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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC594ACE it is the complementary color #33A6B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC594ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC594ACE shade: #D15945CE, #E26B58CE, #F37D6BCE, #FF8F7ECE and #FFA191CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC594ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC594ACE shade: #CC594ACE, #BB4737CE, #AA3524CE, #992311CE and #881100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC594ACE shade: #CD5B4C and #CD4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC594ACE shade: #CD5B4C, #CD7D4C, #CDA04C, #CDC34C and #B4CD4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC594ACE shade matches the following richer shades: #CD5B4C, #DF4D39 and #F23E27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC594ACE shade: #CD5B4C, #BA695F, #A77771, #958684 and #829496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC594ACE shade: #CD4C84, #CD4C61, #CD594C, #CD7B4C and #CD9D4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC594ACE shade: #9A382C, #BB4435, #CD5B4C, #D6786C and #DF968C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC594ACE shade: #CC594A, #A6CD4C and #4C73CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC594ACE shade: #CC594A, #4CCD59 and #594CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC594ACE shade: #CC594A, #A6CD4C, #4CC0CD and #734CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC594ACE shade: #CC594A, #7FCD4C, #4CC0CD and #994CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 52 / 16

HEX #CC594ACE

RGBA 204 89 74 0.81

HSLA 6.92, 0.56%, 0.55%, 0.81

LABA 52.37, 44.63, 31.2, 0.81

 

Complementary color

CMYK 58 / 7 / 0 / 24

HEX #33A6B5CE

RGBA 51 166 181 0.81

HSLA 186.92, 0.56%, 0.45%, 0.81

LABA 62.77, -26.41, -16.96, 0.81

 

CMYK 0 / 47 / 54 / 15

HEX #D15945CE

RGBA 209 89 69 0.81

HSLA 8.57, 0.6%, 0.55%, 0.81

LABA 53.09, 46.15, 35.08, 0.81

 

CMYK 0 / 43 / 49 / 9

HEX #E26B58CE

RGBA 226 107 88 0.81

HSLA 8.26, 0.7%, 0.62%, 0.81

LABA 59.33, 44.87, 32.69, 0.81

 

CMYK 0 / 39 / 45 / 4

HEX #F37D6BCE

RGBA 243 125 107 0.81

HSLA 7.94, 0.85%, 0.69%, 0.81

LABA 65.58, 43.61, 30.59, 0.81

 

CMYK 0 / 36 / 41 / 0

HEX #FF8F7ECE

RGBA 255 143 126 0.81

HSLA 7.91, 1%, 0.75%, 0.81

LABA 71.15, 40.56, 27.74, 0.81

 

CMYK 0 / 30 / 35 / 0

HEX #FFA191CE

RGBA 255 161 145 0.81

HSLA 8.73, 1%, 0.78%, 0.81

LABA 75.32, 33.12, 22.99, 0.81

 

CMYK 0 / 46 / 52 / 16

HEX #CC594ACE

RGBA 204 89 74 0.81

HSLA 6.92, 0.56%, 0.55%, 0.81

LABA 52.37, 44.63, 31.2, 0.81

 

CMYK 0 / 50 / 57 / 22

HEX #BB4737CE

RGBA 187 71 55 0.81

HSLA 7.27, 0.55%, 0.47%, 0.81

LABA 46.11, 45.84, 33.86, 0.81

 

CMYK 0 / 56 / 64 / 27

HEX #AA3524CE

RGBA 170 53 36 0.81

HSLA 7.61, 0.65%, 0.4%, 0.81

LABA 39.95, 46.87, 36.89, 0.81

 

CMYK 0 / 62 / 72 / 32

HEX #992311CE

RGBA 153 35 17 0.81

HSLA 7.94, 0.8%, 0.33%, 0.81

LABA 34.01, 47.47, 39.96, 0.81

 

CMYK 0 / 71 / 81 / 38

HEX #881100CE

RGBA 136 17 0 0.81

HSLA 7.5, 1%, 0.27%, 0.81

LABA 28.47, 47.1, 41.34, 0.81

 

CMYK 0 / 56 / 63 / 20

HEX #CD5B4C

RGB 205 91 76

HSL 6.98, 0.56%, 0.55%

LAB 52.93, 44.16, 30.78

 

CMYK 0 / 63 / 63 / 20

HEX #CD4C4C

RGB 205 76 76

HSL 0, 0.56%, 0.55%

LAB 50.3, 51.09, 27.48

 

CMYK 0 / 56 / 63 / 20

HEX #CD5B4C

RGB 205 91 76

HSL 6.98, 0.56%, 0.55%

LAB 52.93, 44.16, 30.78

 

CMYK 0 / 39 / 63 / 20

HEX #CD7D4C

RGB 205 125 76

HSL 22.79, 0.56%, 0.55%

LAB 60.04, 26.53, 39.41

 

CMYK 0 / 22 / 63 / 20

HEX #CDA04C

RGB 205 160 76

HSL 39.07, 0.56%, 0.55%

LAB 68.49, 7.52, 49.16

 

CMYK 0 / 5 / 63 / 20

HEX #CDC34C

RGB 205 195 76

HSL 55.35, 0.56%, 0.55%

LAB 77.6, -10.88, 59.12

 

CMYK 12 / 0 / 63 / 20

HEX #B4CD4C

RGB 180 205 76

HSL 71.63, 0.56%, 0.55%

LAB 78.4, -26.17, 59.4

 

CMYK 0 / 56 / 63 / 20

HEX #CD5B4C

RGB 205 91 76

HSL 6.98, 0.56%, 0.55%

LAB 52.93, 44.16, 30.78

 

CMYK 0 / 65 / 74 / 13

HEX #DF4D39

RGB 223 77 57

HSL 7.23, 0.72%, 0.55%

LAB 53.27, 55.76, 42.49

 

CMYK 0 / 74 / 84 / 5

HEX #F23E27

RGB 242 62 39

HSL 6.8, 0.89%, 0.55%

LAB 54.52, 66.64, 53.92

 

CMYK 0 / 56 / 63 / 20

HEX #CD5B4C

RGB 205 91 76

HSL 6.98, 0.56%, 0.55%

LAB 52.93, 44.16, 30.78

 

CMYK 0 / 44 / 49 / 27

HEX #BA695F

RGB 186 105 95

HSL 6.59, 0.4%, 0.55%

LAB 53.35, 31.24, 19.82

 

CMYK 0 / 29 / 32 / 35

HEX #A77771

RGB 167 119 113

HSL 6.67, 0.23%, 0.55%

LAB 54.66, 17.97, 10.77

 

CMYK 0 / 10 / 11 / 42

HEX #958684

RGB 149 134 132

HSL 7.06, 0.07%, 0.55%

LAB 57.18, 5.3, 3.13

 

CMYK 13 / 1 / 0 / 41

HEX #829496

RGB 130 148 150

HSL 186, 0.09%, 0.55%

LAB 60, -5.96, -3.23

 

CMYK 0 / 63 / 36 / 20

HEX #CD4C84

RGB 205 76 132

HSL 333.95, 0.56%, 0.55%

LAB 51.63, 56.08, -4.17

 

CMYK 0 / 63 / 53 / 20

HEX #CD4C61

RGB 205 76 97

HSL 350.23, 0.56%, 0.55%

LAB 50.7, 52.62, 15.51

 

CMYK 0 / 57 / 63 / 20

HEX #CD594C

RGB 205 89 76

HSL 6.05, 0.56%, 0.55%

LAB 52.56, 45.12, 30.32

 

CMYK 0 / 40 / 63 / 20

HEX #CD7B4C

RGB 205 123 76

HSL 21.86, 0.56%, 0.55%

LAB 59.59, 27.61, 38.87

 

CMYK 0 / 23 / 63 / 20

HEX #CD9D4C

RGB 205 157 76

HSL 37.67, 0.56%, 0.55%

LAB 67.74, 9.14, 48.31

 

CMYK 0 / 64 / 71 / 40

HEX #9A382C

RGB 154 56 44

HSL 6.55, 0.56%, 0.39%

LAB 37.63, 40.22, 28.93

 

CMYK 0 / 64 / 72 / 27

HEX #BB4435

RGB 187 68 53

HSL 6.72, 0.56%, 0.47%

LAB 45.57, 47.09, 34.39

 

CMYK 0 / 56 / 63 / 20

HEX #CD5B4C

RGB 205 91 76

HSL 6.98, 0.56%, 0.55%

LAB 52.93, 44.16, 30.78

 

CMYK 0 / 44 / 50 / 16

HEX #D6786C

RGB 214 120 108

HSL 6.79, 0.56%, 0.63%

LAB 60.62, 35.35, 22.76

 

CMYK 0 / 33 / 37 / 13

HEX #DF968C

RGB 223 150 140

HSL 7.23, 0.56%, 0.71%

LAB 69.04, 26.23, 16.49

 

CMYK 0 / 56 / 64 / 20

HEX #CC594A

RGB 204 89 74

HSL 6.92, 0.56%, 0.55%

LAB 52.37, 44.63, 31.2

 

CMYK 19 / 0 / 63 / 20

HEX #A6CD4C

RGB 166 205 76

HSL 78.14, 0.56%, 0.55%

LAB 77.45, -31.72, 58.11

 

CMYK 63 / 44 / 0 / 20

HEX #4C73CD

RGB 76 115 205

HSL 221.86, 0.56%, 0.55%

LAB 49.74, 14.66, -50.81

 

CMYK 0 / 56 / 64 / 20

HEX #CC594A

RGB 204 89 74

HSL 6.92, 0.56%, 0.55%

LAB 52.37, 44.63, 31.2

 

CMYK 63 / 0 / 57 / 20

HEX #4CCD59

RGB 76 205 89

HSL 126.05, 0.56%, 0.55%

LAB 73.49, -58.64, 46.79

 

CMYK 57 / 63 / 0 / 20

HEX #594CCD

RGB 89 76 205

HSL 246.05, 0.56%, 0.55%

LAB 40.74, 41.1, -65.31

 

CMYK 0 / 56 / 64 / 20

HEX #CC594A

RGB 204 89 74

HSL 6.92, 0.56%, 0.55%

LAB 52.37, 44.63, 31.2

 

CMYK 19 / 0 / 63 / 20

HEX #A6CD4C

RGB 166 205 76

HSL 78.14, 0.56%, 0.55%

LAB 77.45, -31.72, 58.11

 

CMYK 63 / 6 / 0 / 20

HEX #4CC0CD

RGB 76 192 205

HSL 186.05, 0.56%, 0.55%

LAB 71.99, -28.38, -16.22

 

CMYK 44 / 63 / 0 / 20

HEX #734CCD

RGB 115 76 205

HSL 258.14, 0.56%, 0.55%

LAB 43.1, 45.98, -61.37

 

CMYK 0 / 56 / 64 / 20

HEX #CC594A

RGB 204 89 74

HSL 6.92, 0.56%, 0.55%

LAB 52.37, 44.63, 31.2

 

CMYK 38 / 0 / 63 / 20

HEX #7FCD4C

RGB 127 205 76

HSL 96.28, 0.56%, 0.55%

LAB 75.26, -45.94, 55.08

 

CMYK 63 / 6 / 0 / 20

HEX #4CC0CD

RGB 76 192 205

HSL 186.05, 0.56%, 0.55%

LAB 71.99, -28.38, -16.22

 

CMYK 25 / 63 / 0 / 20

HEX #994CCD

RGB 153 76 205

HSL 275.81, 0.56%, 0.55%

LAB 47.43, 54.23, -54.15

 

Description

Color code: HEX #CC594ACE | qconv.com Color code: HEX #CC594ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 89 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 89 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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