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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC655C it is the complementary color #339AA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC655C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CC655C: #D16557, #E2776A, #F3897D, #FF9B90 and #FFADA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC655C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CC655C: #CC655C, #BB5349, #AA4136, #992F23 and #881D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

Complementary color

CMYK 69 / 6 / 0 / 36

HEX #339AA3

RGB 51 154 163

HSL 184.82, 0.52%, 0.42%

LAB 58.47, -25.94, -13.31

 

CMYK 0 / 52 / 58 / 18

HEX #D16557

RGB 209 101 87

HSL 6.89, 0.57%, 0.58%

LAB 55.64, 41.47, 28.05

 

CMYK 0 / 47 / 53 / 11

HEX #E2776A

RGB 226 119 106

HSL 6.5, 0.67%, 0.65%

LAB 62, 40.23, 26.02

 

CMYK 0 / 44 / 49 / 5

HEX #F3897D

RGB 243 137 125

HSL 6.1, 0.83%, 0.72%

LAB 68.33, 39.07, 24.25

 

CMYK 0 / 39 / 44 / 0

HEX #FF9B90

RGB 255 155 144

HSL 5.95, 1%, 0.78%

LAB 74.01, 36.12, 21.74

 

CMYK 0 / 32 / 36 / 0

HEX #FFADA3

RGB 255 173 163

HSL 6.52, 1%, 0.82%

LAB 78.34, 28.84, 17.39

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 0 / 56 / 61 / 27

HEX #BB5349

RGB 187 83 73

HSL 5.26, 0.46%, 0.51%

LAB 48.55, 41.22, 26.42

 

CMYK 0 / 62 / 68 / 33

HEX #AA4136

RGB 170 65 54

HSL 5.69, 0.52%, 0.44%

LAB 42.14, 42.42, 29.05

 

CMYK 0 / 69 / 77 / 40

HEX #992F23

RGB 153 47 35

HSL 6.1, 0.63%, 0.37%

LAB 35.84, 43.44, 32.15

 

CMYK 0 / 79 / 88 / 47

HEX #881D10

RGB 136 29 16

HSL 6.5, 0.79%, 0.3%

LAB 29.79, 43.96, 35.53

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 0 / 42 / 55 / 20

HEX #CB765C

RGB 203 118 92

HSL 14.05, 0.52%, 0.58%

LAB 58.44, 30.7, 28.65

 

CMYK 0 / 33 / 55 / 20

HEX #CB885C

RGB 203 136 92

HSL 23.78, 0.52%, 0.58%

LAB 62.57, 20.95, 33.9

 

CMYK 0 / 24 / 55 / 20

HEX #CB9B5C

RGB 203 155 92

HSL 34.05, 0.52%, 0.58%

LAB 67.21, 10.58, 39.64

 

CMYK 0 / 15 / 55 / 20

HEX #CBAD5C

RGB 203 173 92

HSL 43.78, 0.52%, 0.58%

LAB 71.8, 0.9, 45.16

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 51 / 55 / 80

HEX #331917

RGB 51 25 23

HSL 4.29, 0.38%, 0.15%

LAB 12.36, 12.69, 7.09

 

CMYK 0 / 50 / 55 / 60

HEX #66332E

RGB 102 51 46

HSL 5.36, 0.38%, 0.29%

LAB 27.82, 22.27, 13.52

 

CMYK 0 / 50 / 55 / 40

HEX #994C45

RGB 153 76 69

HSL 5, 0.38%, 0.44%

LAB 41.8, 31.44, 19.03

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 15 / 0 / 55 / 20

HEX #ADCB5C

RGB 173 203 92

HSL 76.22, 0.52%, 0.58%

LAB 77.5, -26.71, 51.24

 

CMYK 55 / 36 / 0 / 20

HEX #5C81CB

RGB 92 129 203

HSL 220, 0.52%, 0.58%

LAB 54.33, 8.62, -42.33

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 55 / 0 / 51 / 20

HEX #5CCB63

RGB 92 203 99

HSL 123.78, 0.52%, 0.58%

LAB 73.47, -52.88, 42.14

 

CMYK 51 / 55 / 0 / 20

HEX #635CCB

RGB 99 92 203

HSL 243.78, 0.52%, 0.58%

LAB 45.11, 32.77, -57.03

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 15 / 0 / 55 / 20

HEX #ADCB5C

RGB 173 203 92

HSL 76.22, 0.52%, 0.58%

LAB 77.5, -26.71, 51.24

 

CMYK 55 / 3 / 0 / 20

HEX #5CC4CB

RGB 92 196 203

HSL 183.78, 0.52%, 0.58%

LAB 73.59, -28.01, -12.68

 

CMYK 40 / 55 / 0 / 20

HEX #795CCB

RGB 121 92 203

HSL 255.68, 0.52%, 0.58%

LAB 47.02, 37.65, -53.86

 

CMYK 0 / 50 / 55 / 20

HEX #CC655C

RGB 204 101 92

HSL 4.82, 0.52%, 0.58%

LAB 54.99, 39.99, 24.19

 

CMYK 31 / 0 / 55 / 20

HEX #8CCB5C

RGB 140 203 92

HSL 94.05, 0.52%, 0.58%

LAB 75.49, -39.05, 48.39

 

CMYK 55 / 3 / 0 / 20

HEX #5CC4CB

RGB 92 196 203

HSL 183.78, 0.52%, 0.58%

LAB 73.59, -28.01, -12.68

 

CMYK 24 / 55 / 0 / 20

HEX #9B5CCB

RGB 155 92 203

HSL 274.05, 0.52%, 0.58%

LAB 50.61, 46.07, -47.9

 

Description

Color code: HEX #CC655C | qconv.com Color code: HEX #CC655C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 101 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 101 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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