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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5D56 it is the complementary color #33A2A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5D56 shade: #D15D51, #E26F64, #F38177, #FF938A and #FFA59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5D56 shade: #CC5D56, #BB4B43, #AA3930, #99271D and #88150A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5D56 shade: #CD5D56 and #CD5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5D56 shade: #CD5D56, #CD7D56, #CD9D56, #CDBD56 and #BCCD56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5D56 shade matches the following richer shades: #CD5D56, #DE4E44 and #F03E33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5D56 shade: #CD5D56, #BB6D68, #A97C7A, #978C8B and #869C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5D56 shade: #CD568F, #CD5670, #CD5C56, #CD7C56 and #CD9B56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5D56 shade: #A03730, #C04139, #CD5D56, #D67C76 and #E09A96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5D56 shade: #CC5D56, #AFCD56 and #5680CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5D56 shade: #CC5D56, #56CD5C and #5C56CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5D56 shade: #CC5D56, #AFCD56, #56C7CD and #7456CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5D56 shade: #CC5D56, #8BCD56, #56C7CD and #9756CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

Complementary color

CMYK 70 / 4 / 0 / 34

HEX #33A2A9

RGB 51 162 169

HSL 183.56, 0.54%, 0.43%

LAB 61.14, -28.1, -12.68

 

CMYK 0 / 56 / 61 / 18

HEX #D15D51

RGB 209 93 81

HSL 5.63, 0.58%, 0.57%

LAB 54, 44.98, 29.4

 

CMYK 0 / 51 / 56 / 11

HEX #E26F64

RGB 226 111 100

HSL 5.24, 0.68%, 0.64%

LAB 60.3, 43.77, 27.18

 

CMYK 0 / 47 / 51 / 5

HEX #F38177

RGB 243 129 119

HSL 4.84, 0.84%, 0.71%

LAB 66.59, 42.59, 25.24

 

CMYK 0 / 42 / 46 / 0

HEX #FF938A

RGB 255 147 138

HSL 4.62, 1%, 0.77%

LAB 72.2, 39.63, 22.56

 

CMYK 0 / 35 / 38 / 0

HEX #FFA59D

RGB 255 165 157

HSL 4.9, 1%, 0.81%

LAB 76.44, 32.33, 18

 

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

CMYK 0 / 60 / 64 / 27

HEX #BB4B43

RGB 187 75 67

HSL 4, 0.47%, 0.5%

LAB 46.98, 44.67, 27.96

 

CMYK 0 / 66 / 72 / 33

HEX #AA3930

RGB 170 57 48

HSL 4.43, 0.56%, 0.43%

LAB 40.71, 45.7, 30.89

 

CMYK 0 / 75 / 81 / 40

HEX #99271D

RGB 153 39 29

HSL 4.84, 0.68%, 0.36%

LAB 34.62, 46.38, 34.3

 

CMYK 0 / 85 / 93 / 47

HEX #88150A

RGB 136 21 10

HSL 5.24, 0.86%, 0.29%

LAB 28.88, 46.27, 37.6

 

CMYK 0 / 55 / 58 / 20

HEX #CD5D56

RGB 205 93 86

HSL 3.53, 0.54%, 0.57%

LAB 53.47, 43.88, 25.71

 

CMYK 0 / 58 / 58 / 20

HEX #CD5656

RGB 205 86 86

HSL 0, 0.54%, 0.57%

LAB 52.18, 47.24, 24.03

 

CMYK 0 / 55 / 58 / 20

HEX #CD5D56

RGB 205 93 86

HSL 3.53, 0.54%, 0.57%

LAB 53.47, 43.88, 25.71

 

CMYK 0 / 39 / 58 / 20

HEX #CD7D56

RGB 205 125 86

HSL 19.66, 0.54%, 0.57%

LAB 60.18, 27.26, 34.22

 

CMYK 0 / 23 / 58 / 20

HEX #CD9D56

RGB 205 157 86

HSL 35.8, 0.54%, 0.57%

LAB 67.85, 9.86, 43.52

 

CMYK 0 / 8 / 58 / 20

HEX #CDBD56

RGB 205 189 86

HSL 51.93, 0.54%, 0.57%

LAB 76.1, -7.12, 53.05

 

CMYK 8 / 0 / 58 / 20

HEX #BCCD56

RGB 188 205 86

HSL 68.57, 0.54%, 0.57%

LAB 79.06, -22.2, 56

 

CMYK 0 / 55 / 58 / 20

HEX #CD5D56

RGB 205 93 86

HSL 3.53, 0.54%, 0.57%

LAB 53.47, 43.88, 25.71

 

CMYK 0 / 65 / 69 / 13

HEX #DE4E44

RGB 222 78 68

HSL 3.9, 0.7%, 0.57%

LAB 53.38, 55.51, 36.51

 

CMYK 0 / 74 / 79 / 6

HEX #F03E33

RGB 240 62 51

HSL 3.49, 0.86%, 0.57%

LAB 54.25, 66.37, 47.63

 

CMYK 0 / 55 / 58 / 20

HEX #CD5D56

RGB 205 93 86

HSL 3.53, 0.54%, 0.57%

LAB 53.47, 43.88, 25.71

 

CMYK 0 / 42 / 44 / 27

HEX #BB6D68

RGB 187 109 104

HSL 3.61, 0.38%, 0.57%

LAB 54.56, 30.39, 16.24

 

CMYK 0 / 27 / 28 / 34

HEX #A97C7A

RGB 169 124 122

HSL 2.55, 0.21%, 0.57%

LAB 56.34, 17.2, 7.97

 

CMYK 0 / 7 / 8 / 41

HEX #978C8B

RGB 151 140 139

HSL 5, 0.05%, 0.57%

LAB 59.16, 3.91, 2

 

CMYK 15 / 1 / 0 / 38

HEX #869C9D

RGB 134 156 157

HSL 182.61, 0.11%, 0.57%

LAB 62.74, -7.49, -3.13

 

CMYK 0 / 58 / 30 / 20

HEX #CD568F

RGB 205 86 143

HSL 331.26, 0.54%, 0.57%

LAB 53.62, 52.97, -7.75

 

CMYK 0 / 58 / 45 / 20

HEX #CD5670

RGB 205 86 112

HSL 346.89, 0.54%, 0.57%

LAB 52.73, 49.48, 9.38

 

CMYK 0 / 55 / 58 / 20

HEX #CD5C56

RGB 205 92 86

HSL 3.03, 0.54%, 0.57%

LAB 53.28, 44.37, 25.47

 

CMYK 0 / 40 / 58 / 20

HEX #CD7C56

RGB 205 124 86

HSL 19.16, 0.54%, 0.57%

LAB 59.95, 27.79, 33.93

 

CMYK 0 / 24 / 58 / 20

HEX #CD9B56

RGB 205 155 86

HSL 34.79, 0.54%, 0.57%

LAB 67.35, 10.94, 42.92

 

CMYK 0 / 66 / 70 / 37

HEX #A03730

RGB 160 55 48

HSL 3.75, 0.54%, 0.41%

LAB 38.58, 43.06, 27.94

 

CMYK 0 / 66 / 70 / 25

HEX #C04139

RGB 192 65 57

HSL 3.56, 0.54%, 0.49%

LAB 46.02, 50.31, 32.83

 

CMYK 0 / 55 / 58 / 20

HEX #CD5D56

RGB 205 93 86

HSL 3.53, 0.54%, 0.57%

LAB 53.47, 43.88, 25.71

 

CMYK 0 / 42 / 45 / 16

HEX #D67C76

RGB 214 124 118

HSL 3.75, 0.54%, 0.65%

LAB 61.67, 34.23, 18.51

 

CMYK 0 / 31 / 33 / 12

HEX #E09A96

RGB 224 154 150

HSL 3.24, 0.54%, 0.73%

LAB 70.29, 25.69, 12.72

 

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

CMYK 15 / 0 / 58 / 20

HEX #AFCD56

RGB 175 205 86

HSL 75.13, 0.54%, 0.57%

LAB 78.14, -27.4, 54.72

 

CMYK 58 / 38 / 0 / 20

HEX #5680CD

RGB 86 128 205

HSL 218.82, 0.54%, 0.57%

LAB 53.84, 8.62, -44.26

 

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

CMYK 58 / 0 / 55 / 20

HEX #56CD5C

RGB 86 205 92

HSL 123.03, 0.54%, 0.57%

LAB 73.81, -56.02, 45.84

 

CMYK 55 / 58 / 0 / 20

HEX #5C56CD

RGB 92 86 205

HSL 243.03, 0.54%, 0.57%

LAB 43.27, 35.65, -61.18

 

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

CMYK 15 / 0 / 58 / 20

HEX #AFCD56

RGB 175 205 86

HSL 75.13, 0.54%, 0.57%

LAB 78.14, -27.4, 54.72

 

CMYK 58 / 3 / 0 / 20

HEX #56C7CD

RGB 86 199 205

HSL 183.03, 0.54%, 0.57%

LAB 74.34, -30.05, -12.66

 

CMYK 43 / 58 / 0 / 20

HEX #7456CD

RGB 116 86 205

HSL 255.13, 0.54%, 0.57%

LAB 45.33, 40.55, -57.75

 

CMYK 0 / 54 / 58 / 20

HEX #CC5D56

RGB 204 93 86

HSL 3.56, 0.54%, 0.57%

LAB 53.32, 43.52, 25.48

 

CMYK 32 / 0 / 58 / 20

HEX #8BCD56

RGB 139 205 86

HSL 93.28, 0.54%, 0.57%

LAB 75.96, -40.9, 51.67

 

CMYK 58 / 3 / 0 / 20

HEX #56C7CD

RGB 86 199 205

HSL 183.03, 0.54%, 0.57%

LAB 74.34, -30.05, -12.66

 

CMYK 26 / 58 / 0 / 20

HEX #9756CD

RGB 151 86 205

HSL 272.77, 0.54%, 0.57%

LAB 49.06, 48.7, -51.55

 

Description

Color code: HEX #CC5D56 | qconv.com Color code: HEX #CC5D56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 93 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 93 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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