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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC4ADE it is the complementary color #33B521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC4ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC4ADE shade: #D14AD9, #E25CEC, #F36EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC4ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC4ADE shade: #CC4ADE, #BB38CB, #AA26B8, #9914A5 and #880292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC4ADE shade: #CC4ADE, #DE4AC8, #DE4AA0, #DE4A78 and #DE4A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC4ADE shade: #CC4ADE, #A44ADE, #7C4ADE, #544ADE and #4A4ADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC4ADE shade matches the following richer shades: #CC4ADE and #D939EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC4ADE shade: #CC4ADE, #BF5BCC, #B26DBB, #A47EAA and #978F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC4ADE shade: #7B4ADE, #A34ADE, #CA4ADE, #DE4ACA and #DE4AA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC4ADE shade: #A221B4, #C227D7, #CC4ADE, #D66DE4 and #E090EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC4ADE shade: #CC4ADE, #DE544A and #4ADE8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC4ADE shade: #CC4ADE, #DECA4A and #4ADECA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC4ADE shade: #CC4ADE, #DE544A, #5EDE4A and #4AD4DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC4ADE shade: #CC4ADE, #DE804A, #5EDE4A and #4AA8DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

Complementary color

CMYK 72 / 0 / 82 / 29

HEX #33B521

RGB 51 181 33

HSL 112.7, 0.69%, 0.42%

LAB 64.85, -60.5, 59.21

 

CMYK 4 / 66 / 0 / 15

HEX #D14AD9

RGB 209 74 217

HSL 296.64, 0.65%, 0.57%

LAB 55.55, 70.22, -47.6

 

CMYK 4 / 61 / 0 / 7

HEX #E25CEC

RGB 226 92 236

HSL 295.83, 0.79%, 0.64%

LAB 61.55, 70.25, -48.6

 

CMYK 5 / 57 / 0 / 0

HEX #F36EFF

RGB 243 110 255

HSL 295.03, 1%, 0.72%

LAB 67.6, 69.99, -49.39

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 8 / 72 / 0 / 20

HEX #BB38CB

RGB 187 56 203

HSL 293.47, 0.59%, 0.51%

LAB 49.14, 69.55, -50

 

CMYK 8 / 79 / 0 / 28

HEX #AA26B8

RGB 170 38 184

HSL 294.25, 0.66%, 0.44%

LAB 43.35, 68.44, -48.36

 

CMYK 7 / 88 / 0 / 35

HEX #9914A5

RGB 153 20 165

HSL 295.03, 0.78%, 0.36%

LAB 37.82, 66.28, -46.09

 

CMYK 7 / 99 / 0 / 43

HEX #880292

RGB 136 2 146

HSL 295.83, 0.97%, 0.29%

LAB 32.6, 62.89, -43.1

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 0 / 67 / 10 / 13

HEX #DE4AC8

RGB 222 74 200

HSL 308.92, 0.69%, 0.58%

LAB 56.68, 70.55, -35.99

 

CMYK 0 / 67 / 28 / 13

HEX #DE4AA0

RGB 222 74 160

HSL 325.14, 0.69%, 0.58%

LAB 55.04, 65.09, -15.36

 

CMYK 0 / 67 / 46 / 13

HEX #DE4A78

RGB 222 74 120

HSL 341.35, 0.69%, 0.58%

LAB 53.8, 60.79, 6.5

 

CMYK 0 / 67 / 64 / 13

HEX #DE4A50

RGB 222 74 80

HSL 357.57, 0.69%, 0.58%

LAB 52.96, 57.78, 29.11

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 26 / 67 / 0 / 13

HEX #A44ADE

RGB 164 74 222

HSL 276.49, 0.69%, 0.58%

LAB 49.57, 61.32, -60.34

 

CMYK 44 / 67 / 0 / 13

HEX #7C4ADE

RGB 124 74 222

HSL 260.27, 0.69%, 0.58%

LAB 44.88, 53.37, -68.17

 

CMYK 62 / 67 / 0 / 13

HEX #544ADE

RGB 84 74 222

HSL 244.05, 0.69%, 0.58%

LAB 41.31, 46.83, -74.15

 

CMYK 67 / 67 / 0 / 13

HEX #4A4ADE

RGB 74 74 222

HSL 240, 0.69%, 0.58%

LAB 40.62, 45.5, -75.31

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 9 / 76 / 0 / 6

HEX #D939EF

RGB 217 57 239

HSL 292.75, 0.85%, 0.58%

LAB 56, 81.26, -59.2

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 6 / 55 / 0 / 20

HEX #BF5BCC

RGB 191 91 204

HSL 293.1, 0.53%, 0.58%

LAB 54.99, 56.2, -41.25

 

CMYK 5 / 42 / 0 / 27

HEX #B26DBB

RGB 178 109 187

HSL 293.08, 0.36%, 0.58%

LAB 56.08, 40.02, -29.94

 

CMYK 4 / 26 / 0 / 33

HEX #A47EAA

RGB 164 126 170

HSL 291.82, 0.21%, 0.58%

LAB 57.77, 22.57, -17.72

 

CMYK 1 / 6 / 0 / 40

HEX #978F98

RGB 151 143 152

HSL 293.33, 0.04%, 0.58%

LAB 60.33, 4.68, -3.7

 

CMYK 45 / 67 / 0 / 13

HEX #7B4ADE

RGB 123 74 222

HSL 259.86, 0.69%, 0.58%

LAB 44.78, 53.19, -68.34

 

CMYK 27 / 67 / 0 / 13

HEX #A34ADE

RGB 163 74 222

HSL 276.08, 0.69%, 0.58%

LAB 49.45, 61.11, -60.56

 

CMYK 9 / 67 / 0 / 13

HEX #CA4ADE

RGB 202 74 222

HSL 291.89, 0.69%, 0.58%

LAB 54.79, 69.53, -51.69

 

CMYK 0 / 67 / 9 / 13

HEX #DE4ACA

RGB 222 74 202

HSL 308.11, 0.69%, 0.58%

LAB 56.77, 70.85, -36.99

 

CMYK 0 / 67 / 27 / 13

HEX #DE4AA3

RGB 222 74 163

HSL 323.92, 0.69%, 0.58%

LAB 55.15, 65.47, -16.95

 

CMYK 10 / 82 / 0 / 29

HEX #A221B4

RGB 162 33 180

HSL 292.65, 0.69%, 0.42%

LAB 41.32, 67.57, -49.33

 

CMYK 10 / 82 / 0 / 16

HEX #C227D7

RGB 194 39 215

HSL 292.84, 0.69%, 0.5%

LAB 49.29, 77.8, -56.59

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 6 / 52 / 0 / 11

HEX #D66DE4

RGB 214 109 228

HSL 292.94, 0.69%, 0.66%

LAB 62.37, 58.17, -42.96

 

CMYK 5 / 39 / 0 / 8

HEX #E090EB

RGB 224 144 235

HSL 292.75, 0.69%, 0.74%

LAB 70.73, 44.62, -33.7

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 0 / 62 / 67 / 13

HEX #DE544A

RGB 222 84 74

HSL 4.05, 0.69%, 0.58%

LAB 54.41, 53.27, 34.36

 

CMYK 67 / 0 / 36 / 13

HEX #4ADE8F

RGB 74 222 143

HSL 147.97, 0.69%, 0.58%

LAB 79.43, -56.75, 27.6

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 0 / 9 / 67 / 13

HEX #DECA4A

RGB 222 202 74

HSL 51.89, 0.69%, 0.58%

LAB 80.89, -7.42, 63.85

 

CMYK 67 / 0 / 9 / 13

HEX #4ADECA

RGB 74 222 202

HSL 171.89, 0.69%, 0.58%

LAB 80.72, -43.43, -1.63

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 0 / 62 / 67 / 13

HEX #DE544A

RGB 222 84 74

HSL 4.05, 0.69%, 0.58%

LAB 54.41, 53.27, 34.36

 

CMYK 58 / 0 / 67 / 13

HEX #5EDE4A

RGB 94 222 74

HSL 111.89, 0.69%, 0.58%

LAB 79.11, -62.21, 59.7

 

CMYK 67 / 5 / 0 / 13

HEX #4AD4DE

RGB 74 212 222

HSL 184.05, 0.69%, 0.58%

LAB 78.35, -33.41, -15.82

 

CMYK 8 / 67 / 0 / 13

HEX #CC4ADE

RGB 204 74 222

HSL 292.7, 0.69%, 0.58%

LAB 55.08, 69.97, -51.21

 

CMYK 0 / 42 / 67 / 13

HEX #DE804A

RGB 222 128 74

HSL 21.89, 0.69%, 0.58%

LAB 62.9, 31.73, 44.34

 

CMYK 58 / 0 / 67 / 13

HEX #5EDE4A

RGB 94 222 74

HSL 111.89, 0.69%, 0.58%

LAB 79.11, -62.21, 59.7

 

CMYK 67 / 24 / 0 / 13

HEX #4AA8DE

RGB 74 168 222

HSL 201.89, 0.69%, 0.58%

LAB 65.54, -11, -35.43

 

Description

Color code: HEX #CC4ADE | qconv.com Color code: HEX #CC4ADE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 74 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 74 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 67 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 67% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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