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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC364400 it is the complementary color #33C9BB00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC364400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC364400 shade: #D1363F00, #E2485200, #F35A6500, #FF6C7800 and #FF7E8B00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC364400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC364400 shade: #CC364400, #BB243100, #AA121E00, #99000B00 and #88000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC364400 shade: #CD3745 and #CD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC364400 shade: #CD3745, #CD376E, #CD3796, #CD37BE and #B337CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC364400 shade matches the following richer shades: #CD3745, #E12335 and #F50F24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC364400 shade: #CD3745, #B94B56, #A56066, #907476 and #7C8887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC364400 shade: #CD3796, #CD376E, #CD3746, #CD5037 and #CD7837

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC364400 shade: #8E242D, #AF2C38, #CD3745, #D55864 and #DE7982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC364400 shade: #CC3644, #BECD37 and #3782CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC364400 shade: #CC3644, #46CD37 and #3746CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC364400 shade: #CC3644, #BECD37, #37CDBE and #4637CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC364400 shade: #CC3644, #91CD37, #37CDBE and #7337CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #CC364400

RGBA 204 54 68 0

HSLA 354.4, 0.6%, 0.51%, 0

LABA 46.83, 58.92, 27.84, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #33C9BB00

RGBA 51 201 187 0

HSLA 174.4, 0.6%, 0.49%, 0

LABA 73.59, -41.16, -4.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1363F00

RGBA 209 54 63 0

HSLA 356.52, 0.63%, 0.52%, 0

LABA 47.69, 60.17, 32.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2485200

RGBA 226 72 82 0

HSLA 356.1, 0.73%, 0.58%, 0

LABA 53.4, 59.95, 28.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F35A6500

RGBA 243 90 101 0

HSLA 355.69, 0.86%, 0.65%, 0

LABA 59.26, 59.36, 25.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C7800

RGBA 255 108 120 0

HSLA 355.1, 1%, 0.71%, 0

LABA 64.44, 56.9, 22.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E8B00

RGBA 255 126 139 0

HSLA 353.95, 1%, 0.75%, 0

LABA 68.05, 50.17, 16.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC364400

RGBA 204 54 68 0

HSLA 354.4, 0.6%, 0.51%, 0

LABA 46.83, 58.92, 27.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB243100

RGBA 187 36 49 0

HSLA 354.83, 0.68%, 0.44%, 0

LABA 41.29, 58.54, 31.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AA121E00

RGBA 170 18 30 0

HSLA 355.26, 0.81%, 0.37%, 0

LABA 36.12, 57.2, 36.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99000B00

RGBA 153 0 11 0

HSLA 355.69, 1%, 0.3%, 0

LABA 31.34, 54.86, 40.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88000000

RGBA 136 0 0 0

HSLA 0, 1%, 0.27%, 0

LABA 27.39, 50.21, 40.43, 0

 

CMYK 0 / 73 / 66 / 20

HEX #CD3745

RGB 205 55 69

HSL 354.4, 0.6%, 0.51%

LAB 47.16, 58.93, 27.68

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 0 / 73 / 66 / 20

HEX #CD3745

RGB 205 55 69

HSL 354.4, 0.6%, 0.51%

LAB 47.16, 58.93, 27.68

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 0 / 73 / 27 / 20

HEX #CD3796

RGB 205 55 150

HSL 322, 0.6%, 0.51%

LAB 49.39, 66.15, -18.29

 

CMYK 0 / 73 / 7 / 20

HEX #CD37BE

RGB 205 55 190

HSL 306, 0.6%, 0.51%

LAB 51.19, 71.62, -39.05

 

CMYK 13 / 73 / 0 / 20

HEX #B337CD

RGB 179 55 205

HSL 289.6, 0.6%, 0.51%

LAB 47.91, 68.61, -53.19

 

CMYK 0 / 73 / 66 / 20

HEX #CD3745

RGB 205 55 69

HSL 354.4, 0.6%, 0.51%

LAB 47.16, 58.93, 27.68

 

CMYK 0 / 84 / 76 / 12

HEX #E12335

RGB 225 35 53

HSL 354.32, 0.76%, 0.51%

LAB 48.84, 69.41, 40

 

CMYK 0 / 94 / 85 / 4

HEX #F50F24

RGB 245 15 36

HSL 354.52, 0.92%, 0.51%

LAB 51.7, 76.99, 53.16

 

CMYK 0 / 73 / 66 / 20

HEX #CD3745

RGB 205 55 69

HSL 354.4, 0.6%, 0.51%

LAB 47.16, 58.93, 27.68

 

CMYK 0 / 59 / 54 / 27

HEX #B94B56

RGB 185 75 86

HSL 354, 0.44%, 0.51%

LAB 47, 45.37, 16.55

 

CMYK 0 / 42 / 38 / 35

HEX #A56066

RGB 165 96 102

HSL 354.78, 0.28%, 0.51%

LAB 48.67, 28.72, 8.78

 

CMYK 0 / 19 / 18 / 44

HEX #907476

RGB 144 116 118

HSL 355.71, 0.11%, 0.51%

LAB 51.53, 11.28, 3.04

 

CMYK 9 / 0 / 1 / 47

HEX #7C8887

RGB 124 136 135

HSL 175, 0.05%, 0.51%

LAB 55.73, -4.57, -0.97

 

CMYK 0 / 73 / 27 / 20

HEX #CD3796

RGB 205 55 150

HSL 322, 0.6%, 0.51%

LAB 49.39, 66.15, -18.29

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 0 / 73 / 66 / 20

HEX #CD3746

RGB 205 55 70

HSL 354, 0.6%, 0.51%

LAB 47.18, 58.99, 27.1

 

CMYK 0 / 61 / 73 / 20

HEX #CD5037

RGB 205 80 55

HSL 10, 0.6%, 0.51%

LAB 50.68, 48.17, 39.86

 

CMYK 0 / 41 / 73 / 20

HEX #CD7837

RGB 205 120 55

HSL 26, 0.6%, 0.51%

LAB 58.68, 28.02, 48.46

 

CMYK 0 / 75 / 68 / 44

HEX #8E242D

RGB 142 36 45

HSL 354.91, 0.6%, 0.35%

LAB 32.26, 44.6, 21.32

 

CMYK 0 / 75 / 68 / 31

HEX #AF2C38

RGB 175 44 56

HSL 354.5, 0.6%, 0.43%

LAB 39.92, 52.83, 25.33

 

CMYK 0 / 73 / 66 / 20

HEX #CD3745

RGB 205 55 69

HSL 354.4, 0.6%, 0.51%

LAB 47.16, 58.93, 27.68

 

CMYK 0 / 59 / 53 / 16

HEX #D55864

RGB 213 88 100

HSL 354.24, 0.6%, 0.59%

LAB 54.08, 50.19, 18.55

 

CMYK 0 / 45 / 41 / 13

HEX #DE7982

RGB 222 121 130

HSL 354.65, 0.6%, 0.67%

LAB 62.35, 40.04, 12.77

 

CMYK 0 / 74 / 67 / 20

HEX #CC3644

RGB 204 54 68

HSL 354.4, 0.6%, 0.51%

LAB 46.83, 58.92, 27.84

 

CMYK 7 / 0 / 73 / 20

HEX #BECD37

RGB 190 205 55

HSL 66, 0.6%, 0.51%

LAB 78.98, -23.3, 68.12

 

CMYK 73 / 37 / 0 / 20

HEX #3782CD

RGB 55 130 205

HSL 210, 0.6%, 0.51%

LAB 53.15, 2.16, -45.43

 

CMYK 0 / 74 / 67 / 20

HEX #CC3644

RGB 204 54 68

HSL 354.4, 0.6%, 0.51%

LAB 46.83, 58.92, 27.84

 

CMYK 66 / 0 / 73 / 20

HEX #46CD37

RGB 70 205 55

HSL 114, 0.6%, 0.51%

LAB 73.05, -63.28, 60.31

 

CMYK 73 / 66 / 0 / 20

HEX #3746CD

RGB 55 70 205

HSL 234, 0.6%, 0.51%

LAB 37.12, 39.96, -71.32

 

CMYK 0 / 74 / 67 / 20

HEX #CC3644

RGB 204 54 68

HSL 354.4, 0.6%, 0.51%

LAB 46.83, 58.92, 27.84

 

CMYK 7 / 0 / 73 / 20

HEX #BECD37

RGB 190 205 55

HSL 66, 0.6%, 0.51%

LAB 78.98, -23.3, 68.12

 

CMYK 73 / 0 / 7 / 20

HEX #37CDBE

RGB 55 205 190

HSL 174, 0.6%, 0.51%

LAB 74.95, -41.65, -3.72

 

CMYK 66 / 73 / 0 / 20

HEX #4637CD

RGB 70 55 205

HSL 246, 0.6%, 0.51%

LAB 34.89, 50.33, -74.95

 

CMYK 0 / 74 / 67 / 20

HEX #CC3644

RGB 204 54 68

HSL 354.4, 0.6%, 0.51%

LAB 46.83, 58.92, 27.84

 

CMYK 29 / 0 / 73 / 20

HEX #91CD37

RGB 145 205 55

HSL 84, 0.6%, 0.51%

LAB 76.04, -41.12, 64.28

 

CMYK 73 / 0 / 7 / 20

HEX #37CDBE

RGB 55 205 190

HSL 174, 0.6%, 0.51%

LAB 74.95, -41.65, -3.72

 

CMYK 44 / 73 / 0 / 20

HEX #7337CD

RGB 115 55 205

HSL 264, 0.6%, 0.51%

LAB 39.22, 56.67, -67.68

 

Description

Color code: HEX #CC364400 | qconv.com Color code: HEX #CC364400 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 54 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 54 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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