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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6D3C it is the complementary color #3392C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6D3C shade: #D16D37, #E27F4A, #F3915D, #FFA370 and #FFB583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6D3C shade: #CC6D3C, #BB5B29, #AA4916, #993703 and #882500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6D3C shade: #CC6D3C, #CC463C and #CC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6D3C shade: #CC6D3C, #CC943C, #CCBB3C, #B7CC3C and #90CC3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6D3C shade matches the following richer shades: #CC6D3C, #E06728 and #F46014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6D3C shade: #CC6D3C, #B97350, #A57A63, #918077 and #7D868B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6D3C shade: #CC3C59, #CC463C, #CC6C3C, #CC933C and #CCB93C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6D3C shade: #914A25, #B25A2D, #CC6D3C, #D5865D and #DD9E7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6D3C shade: #CC6D3C, #7FCC3C and #3C46CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6D3C shade: #CC6D3C, #3CCC6C and #6C3CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6D3C shade: #CC6D3C, #7FCC3C, #3C9CCC and #893CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6D3C shade: #CC6D3C, #54CC3C, #3C9CCC and #B43CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

Complementary color

CMYK 74 / 25 / 0 / 24

HEX #3392C3

RGB 51 146 195

HSL 200.42, 0.59%, 0.48%

LAB 57.27, -11.2, -33.3

 

CMYK 0 / 48 / 74 / 18

HEX #D16D37

RGB 209 109 55

HSL 21.04, 0.63%, 0.52%

LAB 56.85, 35.46, 46.7

 

CMYK 0 / 44 / 67 / 11

HEX #E27F4A

RGB 226 127 74

HSL 20.92, 0.72%, 0.59%

LAB 63.21, 33.85, 44.84

 

CMYK 0 / 40 / 62 / 5

HEX #F3915D

RGB 243 145 93

HSL 20.8, 0.86%, 0.66%

LAB 69.54, 32.39, 43.03

 

CMYK 0 / 36 / 56 / 0

HEX #FFA370

RGB 255 163 112

HSL 21.4, 1%, 0.72%

LAB 75.22, 29.11, 40.45

 

CMYK 0 / 29 / 49 / 0

HEX #FFB583

RGB 255 181 131

HSL 24.19, 1%, 0.76%

LAB 79.58, 21.31, 36.1

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 51 / 78 / 27

HEX #BB5B29

RGB 187 91 41

HSL 20.55, 0.64%, 0.45%

LAB 49.75, 35.4, 45.18

 

CMYK 0 / 57 / 87 / 33

HEX #AA4916

RGB 170 73 22

HSL 20.68, 0.77%, 0.38%

LAB 43.31, 37.23, 46.72

 

CMYK 0 / 64 / 98 / 40

HEX #993703

RGB 153 55 3

HSL 20.8, 0.96%, 0.31%

LAB 36.95, 39.05, 47.33

 

CMYK 0 / 73 / 100 / 47

HEX #882500

RGB 136 37 0

HSL 16.32, 1%, 0.27%

LAB 30.78, 40.66, 43.11

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 66 / 71 / 20

HEX #CC463C

RGB 204 70 60

HSL 4.17, 0.59%, 0.52%

LAB 48.94, 52.42, 35.06

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 27 / 71 / 20

HEX #CC943C

RGB 204 148 60

HSL 36.67, 0.59%, 0.52%

LAB 65.23, 12.64, 52.97

 

CMYK 0 / 8 / 71 / 20

HEX #CCBB3C

RGB 204 187 60

HSL 52.92, 0.59%, 0.52%

LAB 75.27, -8.11, 63.14

 

CMYK 10 / 0 / 71 / 20

HEX #B7CC3C

RGB 183 204 60

HSL 68.75, 0.59%, 0.52%

LAB 78.22, -25.46, 65.48

 

CMYK 29 / 0 / 71 / 20

HEX #90CC3C

RGB 144 204 60

HSL 85, 0.59%, 0.52%

LAB 75.73, -40.74, 62.18

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 54 / 82 / 12

HEX #E06728

RGB 224 103 40

HSL 20.54, 0.75%, 0.52%

LAB 57.75, 43.78, 55.2

 

CMYK 0 / 61 / 92 / 4

HEX #F46014

RGB 244 96 20

HSL 20.36, 0.91%, 0.52%

LAB 59.57, 53.94, 64.91

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 38 / 57 / 27

HEX #B97350

RGB 185 115 80

HSL 20, 0.43%, 0.52%

LAB 55.23, 24.01, 30.79

 

CMYK 0 / 26 / 40 / 35

HEX #A57A63

RGB 165 122 99

HSL 20.91, 0.27%, 0.52%

LAB 54.89, 13.65, 19.14

 

CMYK 0 / 12 / 18 / 43

HEX #918077

RGB 145 128 119

HSL 20.77, 0.11%, 0.52%

LAB 54.86, 4.92, 7.25

 

CMYK 10 / 4 / 0 / 45

HEX #7D868B

RGB 125 134 139

HSL 201.43, 0.06%, 0.52%

LAB 55.35, -2.23, -3.82

 

CMYK 0 / 71 / 56 / 20

HEX #CC3C59

RGB 204 60 89

HSL 347.92, 0.59%, 0.52%

LAB 47.99, 58.12, 16.63

 

CMYK 0 / 66 / 71 / 20

HEX #CC463C

RGB 204 70 60

HSL 4.17, 0.59%, 0.52%

LAB 48.94, 52.42, 35.06

 

CMYK 0 / 47 / 71 / 20

HEX #CC6C3C

RGB 204 108 60

HSL 20, 0.59%, 0.52%

LAB 55.98, 34.23, 43.04

 

CMYK 0 / 28 / 71 / 20

HEX #CC933C

RGB 204 147 60

HSL 36.25, 0.59%, 0.52%

LAB 64.99, 13.19, 52.71

 

CMYK 0 / 9 / 71 / 20

HEX #CCB93C

RGB 204 185 60

HSL 52.08, 0.59%, 0.52%

LAB 74.74, -7.08, 62.61

 

CMYK 0 / 49 / 74 / 43

HEX #914A25

RGB 145 74 37

HSL 20.56, 0.59%, 0.36%

LAB 39.67, 26.98, 34.77

 

CMYK 0 / 49 / 75 / 30

HEX #B25A2D

RGB 178 90 45

HSL 20.3, 0.6%, 0.44%

LAB 48.22, 32.45, 41.2

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 0 / 37 / 56 / 16

HEX #D5865D

RGB 213 134 93

HSL 20.5, 0.59%, 0.6%

LAB 63.33, 26.21, 34.58

 

CMYK 0 / 29 / 43 / 13

HEX #DD9E7D

RGB 221 158 125

HSL 20.63, 0.59%, 0.68%

LAB 70.39, 19.47, 26.54

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 38 / 0 / 71 / 20

HEX #7FCC3C

RGB 127 204 60

HSL 92.08, 0.59%, 0.52%

LAB 74.84, -46.78, 60.99

 

CMYK 71 / 66 / 0 / 20

HEX #3C46CC

RGB 60 70 204

HSL 235.83, 0.59%, 0.52%

LAB 37.3, 40.18, -70.43

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 71 / 0 / 47 / 20

HEX #3CCC6C

RGB 60 204 108

HSL 140, 0.59%, 0.52%

LAB 73.04, -58.55, 36.99

 

CMYK 47 / 71 / 0 / 20

HEX #6C3CCC

RGB 108 60 204

HSL 260, 0.59%, 0.52%

LAB 39.21, 52.84, -67.15

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 38 / 0 / 71 / 20

HEX #7FCC3C

RGB 127 204 60

HSL 92.08, 0.59%, 0.52%

LAB 74.84, -46.78, 60.99

 

CMYK 71 / 24 / 0 / 20

HEX #3C9CCC

RGB 60 156 204

HSL 200, 0.59%, 0.52%

LAB 60.87, -12.46, -32.74

 

CMYK 33 / 71 / 0 / 20

HEX #893CCC

RGB 137 60 204

HSL 272.08, 0.59%, 0.52%

LAB 42.63, 58.11, -61.43

 

CMYK 0 / 47 / 71 / 20

HEX #CC6D3C

RGB 204 109 60

HSL 20.42, 0.59%, 0.52%

LAB 56.19, 33.7, 43.28

 

CMYK 59 / 0 / 71 / 20

HEX #54CC3C

RGB 84 204 60

HSL 110, 0.59%, 0.52%

LAB 73.15, -59.43, 58.73

 

CMYK 71 / 24 / 0 / 20

HEX #3C9CCC

RGB 60 156 204

HSL 200, 0.59%, 0.52%

LAB 60.87, -12.46, -32.74

 

CMYK 12 / 71 / 0 / 20

HEX #B43CCC

RGB 180 60 204

HSL 290, 0.59%, 0.52%

LAB 48.63, 66.84, -51.45

 

Description

Color code: HEX #CC6D3C | qconv.com Color code: HEX #CC6D3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 109 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 109 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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