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Color name
HEX #CC325B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC325B it is the complementary color #33CDA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC325B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC325B shade: #D13256, #E24469, #F3567C, #FF688F and #FF7AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC325B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC325B shade: #CC325B, #BB2048, #AA0E35, #990022 and #88000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC325B shade: #CD325B and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC325B shade: #CD325B, #CD3285, #CD32AF, #C232CD and #9832CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC325B shade matches the following richer shades: #CD325B, #E21D51 and #F70848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC325B shade: #CD325B, #B94665, #A45B6E, #8F7078 and #7B8482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC325B shade: #CD32AE, #CD3285, #CD325B, #CD3232 and #CD5B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC325B shade: #8B223E, #AC2A4C, #CD325B, #D55376 and #DD7490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC325B shade: #CC325B, #CDC332 and #3299CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC325B shade: #CC325B, #5BCD32 and #325BCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC325B shade: #CC325B, #CDC332, #32CDA4 and #323CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC325B shade: #CC325B, #A9CD32, #32CDA4 and #5632CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

Complementary color

CMYK 75 / 0 / 20 / 20

HEX #33CDA4

RGB 51 205 164

HSL 164.03, 0.61%, 0.5%

LAB 74.22, -48.83, 9.24

 

CMYK 0 / 76 / 59 / 18

HEX #D13256

RGB 209 50 86

HSL 346.42, 0.63%, 0.51%

LAB 47.63, 62.76, 18.13

 

CMYK 0 / 70 / 54 / 11

HEX #E24469

RGB 226 68 105

HSL 345.95, 0.73%, 0.58%

LAB 53.3, 62.99, 14.87

 

CMYK 0 / 65 / 49 / 5

HEX #F3567C

RGB 243 86 124

HSL 345.48, 0.87%, 0.65%

LAB 59.13, 62.75, 12.18

 

CMYK 0 / 59 / 44 / 0

HEX #FF688F

RGB 255 104 143

HSL 344.5, 1%, 0.7%

LAB 64.28, 60.67, 8.72

 

CMYK 0 / 52 / 36 / 0

HEX #FF7AA2

RGB 255 122 162

HSL 341.95, 1%, 0.74%

LAB 67.86, 54.47, 3.05

 

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

CMYK 0 / 83 / 61 / 27

HEX #BB2048

RGB 187 32 72

HSL 344.52, 0.71%, 0.43%

LAB 41.32, 60.76, 17.61

 

CMYK 0 / 92 / 69 / 33

HEX #AA0E35

RGB 170 14 53

HSL 345, 0.85%, 0.36%

LAB 36.21, 58.74, 22.37

 

CMYK 0 / 100 / 78 / 40

HEX #990022

RGB 153 0 34

HSL 346.67, 1%, 0.3%

LAB 31.55, 55.44, 28.05

 

CMYK 0 / 100 / 89 / 47

HEX #88000F

RGB 136 0 15

HSL 353.38, 1%, 0.27%

LAB 27.49, 50.47, 34.1

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 76 / 35 / 20

HEX #CD3285

RGB 205 50 133

HSL 327.87, 0.61%, 0.5%

LAB 48.2, 65.77, -9.87

 

CMYK 0 / 76 / 15 / 20

HEX #CD32AF

RGB 205 50 175

HSL 311.61, 0.61%, 0.5%

LAB 49.92, 70.97, -32.28

 

CMYK 5 / 76 / 0 / 20

HEX #C232CD

RGB 194 50 205

HSL 295.74, 0.61%, 0.5%

LAB 49.69, 73.21, -50.21

 

CMYK 26 / 76 / 0 / 20

HEX #9832CD

RGB 152 50 205

HSL 279.48, 0.61%, 0.5%

LAB 43.31, 65.19, -60.81

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 87 / 64 / 11

HEX #E21D51

RGB 226 29 81

HSL 344.16, 0.77%, 0.5%

LAB 49.06, 72.02, 23.67

 

CMYK 0 / 97 / 71 / 3

HEX #F70848

RGB 247 8 72

HSL 343.93, 0.94%, 0.5%

LAB 52.3, 79.07, 34.06

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 62 / 45 / 27

HEX #B94665

RGB 185 70 101

HSL 343.83, 0.45%, 0.5%

LAB 46.49, 49.05, 6.71

 

CMYK 0 / 45 / 33 / 36

HEX #A45B6E

RGB 164 91 110

HSL 344.38, 0.29%, 0.5%

LAB 47.62, 32.12, 2.46

 

CMYK 0 / 22 / 16 / 44

HEX #8F7078

RGB 143 112 120

HSL 344.52, 0.12%, 0.5%

LAB 50.43, 13.56, 0.26

 

CMYK 7 / 0 / 2 / 48

HEX #7B8482

RGB 123 132 130

HSL 166.67, 0.04%, 0.5%

LAB 54.37, -3.72, -0.07

 

CMYK 0 / 76 / 15 / 20

HEX #CD32AE

RGB 205 50 174

HSL 312, 0.61%, 0.5%

LAB 49.88, 70.83, -31.76

 

CMYK 0 / 76 / 35 / 20

HEX #CD3285

RGB 205 50 133

HSL 327.87, 0.61%, 0.5%

LAB 48.2, 65.77, -9.87

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B32

RGB 205 91 50

HSL 15.87, 0.61%, 0.5%

LAB 52.61, 42.77, 44.56

 

CMYK 0 / 76 / 55 / 45

HEX #8B223E

RGB 139 34 62

HSL 344, 0.61%, 0.34%

LAB 31.76, 45.58, 9.47

 

CMYK 0 / 76 / 56 / 33

HEX #AC2A4C

RGB 172 42 76

HSL 344.31, 0.61%, 0.42%

LAB 39.49, 53.9, 12.12

 

CMYK 0 / 76 / 56 / 20

HEX #CD325B

RGB 205 50 91

HSL 344.13, 0.61%, 0.5%

LAB 47, 61.98, 14.07

 

CMYK 0 / 61 / 45 / 16

HEX #D55376

RGB 213 83 118

HSL 343.85, 0.61%, 0.58%

LAB 53.64, 54.06, 7.27

 

CMYK 0 / 48 / 35 / 13

HEX #DD7490

RGB 221 116 144

HSL 344, 0.61%, 0.66%

LAB 61.55, 43.84, 3.58

 

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

CMYK 0 / 5 / 76 / 20

HEX #CDC332

RGB 205 195 50

HSL 56.13, 0.61%, 0.5%

LAB 77.42, -12.22, 68.74

 

CMYK 76 / 25 / 0 / 20

HEX #3299CD

RGB 50 153 205

HSL 200.13, 0.61%, 0.5%

LAB 59.77, -11.77, -35.03

 

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

CMYK 56 / 0 / 76 / 20

HEX #5BCD32

RGB 91 205 50

HSL 104.13, 0.61%, 0.5%

LAB 73.62, -58.75, 62.77

 

CMYK 76 / 56 / 0 / 20

HEX #325BCD

RGB 50 91 205

HSL 224.13, 0.61%, 0.5%

LAB 42.11, 26.06, -63.18

 

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

CMYK 0 / 5 / 76 / 20

HEX #CDC332

RGB 205 195 50

HSL 56.13, 0.61%, 0.5%

LAB 77.42, -12.22, 68.74

 

CMYK 76 / 0 / 20 / 20

HEX #32CDA4

RGB 50 205 164

HSL 164.13, 0.61%, 0.5%

LAB 74.2, -48.95, 9.22

 

CMYK 76 / 71 / 0 / 20

HEX #323CCD

RGB 50 60 205

HSL 236.13, 0.61%, 0.5%

LAB 34.64, 45.49, -75.41

 

CMYK 0 / 75 / 55 / 20

HEX #CC325B

RGB 204 50 91

HSL 344.03, 0.61%, 0.5%

LAB 46.81, 61.69, 13.78

 

CMYK 18 / 0 / 76 / 20

HEX #A9CD32

RGB 169 205 50

HSL 73.94, 0.61%, 0.5%

LAB 77.48, -32.1, 67.81

 

CMYK 76 / 0 / 20 / 20

HEX #32CDA4

RGB 50 205 164

HSL 164.13, 0.61%, 0.5%

LAB 74.2, -48.95, 9.22

 

CMYK 58 / 76 / 0 / 20

HEX #5632CD

RGB 86 50 205

HSL 253.94, 0.61%, 0.5%

LAB 35.34, 54.79, -74.16

 

Description

Color code: HEX #CC325B | qconv.com Color code: HEX #CC325B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 50 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 50 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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