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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5D3ACE it is the complementary color #33A2C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5D3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC5D3ACE shade: #D15D35CE, #E26F48CE, #F3815BCE, #FF936ECE and #FFA581CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5D3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC5D3ACE shade: #CC5D3ACE, #BB4B27CE, #AA3914CE, #992701CE and #881500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC5D3ACE shade: #CC5C38 and #CC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC5D3ACE shade: #CC5C38, #CC8338, #CCAB38, #C5CC38 and #9DCC38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC5D3ACE shade matches the following richer shades: #CC5C38, #E05124 and #F44710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC5D3ACE shade: #CC5C38, #B8664D, #A37161, #8F7B75 and #7B8689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC5D3ACE shade: #CC3865, #CC383D, #CC5B38, #CC8238 and #CCA938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC5D3ACE shade: #8D3E24, #AE4C2D, #CC5C38, #D47759 and #DD927A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC5D3ACE shade: #CC5D3A, #8CCC38 and #3851CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC5D3ACE shade: #CC5D3A, #38CC5B and #5B38CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC5D3ACE shade: #CC5D3A, #8CCC38, #38A9CC and #7838CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC5D3ACE shade: #CC5D3A, #60CC38, #38A9CC and #A438CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 16

HEX #CC5D3ACE

RGBA 204 93 58 0.81

HSLA 14.38, 0.59%, 0.51%, 0.81

LABA 52.92, 41.77, 40.69, 0.81

 

Complementary color

CMYK 60 / 14 / 0 / 18

HEX #33A2C5CE

RGBA 51 162 197 0.81

HSLA 194.38, 0.59%, 0.49%, 0.81

LABA 62.15, -19.23, -26.87, 0.81

 

CMYK 0 / 45 / 60 / 15

HEX #D15D35CE

RGBA 209 93 53 0.81

HSLA 15.38, 0.63%, 0.51%, 0.81

LABA 53.64, 43.43, 44.31, 0.81

 

CMYK 0 / 41 / 55 / 9

HEX #E26F48CE

RGBA 226 111 72 0.81

HSLA 15.19, 0.73%, 0.58%, 0.81

LABA 59.89, 41.92, 42.08, 0.81

 

CMYK 0 / 38 / 51 / 4

HEX #F3815BCE

RGBA 243 129 91 0.81

HSLA 15, 0.86%, 0.65%, 0.81

LABA 66.14, 40.48, 39.99, 0.81

 

CMYK 0 / 34 / 46 / 0

HEX #FF936ECE

RGBA 255 147 110 0.81

HSLA 15.31, 1%, 0.72%, 0.81

LABA 71.73, 37.23, 37.13, 0.81

 

CMYK 0 / 29 / 40 / 0

HEX #FFA581CE

RGBA 255 165 129 0.81

HSLA 17.14, 1%, 0.75%, 0.81

LABA 75.92, 29.49, 32.4, 0.81

 

CMYK 0 / 44 / 58 / 16

HEX #CC5D3ACE

RGBA 204 93 58 0.81

HSLA 14.38, 0.59%, 0.51%, 0.81

LABA 52.92, 41.77, 40.69, 0.81

 

CMYK 0 / 49 / 64 / 22

HEX #BB4B27CE

RGBA 187 75 39 0.81

HSLA 14.59, 0.65%, 0.44%, 0.81

LABA 46.64, 43.28, 43.06, 0.81

 

CMYK 0 / 54 / 71 / 27

HEX #AA3914CE

RGBA 170 57 20 0.81

HSLA 14.8, 0.79%, 0.37%, 0.81

LABA 40.45, 44.71, 45.19, 0.81

 

CMYK 0 / 60 / 80 / 32

HEX #992701CE

RGBA 153 39 1 0.81

HSLA 15, 0.99%, 0.3%, 0.81

LABA 34.45, 45.78, 46.73, 0.81

 

CMYK 0 / 68 / 81 / 38

HEX #881500CE

RGBA 136 21 0 0.81

HSLA 9.26, 1%, 0.27%, 0.81

LABA 28.83, 46.1, 41.63, 0.81

 

CMYK 0 / 55 / 73 / 20

HEX #CC5C38

RGB 204 92 56

HSL 14.59, 0.59%, 0.51%

LAB 52.7, 42.17, 41.51

 

CMYK 0 / 73 / 73 / 20

HEX #CC3838

RGB 204 56 56

HSL 0, 0.59%, 0.51%

LAB 46.91, 57.64, 35.01

 

CMYK 0 / 55 / 73 / 20

HEX #CC5C38

RGB 204 92 56

HSL 14.59, 0.59%, 0.51%

LAB 52.7, 42.17, 41.51

 

CMYK 0 / 36 / 73 / 20

HEX #CC8338

RGB 204 131 56

HSL 30.41, 0.59%, 0.51%

LAB 61.09, 21.7, 50.47

 

CMYK 0 / 16 / 73 / 20

HEX #CCAB38

RGB 204 171 56

HSL 46.62, 0.59%, 0.51%

LAB 71.04, 0.07, 60.51

 

CMYK 3 / 0 / 73 / 20

HEX #C5CC38

RGB 197 204 56

HSL 62.84, 0.59%, 0.51%

LAB 79.24, -19.85, 68.22

 

CMYK 23 / 0 / 73 / 20

HEX #9DCC38

RGB 157 204 56

HSL 79.05, 0.59%, 0.51%

LAB 76.46, -36.06, 64.58

 

CMYK 0 / 55 / 73 / 20

HEX #CC5C38

RGB 204 92 56

HSL 14.59, 0.59%, 0.51%

LAB 52.7, 42.17, 41.51

 

CMYK 0 / 64 / 84 / 12

HEX #E05124

RGB 224 81 36

HSL 14.36, 0.75%, 0.51%

LAB 53.88, 53.74, 53.46

 

CMYK 0 / 71 / 93 / 4

HEX #F44710

RGB 244 71 16

HSL 14.47, 0.91%, 0.51%

LAB 55.86, 63.86, 63.57

 

CMYK 0 / 55 / 73 / 20

HEX #CC5C38

RGB 204 92 56

HSL 14.59, 0.59%, 0.51%

LAB 52.7, 42.17, 41.51

 

CMYK 0 / 45 / 58 / 28

HEX #B8664D

RGB 184 102 77

HSL 14.02, 0.43%, 0.51%

LAB 52.1, 30.47, 28.5

 

CMYK 0 / 31 / 40 / 36

HEX #A37161

RGB 163 113 97

HSL 14.55, 0.26%, 0.51%

LAB 52.35, 17.7, 16.82

 

CMYK 0 / 14 / 18 / 44

HEX #8F7B75

RGB 143 123 117

HSL 13.85, 0.1%, 0.51%

LAB 53.27, 6.67, 6.11

 

CMYK 10 / 2 / 0 / 46

HEX #7B8689

RGB 123 134 137

HSL 192.86, 0.06%, 0.51%

LAB 55.14, -3.37, -3

HEX #7B8689

CMYK 0 / 73 / 50 / 20

HEX #CC3865

RGB 204 56 101

HSL 341.76, 0.59%, 0.51%

LAB 47.76, 60.48, 8.97

 

CMYK 0 / 73 / 70 / 20

HEX #CC383D

RGB 204 56 61

HSL 357.97, 0.59%, 0.51%

LAB 46.98, 57.87, 32.17

 

CMYK 0 / 55 / 73 / 20

HEX #CC5B38

RGB 204 91 56

HSL 14.19, 0.59%, 0.51%

LAB 52.51, 42.66, 41.3

 

CMYK 0 / 36 / 73 / 20

HEX #CC8238

RGB 204 130 56

HSL 30, 0.59%, 0.51%

LAB 60.86, 22.24, 50.22

 

CMYK 0 / 17 / 73 / 20

HEX #CCA938

RGB 204 169 56

HSL 45.81, 0.59%, 0.51%

LAB 70.52, 1.13, 60

 

CMYK 0 / 56 / 74 / 45

HEX #8D3E24

RGB 141 62 36

HSL 14.86, 0.59%, 0.35%

LAB 36.43, 31.78, 31.62

 

CMYK 0 / 56 / 74 / 32

HEX #AE4C2D

RGB 174 76 45

HSL 14.42, 0.59%, 0.43%

LAB 44.74, 38.11, 37.3

 

CMYK 0 / 55 / 73 / 20

HEX #CC5C38

RGB 204 92 56

HSL 14.59, 0.59%, 0.51%

LAB 52.7, 42.17, 41.51

 

CMYK 0 / 44 / 58 / 17

HEX #D47759

RGB 212 119 89

HSL 14.63, 0.59%, 0.59%

LAB 59.81, 33.49, 32.31

 

CMYK 0 / 34 / 45 / 13

HEX #DD927A

RGB 221 146 122

HSL 14.55, 0.59%, 0.67%

LAB 67.53, 25.61, 24.35

 

CMYK 0 / 54 / 72 / 20

HEX #CC5D3A

RGB 204 93 58

HSL 14.38, 0.59%, 0.51%

LAB 52.92, 41.77, 40.69

 

CMYK 31 / 0 / 73 / 20

HEX #8CCC38

RGB 140 204 56

HSL 85.95, 0.59%, 0.51%

LAB 75.48, -42.46, 63.29

 

CMYK 73 / 60 / 0 / 20

HEX #3851CC

RGB 56 81 204

HSL 229.86, 0.59%, 0.51%

LAB 39.72, 32.82, -66.47

 

CMYK 0 / 54 / 72 / 20

HEX #CC5D3A

RGB 204 93 58

HSL 14.38, 0.59%, 0.51%

LAB 52.92, 41.77, 40.69

 

CMYK 73 / 0 / 55 / 20

HEX #38CC5B

RGB 56 204 91

HSL 134.19, 0.59%, 0.51%

LAB 72.75, -61.7, 44.86

 

CMYK 55 / 73 / 0 / 20

HEX #5B38CC

RGB 91 56 204

HSL 254.19, 0.59%, 0.51%

LAB 36.77, 52.2, -71.21

 

CMYK 0 / 54 / 72 / 20

HEX #CC5D3A

RGB 204 93 58

HSL 14.38, 0.59%, 0.51%

LAB 52.92, 41.77, 40.69

 

CMYK 31 / 0 / 73 / 20

HEX #8CCC38

RGB 140 204 56

HSL 85.95, 0.59%, 0.51%

LAB 75.48, -42.46, 63.29

 

CMYK 73 / 17 / 0 / 20

HEX #38A9CC

RGB 56 169 204

HSL 194.19, 0.59%, 0.51%

LAB 64.62, -19.99, -26.94

 

CMYK 41 / 73 / 0 / 20

HEX #7838CC

RGB 120 56 204

HSL 265.95, 0.59%, 0.51%

LAB 39.88, 56.81, -65.99

 

CMYK 0 / 54 / 72 / 20

HEX #CC5D3A

RGB 204 93 58

HSL 14.38, 0.59%, 0.51%

LAB 52.92, 41.77, 40.69

 

CMYK 53 / 0 / 73 / 20

HEX #60CC38

RGB 96 204 56

HSL 103.78, 0.59%, 0.51%

LAB 73.52, -56.64, 60.68

 

CMYK 73 / 17 / 0 / 20

HEX #38A9CC

RGB 56 169 204

HSL 194.19, 0.59%, 0.51%

LAB 64.62, -19.99, -26.94

 

CMYK 20 / 73 / 0 / 20

HEX #A438CC

RGB 164 56 204

HSL 283.78, 0.59%, 0.51%

LAB 45.74, 65.05, -56.21

 

Description

Color code: HEX #CC5D3ACE | qconv.com Color code: HEX #CC5D3ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 93 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 93 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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