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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC56C5 it is the complementary color #33A93A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC56C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC56C5 shade: #D156C0, #E268D3, #F37AE6, #FF8CF9 and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC56C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC56C5 shade: #CC56C5, #BB44B2, #AA329F, #99208C and #880E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC56C5 shade: #CD56C6, #CD56A6, #CD5686, #CD5666 and #CD5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC56C5 shade: #CD56C6, #B456CD, #9456CD, #7456CD and #5656CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC56C5 shade matches the following richer shades: #CD56C6, #DE44D5 and #F033E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC56C5 shade: #CD56C6, #BB68B6, #A97AA6, #978B97 and #869D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC56C5 shade: #9356CD, #B356CD, #CD56C7, #CD56A7 and #CD5687

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC56C5 shade: #A0309A, #C039B8, #CD56C6, #D676D0 and #E096DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC56C5 shade: #CC56C5, #CD7456 and #56CDA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC56C5 shade: #CC56C5, #C7CD56 and #56C7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC56C5 shade: #CC56C5, #CD7456, #56CD5C and #56AFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC56C5 shade: #CC56C5, #CD9756, #56CD5C and #568BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

Complementary color

CMYK 70 / 0 / 66 / 34

HEX #33A93A

RGB 51 169 58

HSL 123.56, 0.54%, 0.43%

LAB 61.12, -54.53, 46.45

 

CMYK 0 / 59 / 8 / 18

HEX #D156C0

RGB 209 86 192

HSL 308.29, 0.57%, 0.58%

LAB 56.1, 61.18, -32.45

 

CMYK 0 / 54 / 7 / 11

HEX #E268D3

RGB 226 104 211

HSL 307.38, 0.68%, 0.65%

LAB 62.32, 60.81, -33.41

 

CMYK 0 / 50 / 5 / 5

HEX #F37AE6

RGB 243 122 230

HSL 306.45, 0.83%, 0.72%

LAB 68.52, 60.27, -34.18

 

CMYK 0 / 45 / 2 / 0

HEX #FF8CF9

RGB 255 140 249

HSL 303.13, 1%, 0.77%

LAB 74.1, 58.22, -35.84

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

CMYK 0 / 64 / 5 / 27

HEX #BB44B2

RGB 187 68 178

HSL 304.54, 0.47%, 0.5%

LAB 49.39, 60.82, -35.08

 

CMYK 0 / 71 / 6 / 33

HEX #AA329F

RGB 170 50 159

HSL 305.5, 0.55%, 0.43%

LAB 43.26, 60.51, -33.67

 

CMYK 0 / 79 / 8 / 40

HEX #99208C

RGB 153 32 140

HSL 306.45, 0.65%, 0.36%

LAB 37.3, 59.45, -31.73

 

CMYK 0 / 90 / 11 / 47

HEX #880E79

RGB 136 14 121

HSL 307.38, 0.81%, 0.29%

LAB 31.64, 57.19, -29.03

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C6

RGB 205 86 198

HSL 303.53, 0.54%, 0.57%

LAB 55.8, 61.11, -36.42

 

CMYK 0 / 58 / 19 / 20

HEX #CD56A6

RGB 205 86 166

HSL 319.66, 0.54%, 0.57%

LAB 54.44, 56.1, -20.02

 

CMYK 0 / 58 / 35 / 20

HEX #CD5686

RGB 205 86 134

HSL 335.8, 0.54%, 0.57%

LAB 53.34, 51.87, -2.84

 

CMYK 0 / 58 / 50 / 20

HEX #CD5666

RGB 205 86 102

HSL 351.93, 0.54%, 0.57%

LAB 52.5, 48.55, 15.01

 

CMYK 0 / 58 / 58 / 20

HEX #CD5656

RGB 205 86 86

HSL 0, 0.54%, 0.57%

LAB 52.18, 47.24, 24.03

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C6

RGB 205 86 198

HSL 303.53, 0.54%, 0.57%

LAB 55.8, 61.11, -36.42

 

CMYK 12 / 58 / 0 / 20

HEX #B456CD

RGB 180 86 205

HSL 287.39, 0.54%, 0.57%

LAB 52.69, 55.93, -45.55

 

CMYK 28 / 58 / 0 / 20

HEX #9456CD

RGB 148 86 205

HSL 271.26, 0.54%, 0.57%

LAB 48.71, 47.97, -52.13

 

CMYK 43 / 58 / 0 / 20

HEX #7456CD

RGB 116 86 205

HSL 255.13, 0.54%, 0.57%

LAB 45.33, 40.55, -57.75

 

CMYK 58 / 58 / 0 / 20

HEX #5656CD

RGB 86 86 205

HSL 240, 0.54%, 0.57%

LAB 42.83, 34.55, -61.92

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C6

RGB 205 86 198

HSL 303.53, 0.54%, 0.57%

LAB 55.8, 61.11, -36.42

 

CMYK 0 / 69 / 4 / 13

HEX #DE44D5

RGB 222 68 213

HSL 303.51, 0.7%, 0.57%

LAB 56.55, 74.65, -43.61

 

CMYK 0 / 79 / 5 / 6

HEX #F033E5

RGB 240 51 229

HSL 303.49, 0.86%, 0.57%

LAB 58.56, 85.63, -49.3

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C6

RGB 205 86 198

HSL 303.53, 0.54%, 0.57%

LAB 55.8, 61.11, -36.42

 

CMYK 0 / 44 / 3 / 27

HEX #BB68B6

RGB 187 104 182

HSL 303.61, 0.38%, 0.57%

LAB 55.93, 44.5, -27.21

 

CMYK 0 / 28 / 2 / 34

HEX #A97AA6

RGB 169 122 166

HSL 303.83, 0.21%, 0.57%

LAB 57.18, 25.77, -16.26

 

CMYK 0 / 8 / 0 / 41

HEX #978B97

RGB 151 139 151

HSL 300, 0.05%, 0.57%

LAB 59.23, 6.75, -4.75

 

CMYK 15 / 0 / 14 / 38

HEX #869D87

RGB 134 157 135

HSL 122.61, 0.11%, 0.57%

LAB 62.45, -12.49, 8.82

 

CMYK 28 / 58 / 0 / 20

HEX #9356CD

RGB 147 86 205

HSL 270.76, 0.54%, 0.57%

LAB 48.59, 47.73, -52.33

 

CMYK 13 / 58 / 0 / 20

HEX #B356CD

RGB 179 86 205

HSL 286.89, 0.54%, 0.57%

LAB 52.56, 55.68, -45.77

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C7

RGB 205 86 199

HSL 303.03, 0.54%, 0.57%

LAB 55.84, 61.28, -36.91

 

CMYK 0 / 58 / 19 / 20

HEX #CD56A7

RGB 205 86 167

HSL 319.16, 0.54%, 0.57%

LAB 54.47, 56.24, -20.55

 

CMYK 0 / 58 / 34 / 20

HEX #CD5687

RGB 205 86 135

HSL 335.29, 0.54%, 0.57%

LAB 53.37, 51.99, -3.38

 

CMYK 0 / 70 / 4 / 37

HEX #A0309A

RGB 160 48 154

HSL 303.21, 0.54%, 0.41%

LAB 41.09, 58.04, -34.19

 

CMYK 0 / 70 / 4 / 25

HEX #C039B8

RGB 192 57 184

HSL 303.56, 0.54%, 0.49%

LAB 49, 67.13, -39.15

 

CMYK 0 / 58 / 3 / 20

HEX #CD56C6

RGB 205 86 198

HSL 303.53, 0.54%, 0.57%

LAB 55.8, 61.11, -36.42

 

CMYK 0 / 45 / 3 / 16

HEX #D676D0

RGB 214 118 208

HSL 303.75, 0.54%, 0.65%

LAB 63.18, 50.1, -30.5

 

CMYK 0 / 33 / 2 / 12

HEX #E096DB

RGB 224 150 219

HSL 304.05, 0.54%, 0.73%

LAB 71.4, 38.49, -23.88

 

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

CMYK 0 / 43 / 58 / 20

HEX #CD7456

RGB 205 116 86

HSL 15.13, 0.54%, 0.57%

LAB 58.17, 32.08, 31.71

 

CMYK 58 / 0 / 20 / 20

HEX #56CDA3

RGB 86 205 163

HSL 158.82, 0.54%, 0.57%

LAB 75, -43.41, 11.01

 

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

CMYK 3 / 0 / 58 / 20

HEX #C7CD56

RGB 199 205 86

HSL 63.03, 0.54%, 0.57%

LAB 79.88, -17.73, 57.15

 

CMYK 58 / 3 / 0 / 20

HEX #56C7CD

RGB 86 199 205

HSL 183.03, 0.54%, 0.57%

LAB 74.34, -30.05, -12.66

 

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

CMYK 0 / 43 / 58 / 20

HEX #CD7456

RGB 205 116 86

HSL 15.13, 0.54%, 0.57%

LAB 58.17, 32.08, 31.71

 

CMYK 58 / 0 / 55 / 20

HEX #56CD5C

RGB 86 205 92

HSL 123.03, 0.54%, 0.57%

LAB 73.81, -56.02, 45.84

 

CMYK 58 / 15 / 0 / 20

HEX #56AFCD

RGB 86 175 205

HSL 195.13, 0.54%, 0.57%

LAB 67.31, -17.96, -23.3

 

CMYK 0 / 58 / 3 / 20

HEX #CC56C5

RGB 204 86 197

HSL 303.56, 0.54%, 0.57%

LAB 55.61, 60.68, -36.15

 

CMYK 0 / 26 / 58 / 20

HEX #CD9756

RGB 205 151 86

HSL 32.77, 0.54%, 0.57%

LAB 66.35, 13.12, 41.74

 

CMYK 58 / 0 / 55 / 20

HEX #56CD5C

RGB 86 205 92

HSL 123.03, 0.54%, 0.57%

LAB 73.81, -56.02, 45.84

 

CMYK 58 / 32 / 0 / 20

HEX #568BCD

RGB 86 139 205

HSL 213.28, 0.54%, 0.57%

LAB 56.93, 2.07, -39.39

 

Description

Color code: HEX #CC56C5 | qconv.com Color code: HEX #CC56C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 86 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 86 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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