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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC4F2B it is the complementary color #33B0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC4F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC4F2B shade: #D14F26, #E26139, #F3734C, #FF855F and #FF9772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC4F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC4F2B shade: #CC4F2B, #BB3D18, #AA2B05, #991900 and #880700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC4F2B shade: #CA4E2B and #CA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC4F2B shade: #CA4E2B, #CA792B, #CAA42B, #C5CA2B and #9ACA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC4F2B shade matches the following richer shades: #CA4E2B, #DE4317 and #F23903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC4F2B shade: #CA4E2B, #B6593F, #A26452, #8F6F66 and #7B7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC4F2B shade: #CA2B5D, #CA2B33, #CA4D2B, #CA782B and #CAA22B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC4F2B shade: #86341C, #A84124, #CA4E2B, #D86746 and #DF8368

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC4F2B shade: #CC4F2B, #88CA2B and #2B48CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC4F2B shade: #CC4F2B, #2BCA4D and #4D2BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC4F2B shade: #CC4F2B, #88CA2B, #2BA7CA and #6D2BCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC4F2B shade: #CC4F2B, #58CA2B, #2BA7CA and #9D2BCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

Complementary color

CMYK 76 / 17 / 0 / 17

HEX #33B0D4

RGB 51 176 212

HSL 193.42, 0.65%, 0.52%

LAB 66.91, -21.62, -27.86

 

CMYK 0 / 62 / 82 / 18

HEX #D14F26

RGB 209 79 38

HSL 14.39, 0.69%, 0.48%

LAB 51.02, 49.42, 49.04

 

CMYK 0 / 57 / 75 / 11

HEX #E26139

RGB 226 97 57

HSL 14.2, 0.74%, 0.55%

LAB 57.09, 47.99, 46.74

 

CMYK 0 / 53 / 69 / 5

HEX #F3734C

RGB 243 115 76

HSL 14.01, 0.87%, 0.63%

LAB 63.21, 46.53, 44.44

 

CMYK 0 / 48 / 63 / 0

HEX #FF855F

RGB 255 133 95

HSL 14.25, 1%, 0.69%

LAB 68.65, 43.26, 41.29

 

CMYK 0 / 41 / 55 / 0

HEX #FF9772

RGB 255 151 114

HSL 15.74, 1%, 0.72%

LAB 72.63, 35.48, 36.15

 

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

CMYK 0 / 67 / 87 / 27

HEX #BB3D18

RGB 187 61 24

HSL 13.62, 0.77%, 0.41%

LAB 44.19, 49.08, 47.82

 

CMYK 0 / 75 / 97 / 33

HEX #AA2B05

RGB 170 43 5

HSL 13.82, 0.94%, 0.34%

LAB 38.35, 50.02, 49.1

 

CMYK 0 / 84 / 100 / 40

HEX #991900

RGB 153 25 0

HSL 9.8, 1%, 0.3%

LAB 32.85, 50.22, 46.18

 

CMYK 0 / 95 / 100 / 47

HEX #880700

RGB 136 7 0

HSL 3.09, 1%, 0.27%

LAB 27.81, 49.01, 40.79

 

CMYK 0 / 61 / 79 / 21

HEX #CA4E2B

RGB 202 78 43

HSL 13.21, 0.65%, 0.48%

LAB 49.71, 47.52, 44.96

 

CMYK 0 / 79 / 79 / 21

HEX #CA2B2B

RGB 202 43 43

HSL 0, 0.65%, 0.48%

LAB 44.88, 60.71, 40.05

 

CMYK 0 / 61 / 79 / 21

HEX #CA4E2B

RGB 202 78 43

HSL 13.21, 0.65%, 0.48%

LAB 49.71, 47.52, 44.96

 

CMYK 0 / 40 / 79 / 21

HEX #CA792B

RGB 202 121 43

HSL 29.43, 0.65%, 0.48%

LAB 58.42, 25.72, 53.43

 

CMYK 0 / 19 / 79 / 21

HEX #CAA42B

RGB 202 164 43

HSL 45.66, 0.65%, 0.48%

LAB 68.95, 2.38, 63.19

 

CMYK 2 / 0 / 79 / 21

HEX #C5CA2B

RGB 197 202 43

HSL 61.89, 0.65%, 0.48%

LAB 78.63, -19.39, 71.69

 

CMYK 24 / 0 / 79 / 21

HEX #9ACA2B

RGB 154 202 43

HSL 78.11, 0.65%, 0.48%

LAB 75.63, -36.97, 67.87

 

CMYK 0 / 61 / 79 / 21

HEX #CA4E2B

RGB 202 78 43

HSL 13.21, 0.65%, 0.48%

LAB 49.71, 47.52, 44.96

 

CMYK 0 / 70 / 90 / 13

HEX #DE4317

RGB 222 67 23

HSL 13.27, 0.81%, 0.48%

LAB 51.39, 58.4, 56.51

 

CMYK 0 / 76 / 99 / 5

HEX #F23903

RGB 242 57 3

HSL 13.56, 0.98%, 0.48%

LAB 53.82, 67.69, 65.2

 

CMYK 0 / 61 / 79 / 21

HEX #CA4E2B

RGB 202 78 43

HSL 13.21, 0.65%, 0.48%

LAB 49.71, 47.52, 44.96

 

CMYK 0 / 51 / 65 / 29

HEX #B6593F

RGB 182 89 63

HSL 13.11, 0.49%, 0.48%

LAB 48.82, 35.58, 32.34

 

CMYK 0 / 38 / 49 / 36

HEX #A26452

RGB 162 100 82

HSL 13.5, 0.33%, 0.48%

LAB 48.77, 23.01, 20.73

 

CMYK 0 / 22 / 29 / 44

HEX #8F6F66

RGB 143 111 102

HSL 13.17, 0.17%, 0.48%

LAB 49.7, 11.26, 9.86

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 0 / 79 / 54 / 21

HEX #CA2B5D

RGB 202 43 93

HSL 341.13, 0.65%, 0.48%

LAB 45.74, 63.38, 11

 

CMYK 0 / 79 / 75 / 21

HEX #CA2B33

RGB 202 43 51

HSL 356.98, 0.65%, 0.48%

LAB 44.97, 61, 35.6

 

CMYK 0 / 62 / 79 / 21

HEX #CA4D2B

RGB 202 77 43

HSL 12.83, 0.65%, 0.48%

LAB 49.54, 47.97, 44.79

 

CMYK 0 / 41 / 79 / 21

HEX #CA782B

RGB 202 120 43

HSL 29.06, 0.65%, 0.48%

LAB 58.19, 26.26, 53.21

 

CMYK 0 / 20 / 79 / 21

HEX #CAA22B

RGB 202 162 43

HSL 44.91, 0.65%, 0.48%

LAB 68.44, 3.45, 62.73

 

CMYK 0 / 61 / 79 / 47

HEX #86341C

RGB 134 52 28

HSL 13.58, 0.65%, 0.32%

LAB 33.15, 33.77, 32.21

 

CMYK 0 / 61 / 79 / 34

HEX #A84124

RGB 168 65 36

HSL 13.18, 0.65%, 0.4%

LAB 41.58, 40.81, 38.46

 

CMYK 0 / 61 / 79 / 21

HEX #CA4E2B

RGB 202 78 43

HSL 13.21, 0.65%, 0.48%

LAB 49.71, 47.52, 44.96

 

CMYK 0 / 52 / 68 / 15

HEX #D86746

RGB 216 103 70

HSL 13.56, 0.65%, 0.56%

LAB 56.82, 42, 39.21

 

CMYK 0 / 41 / 53 / 13

HEX #DF8368

RGB 223 131 104

HSL 13.61, 0.65%, 0.64%

LAB 64.1, 32.69, 29.8

 

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

CMYK 33 / 0 / 79 / 21

HEX #88CA2B

RGB 136 202 43

HSL 84.91, 0.65%, 0.48%

LAB 74.6, -43.75, 66.55

 

CMYK 79 / 64 / 0 / 21

HEX #2B48CA

RGB 43 72 202

HSL 229.06, 0.65%, 0.48%

LAB 36.77, 36.45, -70.17

 

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

CMYK 79 / 0 / 62 / 21

HEX #2BCA4D

RGB 43 202 77

HSL 132.83, 0.65%, 0.48%

LAB 71.75, -64.62, 50.01

 

CMYK 62 / 79 / 0 / 21

HEX #4D2BCA

RGB 77 43 202

HSL 252.83, 0.65%, 0.48%

LAB 33.07, 56.18, -76.18

 

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

CMYK 33 / 0 / 79 / 21

HEX #88CA2B

RGB 136 202 43

HSL 84.91, 0.65%, 0.48%

LAB 74.6, -43.75, 66.55

 

CMYK 79 / 17 / 0 / 21

HEX #2BA7CA

RGB 43 167 202

HSL 193.21, 0.65%, 0.48%

LAB 63.68, -21.09, -27.3

 

CMYK 46 / 79 / 0 / 21

HEX #6D2BCA

RGB 109 43 202

HSL 264.91, 0.65%, 0.48%

LAB 36.45, 60.16, -70.5

 

CMYK 0 / 61 / 79 / 20

HEX #CC4F2B

RGB 204 79 43

HSL 13.42, 0.65%, 0.48%

LAB 50.22, 47.79, 45.57

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 79 / 17 / 0 / 21

HEX #2BA7CA

RGB 43 167 202

HSL 193.21, 0.65%, 0.48%

LAB 63.68, -21.09, -27.3

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

Description

Color code: HEX #CC4F2B | qconv.com Color code: HEX #CC4F2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 79 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 79 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 79 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 79% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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