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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6FFF it is the complementary color #339000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6FFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6FFF shade: #D16FFA, #E281FF, #F393FF, #FFA5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6FFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6FFF shade: #CC6FFF, #BB5DEC, #AA4BD9, #9939C6 and #8827B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6FFF shade: #CC70FF, #F370FF, #FF70E5, #FF70BE and #FF7098

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6FFF shade: #CC70FF, #A670FF, #7F70FF and #7070FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6FFF shade matches the following richer shades: #CC70FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6FFF shade: #CC70FF, #C97CF3, #C687E8, #C293DC and #BF9ED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6FFF shade: #7E70FF, #A570FF, #CB70FF, #F170FF and #FF70E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6FFF shade: #AF1EFF, #BE47FF, #CC70FF, #DB99FF and #EAC3FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6FFF shade: #CC6FFF, #FF7088 and #70FF92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6FFF shade: #CC6FFF, #FFCB70 and #70FFCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6FFF shade: #CC6FFF, #FF7088, #A5FF70 and #70FFE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6FFF shade: #CC6FFF, #FF8370, #A5FF70 and #70ECFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

Complementary color

CMYK 65 / 0 / 100 / 44

HEX #339000

RGB 51 144 0

HSL 98.75, 1%, 0.28%

LAB 52.56, -49.4, 55.31

 

CMYK 16 / 56 / 0 / 2

HEX #D16FFA

RGB 209 111 250

HSL 282.3, 0.93%, 0.71%

LAB 63.2, 60.18, -53.88

 

CMYK 11 / 49 / 0 / 0

HEX #E281FF

RGB 226 129 255

HSL 286.19, 1%, 0.75%

LAB 68.82, 56.71, -47.61

 

CMYK 5 / 42 / 0 / 0

HEX #F393FF

RGB 243 147 255

HSL 293.33, 1%, 0.79%

LAB 74.28, 52.38, -38.92

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

CMYK 21 / 61 / 0 / 7

HEX #BB5DEC

RGB 187 93 236

HSL 279.44, 0.79%, 0.65%

LAB 56.54, 60.63, -56.9

 

CMYK 22 / 65 / 0 / 15

HEX #AA4BD9

RGB 170 75 217

HSL 280.14, 0.65%, 0.57%

LAB 50.2, 61.09, -56.45

 

CMYK 23 / 71 / 0 / 22

HEX #9939C6

RGB 153 57 198

HSL 280.85, 0.55%, 0.5%

LAB 43.91, 61.24, -55.77

 

CMYK 24 / 78 / 0 / 30

HEX #8827B3

RGB 136 39 179

HSL 281.57, 0.64%, 0.43%

LAB 37.73, 60.82, -54.73

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FF

RGB 204 112 255

HSL 278.6, 1%, 0.72%

LAB 63.05, 59.5, -56.91

 

CMYK 5 / 56 / 0 / 0

HEX #F370FF

RGB 243 112 255

HSL 294.97, 1%, 0.72%

LAB 67.92, 69.11, -48.88

 

CMYK 0 / 56 / 10 / 0

HEX #FF70E5

RGB 255 112 229

HSL 310.91, 1%, 0.72%

LAB 68.39, 67.95, -33.71

 

CMYK 0 / 56 / 25 / 0

HEX #FF70BE

RGB 255 112 190

HSL 327.27, 1%, 0.72%

LAB 66.95, 62.44, -14.12

 

CMYK 0 / 56 / 40 / 0

HEX #FF7098

RGB 255 112 152

HSL 343.22, 1%, 0.72%

LAB 65.84, 58.02, 5.81

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FF

RGB 204 112 255

HSL 278.6, 1%, 0.72%

LAB 63.05, 59.5, -56.91

 

CMYK 35 / 56 / 0 / 0

HEX #A670FF

RGB 166 112 255

HSL 262.66, 1%, 0.72%

LAB 58.9, 50.52, -63.78

 

CMYK 50 / 56 / 0 / 0

HEX #7F70FF

RGB 127 112 255

HSL 246.29, 1%, 0.72%

LAB 55.4, 42.22, -69.6

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FF

RGB 204 112 255

HSL 278.6, 1%, 0.72%

LAB 63.05, 59.5, -56.91

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FF

RGB 204 112 255

HSL 278.6, 1%, 0.72%

LAB 63.05, 59.5, -56.91

 

CMYK 17 / 49 / 0 / 5

HEX #C97CF3

RGB 201 124 243

HSL 278.82, 0.83%, 0.72%

LAB 64.41, 50.13, -48.17

 

CMYK 15 / 42 / 0 / 9

HEX #C687E8

RGB 198 135 232

HSL 278.97, 0.68%, 0.72%

LAB 65.87, 41.13, -39.82

 

CMYK 12 / 33 / 0 / 14

HEX #C293DC

RGB 194 147 220

HSL 278.63, 0.51%, 0.72%

LAB 67.65, 30.85, -30.45

 

CMYK 9 / 24 / 0 / 18

HEX #BF9ED1

RGB 191 158 209

HSL 278.82, 0.36%, 0.72%

LAB 69.56, 21.52, -21.47

 

CMYK 51 / 56 / 0 / 0

HEX #7E70FF

RGB 126 112 255

HSL 245.87, 1%, 0.72%

LAB 55.32, 42.03, -69.73

 

CMYK 35 / 56 / 0 / 0

HEX #A570FF

RGB 165 112 255

HSL 262.24, 1%, 0.72%

LAB 58.8, 50.29, -63.95

 

CMYK 20 / 56 / 0 / 0

HEX #CB70FF

RGB 203 112 255

HSL 278.18, 1%, 0.72%

LAB 62.93, 59.25, -57.1

 

CMYK 5 / 56 / 0 / 0

HEX #F170FF

RGB 241 112 255

HSL 294.13, 1%, 0.72%

LAB 67.66, 68.61, -49.31

 

CMYK 0 / 56 / 9 / 0

HEX #FF70E7

RGB 255 112 231

HSL 310.07, 1%, 0.72%

LAB 68.47, 68.25, -34.69

 

CMYK 31 / 88 / 0 / 0

HEX #AF1EFF

RGB 175 30 255

HSL 278.67, 1%, 0.56%

LAB 48.59, 84.01, -80.44

 

CMYK 25 / 72 / 0 / 0

HEX #BE47FF

RGB 190 71 255

HSL 278.8, 1%, 0.64%

LAB 54.73, 74.55, -70.35

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FF

RGB 204 112 255

HSL 278.6, 1%, 0.72%

LAB 63.05, 59.5, -56.91

 

CMYK 14 / 40 / 0 / 0

HEX #DB99FF

RGB 219 153 255

HSL 278.82, 1%, 0.8%

LAB 72.93, 42.36, -41.21

 

CMYK 8 / 24 / 0 / 0

HEX #EAC3FF

RGB 234 195 255

HSL 279, 1%, 0.88%

LAB 83.83, 24.42, -24.3

 

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

CMYK 0 / 56 / 47 / 0

HEX #FF7088

RGB 255 112 136

HSL 349.93, 1%, 0.72%

LAB 65.46, 56.46, 14.39

 

CMYK 56 / 0 / 43 / 0

HEX #70FF92

RGB 112 255 146

HSL 134.27, 1%, 0.72%

LAB 90.34, -61.21, 40.64

 

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

CMYK 0 / 20 / 56 / 0

HEX #FFCB70

RGB 255 203 112

HSL 38.18, 1%, 0.72%

LAB 84.56, 8.25, 51.81

 

CMYK 56 / 0 / 20 / 0

HEX #70FFCB

RGB 112 255 203

HSL 158.18, 1%, 0.72%

LAB 91.36, -50.64, 13.32

 

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

CMYK 0 / 56 / 47 / 0

HEX #FF7088

RGB 255 112 136

HSL 349.93, 1%, 0.72%

LAB 65.46, 56.46, 14.39

 

CMYK 35 / 0 / 56 / 0

HEX #A5FF70

RGB 165 255 112

HSL 97.76, 1%, 0.72%

LAB 91.99, -50.86, 58.94

 

CMYK 56 / 0 / 9 / 0

HEX #70FFE7

RGB 112 255 231

HSL 169.93, 1%, 0.72%

LAB 92.01, -44.26, -0.2

 

CMYK 20 / 56 / 0 / 0

HEX #CC6FFF

RGB 204 111 255

HSL 278.75, 1%, 0.72%

LAB 62.87, 59.98, -57.2

 

CMYK 0 / 49 / 56 / 0

HEX #FF8370

RGB 255 131 112

HSL 7.97, 1%, 0.72%

LAB 68.51, 45.42, 31.94

 

CMYK 35 / 0 / 56 / 0

HEX #A5FF70

RGB 165 255 112

HSL 97.76, 1%, 0.72%

LAB 91.99, -50.86, 58.94

 

CMYK 56 / 7 / 0 / 0

HEX #70ECFF

RGB 112 236 255

HSL 187.97, 1%, 0.72%

LAB 87.32, -29.37, -19.69

 

Description

Color code: HEX #CC6FFF | qconv.com Color code: HEX #CC6FFF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 111 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 111 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 56 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 56% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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