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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC4331 it is the complementary color #33BCCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC4331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC4331 shade: #D1432C, #E2553F, #F36752, #FF7965 and #FF8B78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC4331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC4331 shade: #CC4331, #BB311E, #AA1F0B, #990D00 and #880000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC4331 shade: #CD4432 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC4331 shade: #CD4432, #CD6E32, #CD9832, #CDC232 and #AFCD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC4331 shade matches the following richer shades: #CD4432, #E2341D and #F72408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC4331 shade: #CD4432, #B95446, #A4635B, #8F7370 and #7B8384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC4331 shade: #CD3275, #CD324C, #CD4132, #CD6B32 and #CD9432

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC4331 shade: #8B2E22, #AC392A, #CD4432, #D56253 and #DD8074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC4331 shade: #CC4331, #9FCD32 and #3260CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC4331 shade: #CC4331, #32CD41 and #4132CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC4331 shade: #CC4331, #9FCD32, #32BECD and #6032CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC4331 shade: #CC4331, #70CD32, #32BECD and #8F32CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

Complementary color

CMYK 75 / 9 / 0 / 19

HEX #33BCCE

RGB 51 188 206

HSL 186.97, 0.61%, 0.5%

LAB 70.26, -29.56, -19.43

 

CMYK 0 / 68 / 79 / 18

HEX #D1432C

RGB 209 67 44

HSL 8.36, 0.65%, 0.5%

LAB 49.19, 54.66, 44.33

 

CMYK 0 / 62 / 72 / 11

HEX #E2553F

RGB 226 85 63

HSL 8.1, 0.74%, 0.57%

LAB 55.1, 53.66, 41.43

 

CMYK 0 / 58 / 66 / 5

HEX #F36752

RGB 243 103 82

HSL 7.83, 0.87%, 0.64%

LAB 61.1, 52.5, 38.76

 

CMYK 0 / 53 / 60 / 0

HEX #FF7965

RGB 255 121 101

HSL 7.79, 1%, 0.7%

LAB 66.42, 49.5, 35.31

 

CMYK 0 / 45 / 53 / 0

HEX #FF8B78

RGB 255 139 120

HSL 8.44, 1%, 0.74%

LAB 70.23, 42.07, 29.81

 

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

CMYK 0 / 74 / 84 / 27

HEX #BB311E

RGB 187 49 30

HSL 7.26, 0.72%, 0.43%

LAB 42.54, 53.84, 43.65

 

CMYK 0 / 82 / 94 / 33

HEX #AA1F0B

RGB 170 31 11

HSL 7.55, 0.88%, 0.35%

LAB 37.02, 53.87, 46.21

 

CMYK 0 / 92 / 100 / 40

HEX #990D00

RGB 153 13 0

HSL 5.1, 1%, 0.3%

LAB 31.94, 52.8, 45.6

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 46 / 76 / 20

HEX #CD6E32

RGB 205 110 50

HSL 23.23, 0.61%, 0.5%

LAB 56.45, 33.11, 48.51

 

CMYK 0 / 26 / 76 / 20

HEX #CD9832

RGB 205 152 50

HSL 39.48, 0.61%, 0.5%

LAB 66.26, 10.43, 58.23

 

CMYK 0 / 5 / 76 / 20

HEX #CDC232

RGB 205 194 50

HSL 55.74, 0.61%, 0.5%

LAB 77.16, -11.71, 68.49

 

CMYK 15 / 0 / 76 / 20

HEX #AFCD32

RGB 175 205 50

HSL 71.61, 0.61%, 0.5%

LAB 77.88, -29.69, 68.33

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 77 / 87 / 11

HEX #E2341D

RGB 226 52 29

HSL 7.01, 0.77%, 0.5%

LAB 50.35, 64.77, 53.69

 

CMYK 0 / 85 / 97 / 3

HEX #F72408

RGB 247 36 8

HSL 7.03, 0.94%, 0.5%

LAB 53.01, 74.2, 64.21

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 55 / 62 / 27

HEX #B95446

RGB 185 84 70

HSL 7.3, 0.45%, 0.5%

LAB 48.38, 39.76, 27.89

 

CMYK 0 / 40 / 45 / 36

HEX #A4635B

RGB 164 99 91

HSL 6.58, 0.29%, 0.5%

LAB 48.97, 25.35, 15.74

 

CMYK 0 / 20 / 22 / 44

HEX #8F7370

RGB 143 115 112

HSL 5.81, 0.12%, 0.5%

LAB 51, 10.48, 5.81

 

CMYK 7 / 1 / 0 / 48

HEX #7B8384

RGB 123 131 132

HSL 186.67, 0.04%, 0.5%

LAB 54.14, -2.73, -1.56

 

CMYK 0 / 76 / 43 / 20

HEX #CD3275

RGB 205 50 117

HSL 334.06, 0.61%, 0.5%

LAB 47.68, 64.15, -0.91

 

CMYK 0 / 76 / 63 / 20

HEX #CD324C

RGB 205 50 76

HSL 349.94, 0.61%, 0.5%

LAB 46.69, 60.98, 22.85

 

CMYK 0 / 68 / 76 / 20

HEX #CD4132

RGB 205 65 50

HSL 5.81, 0.61%, 0.5%

LAB 48.25, 54.34, 39.92

 

CMYK 0 / 48 / 76 / 20

HEX #CD6B32

RGB 205 107 50

HSL 22.06, 0.61%, 0.5%

LAB 55.81, 34.68, 47.86

 

CMYK 0 / 28 / 76 / 20

HEX #CD9432

RGB 205 148 50

HSL 37.94, 0.61%, 0.5%

LAB 65.27, 12.6, 57.27

 

CMYK 0 / 67 / 76 / 45

HEX #8B2E22

RGB 139 46 34

HSL 6.86, 0.61%, 0.34%

LAB 33.05, 38.82, 28.92

 

CMYK 0 / 67 / 76 / 33

HEX #AC392A

RGB 172 57 42

HSL 6.92, 0.61%, 0.42%

LAB 41, 46.12, 34.78

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 54 / 61 / 16

HEX #D56253

RGB 213 98 83

HSL 6.92, 0.61%, 0.58%

LAB 55.59, 44.15, 30.39

 

CMYK 0 / 42 / 48 / 13

HEX #DD8074

RGB 221 128 116

HSL 6.86, 0.61%, 0.66%

LAB 63.4, 34.59, 22.14

 

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

CMYK 22 / 0 / 76 / 20

HEX #9FCD32

RGB 159 205 50

HSL 77.81, 0.61%, 0.5%

LAB 76.84, -36.06, 66.98

 

CMYK 76 / 53 / 0 / 20

HEX #3260CD

RGB 50 96 205

HSL 222.19, 0.61%, 0.5%

LAB 43.44, 22.83, -61.02

 

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

CMYK 76 / 0 / 68 / 20

HEX #32CD41

RGB 50 205 65

HSL 125.81, 0.61%, 0.5%

LAB 72.71, -65.89, 56.1

 

CMYK 68 / 76 / 0 / 20

HEX #4132CD

RGB 65 50 205

HSL 245.81, 0.61%, 0.5%

LAB 33.59, 52.43, -77.1

 

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

CMYK 22 / 0 / 76 / 20

HEX #9FCD32

RGB 159 205 50

HSL 77.81, 0.61%, 0.5%

LAB 76.84, -36.06, 66.98

 

CMYK 76 / 7 / 0 / 20

HEX #32BECD

RGB 50 190 205

HSL 185.81, 0.61%, 0.5%

LAB 70.81, -30.94, -18.06

 

CMYK 53 / 76 / 0 / 20

HEX #6032CD

RGB 96 50 205

HSL 257.81, 0.61%, 0.5%

LAB 36.32, 56.1, -72.51

 

CMYK 0 / 67 / 76 / 20

HEX #CC4331

RGB 204 67 49

HSL 6.97, 0.61%, 0.5%

LAB 48.35, 53.17, 40.53

 

CMYK 45 / 0 / 76 / 20

HEX #70CD32

RGB 112 205 50

HSL 96, 0.61%, 0.5%

LAB 74.41, -52.73, 63.8

 

CMYK 76 / 7 / 0 / 20

HEX #32BECD

RGB 50 190 205

HSL 185.81, 0.61%, 0.5%

LAB 70.81, -30.94, -18.06

 

CMYK 30 / 76 / 0 / 20

HEX #8F32CD

RGB 143 50 205

HSL 276, 0.61%, 0.5%

LAB 42.04, 63.57, -62.92

 

Description

Color code: HEX #CC4331 | qconv.com Color code: HEX #CC4331 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 67 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 67 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 76% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - ZDNet会议报道——精选优质会议,提供...
Link: http://cloud.zdnet.com.cn

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