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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC59DF it is the complementary color #33A620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC59DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC59DF shade: #D159DA, #E26BED, #F37DFF, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC59DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC59DF shade: #CC59DF, #BB47CC, #AA35B9, #9923A6 and #881193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC59DF shade: #CC58DF, #DF58CE, #DF58A9, #DF5885 and #DF5860

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC59DF shade: #CC58DF, #A858DF, #8358DF, #5F58DF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC59DF shade matches the following richer shades: #CC58DF and #D848EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC59DF shade: #CC58DF, #C068CF, #B578BF, #A988AF and #9E989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC59DF shade: #8358DF, #A758DF, #CB58DF, #DF58CF and #DF58AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC59DF shade: #AA25C0, #C135D9, #CC58DF, #D77BE6 and #E19DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC59DF shade: #CC59DF, #DF5F58 and #58DF95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC59DF shade: #CC59DF, #DFCB58 and #58DFCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC59DF shade: #CC59DF, #DF5F58, #6CDF58 and #58D8DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC59DF shade: #CC59DF, #DF8758, #6CDF58 and #58B0DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

Complementary color

CMYK 69 / 0 / 81 / 35

HEX #33A620

RGB 51 166 32

HSL 111.49, 0.68%, 0.39%

LAB 59.96, -55.65, 54.94

 

CMYK 4 / 59 / 0 / 15

HEX #D159DA

RGB 209 89 218

HSL 295.81, 0.64%, 0.6%

LAB 57.81, 64.26, -44.58

 

CMYK 5 / 55 / 0 / 7

HEX #E26BED

RGB 226 107 237

HSL 294.92, 0.78%, 0.67%

LAB 64, 63.88, -45.3

 

CMYK 5 / 51 / 0 / 0

HEX #F37DFF

RGB 243 125 255

HSL 294.46, 1%, 0.75%

LAB 70.14, 63.16, -45.39

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

CMYK 8 / 65 / 0 / 20

HEX #BB47CC

RGB 187 71 204

HSL 292.33, 0.57%, 0.54%

LAB 51.19, 64.1, -47.31

 

CMYK 8 / 71 / 0 / 27

HEX #AA35B9

RGB 170 53 185

HSL 293.18, 0.55%, 0.47%

LAB 45.07, 63.83, -46.19

 

CMYK 8 / 79 / 0 / 35

HEX #9923A6

RGB 153 35 166

HSL 294.05, 0.65%, 0.39%

LAB 39.12, 62.86, -44.61

 

CMYK 7 / 88 / 0 / 42

HEX #881193

RGB 136 17 147

HSL 294.92, 0.79%, 0.32%

LAB 33.44, 60.78, -42.36

 

CMYK 9 / 61 / 0 / 13

HEX #CC58DF

RGB 204 88 223

HSL 291.56, 0.68%, 0.61%

LAB 57.22, 64.38, -48.38

 

CMYK 0 / 61 / 8 / 13

HEX #DF58CE

RGB 223 88 206

HSL 307.56, 0.68%, 0.61%

LAB 59.09, 66.22, -35.64

 

CMYK 0 / 61 / 24 / 13

HEX #DF58A9

RGB 223 88 169

HSL 324, 0.68%, 0.61%

LAB 57.59, 60.85, -16.72

 

CMYK 0 / 61 / 40 / 13

HEX #DF5885

RGB 223 88 133

HSL 340, 0.68%, 0.61%

LAB 56.45, 56.57, 2.63

 

CMYK 0 / 61 / 57 / 13

HEX #DF5860

RGB 223 88 96

HSL 356.44, 0.68%, 0.61%

LAB 55.6, 53.27, 23.21

 

CMYK 9 / 61 / 0 / 13

HEX #CC58DF

RGB 204 88 223

HSL 291.56, 0.68%, 0.61%

LAB 57.22, 64.38, -48.38

 

CMYK 25 / 61 / 0 / 13

HEX #A858DF

RGB 168 88 223

HSL 275.56, 0.68%, 0.61%

LAB 52.54, 55.82, -56.11

 

CMYK 41 / 61 / 0 / 13

HEX #8358DF

RGB 131 88 223

HSL 259.11, 0.68%, 0.61%

LAB 48.43, 47.58, -62.95

 

CMYK 57 / 61 / 0 / 13

HEX #5F58DF

RGB 95 88 223

HSL 243.11, 0.68%, 0.61%

LAB 45.28, 40.66, -68.21

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 9 / 61 / 0 / 13

HEX #CC58DF

RGB 204 88 223

HSL 291.56, 0.68%, 0.61%

LAB 57.22, 64.38, -48.38

 

CMYK 10 / 70 / 0 / 6

HEX #D848EF

RGB 216 72 239

HSL 291.74, 0.84%, 0.61%

LAB 57.53, 76.25, -56.76

 

CMYK 9 / 61 / 0 / 13

HEX #CC58DF

RGB 204 88 223

HSL 291.56, 0.68%, 0.61%

LAB 57.22, 64.38, -48.38

 

CMYK 7 / 50 / 0 / 19

HEX #C068CF

RGB 192 104 207

HSL 291.26, 0.52%, 0.61%

LAB 57.67, 50.65, -38.74

 

CMYK 5 / 37 / 0 / 25

HEX #B578BF

RGB 181 120 191

HSL 291.55, 0.36%, 0.61%

LAB 58.99, 35.75, -27.69

 

CMYK 3 / 22 / 0 / 31

HEX #A988AF

RGB 169 136 175

HSL 290.77, 0.2%, 0.61%

LAB 60.9, 19.6, -15.77

 

CMYK 1 / 4 / 0 / 38

HEX #9E989F

RGB 158 152 159

HSL 291.43, 0.04%, 0.61%

LAB 63.53, 3.52, -2.89

 

CMYK 41 / 61 / 0 / 13

HEX #8358DF

RGB 131 88 223

HSL 259.11, 0.68%, 0.61%

LAB 48.43, 47.58, -62.95

 

CMYK 25 / 61 / 0 / 13

HEX #A758DF

RGB 167 88 223

HSL 275.11, 0.68%, 0.61%

LAB 52.42, 55.59, -56.31

 

CMYK 9 / 61 / 0 / 13

HEX #CB58DF

RGB 203 88 223

HSL 291.11, 0.68%, 0.61%

LAB 57.08, 64.13, -48.61

 

CMYK 0 / 61 / 7 / 13

HEX #DF58CF

RGB 223 88 207

HSL 307.11, 0.68%, 0.61%

LAB 59.13, 66.38, -36.14

 

CMYK 0 / 61 / 23 / 13

HEX #DF58AB

RGB 223 88 171

HSL 323.11, 0.68%, 0.61%

LAB 57.66, 61.11, -17.76

 

CMYK 11 / 81 / 0 / 25

HEX #AA25C0

RGB 170 37 192

HSL 291.48, 0.68%, 0.45%

LAB 43.76, 70.08, -52.38

 

CMYK 11 / 76 / 0 / 15

HEX #C135D9

RGB 193 53 217

HSL 291.22, 0.68%, 0.53%

LAB 50.56, 74.15, -55.69

 

CMYK 9 / 61 / 0 / 13

HEX #CC58DF

RGB 204 88 223

HSL 291.56, 0.68%, 0.61%

LAB 57.22, 64.38, -48.38

 

CMYK 7 / 47 / 0 / 10

HEX #D77BE6

RGB 215 123 230

HSL 291.59, 0.68%, 0.69%

LAB 65.22, 51.89, -39.59

 

CMYK 5 / 33 / 0 / 7

HEX #E19DEC

RGB 225 157 236

HSL 291.65, 0.68%, 0.77%

LAB 73.66, 38.24, -29.71

 

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

CMYK 0 / 57 / 61 / 13

HEX #DF5F58

RGB 223 95 88

HSL 3.11, 0.68%, 0.61%

LAB 56.66, 49.52, 29.22

 

CMYK 61 / 0 / 33 / 13

HEX #58DF95

RGB 88 223 149

HSL 147.11, 0.68%, 0.61%

LAB 80.19, -53.4, 25.59

 

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

CMYK 0 / 9 / 61 / 13

HEX #DFCB58

RGB 223 203 88

HSL 51.11, 0.68%, 0.61%

LAB 81.35, -6.65, 58.45

 

CMYK 61 / 0 / 9 / 13

HEX #58DFCB

RGB 88 223 203

HSL 171.11, 0.68%, 0.61%

LAB 81.38, -41.36, -1.15

 

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

CMYK 0 / 57 / 61 / 13

HEX #DF5F58

RGB 223 95 88

HSL 3.11, 0.68%, 0.61%

LAB 56.66, 49.52, 29.22

 

CMYK 52 / 0 / 61 / 13

HEX #6CDF58

RGB 108 223 88

HSL 111.11, 0.68%, 0.61%

LAB 79.99, -57.67, 55.01

 

CMYK 61 / 3 / 0 / 13

HEX #58D8DF

RGB 88 216 223

HSL 183.11, 0.68%, 0.61%

LAB 79.91, -32.85, -13.99

 

CMYK 9 / 60 / 0 / 13

HEX #CC59DF

RGB 204 89 223

HSL 291.49, 0.68%, 0.61%

LAB 57.38, 63.94, -48.13

 

CMYK 0 / 39 / 61 / 13

HEX #DF8758

RGB 223 135 88

HSL 20.89, 0.68%, 0.61%

LAB 64.74, 29.33, 39.26

 

CMYK 52 / 0 / 61 / 13

HEX #6CDF58

RGB 108 223 88

HSL 111.11, 0.68%, 0.61%

LAB 79.99, -57.67, 55.01

 

CMYK 61 / 21 / 0 / 13

HEX #58B0DF

RGB 88 176 223

HSL 200.89, 0.68%, 0.61%

LAB 68.35, -12.64, -31.59

 

Description

Color code: HEX #CC59DF | qconv.com Color code: HEX #CC59DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 89 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 89 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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