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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC3864 it is the complementary color #33C79B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC3864. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC3864 shade: #D1385F, #E24A72, #F35C85, #FF6E98 and #FF80AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC3864. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC3864 shade: #CC3864, #BB2651, #AA143E, #99022B and #880018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC3864 shade: #CC3864, #CC383C and #CC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC3864 shade: #CC3864, #CC388C, #CC38B4, #BC38CC and #9438CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC3864 shade matches the following richer shades: #CC3864, #E0245C and #F41054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC3864 shade: #CC3864, #B84D6C, #A36175, #8F757D and #7B8985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC3864 shade: #CC38B3, #CC388C, #CC3865, #CC383D and #CC5B38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC3864 shade: #8D2444, #AE2D53, #CC3864, #D4597E and #DD7A97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC3864 shade: #CC3864, #CCBD38 and #38A0CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC3864 shade: #CC3864, #65CC38 and #3865CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC3864 shade: #CC3864, #CCBD38, #38CCA0 and #3847CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC3864 shade: #CC3864, #AECC38, #38CCA0 and #5638CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

Complementary color

CMYK 74 / 0 / 22 / 22

HEX #33C79B

RGB 51 199 155

HSL 162.16, 0.59%, 0.49%

LAB 72.17, -48.54, 11.18

 

CMYK 0 / 73 / 55 / 18

HEX #D1385F

RGB 209 56 95

HSL 344.71, 0.62%, 0.52%

LAB 48.52, 61.46, 13.84

 

CMYK 0 / 67 / 50 / 11

HEX #E24A72

RGB 226 74 114

HSL 344.21, 0.72%, 0.59%

LAB 54.32, 61.47, 10.92

 

CMYK 0 / 62 / 45 / 5

HEX #F35C85

RGB 243 92 133

HSL 343.71, 0.86%, 0.66%

LAB 60.25, 61.1, 8.51

 

CMYK 0 / 57 / 40 / 0

HEX #FF6E98

RGB 255 110 152

HSL 342.62, 1%, 0.72%

LAB 65.5, 58.92, 5.32

 

CMYK 0 / 50 / 33 / 0

HEX #FF80AB

RGB 255 128 171

HSL 339.69, 1%, 0.75%

LAB 69.21, 52.65, -0.06

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 80 / 57 / 27

HEX #BB2651

RGB 187 38 81

HSL 342.68, 0.66%, 0.44%

LAB 42.07, 59.79, 12.96

 

CMYK 0 / 88 / 64 / 33

HEX #AA143E

RGB 170 20 62

HSL 343.2, 0.79%, 0.37%

LAB 36.73, 58.22, 17.27

 

CMYK 0 / 99 / 72 / 40

HEX #99022B

RGB 153 2 43

HSL 343.71, 0.97%, 0.3%

LAB 31.78, 55.52, 22.53

 

CMYK 0 / 100 / 82 / 47

HEX #880018

RGB 136 0 24

HSL 349.41, 1%, 0.27%

LAB 27.57, 50.7, 28.91

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 73 / 71 / 20

HEX #CC383C

RGB 204 56 60

HSL 358.38, 0.59%, 0.51%

LAB 46.96, 57.82, 32.74

 

CMYK 0 / 73 / 73 / 20

HEX #CC3838

RGB 204 56 56

HSL 0, 0.59%, 0.51%

LAB 46.91, 57.64, 35.01

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 73 / 31 / 20

HEX #CC388C

RGB 204 56 140

HSL 325.95, 0.59%, 0.51%

LAB 48.96, 64.37, -12.98

 

CMYK 0 / 73 / 12 / 20

HEX #CC38B4

RGB 204 56 180

HSL 309.73, 0.59%, 0.51%

LAB 50.64, 69.61, -34.1

 

CMYK 8 / 73 / 0 / 20

HEX #BC38CC

RGB 188 56 204

HSL 293.51, 0.59%, 0.51%

LAB 49.35, 69.93, -50.23

 

CMYK 27 / 73 / 0 / 20

HEX #9438CC

RGB 148 56 204

HSL 277.3, 0.59%, 0.51%

LAB 43.48, 61.93, -59.97

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 84 / 59 / 12

HEX #E0245C

RGB 224 36 92

HSL 342.13, 0.75%, 0.51%

LAB 49.35, 70.8, 17.27

 

CMYK 0 / 93 / 66 / 4

HEX #F41054

RGB 244 16 84

HSL 342.11, 0.91%, 0.51%

LAB 52.11, 78.26, 26.5

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 58 / 41 / 28

HEX #B84D6C

RGB 184 77 108

HSL 342.62, 0.43%, 0.51%

LAB 47.73, 46.22, 4.2

 

CMYK 0 / 40 / 28 / 36

HEX #A36175

RGB 163 97 117

HSL 341.82, 0.26%, 0.51%

LAB 49.03, 29.4, 0.28

 

CMYK 0 / 18 / 13 / 44

HEX #8F757D

RGB 143 117 125

HSL 341.54, 0.1%, 0.51%

LAB 51.89, 11.52, -0.57

 

CMYK 10 / 0 / 3 / 46

HEX #7B8985

RGB 123 137 133

HSL 162.86, 0.06%, 0.51%

LAB 55.88, -5.91, 0.4

 

CMYK 0 / 73 / 12 / 20

HEX #CC38B3

RGB 204 56 179

HSL 310.14, 0.59%, 0.51%

LAB 50.59, 69.46, -33.59

 

CMYK 0 / 73 / 31 / 20

HEX #CC388C

RGB 204 56 140

HSL 325.95, 0.59%, 0.51%

LAB 48.96, 64.37, -12.98

 

CMYK 0 / 73 / 50 / 20

HEX #CC3865

RGB 204 56 101

HSL 341.76, 0.59%, 0.51%

LAB 47.76, 60.48, 8.97

 

CMYK 0 / 73 / 70 / 20

HEX #CC383D

RGB 204 56 61

HSL 357.97, 0.59%, 0.51%

LAB 46.98, 57.87, 32.17

 

CMYK 0 / 55 / 73 / 20

HEX #CC5B38

RGB 204 91 56

HSL 14.19, 0.59%, 0.51%

LAB 52.51, 42.66, 41.3

 

CMYK 0 / 74 / 52 / 45

HEX #8D2444

RGB 141 36 68

HSL 341.71, 0.59%, 0.35%

LAB 32.57, 45.98, 6.72

 

CMYK 0 / 74 / 52 / 32

HEX #AE2D53

RGB 174 45 83

HSL 342.33, 0.59%, 0.43%

LAB 40.41, 54.03, 9.02

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 58 / 41 / 17

HEX #D4597E

RGB 212 89 126

HSL 341.95, 0.59%, 0.59%

LAB 54.71, 51.86, 4.03

 

CMYK 0 / 45 / 32 / 13

HEX #DD7A97

RGB 221 122 151

HSL 342.42, 0.59%, 0.67%

LAB 62.95, 41.64, 1.6

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 7 / 73 / 20

HEX #CCBD38

RGB 204 189 56

HSL 53.92, 0.59%, 0.51%

LAB 75.77, -9.33, 65.11

 

CMYK 73 / 22 / 0 / 20

HEX #38A0CC

RGB 56 160 204

HSL 197.84, 0.59%, 0.51%

LAB 61.95, -15.19, -31.07

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 50 / 0 / 73 / 20

HEX #65CC38

RGB 101 204 56

HSL 101.76, 0.59%, 0.51%

LAB 73.7, -55.24, 60.92

 

CMYK 73 / 50 / 0 / 20

HEX #3865CC

RGB 56 101 204

HSL 221.76, 0.59%, 0.51%

LAB 44.95, 20, -57.98

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 0 / 7 / 73 / 20

HEX #CCBD38

RGB 204 189 56

HSL 53.92, 0.59%, 0.51%

LAB 75.77, -9.33, 65.11

 

CMYK 73 / 0 / 22 / 20

HEX #38CCA0

RGB 56 204 160

HSL 162.16, 0.59%, 0.51%

LAB 73.91, -48.75, 10.96

 

CMYK 73 / 65 / 0 / 20

HEX #3847CC

RGB 56 71 204

HSL 233.92, 0.59%, 0.51%

LAB 37.31, 39.1, -70.42

 

CMYK 0 / 73 / 51 / 20

HEX #CC3864

RGB 204 56 100

HSL 342.16, 0.59%, 0.51%

LAB 47.73, 60.4, 9.55

 

CMYK 15 / 0 / 73 / 20

HEX #AECC38

RGB 174 204 56

HSL 72.16, 0.59%, 0.51%

LAB 77.56, -29.33, 66.03

 

CMYK 73 / 0 / 22 / 20

HEX #38CCA0

RGB 56 204 160

HSL 162.16, 0.59%, 0.51%

LAB 73.91, -48.75, 10.96

 

CMYK 58 / 73 / 0 / 20

HEX #5638CC

RGB 86 56 204

HSL 252.16, 0.59%, 0.51%

LAB 36.3, 51.5, -71.99

 

Description

Color code: HEX #CC3864 | qconv.com Color code: HEX #CC3864 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 56 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 56 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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