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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5EBF it is the complementary color #33A140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5EBF shade: #D15EBA, #E270CD, #F382E0, #FF94F3 and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5EBF shade: #CC5EBF, #BB4CAC, #AA3A99, #992886 and #881673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5EBF shade: #CC5CBE, #CC5CA0, #CC5C82, #CC5C64 and #CC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5EBF shade: #CC5CBE, #BB5CCC, #9D5CCC, #7F5CCC and #615CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5EBF shade matches the following richer shades: #CC5CBE, #DD4BCC and #EE3AD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5EBF shade: #CC5CBE, #BA6EB1, #A97FA4, #989097 and #86A289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5EBF shade: #9D5CCC, #BB5CCC, #CC5CBF, #CC5CA1 and #CC5C83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5EBF shade: #A23395, #C13DB2, #CC5CBE, #D57CCB and #DF9BD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5EBF shade: #CC5EBF, #CC7F5C and #5CCCAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5EBF shade: #CC5EBF, #BFCC5C and #5CBFCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5EBF shade: #CC5EBF, #CC7F5C, #5CCC69 and #5CA8CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5EBF shade: #CC5EBF, #CCA15C, #5CCC69 and #5C87CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

Complementary color

CMYK 68 / 0 / 60 / 37

HEX #33A140

RGB 51 161 64

HSL 127.09, 0.52%, 0.42%

LAB 58.57, -51, 40.85

 

CMYK 0 / 55 / 11 / 18

HEX #D15EBA

RGB 209 94 186

HSL 312, 0.56%, 0.59%

LAB 57.18, 56.63, -27.34

 

CMYK 0 / 50 / 9 / 11

HEX #E270CD

RGB 226 112 205

HSL 311.05, 0.66%, 0.66%

LAB 63.48, 56.08, -28.23

 

CMYK 0 / 47 / 8 / 5

HEX #F382E0

RGB 243 130 224

HSL 310.09, 0.82%, 0.73%

LAB 69.75, 55.44, -28.97

 

CMYK 0 / 42 / 5 / 0

HEX #FF94F3

RGB 255 148 243

HSL 306.73, 1%, 0.79%

LAB 75.4, 53.26, -30.57

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

CMYK 0 / 59 / 8 / 27

HEX #BB4CAC

RGB 187 76 172

HSL 308.11, 0.45%, 0.52%

LAB 50.35, 56.42, -30.07

 

CMYK 0 / 66 / 10 / 33

HEX #AA3A99

RGB 170 58 153

HSL 309.11, 0.49%, 0.45%

LAB 44.05, 56.5, -28.82

 

CMYK 0 / 74 / 12 / 40

HEX #992886

RGB 153 40 134

HSL 310.09, 0.59%, 0.38%

LAB 37.86, 56.02, -27.15

 

CMYK 0 / 84 / 15 / 47

HEX #881673

RGB 136 22 115

HSL 311.05, 0.72%, 0.31%

LAB 31.91, 54.59, -24.81

 

CMYK 0 / 55 / 7 / 20

HEX #CC5CBE

RGB 204 92 190

HSL 307.5, 0.52%, 0.58%

LAB 56.3, 56.79, -31.06

 

CMYK 0 / 55 / 22 / 20

HEX #CC5CA0

RGB 204 92 160

HSL 323.57, 0.52%, 0.58%

LAB 55.1, 52.16, -15.52

 

CMYK 0 / 55 / 36 / 20

HEX #CC5C82

RGB 204 92 130

HSL 339.64, 0.52%, 0.58%

LAB 54.14, 48.25, 0.69

 

CMYK 0 / 55 / 51 / 20

HEX #CC5C64

RGB 204 92 100

HSL 355.71, 0.52%, 0.58%

LAB 53.4, 45.16, 17.39

 

CMYK 0 / 55 / 55 / 20

HEX #CC5C5C

RGB 204 92 92

HSL 0, 0.52%, 0.58%

LAB 53.24, 44.48, 21.88

 

CMYK 0 / 55 / 7 / 20

HEX #CC5CBE

RGB 204 92 190

HSL 307.5, 0.52%, 0.58%

LAB 56.3, 56.79, -31.06

 

CMYK 8 / 55 / 0 / 20

HEX #BB5CCC

RGB 187 92 204

HSL 290.89, 0.52%, 0.58%

LAB 54.64, 54.67, -41.84

 

CMYK 23 / 55 / 0 / 20

HEX #9D5CCC

RGB 157 92 204

HSL 274.82, 0.52%, 0.58%

LAB 50.9, 46.81, -48

 

CMYK 38 / 55 / 0 / 20

HEX #7F5CCC

RGB 127 92 204

HSL 258.75, 0.52%, 0.58%

LAB 47.66, 39.34, -53.37

 

CMYK 52 / 55 / 0 / 20

HEX #615CCC

RGB 97 92 204

HSL 242.68, 0.52%, 0.58%

LAB 45.02, 32.67, -57.76

 

CMYK 0 / 55 / 7 / 20

HEX #CC5CBE

RGB 204 92 190

HSL 307.5, 0.52%, 0.58%

LAB 56.3, 56.79, -31.06

 

CMYK 0 / 66 / 8 / 13

HEX #DD4BCC

RGB 221 75 204

HSL 306.99, 0.68%, 0.58%

LAB 56.84, 70.55, -38.03

 

CMYK 0 / 76 / 9 / 7

HEX #EE3AD9

RGB 238 58 217

HSL 307, 0.84%, 0.58%

LAB 58.24, 81.73, -43.05

 

CMYK 0 / 55 / 7 / 20

HEX #CC5CBE

RGB 204 92 190

HSL 307.5, 0.52%, 0.58%

LAB 56.3, 56.79, -31.06

 

CMYK 0 / 41 / 5 / 27

HEX #BA6EB1

RGB 186 110 177

HSL 307.11, 0.36%, 0.58%

LAB 56.85, 40.11, -22.93

 

CMYK 0 / 25 / 3 / 34

HEX #A97FA4

RGB 169 127 164

HSL 307.14, 0.2%, 0.58%

LAB 58.32, 22.56, -13.4

 

CMYK 0 / 5 / 1 / 40

HEX #989097

RGB 152 144 151

HSL 307.5, 0.04%, 0.58%

LAB 60.65, 4.29, -2.65

 

CMYK 17 / 0 / 15 / 36

HEX #86A289

RGB 134 162 137

HSL 126.43, 0.13%, 0.58%

LAB 63.93, -14.76, 9.81

 

CMYK 23 / 55 / 0 / 20

HEX #9D5CCC

RGB 157 92 204

HSL 274.82, 0.52%, 0.58%

LAB 50.9, 46.81, -48

 

CMYK 8 / 55 / 0 / 20

HEX #BB5CCC

RGB 187 92 204

HSL 290.89, 0.52%, 0.58%

LAB 54.64, 54.67, -41.84

 

CMYK 0 / 55 / 6 / 20

HEX #CC5CBF

RGB 204 92 191

HSL 306.96, 0.52%, 0.58%

LAB 56.34, 56.96, -31.57

 

CMYK 0 / 55 / 21 / 20

HEX #CC5CA1

RGB 204 92 161

HSL 323.04, 0.52%, 0.58%

LAB 55.14, 52.3, -16.05

 

CMYK 0 / 55 / 36 / 20

HEX #CC5C83

RGB 204 92 131

HSL 339.11, 0.52%, 0.58%

LAB 54.17, 48.37, 0.14

 

CMYK 0 / 69 / 8 / 36

HEX #A23395

RGB 162 51 149

HSL 307.03, 0.52%, 0.42%

LAB 41.56, 56.58, -30.4

 

CMYK 0 / 68 / 8 / 24

HEX #C13DB2

RGB 193 61 178

HSL 306.82, 0.52%, 0.5%

LAB 49.36, 65, -35.06

 

CMYK 0 / 55 / 7 / 20

HEX #CC5CBE

RGB 204 92 190

HSL 307.5, 0.52%, 0.58%

LAB 56.3, 56.79, -31.06

 

CMYK 0 / 42 / 5 / 16

HEX #D57CCB

RGB 213 124 203

HSL 306.74, 0.51%, 0.66%

LAB 64.06, 45.85, -26.35

 

CMYK 0 / 30 / 4 / 13

HEX #DF9BD7

RGB 223 155 215

HSL 307.06, 0.52%, 0.74%

LAB 72.25, 34.78, -20.39

 

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5C

RGB 204 127 92

HSL 18.75, 0.52%, 0.58%

LAB 60.59, 26.25, 31.43

 

CMYK 55 / 0 / 16 / 20

HEX #5CCCAC

RGB 92 204 172

HSL 162.86, 0.52%, 0.58%

LAB 75.1, -39.66, 6.33

 

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

CMYK 6 / 0 / 55 / 20

HEX #BFCC5C

RGB 191 204 92

HSL 66.96, 0.52%, 0.58%

LAB 79.06, -20.02, 53.37

 

CMYK 55 / 6 / 0 / 20

HEX #5CBFCC

RGB 92 191 204

HSL 186.96, 0.52%, 0.58%

LAB 72.16, -25.26, -15.37

 

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5C

RGB 204 127 92

HSL 18.75, 0.52%, 0.58%

LAB 60.59, 26.25, 31.43

 

CMYK 55 / 0 / 49 / 20

HEX #5CCC69

RGB 92 204 105

HSL 126.96, 0.52%, 0.58%

LAB 73.86, -52.43, 39.68

 

CMYK 55 / 18 / 0 / 20

HEX #5CA8CC

RGB 92 168 204

HSL 199.29, 0.52%, 0.58%

LAB 65.47, -13.33, -25.55

 

CMYK 0 / 54 / 6 / 20

HEX #CC5EBF

RGB 204 94 191

HSL 307.09, 0.52%, 0.58%

LAB 56.69, 56.03, -31.03

 

CMYK 0 / 21 / 55 / 20

HEX #CCA15C

RGB 204 161 92

HSL 36.96, 0.52%, 0.58%

LAB 68.82, 7.75, 41.63

 

CMYK 55 / 0 / 49 / 20

HEX #5CCC69

RGB 92 204 105

HSL 126.96, 0.52%, 0.58%

LAB 73.86, -52.43, 39.68

 

CMYK 55 / 34 / 0 / 20

HEX #5C87CC

RGB 92 135 204

HSL 216.96, 0.52%, 0.58%

LAB 56.05, 5.36, -40.19

 

Description

Color code: HEX #CC5EBF | qconv.com Color code: HEX #CC5EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 6 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 6% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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