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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC786C it is the complementary color #338793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC786C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC786C shade: #D17867, #E28A7A, #F39C8D, #FFAEA0 and #FFC0B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC786C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC786C shade: #CC786C, #BB6659, #AA5446, #994233 and #883020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC786C shade: #CB786C and #CB6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC786C shade: #CB786C, #CB916C, #CBAB6C, #CBC56C and #B8CB6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC786C shade matches the following richer shades: #CB786C, #DB6C5C, #EB604C and #FC543C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC786C shade: #CB786C, #BB847C, #AB908C, #9B9C9C and #8BA8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC786C shade: #CB6C94, #CB6C7A, #CB776C, #CB906C and #CBAA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC786C shade: #A9493B, #C15C4D, #CB786C, #D6948A and #E1B0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC786C shade: #CC786C, #ADCB6C and #6C87CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC786C shade: #CC786C, #6CCB77 and #776CCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC786C shade: #CC786C, #ADCB6C, #6CC0CB and #8A6CCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC786C shade: #CC786C, #90CB6C, #6CC0CB and #A76CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

Complementary color

CMYK 65 / 8 / 0 / 42

HEX #338793

RGB 51 135 147

HSL 187.5, 0.48%, 0.39%

LAB 51.99, -21.11, -13.89

 

CMYK 0 / 43 / 51 / 18

HEX #D17867

RGB 209 120 103

HSL 9.62, 0.54%, 0.61%

LAB 59.86, 32.96, 24.46

 

CMYK 0 / 39 / 46 / 11

HEX #E28A7A

RGB 226 138 122

HSL 9.23, 0.64%, 0.68%

LAB 66.33, 31.82, 22.84

 

CMYK 0 / 36 / 42 / 5

HEX #F39C8D

RGB 243 156 141

HSL 8.82, 0.81%, 0.75%

LAB 72.73, 30.78, 21.4

 

CMYK 0 / 32 / 37 / 0

HEX #FFAEA0

RGB 255 174 160

HSL 8.84, 1%, 0.81%

LAB 78.5, 27.97, 19.23

 

CMYK 0 / 25 / 30 / 0

HEX #FFC0B3

RGB 255 192 179

HSL 10.26, 1%, 0.85%

LAB 83.03, 20.85, 15.35

 

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

CMYK 0 / 45 / 52 / 27

HEX #BB6659

RGB 187 102 89

HSL 7.96, 0.42%, 0.54%

LAB 52.72, 32.68, 22.49

 

CMYK 0 / 51 / 59 / 33

HEX #AA5446

RGB 170 84 70

HSL 8.4, 0.42%, 0.47%

LAB 46.08, 33.97, 24.5

 

CMYK 0 / 57 / 67 / 40

HEX #994233

RGB 153 66 51

HSL 8.82, 0.5%, 0.4%

LAB 39.42, 35.34, 26.87

 

CMYK 0 / 65 / 76 / 47

HEX #883020

RGB 136 48 32

HSL 9.23, 0.62%, 0.33%

LAB 32.82, 36.68, 29.69

 

CMYK 0 / 41 / 47 / 20

HEX #CB786C

RGB 203 120 108

HSL 7.58, 0.48%, 0.61%

LAB 59.17, 31.11, 20.56

 

CMYK 0 / 47 / 47 / 20

HEX #CB6C6C

RGB 203 108 108

HSL 0, 0.48%, 0.61%

LAB 56.59, 37.46, 17.05

 

CMYK 0 / 41 / 47 / 20

HEX #CB786C

RGB 203 120 108

HSL 7.58, 0.48%, 0.61%

LAB 59.17, 31.11, 20.56

 

CMYK 0 / 29 / 47 / 20

HEX #CB916C

RGB 203 145 108

HSL 23.37, 0.48%, 0.61%

LAB 64.99, 17.51, 28.3

 

CMYK 0 / 16 / 47 / 20

HEX #CBAB6C

RGB 203 171 108

HSL 39.79, 0.48%, 0.61%

LAB 71.49, 3.42, 36.66

 

CMYK 0 / 3 / 47 / 20

HEX #CBC56C

RGB 203 197 108

HSL 56.21, 0.48%, 0.61%

LAB 78.29, -10.21, 45.11

 

CMYK 9 / 0 / 47 / 20

HEX #B8CB6C

RGB 184 203 108

HSL 72, 0.48%, 0.61%

LAB 78.45, -20.83, 44.96

 

CMYK 0 / 41 / 47 / 20

HEX #CB786C

RGB 203 120 108

HSL 7.58, 0.48%, 0.61%

LAB 59.17, 31.11, 20.56

 

CMYK 0 / 51 / 58 / 14

HEX #DB6C5C

RGB 219 108 92

HSL 7.56, 0.64%, 0.61%

LAB 58.56, 42.06, 29.25

 

CMYK 0 / 59 / 68 / 8

HEX #EB604C

RGB 235 96 76

HSL 7.55, 0.8%, 0.61%

LAB 58.56, 52.55, 38.71

 

CMYK 0 / 67 / 76 / 1

HEX #FC543C

RGB 252 84 60

HSL 7.5, 0.97%, 0.61%

LAB 59.31, 62.57, 48.85

 

CMYK 0 / 41 / 47 / 20

HEX #CB786C

RGB 203 120 108

HSL 7.58, 0.48%, 0.61%

LAB 59.17, 31.11, 20.56

 

CMYK 0 / 29 / 34 / 27

HEX #BB847C

RGB 187 132 124

HSL 7.62, 0.32%, 0.61%

LAB 60.36, 20.09, 12.77

 

CMYK 0 / 16 / 18 / 33

HEX #AB908C

RGB 171 144 140

HSL 7.74, 0.16%, 0.61%

LAB 62.08, 9.46, 5.89

 

CMYK 1 / 0 / 0 / 39

HEX #9B9C9C

RGB 155 156 156

HSL 180, 0.01%, 0.61%

LAB 64.28, -0.36, -0.13

 

CMYK 19 / 2 / 0 / 33

HEX #8BA8AC

RGB 139 168 172

HSL 187.27, 0.17%, 0.61%

LAB 66.88, -9.05, -5.39

 

CMYK 0 / 47 / 27 / 20

HEX #CB6C94

RGB 203 108 148

HSL 334.74, 0.48%, 0.61%

LAB 57.62, 42.21, -4.77

 

CMYK 0 / 47 / 40 / 20

HEX #CB6C7A

RGB 203 108 122

HSL 351.16, 0.48%, 0.61%

LAB 56.91, 38.95, 9.35

 

CMYK 0 / 41 / 47 / 20

HEX #CB776C

RGB 203 119 108

HSL 6.95, 0.48%, 0.61%

LAB 58.95, 31.64, 20.27

 

CMYK 0 / 29 / 47 / 20

HEX #CB906C

RGB 203 144 108

HSL 22.74, 0.48%, 0.61%

LAB 64.74, 18.06, 27.98

 

CMYK 0 / 16 / 47 / 20

HEX #CBAA6C

RGB 203 170 108

HSL 39.16, 0.48%, 0.61%

LAB 71.23, 3.95, 36.34

 

CMYK 0 / 57 / 65 / 34

HEX #A9493B

RGB 169 73 59

HSL 7.64, 0.48%, 0.45%

LAB 43.53, 38.47, 27.75

 

CMYK 0 / 52 / 60 / 24

HEX #C15C4D

RGB 193 92 77

HSL 7.76, 0.48%, 0.53%

LAB 51.3, 39.25, 27.77

 

CMYK 0 / 41 / 47 / 20

HEX #CB786C

RGB 203 120 108

HSL 7.58, 0.48%, 0.61%

LAB 59.17, 31.11, 20.56

 

CMYK 0 / 31 / 36 / 16

HEX #D6948A

RGB 214 148 138

HSL 7.89, 0.48%, 0.69%

LAB 67.51, 23.61, 15.32

 

CMYK 0 / 22 / 25 / 12

HEX #E1B0A9

RGB 225 176 169

HSL 7.5, 0.48%, 0.77%

LAB 76.02, 16.8, 10.42

 

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

CMYK 15 / 0 / 47 / 20

HEX #ADCB6C

RGB 173 203 108

HSL 78.95, 0.48%, 0.61%

LAB 77.68, -25.12, 43.85

 

CMYK 47 / 33 / 0 / 20

HEX #6C87CB

RGB 108 135 203

HSL 222.95, 0.48%, 0.61%

LAB 56.91, 8.76, -38.21

 

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

CMYK 47 / 0 / 41 / 20

HEX #6CCB77

RGB 108 203 119

HSL 126.95, 0.48%, 0.61%

LAB 74.34, -45.7, 33.38

 

CMYK 41 / 47 / 0 / 20

HEX #776CCB

RGB 119 108 203

HSL 246.95, 0.48%, 0.61%

LAB 50.64, 27.69, -48.07

 

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

CMYK 15 / 0 / 47 / 20

HEX #ADCB6C

RGB 173 203 108

HSL 78.95, 0.48%, 0.61%

LAB 77.68, -25.12, 43.85

 

CMYK 47 / 5 / 0 / 20

HEX #6CC0CB

RGB 108 192 203

HSL 186.95, 0.48%, 0.61%

LAB 73.02, -22.58, -13.47

 

CMYK 32 / 47 / 0 / 20

HEX #8A6CCB

RGB 138 108 203

HSL 258.95, 0.48%, 0.61%

LAB 52.33, 32.62, -45.28

 

CMYK 0 / 41 / 47 / 20

HEX #CC786C

RGB 204 120 108

HSL 7.5, 0.48%, 0.61%

LAB 59.3, 31.5, 20.76

 

CMYK 29 / 0 / 47 / 20

HEX #90CB6C

RGB 144 203 108

HSL 97.26, 0.48%, 0.61%

LAB 75.9, -35.82, 41.25

 

CMYK 47 / 5 / 0 / 20

HEX #6CC0CB

RGB 108 192 203

HSL 186.95, 0.48%, 0.61%

LAB 73.02, -22.58, -13.47

 

CMYK 18 / 47 / 0 / 20

HEX #A76CCB

RGB 167 108 203

HSL 277.26, 0.48%, 0.61%

LAB 55.33, 40.66, -40.34

 

Description

Color code: HEX #CC786C | qconv.com Color code: HEX #CC786C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 120 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 120 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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