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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5E79 it is the complementary color #33A186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5E79 shade: #D15E74, #E27087, #F3829A, #FF94AD and #FFA6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5E79 shade: #CC5E79, #BB4C66, #AA3A53, #992840 and #88162D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5E79 shade: #CC5C78 and #CC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5E79 shade: #CC5C78, #CC5C96, #CC5CB4, #C65CCC and #A75CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5E79 shade matches the following richer shades: #CC5C78, #DD4B6F and #EE3A66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5E79 shade: #CC5C78, #BA6E80, #A97F89, #989092 and #86A29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5E79 shade: #CC5CB3, #CC5C96, #CC5C78, #CC5E5C and #CC7C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5E79 shade: #A2334E, #C13D5E, #CC5C78, #D57C92 and #DF9BAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5E79 shade: #CC5E79, #CCC65C and #5CA5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5E79 shade: #CC5E79, #78CC5C and #5C78CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5E79 shade: #CC5E79, #CCC65C, #5CCCB0 and #5C62CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5E79 shade: #CC5E79, #B0CC5C, #5CCCB0 and #785CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

Complementary color

CMYK 68 / 0 / 17 / 37

HEX #33A186

RGB 51 161 134

HSL 165.27, 0.52%, 0.42%

LAB 59.81, -37.46, 5.1

 

CMYK 0 / 55 / 44 / 18

HEX #D15E74

RGB 209 94 116

HSL 348.52, 0.56%, 0.59%

LAB 54.89, 47.46, 10.14

 

CMYK 0 / 50 / 40 / 11

HEX #E27087

RGB 226 112 135

HSL 347.89, 0.66%, 0.66%

LAB 61.23, 46.55, 8.39

 

CMYK 0 / 47 / 37 / 5

HEX #F3829A

RGB 243 130 154

HSL 347.26, 0.82%, 0.73%

LAB 67.54, 45.62, 6.9

 

CMYK 0 / 42 / 32 / 0

HEX #FF94AD

RGB 255 148 173

HSL 345.98, 1%, 0.79%

LAB 73.19, 42.97, 4.61

 

CMYK 0 / 35 / 25 / 0

HEX #FFA6C0

RGB 255 166 192

HSL 342.47, 1%, 0.83%

LAB 77.48, 36.19, 0.39

 

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

CMYK 0 / 59 / 45 / 27

HEX #BB4C66

RGB 187 76 102

HSL 345.95, 0.45%, 0.52%

LAB 47.87, 47.08, 8.11

 

CMYK 0 / 66 / 51 / 33

HEX #AA3A53

RGB 170 58 83

HSL 346.61, 0.49%, 0.45%

LAB 41.53, 47.7, 10.47

 

CMYK 0 / 74 / 58 / 40

HEX #992840

RGB 153 40 64

HSL 347.26, 0.59%, 0.38%

LAB 35.32, 47.91, 13.49

 

CMYK 0 / 84 / 67 / 47

HEX #88162D

RGB 136 22 45

HSL 347.89, 0.72%, 0.31%

LAB 29.41, 47.31, 17.45

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 55 / 55 / 20

HEX #CC5C5C

RGB 204 92 92

HSL 0, 0.52%, 0.58%

LAB 53.24, 44.48, 21.88

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 55 / 26 / 20

HEX #CC5C96

RGB 204 92 150

HSL 328.93, 0.52%, 0.58%

LAB 54.76, 50.77, -10.19

 

CMYK 0 / 55 / 12 / 20

HEX #CC5CB4

RGB 204 92 180

HSL 312.86, 0.52%, 0.58%

LAB 55.87, 55.17, -25.96

 

CMYK 3 / 55 / 0 / 20

HEX #C65CCC

RGB 198 92 204

HSL 296.79, 0.52%, 0.58%

LAB 56.11, 57.58, -39.43

 

CMYK 18 / 55 / 0 / 20

HEX #A75CCC

RGB 167 92 204

HSL 280.18, 0.52%, 0.58%

LAB 52.1, 49.4, -46.03

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 66 / 50 / 13

HEX #DD4B6F

RGB 221 75 111

HSL 345.21, 0.68%, 0.58%

LAB 53.55, 59.3, 11.5

 

CMYK 0 / 76 / 57 / 7

HEX #EE3A66

RGB 238 58 102

HSL 345.33, 0.84%, 0.58%

LAB 54.2, 69.51, 18.24

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 41 / 31 / 27

HEX #BA6E80

RGB 186 110 128

HSL 345.79, 0.36%, 0.58%

LAB 55.23, 32.37, 3.14

 

CMYK 0 / 25 / 19 / 34

HEX #A97F89

RGB 169 127 137

HSL 345.71, 0.2%, 0.58%

LAB 57.48, 17.8, 0.93

 

CMYK 0 / 5 / 4 / 40

HEX #989092

RGB 152 144 146

HSL 345, 0.04%, 0.58%

LAB 60.51, 3.33, -0.01

 

CMYK 17 / 0 / 4 / 36

HEX #86A29B

RGB 134 162 155

HSL 165, 0.13%, 0.58%

LAB 64.38, -11.16, 0.4

 

CMYK 0 / 55 / 12 / 20

HEX #CC5CB3

RGB 204 92 179

HSL 313.39, 0.52%, 0.58%

LAB 55.83, 55.02, -25.44

 

CMYK 0 / 55 / 26 / 20

HEX #CC5C96

RGB 204 92 150

HSL 328.93, 0.52%, 0.58%

LAB 54.76, 50.77, -10.19

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 54 / 55 / 20

HEX #CC5E5C

RGB 204 94 92

HSL 1.07, 0.52%, 0.58%

LAB 53.62, 43.5, 22.38

 

CMYK 0 / 39 / 55 / 20

HEX #CC7C5C

RGB 204 124 92

HSL 17.14, 0.52%, 0.58%

LAB 59.91, 27.87, 30.56

 

CMYK 0 / 69 / 52 / 36

HEX #A2334E

RGB 162 51 78

HSL 345.41, 0.52%, 0.42%

LAB 38.9, 47.6, 9.74

 

CMYK 0 / 68 / 51 / 24

HEX #C13D5E

RGB 193 61 94

HSL 345, 0.52%, 0.5%

LAB 46.29, 54.76, 10.91

 

CMYK 0 / 55 / 41 / 20

HEX #CC5C78

RGB 204 92 120

HSL 345, 0.52%, 0.58%

LAB 53.87, 47.12, 6.21

 

CMYK 0 / 42 / 31 / 16

HEX #D57C92

RGB 213 124 146

HSL 345.17, 0.51%, 0.66%

LAB 62.2, 37.12, 3.24

 

CMYK 0 / 30 / 23 / 13

HEX #DF9BAC

RGB 223 155 172

HSL 345, 0.52%, 0.74%

LAB 70.95, 27.78, 1.44

 

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

CMYK 0 / 3 / 55 / 20

HEX #CCC65C

RGB 204 198 92

HSL 56.79, 0.52%, 0.58%

LAB 78.46, -11.69, 52.96

 

CMYK 55 / 19 / 0 / 20

HEX #5CA5CC

RGB 92 165 204

HSL 200.89, 0.52%, 0.58%

LAB 64.6, -11.71, -26.88

 

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

CMYK 41 / 0 / 55 / 20

HEX #78CC5C

RGB 120 204 92

HSL 105, 0.52%, 0.58%

LAB 74.79, -46.18, 47.32

 

CMYK 55 / 41 / 0 / 20

HEX #5C78CC

RGB 92 120 204

HSL 225, 0.52%, 0.58%

LAB 51.91, 14.4, -46.73

 

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

CMYK 0 / 3 / 55 / 20

HEX #CCC65C

RGB 204 198 92

HSL 56.79, 0.52%, 0.58%

LAB 78.46, -11.69, 52.96

 

CMYK 55 / 0 / 14 / 20

HEX #5CCCB0

RGB 92 204 176

HSL 165, 0.52%, 0.58%

LAB 75.2, -38.71, 4.32

 

CMYK 55 / 52 / 0 / 20

HEX #5C62CC

RGB 92 98 204

HSL 236.79, 0.52%, 0.58%

LAB 46.14, 27.97, -55.97

 

CMYK 0 / 54 / 41 / 20

HEX #CC5E79

RGB 204 94 121

HSL 345.27, 0.52%, 0.58%

LAB 54.26, 46.26, 6.19

 

CMYK 14 / 0 / 55 / 20

HEX #B0CC5C

RGB 176 204 92

HSL 75, 0.52%, 0.58%

LAB 77.99, -26.01, 51.86

 

CMYK 55 / 0 / 14 / 20

HEX #5CCCB0

RGB 92 204 176

HSL 165, 0.52%, 0.58%

LAB 75.2, -38.71, 4.32

 

CMYK 41 / 55 / 0 / 20

HEX #785CCC

RGB 120 92 204

HSL 255, 0.52%, 0.58%

LAB 46.98, 37.69, -54.49

 

Description

Color code: HEX #CC5E79 | qconv.com Color code: HEX #CC5E79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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