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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6186 it is the complementary color #339E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6186 shade: #D16181, #E27394, #F385A7, #FF97BA and #FFA9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6186 shade: #CC6186, #BB4F73, #AA3D60, #992B4D and #88193A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6186 shade: #CC6186, #CC6169 and #CC6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6186 shade: #CC6186, #CC61A3, #CC61C0, #BB61CC and #9F61CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6186 shade matches the following richer shades: #CC6186, #DD5081, #EE3F7C and #FF2E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6186 shade: #CC6186, #BB728B, #AA8390, #999496 and #88A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6186 shade: #CC61BF, #CC61A3, #CC6186, #CC616A and #CC7561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6186 shade: #A5365C, #C2426E, #CC6186, #D6809E and #E09FB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6186 shade: #CC6186, #CCBC61 and #61B1CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6186 shade: #CC6186, #86CC61 and #6186CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6186 shade: #CC6186, #CCBC61, #61CCA6 and #6171CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6186 shade: #CC6186, #BCCC61, #61CCA6 and #7161CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

Complementary color

CMYK 68 / 0 / 23 / 38

HEX #339E79

RGB 51 158 121

HSL 159.25, 0.51%, 0.41%

LAB 58.54, -39.36, 10.61

 

CMYK 0 / 54 / 38 / 18

HEX #D16181

RGB 209 97 129

HSL 342.86, 0.55%, 0.6%

LAB 55.78, 47.4, 3.75

 

CMYK 0 / 49 / 35 / 11

HEX #E27394

RGB 226 115 148

HSL 342.16, 0.66%, 0.67%

LAB 62.14, 46.54, 2.23

 

CMYK 0 / 45 / 31 / 5

HEX #F385A7

RGB 243 133 167

HSL 341.45, 0.82%, 0.74%

LAB 68.47, 45.67, 0.92

 

CMYK 0 / 41 / 27 / 0

HEX #FF97BA

RGB 255 151 186

HSL 339.81, 1%, 0.8%

LAB 74.15, 43.11, -1.19

 

CMYK 0 / 34 / 20 / 0

HEX #FFA9CD

RGB 255 169 205

HSL 334.88, 1%, 0.83%

LAB 78.49, 36.49, -5.22

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 58 / 39 / 27

HEX #BB4F73

RGB 187 79 115

HSL 340, 0.44%, 0.52%

LAB 48.75, 47.06, 1.5

 

CMYK 0 / 64 / 44 / 33

HEX #AA3D60

RGB 170 61 96

HSL 340.73, 0.47%, 0.45%

LAB 42.35, 47.65, 3.53

 

CMYK 0 / 72 / 50 / 40

HEX #992B4D

RGB 153 43 77

HSL 341.45, 0.56%, 0.38%

LAB 36.05, 47.86, 6.13

 

CMYK 0 / 82 / 57 / 47

HEX #88193A

RGB 136 25 58

HSL 342.16, 0.69%, 0.32%

LAB 30, 47.33, 9.59

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 52 / 49 / 20

HEX #CC6169

RGB 204 97 105

HSL 355.51, 0.51%, 0.59%

LAB 54.46, 43.15, 15.9

 

CMYK 0 / 52 / 52 / 20

HEX #CC6161

RGB 204 97 97

HSL 0, 0.51%, 0.59%

LAB 54.29, 42.43, 20.36

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 52 / 20 / 20

HEX #CC61A3

RGB 204 97 163

HSL 322.99, 0.51%, 0.59%

LAB 56.12, 50.19, -15.73

 

CMYK 0 / 52 / 6 / 20

HEX #CC61C0

RGB 204 97 192

HSL 306.73, 0.51%, 0.59%

LAB 57.26, 54.77, -30.71

 

CMYK 8 / 52 / 0 / 20

HEX #BB61CC

RGB 187 97 204

HSL 290.47, 0.51%, 0.59%

LAB 55.56, 52.21, -40.39

 

CMYK 22 / 52 / 0 / 20

HEX #9F61CC

RGB 159 97 204

HSL 274.77, 0.51%, 0.59%

LAB 52.15, 44.66, -46

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 64 / 42 / 13

HEX #DD5081

RGB 221 80 129

HSL 339.15, 0.67%, 0.59%

LAB 54.76, 58.94, 2.51

 

CMYK 0 / 74 / 48 / 7

HEX #EE3F7C

RGB 238 63 124

HSL 339.09, 0.84%, 0.59%

LAB 55.26, 69.62, 6.59

 

CMYK 0 / 82 / 54 / 0

HEX #FF2E76

RGB 255 46 118

HSL 339.33, 1%, 0.59%

LAB 56.61, 78.14, 12.5

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 39 / 26 / 27

HEX #BB728B

RGB 187 114 139

HSL 339.45, 0.35%, 0.59%

LAB 56.55, 32.09, -1.35

 

CMYK 0 / 23 / 15 / 33

HEX #AA8390

RGB 170 131 144

HSL 340, 0.19%, 0.59%

LAB 58.78, 17.07, -1.19

 

CMYK 0 / 3 / 2 / 40

HEX #999496

RGB 153 148 150

HSL 336, 0.02%, 0.59%

LAB 61.79, 2.21, -0.41

 

CMYK 18 / 0 / 6 / 35

HEX #88A59B

RGB 136 165 155

HSL 159.31, 0.14%, 0.59%

LAB 65.37, -12.09, 1.84

 

CMYK 0 / 52 / 6 / 20

HEX #CC61BF

RGB 204 97 191

HSL 307.29, 0.51%, 0.59%

LAB 57.22, 54.61, -30.2

 

CMYK 0 / 52 / 20 / 20

HEX #CC61A3

RGB 204 97 163

HSL 322.99, 0.51%, 0.59%

LAB 56.12, 50.19, -15.73

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 52 / 48 / 20

HEX #CC616A

RGB 204 97 106

HSL 354.95, 0.51%, 0.59%

LAB 54.48, 43.25, 15.34

 

CMYK 0 / 43 / 52 / 20

HEX #CC7561

RGB 204 117 97

HSL 11.21, 0.51%, 0.59%

LAB 58.44, 32.06, 25.86

 

CMYK 0 / 67 / 44 / 35

HEX #A5365C

RGB 165 54 92

HSL 339.46, 0.51%, 0.43%

LAB 40.26, 48.64, 2.91

 

CMYK 0 / 66 / 43 / 24

HEX #C2426E

RGB 194 66 110

HSL 339.38, 0.51%, 0.51%

LAB 47.61, 54.53, 3.02

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 40 / 26 / 16

HEX #D6809E

RGB 214 128 158

HSL 339.07, 0.51%, 0.67%

LAB 63.51, 36.98, -1.68

 

CMYK 0 / 29 / 19 / 12

HEX #E09FB6

RGB 224 159 182

HSL 338.77, 0.51%, 0.75%

LAB 72.24, 27.48, -2.19

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 8 / 52 / 20

HEX #CCBC61

RGB 204 188 97

HSL 51.03, 0.51%, 0.59%

LAB 75.86, -6.15, 47.57

 

CMYK 52 / 13 / 0 / 20

HEX #61B1CC

RGB 97 177 204

HSL 195.14, 0.51%, 0.59%

LAB 68.27, -17.05, -21.24

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 34 / 0 / 52 / 20

HEX #86CC61

RGB 134 204 97

HSL 99.25, 0.51%, 0.59%

LAB 75.52, -41.02, 46

 

CMYK 52 / 34 / 0 / 20

HEX #6186CC

RGB 97 134 204

HSL 219.25, 0.51%, 0.59%

LAB 56.04, 7.06, -40.19

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 0 / 8 / 52 / 20

HEX #CCBC61

RGB 204 188 97

HSL 51.03, 0.51%, 0.59%

LAB 75.86, -6.15, 47.57

 

CMYK 52 / 0 / 19 / 20

HEX #61CCA6

RGB 97 204 166

HSL 158.69, 0.51%, 0.59%

LAB 75.13, -39.93, 9.62

 

CMYK 52 / 45 / 0 / 20

HEX #6171CC

RGB 97 113 204

HSL 231.03, 0.51%, 0.59%

LAB 50.35, 19.77, -49.2

 

CMYK 0 / 52 / 34 / 20

HEX #CC6186

RGB 204 97 134

HSL 339.25, 0.51%, 0.59%

LAB 55.18, 46.29, -0.15

 

CMYK 8 / 0 / 52 / 20

HEX #BCCC61

RGB 188 204 97

HSL 68.97, 0.51%, 0.59%

LAB 78.89, -20.8, 50.81

 

CMYK 52 / 0 / 19 / 20

HEX #61CCA6

RGB 97 204 166

HSL 158.69, 0.51%, 0.59%

LAB 75.13, -39.93, 9.62

 

CMYK 45 / 52 / 0 / 20

HEX #7161CC

RGB 113 97 204

HSL 248.97, 0.51%, 0.59%

LAB 47.52, 33.12, -53.66

 

Description

Color code: HEX #CC6186 | qconv.com Color code: HEX #CC6186 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 97 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 97 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 34 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 34% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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