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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC52E7 it is the complementary color #33AD18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC52E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC52E7 shade: #D152E2, #E264F5, #F376FF, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC52E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC52E7 shade: #CC52E7, #BB40D4, #AA2EC1, #991CAE and #880A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC52E7 shade: #CC50E7, #E750DA, #E750B1, #E75088 and #E7505F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC52E7 shade: #CC50E7, #A350E7, #7A50E7, #5150E7 and #5050E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC52E7 shade matches the following richer shades: #CC50E7 and #D640F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC52E7 shade: #CC50E7, #C160D7, #B770C7, #AD80B7 and #A390A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC52E7 shade: #7B50E7, #A350E7, #CB50E7, #E750DB and #E750B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC52E7 shade: #AA1BC9, #C12CE2, #CC50E7, #D674EC and #E199F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC52E7 shade: #CC52E7, #E75250 and #50E78F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC52E7 shade: #CC52E7, #E7CB50 and #50E7CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC52E7 shade: #CC52E7, #E75250, #6CE750 and #50E5E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC52E7 shade: #CC52E7, #E78050, #6CE750 and #50B7E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

Complementary color

CMYK 71 / 0 / 86 / 32

HEX #33AD18

RGB 51 173 24

HSL 109.13, 0.76%, 0.39%

LAB 62.22, -58.37, 59.12

 

CMYK 8 / 64 / 0 / 11

HEX #D152E2

RGB 209 82 226

HSL 292.92, 0.71%, 0.6%

LAB 57.15, 68.63, -50.13

 

CMYK 8 / 59 / 0 / 4

HEX #E264F5

RGB 226 100 245

HSL 292.14, 0.88%, 0.68%

LAB 63.24, 68.44, -50.92

 

CMYK 5 / 54 / 0 / 0

HEX #F376FF

RGB 243 118 255

HSL 294.74, 1%, 0.73%

LAB 68.92, 66.41, -47.3

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

CMYK 12 / 70 / 0 / 17

HEX #BB40D4

RGB 187 64 212

HSL 289.86, 0.63%, 0.54%

LAB 50.67, 68.3, -52.72

 

CMYK 12 / 76 / 0 / 24

HEX #AA2EC1

RGB 170 46 193

HSL 290.61, 0.62%, 0.47%

LAB 44.73, 67.64, -51.41

 

CMYK 12 / 84 / 0 / 32

HEX #991CAE

RGB 153 28 174

HSL 291.37, 0.72%, 0.4%

LAB 39, 66.12, -49.58

 

CMYK 12 / 94 / 0 / 39

HEX #880A9B

RGB 136 10 155

HSL 292.14, 0.88%, 0.32%

LAB 33.6, 63.3, -46.99

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 0 / 65 / 6 / 9

HEX #E750DA

RGB 231 80 218

HSL 305.17, 0.76%, 0.61%

LAB 59.7, 73.21, -41.39

 

CMYK 0 / 65 / 23 / 9

HEX #E750B1

RGB 231 80 177

HSL 321.46, 0.76%, 0.61%

LAB 57.94, 67.37, -20.7

 

CMYK 0 / 65 / 41 / 9

HEX #E75088

RGB 231 80 136

HSL 337.75, 0.76%, 0.61%

LAB 56.59, 62.65, 1.23

 

CMYK 0 / 65 / 59 / 9

HEX #E7505F

RGB 231 80 95

HSL 354.04, 0.76%, 0.61%

LAB 55.64, 59.2, 24.09

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 47 / 65 / 0 / 9

HEX #7A50E7

RGB 122 80 231

HSL 256.69, 0.76%, 0.61%

LAB 46.5, 52.3, -70.64

 

CMYK 65 / 65 / 0 / 9

HEX #5150E7

RGB 81 80 231

HSL 240.4, 0.76%, 0.61%

LAB 43.15, 45.81, -76.26

 

CMYK 65 / 65 / 0 / 9

HEX #5050E7

RGB 80 80 231

HSL 240, 0.76%, 0.61%

LAB 43.08, 45.68, -76.37

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 13 / 74 / 0 / 3

HEX #D640F7

RGB 214 64 247

HSL 289.18, 0.92%, 0.61%

LAB 56.76, 79.94, -62.47

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 10 / 55 / 0 / 16

HEX #C160D7

RGB 193 96 215

HSL 288.91, 0.6%, 0.61%

LAB 56.69, 56.43, -44.79

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 5 / 30 / 0 / 28

HEX #AD80B7

RGB 173 128 183

HSL 289.09, 0.28%, 0.61%

LAB 59.65, 27.09, -22.19

 

CMYK 2 / 14 / 0 / 35

HEX #A390A7

RGB 163 144 167

HSL 289.57, 0.12%, 0.61%

LAB 62.1, 11.38, -9.48

 

CMYK 47 / 65 / 0 / 9

HEX #7B50E7

RGB 123 80 231

HSL 257.09, 0.76%, 0.61%

LAB 46.6, 52.48, -70.48

 

CMYK 29 / 65 / 0 / 9

HEX #A350E7

RGB 163 80 231

HSL 272.98, 0.76%, 0.61%

LAB 51.03, 60.35, -63.09

 

CMYK 12 / 65 / 0 / 9

HEX #CB50E7

RGB 203 80 231

HSL 288.87, 0.76%, 0.61%

LAB 56.29, 69, -54.36

 

CMYK 0 / 65 / 5 / 9

HEX #E750DB

RGB 231 80 219

HSL 304.77, 0.76%, 0.61%

LAB 59.74, 73.37, -41.88

 

CMYK 0 / 65 / 23 / 9

HEX #E750B2

RGB 231 80 178

HSL 321.06, 0.76%, 0.61%

LAB 57.98, 67.5, -21.22

 

CMYK 15 / 87 / 0 / 21

HEX #AA1BC9

RGB 170 27 201

HSL 289.31, 0.76%, 0.45%

LAB 43.58, 73.96, -57.93

 

CMYK 15 / 81 / 0 / 11

HEX #C12CE2

RGB 193 44 226

HSL 289.12, 0.76%, 0.53%

LAB 50.25, 78.26, -61.31

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 9 / 51 / 0 / 7

HEX #D674EC

RGB 214 116 236

HSL 289, 0.76%, 0.69%

LAB 64.03, 56.27, -44.79

 

CMYK 7 / 37 / 0 / 5

HEX #E199F1

RGB 225 153 241

HSL 289.09, 0.76%, 0.77%

LAB 72.98, 41.32, -33.48

 

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

CMYK 0 / 65 / 65 / 9

HEX #E75250

RGB 231 82 80

HSL 0.79, 0.76%, 0.61%

LAB 55.69, 57.46, 32.85

 

CMYK 65 / 0 / 38 / 9

HEX #50E78F

RGB 80 231 143

HSL 145.03, 0.76%, 0.61%

LAB 82.29, -59.11, 31.45

 

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

CMYK 0 / 12 / 65 / 9

HEX #E7CB50

RGB 231 203 80

HSL 48.87, 0.76%, 0.61%

LAB 81.99, -3.81, 62.78

 

CMYK 65 / 0 / 12 / 9

HEX #50E7CB

RGB 80 231 203

HSL 168.87, 0.76%, 0.61%

LAB 83.53, -46.18, 1.97

 

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

CMYK 0 / 65 / 65 / 9

HEX #E75250

RGB 231 82 80

HSL 0.79, 0.76%, 0.61%

LAB 55.69, 57.46, 32.85

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 65 / 1 / 0 / 9

HEX #50E5E7

RGB 80 229 231

HSL 180.79, 0.76%, 0.61%

LAB 83.71, -37.94, -12.56

 

CMYK 12 / 65 / 0 / 9

HEX #CC52E7

RGB 204 82 231

HSL 289.13, 0.76%, 0.61%

LAB 56.72, 68.4, -53.66

 

CMYK 0 / 45 / 65 / 9

HEX #E78050

RGB 231 128 80

HSL 19.07, 0.76%, 0.61%

LAB 64.17, 35.66, 43.03

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 65 / 21 / 0 / 9

HEX #50B7E7

RGB 80 183 231

HSL 199.07, 0.76%, 0.61%

LAB 70.41, -15.24, -32.79

 

Description

Color code: HEX #CC52E7 | qconv.com Color code: HEX #CC52E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 82 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 82 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 65 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 65% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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