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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5E90 it is the complementary color #33A16F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5E90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5E90 shade: #D15E8B, #E2709E, #F382B1, #FF94C4 and #FFA6D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5E90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5E90 shade: #CC5E90, #BB4C7D, #AA3A6A, #992857 and #881644

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5E90 shade: #CC5C8F, #CC5C71 and #CC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5E90 shade: #CC5C8F, #CC5CAD, #CC5CCB, #AE5CCC and #905CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5E90 shade matches the following richer shades: #CC5C8F, #DD4B8D and #EE3A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5E90 shade: #CC5C8F, #BA6E90, #A97F92, #989094 and #86A295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5E90 shade: #CC5CCC, #CC5CAE, #CC5C90, #CC5C72 and #CC645C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5E90 shade: #A23366, #C13D79, #CC5C8F, #D57CA4 and #DF9BBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5E90 shade: #CC5E90, #CCAE5C and #5CBDCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5E90 shade: #CC5E90, #90CC5C and #5C90CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5E90 shade: #CC5E90, #CCAE5C, #5CCC98 and #5C7ACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5E90 shade: #CC5E90, #C8CC5C, #5CCC98 and #605CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

Complementary color

CMYK 68 / 0 / 31 / 37

HEX #33A16F

RGB 51 161 111

HSL 152.73, 0.52%, 0.42%

LAB 59.29, -42.92, 17.23

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8B

RGB 209 94 139

HSL 336.52, 0.56%, 0.59%

LAB 55.51, 50.02, -2.53

 

CMYK 0 / 50 / 30 / 11

HEX #E2709E

RGB 226 112 158

HSL 335.79, 0.66%, 0.66%

LAB 61.85, 49.26, -3.94

 

CMYK 0 / 47 / 27 / 5

HEX #F382B1

RGB 243 130 177

HSL 335.04, 0.82%, 0.73%

LAB 68.16, 48.46, -5.16

 

CMYK 0 / 42 / 23 / 0

HEX #FF94C4

RGB 255 148 196

HSL 333.08, 1%, 0.79%

LAB 73.82, 45.99, -7.2

 

CMYK 0 / 35 / 16 / 0

HEX #FFA6D7

RGB 255 166 215

HSL 326.97, 1%, 0.83%

LAB 78.13, 39.56, -11.19

 

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

CMYK 0 / 59 / 33 / 27

HEX #BB4C7D

RGB 187 76 125

HSL 333.51, 0.45%, 0.52%

LAB 48.53, 49.65, -4.87

 

CMYK 0 / 66 / 38 / 33

HEX #AA3A6A

RGB 170 58 106

HSL 334.29, 0.49%, 0.45%

LAB 42.17, 50.04, -2.95

 

CMYK 0 / 74 / 43 / 40

HEX #992857

RGB 153 40 87

HSL 335.04, 0.59%, 0.38%

LAB 35.94, 49.96, -0.46

 

CMYK 0 / 84 / 50 / 47

HEX #881644

RGB 136 22 68

HSL 335.79, 0.72%, 0.31%

LAB 29.97, 49.02, 2.88

 

CMYK 0 / 55 / 30 / 20

HEX #CC5C8F

RGB 204 92 143

HSL 332.68, 0.52%, 0.58%

LAB 54.53, 49.85, -6.41

 

CMYK 0 / 55 / 45 / 20

HEX #CC5C71

RGB 204 92 113

HSL 348.75, 0.52%, 0.58%

LAB 53.69, 46.39, 10.11

 

CMYK 0 / 55 / 55 / 20

HEX #CC5C5C

RGB 204 92 92

HSL 0, 0.52%, 0.58%

LAB 53.24, 44.48, 21.88

 

CMYK 0 / 55 / 30 / 20

HEX #CC5C8F

RGB 204 92 143

HSL 332.68, 0.52%, 0.58%

LAB 54.53, 49.85, -6.41

 

CMYK 0 / 55 / 15 / 20

HEX #CC5CAD

RGB 204 92 173

HSL 316.61, 0.52%, 0.58%

LAB 55.59, 54.08, -22.34

 

CMYK 0 / 55 / 0 / 20

HEX #CC5CCB

RGB 204 92 203

HSL 300.54, 0.52%, 0.58%

LAB 56.88, 59, -37.58

 

CMYK 15 / 55 / 0 / 20

HEX #AE5CCC

RGB 174 92 204

HSL 283.93, 0.52%, 0.58%

LAB 52.96, 51.24, -44.6

 

CMYK 29 / 55 / 0 / 20

HEX #905CCC

RGB 144 92 204

HSL 267.86, 0.52%, 0.58%

LAB 49.43, 43.51, -50.44

 

CMYK 0 / 55 / 30 / 20

HEX #CC5C8F

RGB 204 92 143

HSL 332.68, 0.52%, 0.58%

LAB 54.53, 49.85, -6.41

 

CMYK 0 / 66 / 36 / 13

HEX #DD4B8D

RGB 221 75 141

HSL 332.88, 0.68%, 0.58%

LAB 54.37, 62.22, -5.17

 

CMYK 0 / 76 / 41 / 7

HEX #EE3A8C

RGB 238 58 140

HSL 332.67, 0.84%, 0.58%

LAB 55.17, 72.57, -3.07

 

CMYK 0 / 55 / 30 / 20

HEX #CC5C8F

RGB 204 92 143

HSL 332.68, 0.52%, 0.58%

LAB 54.53, 49.85, -6.41

 

CMYK 0 / 41 / 23 / 27

HEX #BA6E90

RGB 186 110 144

HSL 333.16, 0.36%, 0.58%

LAB 55.69, 34.65, -5.54

 

CMYK 0 / 25 / 14 / 34

HEX #A97F92

RGB 169 127 146

HSL 332.86, 0.2%, 0.58%

LAB 57.74, 19.3, -3.89

 

CMYK 0 / 5 / 3 / 40

HEX #989094

RGB 152 144 148

HSL 330, 0.04%, 0.58%

LAB 60.57, 3.71, -1.06

 

CMYK 17 / 0 / 8 / 36

HEX #86A295

RGB 134 162 149

HSL 152.14, 0.13%, 0.58%

LAB 64.22, -12.41, 3.52

 

CMYK 0 / 55 / 0 / 20

HEX #CC5CCC

RGB 204 92 204

HSL 300, 0.52%, 0.58%

LAB 56.93, 59.17, -38.08

 

CMYK 0 / 55 / 15 / 20

HEX #CC5CAE

RGB 204 92 174

HSL 316.07, 0.52%, 0.58%

LAB 55.63, 54.24, -22.86

 

CMYK 0 / 55 / 29 / 20

HEX #CC5C90

RGB 204 92 144

HSL 332.14, 0.52%, 0.58%

LAB 54.56, 49.98, -6.95

 

CMYK 0 / 55 / 44 / 20

HEX #CC5C72

RGB 204 92 114

HSL 348.21, 0.52%, 0.58%

LAB 53.71, 46.49, 9.55

 

CMYK 0 / 51 / 55 / 20

HEX #CC645C

RGB 204 100 92

HSL 4.29, 0.52%, 0.58%

LAB 54.79, 40.5, 23.93

 

CMYK 0 / 69 / 37 / 36

HEX #A23366

RGB 162 51 102

HSL 332.43, 0.52%, 0.42%

LAB 39.59, 50.04, -4.42

 

CMYK 0 / 68 / 37 / 24

HEX #C13D79

RGB 193 61 121

HSL 332.73, 0.52%, 0.5%

LAB 47.05, 57.38, -4.53

 

CMYK 0 / 55 / 30 / 20

HEX #CC5C8F

RGB 204 92 143

HSL 332.68, 0.52%, 0.58%

LAB 54.53, 49.85, -6.41

 

CMYK 0 / 42 / 23 / 16

HEX #D57CA4

RGB 213 124 164

HSL 333.03, 0.51%, 0.66%

LAB 62.71, 39.59, -6.29

 

CMYK 0 / 30 / 17 / 13

HEX #DF9BBA

RGB 223 155 186

HSL 332.65, 0.52%, 0.74%

LAB 71.33, 29.9, -5.76

 

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

CMYK 0 / 15 / 55 / 20

HEX #CCAE5C

RGB 204 174 92

HSL 43.93, 0.52%, 0.58%

LAB 72.15, 0.79, 45.61

 

CMYK 55 / 7 / 0 / 20

HEX #5CBDCC

RGB 92 189 204

HSL 188.04, 0.52%, 0.58%

LAB 71.58, -24.26, -16.25

 

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

CMYK 29 / 0 / 55 / 20

HEX #90CC5C

RGB 144 204 92

HSL 92.14, 0.52%, 0.58%

LAB 76, -38.08, 49.04

 

CMYK 55 / 29 / 0 / 20

HEX #5C90CC

RGB 92 144 204

HSL 212.14, 0.52%, 0.58%

LAB 58.58, 0.09, -36.21

 

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

CMYK 0 / 15 / 55 / 20

HEX #CCAE5C

RGB 204 174 92

HSL 43.93, 0.52%, 0.58%

LAB 72.15, 0.79, 45.61

 

CMYK 55 / 0 / 25 / 20

HEX #5CCC98

RGB 92 204 152

HSL 152.14, 0.52%, 0.58%

LAB 74.65, -44.1, 16.42

 

CMYK 55 / 40 / 0 / 20

HEX #5C7ACC

RGB 92 122 204

HSL 223.93, 0.52%, 0.58%

LAB 52.46, 13.18, -45.86

 

CMYK 0 / 54 / 29 / 20

HEX #CC5E90

RGB 204 94 144

HSL 332.73, 0.52%, 0.58%

LAB 54.92, 49.01, -6.41

 

CMYK 2 / 0 / 55 / 20

HEX #C8CC5C

RGB 200 204 92

HSL 62.14, 0.52%, 0.58%

LAB 79.75, -16.36, 54.34

 

CMYK 55 / 0 / 25 / 20

HEX #5CCC98

RGB 92 204 152

HSL 152.14, 0.52%, 0.58%

LAB 74.65, -44.1, 16.42

 

CMYK 53 / 55 / 0 / 20

HEX #605CCC

RGB 96 92 204

HSL 242.14, 0.52%, 0.58%

LAB 44.94, 32.46, -57.88

 

Description

Color code: HEX #CC5E90 | qconv.com Color code: HEX #CC5E90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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