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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5E8C it is the complementary color #33A173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5E8C shade: #D15E87, #E2709A, #F382AD, #FF94C0 and #FFA6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5E8C shade: #CC5E8C, #BB4C79, #AA3A66, #992853 and #881640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5E8C shade: #CC5C8B, #CC5C6D and #CC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5E8C shade: #CC5C8B, #CC5CA9, #CC5CC7, #B25CCC and #945CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5E8C shade matches the following richer shades: #CC5C8B, #DD4B88 and #EE3A85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5E8C shade: #CC5C8B, #BA6E8E, #A97F90, #989093 and #86A296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5E8C shade: #CC5CC8, #CC5CAA, #CC5C8C, #CC5C6F and #CC675C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5E8C shade: #A23362, #C13D74, #CC5C8B, #D57CA1 and #DF9BB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5E8C shade: #CC5E8C, #CCB25C and #5CB9CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5E8C shade: #CC5E8C, #8CCC5C and #5C8CCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5E8C shade: #CC5E8C, #CCB25C, #5CCC9B and #5C76CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5E8C shade: #CC5E8C, #C4CC5C, #5CCC9B and #645CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

Complementary color

CMYK 68 / 0 / 29 / 37

HEX #33A173

RGB 51 161 115

HSL 154.91, 0.52%, 0.42%

LAB 59.37, -42.04, 15.12

 

CMYK 0 / 55 / 35 / 18

HEX #D15E87

RGB 209 94 135

HSL 338.61, 0.56%, 0.59%

LAB 55.39, 49.54, -0.34

 

CMYK 0 / 50 / 32 / 11

HEX #E2709A

RGB 226 112 154

HSL 337.89, 0.66%, 0.66%

LAB 61.73, 48.76, -1.82

 

CMYK 0 / 47 / 29 / 5

HEX #F382AD

RGB 243 130 173

HSL 337.17, 0.82%, 0.73%

LAB 68.05, 47.94, -3.08

 

CMYK 0 / 42 / 25 / 0

HEX #FF94C0

RGB 255 148 192

HSL 335.33, 1%, 0.79%

LAB 73.7, 45.44, -5.16

 

CMYK 0 / 35 / 17 / 0

HEX #FFA6D3

RGB 255 166 211

HSL 329.66, 1%, 0.83%

LAB 78.01, 38.94, -9.19

 

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

CMYK 0 / 59 / 35 / 27

HEX #BB4C79

RGB 187 76 121

HSL 335.68, 0.45%, 0.52%

LAB 48.4, 49.16, -2.64

 

CMYK 0 / 66 / 40 / 33

HEX #AA3A66

RGB 170 58 102

HSL 336.43, 0.49%, 0.45%

LAB 42.05, 49.59, -0.64

 

CMYK 0 / 74 / 46 / 40

HEX #992853

RGB 153 40 83

HSL 337.17, 0.59%, 0.38%

LAB 35.82, 49.56, 1.93

 

CMYK 0 / 84 / 53 / 47

HEX #881640

RGB 136 22 64

HSL 337.89, 0.72%, 0.31%

LAB 29.86, 48.67, 5.39

 

CMYK 0 / 55 / 32 / 20

HEX #CC5C8B

RGB 204 92 139

HSL 334.82, 0.52%, 0.58%

LAB 54.4, 49.34, -4.24

 

CMYK 0 / 55 / 47 / 20

HEX #CC5C6D

RGB 204 92 109

HSL 350.89, 0.52%, 0.58%

LAB 53.6, 45.99, 12.35

 

CMYK 0 / 55 / 55 / 20

HEX #CC5C5C

RGB 204 92 92

HSL 0, 0.52%, 0.58%

LAB 53.24, 44.48, 21.88

 

CMYK 0 / 55 / 32 / 20

HEX #CC5C8B

RGB 204 92 139

HSL 334.82, 0.52%, 0.58%

LAB 54.4, 49.34, -4.24

 

CMYK 0 / 55 / 17 / 20

HEX #CC5CA9

RGB 204 92 169

HSL 318.75, 0.52%, 0.58%

LAB 55.44, 53.48, -20.25

 

CMYK 0 / 55 / 2 / 20

HEX #CC5CC7

RGB 204 92 199

HSL 302.68, 0.52%, 0.58%

LAB 56.7, 58.31, -35.59

 

CMYK 13 / 55 / 0 / 20

HEX #B25CCC

RGB 178 92 204

HSL 286.07, 0.52%, 0.58%

LAB 53.47, 52.29, -43.76

 

CMYK 27 / 55 / 0 / 20

HEX #945CCC

RGB 148 92 204

HSL 270, 0.52%, 0.58%

LAB 49.87, 44.51, -49.71

 

CMYK 0 / 55 / 32 / 20

HEX #CC5C8B

RGB 204 92 139

HSL 334.82, 0.52%, 0.58%

LAB 54.4, 49.34, -4.24

 

CMYK 0 / 66 / 38 / 13

HEX #DD4B88

RGB 221 75 136

HSL 334.93, 0.68%, 0.58%

LAB 54.22, 61.68, -2.43

 

CMYK 0 / 76 / 44 / 7

HEX #EE3A85

RGB 238 58 133

HSL 335, 0.84%, 0.58%

LAB 54.97, 71.92, 0.79

 

CMYK 0 / 55 / 32 / 20

HEX #CC5C8B

RGB 204 92 139

HSL 334.82, 0.52%, 0.58%

LAB 54.4, 49.34, -4.24

 

CMYK 0 / 41 / 24 / 27

HEX #BA6E8E

RGB 186 110 142

HSL 334.74, 0.36%, 0.58%

LAB 55.63, 34.35, -4.46

 

CMYK 0 / 25 / 15 / 34

HEX #A97F90

RGB 169 127 144

HSL 335.71, 0.2%, 0.58%

LAB 57.68, 18.96, -2.82

 

CMYK 0 / 5 / 3 / 40

HEX #989093

RGB 152 144 147

HSL 337.5, 0.04%, 0.58%

LAB 60.54, 3.52, -0.54

 

CMYK 17 / 0 / 7 / 36

HEX #86A296

RGB 134 162 150

HSL 154.29, 0.13%, 0.58%

LAB 64.25, -12.2, 3

 

CMYK 0 / 55 / 2 / 20

HEX #CC5CC8

RGB 204 92 200

HSL 302.14, 0.52%, 0.58%

LAB 56.74, 58.48, -36.09

 

CMYK 0 / 55 / 17 / 20

HEX #CC5CAA

RGB 204 92 170

HSL 318.21, 0.52%, 0.58%

LAB 55.48, 53.63, -20.78

 

CMYK 0 / 55 / 31 / 20

HEX #CC5C8C

RGB 204 92 140

HSL 334.29, 0.52%, 0.58%

LAB 54.43, 49.46, -4.78

 

CMYK 0 / 55 / 46 / 20

HEX #CC5C6F

RGB 204 92 111

HSL 349.82, 0.52%, 0.58%

LAB 53.64, 46.19, 11.23

 

CMYK 0 / 50 / 55 / 20

HEX #CC675C

RGB 204 103 92

HSL 5.89, 0.52%, 0.58%

LAB 55.39, 38.97, 24.72

 

CMYK 0 / 69 / 40 / 36

HEX #A23362

RGB 162 51 98

HSL 334.59, 0.52%, 0.42%

LAB 39.46, 49.59, -2.09

 

CMYK 0 / 68 / 40 / 24

HEX #C13D74

RGB 193 61 116

HSL 335, 0.52%, 0.5%

LAB 46.89, 56.85, -1.71

 

CMYK 0 / 55 / 32 / 20

HEX #CC5C8B

RGB 204 92 139

HSL 334.82, 0.52%, 0.58%

LAB 54.4, 49.34, -4.24

 

CMYK 0 / 42 / 24 / 16

HEX #D57CA1

RGB 213 124 161

HSL 335.06, 0.51%, 0.66%

LAB 62.62, 39.16, -4.72

 

CMYK 0 / 30 / 17 / 13

HEX #DF9BB8

RGB 223 155 184

HSL 334.41, 0.52%, 0.74%

LAB 71.28, 29.59, -4.73

 

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

CMYK 0 / 13 / 55 / 20

HEX #CCB25C

RGB 204 178 92

HSL 46.07, 0.52%, 0.58%

LAB 73.19, -1.33, 46.83

 

CMYK 55 / 9 / 0 / 20

HEX #5CB9CC

RGB 92 185 204

HSL 190.18, 0.52%, 0.58%

LAB 70.41, -22.23, -18.01

 

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

CMYK 31 / 0 / 55 / 20

HEX #8CCC5C

RGB 140 204 92

HSL 94.29, 0.52%, 0.58%

LAB 75.78, -39.5, 48.73

 

CMYK 55 / 31 / 0 / 20

HEX #5C8CCC

RGB 92 140 204

HSL 214.29, 0.52%, 0.58%

LAB 57.45, 2.42, -37.98

 

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

CMYK 0 / 13 / 55 / 20

HEX #CCB25C

RGB 204 178 92

HSL 46.07, 0.52%, 0.58%

LAB 73.19, -1.33, 46.83

 

CMYK 55 / 0 / 24 / 20

HEX #5CCC9B

RGB 92 204 155

HSL 153.75, 0.52%, 0.58%

LAB 74.72, -43.46, 14.91

 

CMYK 55 / 42 / 0 / 20

HEX #5C76CC

RGB 92 118 204

HSL 226.07, 0.52%, 0.58%

LAB 51.37, 15.62, -47.59

 

CMYK 0 / 54 / 31 / 20

HEX #CC5E8C

RGB 204 94 140

HSL 334.91, 0.52%, 0.58%

LAB 54.8, 48.5, -4.24

 

CMYK 4 / 0 / 55 / 20

HEX #C4CC5C

RGB 196 204 92

HSL 64.29, 0.52%, 0.58%

LAB 79.44, -17.99, 53.91

 

CMYK 55 / 0 / 24 / 20

HEX #5CCC9B

RGB 92 204 155

HSL 153.75, 0.52%, 0.58%

LAB 74.72, -43.46, 14.91

 

CMYK 51 / 55 / 0 / 20

HEX #645CCC

RGB 100 92 204

HSL 244.29, 0.52%, 0.58%

LAB 45.25, 33.28, -57.37

 

Description

Color code: HEX #CC5E8C | qconv.com Color code: HEX #CC5E8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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