.96, 67.15

 

CMYK 75 / 86 / 0 / 21

HEX #331CCA

RGB 51 28 202

HSL 247.93, 0.76%, 0.45%

LAB 28.9, 60.34, -83.15

 

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

CMYK 86 / 0 / 40 / 21

HEX #1CCA79

RGB 28 202 121

HSL 152.07, 0.76%, 0.45%

LAB 72.14, -59.34, 29.11

 

CMYK 40 / 86 / 0 / 21

HEX #791CCA

RGB 121 28 202

HSL 272.07, 0.76%, 0.45%

LAB 36.29, 66.77, -70.7

 

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

CMYK 63 / 0 / 86 / 21

HEX #4ACA1C

RGB 74 202 28

HSL 104.14, 0.76%, 0.45%

LAB 72.08, -62.96, 67.15

 

CMYK 86 / 46 / 0 / 21

HEX #1C6DCA

RGB 28 109 202

HSL 212.07, 0.76%, 0.45%

LAB 46.24, 11.25, -54.8

 

CMYK 23 / 86 / 0 / 21

HEX #9B1CCA

RGB 155 28 202

HSL 283.79, 0.76%, 0.45%

LAB 41.32, 71.56, -62.28

 

CMYK 0 / 39 / 86 / 20

HEX #CC7C1C

RGB 204 124 28

HSL 32.73, 0.76%, 0.45%

LAB 59.28, 24.49, 59.78

 

CMYK 86 / 0 / 84 / 21

HEX #1CCA21

RGB 28 202 33

HSL 121.72, 0.76%, 0.45%

LAB 71.28, -69.8, 64.98

 

CMYK 86 / 46 / 0 / 21

HEX #1C6DCA

RGB 28 109 202

HSL 212.07, 0.76%, 0.45%

LAB 46.24, 11.25, -54.8

 

CMYK 0 / 86 / 3 / 21

HEX #CA1CC4

RGB 202 28 196

HSL 302.07, 0.76%, 0.45%

LAB 48.73, 78.49, -46.47

 

Description

Color code: HEX #CC7C1C | qconv.com Color code: HEX #CC7C1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 124 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 124 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 86% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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