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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC67AC it is the complementary color #339853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC67AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC67AC shade: #D167A7, #E279BA, #F38BCD, #FF9DE0 and #FFAFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC67AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC67AC shade: #CC67AC, #BB5599, #AA4386, #993173 and #881F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC67AC shade: #CC66AC, #CC6690, #CC6675 and #CC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC67AC shade: #CC66AC, #CC66C7, #B566CC, #9A66CC and #7E66CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC67AC shade matches the following richer shades: #CC66AC, #DD55B2, #ED45B8 and #FE34BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC67AC shade: #CC66AC, #BB77A6, #AB87A0, #9A989A and #8AA893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC67AC shade: #B666CC, #CC66C7, #CC66AC, #CC6691 and #CC6675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC67AC shade: #A83884, #C2479B, #CC66AC, #D685BD and #E1A4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC67AC shade: #CC67AC, #CC9B66 and #66CCC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC67AC shade: #CC67AC, #ACCC66 and #66ACCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC67AC shade: #CC67AC, #CC9B66, #66CC86 and #6697CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC67AC shade: #CC67AC, #CCB966, #66CC86 and #6679CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

Complementary color

CMYK 66 / 0 / 45 / 40

HEX #339853

RGB 51 152 83

HSL 139.01, 0.5%, 0.4%

LAB 55.87, -44.76, 27.95

 

CMYK 0 / 51 / 20 / 18

HEX #D167A7

RGB 209 103 167

HSL 323.77, 0.54%, 0.61%

LAB 58.08, 49.42, -15.01

 

CMYK 0 / 46 / 18 / 11

HEX #E279BA

RGB 226 121 186

HSL 322.86, 0.64%, 0.68%

LAB 64.47, 48.7, -15.98

 

CMYK 0 / 43 / 16 / 5

HEX #F38BCD

RGB 243 139 205

HSL 321.92, 0.81%, 0.75%

LAB 70.82, 47.95, -16.82

 

CMYK 0 / 38 / 12 / 0

HEX #FF9DE0

RGB 255 157 224

HSL 318.98, 1%, 0.81%

LAB 76.53, 45.6, -18.5

 

CMYK 0 / 31 / 5 / 0

HEX #FFAFF3

RGB 255 175 243

HSL 309, 1%, 0.84%

LAB 80.96, 39.45, -22.07

 

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

CMYK 0 / 55 / 18 / 27

HEX #BB5599

RGB 187 85 153

HSL 320, 0.43%, 0.53%

LAB 51.11, 49.24, -17.71

 

CMYK 0 / 61 / 21 / 33

HEX #AA4386

RGB 170 67 134

HSL 320.97, 0.43%, 0.46%

LAB 44.63, 49.72, -16.45

 

CMYK 0 / 68 / 25 / 40

HEX #993173

RGB 153 49 115

HSL 321.92, 0.51%, 0.4%

LAB 38.21, 49.85, -14.81

 

CMYK 0 / 77 / 29 / 47

HEX #881F60

RGB 136 31 96

HSL 322.86, 0.63%, 0.33%

LAB 31.94, 49.35, -12.58

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 50 / 29 / 20

HEX #CC6690

RGB 204 102 144

HSL 335.29, 0.5%, 0.6%

LAB 56.44, 45.07, -4.16

 

CMYK 0 / 50 / 43 / 20

HEX #CC6675

RGB 204 102 117

HSL 351.18, 0.5%, 0.6%

LAB 55.71, 41.84, 10.6

 

CMYK 0 / 50 / 50 / 20

HEX #CC6666

RGB 204 102 102

HSL 0, 0.5%, 0.6%

LAB 55.38, 40.35, 18.91

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 50 / 2 / 20

HEX #CC66C7

RGB 204 102 199

HSL 302.94, 0.5%, 0.6%

LAB 58.47, 53.56, -32.82

 

CMYK 11 / 50 / 0 / 20

HEX #B566CC

RGB 181 102 204

HSL 286.47, 0.5%, 0.6%

LAB 55.77, 48.01, -40.1

 

CMYK 25 / 50 / 0 / 20

HEX #9A66CC

RGB 154 102 204

HSL 270.59, 0.5%, 0.6%

LAB 52.66, 40.59, -45.23

 

CMYK 38 / 50 / 0 / 20

HEX #7E66CC

RGB 126 102 204

HSL 254.12, 0.5%, 0.6%

LAB 49.86, 33.28, -49.86

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 62 / 19 / 13

HEX #DD55B2

RGB 221 85 178

HSL 318.97, 0.67%, 0.6%

LAB 57.16, 62.78, -22.62

 

CMYK 0 / 71 / 22 / 7

HEX #ED45B8

RGB 237 69 184

HSL 318.93, 0.82%, 0.6%

LAB 57.77, 73.74, -24.92

 

CMYK 0 / 80 / 25 / 0

HEX #FE34BE

RGB 254 52 190

HSL 319.01, 0.99%, 0.6%

LAB 59.2, 83.21, -25.94

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 36 / 11 / 27

HEX #BB77A6

RGB 187 119 166

HSL 318.53, 0.33%, 0.6%

LAB 58.52, 33.64, -14.04

 

CMYK 0 / 21 / 6 / 33

HEX #AB87A0

RGB 171 135 160

HSL 318.33, 0.18%, 0.6%

LAB 60.36, 17.99, -8.02

 

CMYK 0 / 1 / 0 / 40

HEX #9A989A

RGB 154 152 154

HSL 300, 0.01%, 0.6%

LAB 63.06, 1.11, -0.8

 

CMYK 18 / 0 / 13 / 34

HEX #8AA893

RGB 138 168 147

HSL 138, 0.15%, 0.6%

LAB 66.15, -14.6, 7.44

 

CMYK 11 / 50 / 0 / 20

HEX #B666CC

RGB 182 102 204

HSL 287.06, 0.5%, 0.6%

LAB 55.89, 48.29, -39.9

 

CMYK 0 / 50 / 2 / 20

HEX #CC66C7

RGB 204 102 199

HSL 302.94, 0.5%, 0.6%

LAB 58.47, 53.56, -32.82

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 50 / 29 / 20

HEX #CC6691

RGB 204 102 145

HSL 334.71, 0.5%, 0.6%

LAB 56.47, 45.2, -4.7

 

CMYK 0 / 50 / 43 / 20

HEX #CC6675

RGB 204 102 117

HSL 351.18, 0.5%, 0.6%

LAB 55.71, 41.84, 10.6

 

CMYK 0 / 67 / 21 / 34

HEX #A83884

RGB 168 56 132

HSL 319.29, 0.5%, 0.44%

LAB 42.49, 53.61, -18.54

 

CMYK 0 / 63 / 20 / 24

HEX #C2479B

RGB 194 71 155

HSL 319.02, 0.5%, 0.52%

LAB 49.91, 57.92, -20.64

 

CMYK 0 / 50 / 16 / 20

HEX #CC66AC

RGB 204 102 172

HSL 318.82, 0.5%, 0.6%

LAB 57.38, 49.1, -19.02

 

CMYK 0 / 38 / 12 / 16

HEX #D685BD

RGB 214 133 189

HSL 318.52, 0.5%, 0.68%

LAB 65.55, 39.07, -16.19

 

CMYK 0 / 27 / 9 / 12

HEX #E1A4CD

RGB 225 164 205

HSL 319.67, 0.5%, 0.76%

LAB 74.17, 28.87, -11.99

 

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

CMYK 0 / 24 / 50 / 20

HEX #CC9B66

RGB 204 155 102

HSL 31.18, 0.5%, 0.6%

LAB 67.46, 11.89, 34.73

 

CMYK 50 / 0 / 4 / 20

HEX #66CCC4

RGB 102 204 196

HSL 175.29, 0.5%, 0.6%

LAB 76.07, -31.64, -5.16

 

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

CMYK 16 / 0 / 50 / 20

HEX #ACCC66

RGB 172 204 102

HSL 78.82, 0.5%, 0.6%

LAB 77.83, -26.61, 46.91

 

CMYK 50 / 16 / 0 / 20

HEX #66ACCC

RGB 102 172 204

HSL 198.82, 0.5%, 0.6%

LAB 67.04, -13.29, -23.1

 

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

CMYK 0 / 24 / 50 / 20

HEX #CC9B66

RGB 204 155 102

HSL 31.18, 0.5%, 0.6%

LAB 67.46, 11.89, 34.73

 

CMYK 50 / 0 / 34 / 20

HEX #66CC86

RGB 102 204 134

HSL 138.82, 0.5%, 0.6%

LAB 74.66, -45.2, 26

 

CMYK 50 / 26 / 0 / 20

HEX #6697CC

RGB 102 151 204

HSL 211.18, 0.5%, 0.6%

LAB 61.06, -1.68, -32.32

 

CMYK 0 / 50 / 16 / 20

HEX #CC67AC

RGB 204 103 172

HSL 319.01, 0.5%, 0.6%

LAB 57.58, 48.6, -18.73

 

CMYK 0 / 9 / 50 / 20

HEX #CCB966

RGB 204 185 102

HSL 48.82, 0.5%, 0.6%

LAB 75.14, -4.14, 44.25

 

CMYK 50 / 0 / 34 / 20

HEX #66CC86

RGB 102 204 134

HSL 138.82, 0.5%, 0.6%

LAB 74.66, -45.2, 26

 

CMYK 50 / 41 / 0 / 20

HEX #6679CC

RGB 102 121 204

HSL 228.82, 0.5%, 0.6%

LAB 52.8, 16.02, -45.29

 

Description

Color code: HEX #CC67AC | qconv.com Color code: HEX #CC67AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 103 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 103 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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