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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC2FD0 it is the complementary color #33D02F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC2FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC2FD0 shade: #D12FCB, #E241DE, #F353F1, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC2FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC2FD0 shade: #CC2FD0, #BB1DBD, #AA0BAA, #990097 and #880084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC2FD0 shade: #CC2FD0, #D02FA8, #D02F7D, #D02F52 and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC2FD0 shade: #CC2FD0, #A12FD0, #752FD0, #4A2FD0 and #2F2FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC2FD0 shade matches the following richer shades: #CC2FD0, #DF1BE4 and #F306F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC2FD0 shade: #CC2FD0, #B844BB, #A558A7, #916D92 and #7D827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC2FD0 shade: #752FD0, #A02FD0, #CA2FD0, #D02FAA and #D02F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC2FD0 shade: #8A208D, #AB28AE, #CC2FD0, #D451D7 and #DC72DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC2FD0 shade: #CC2FD0, #D04A2F and #2FD08A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC2FD0 shade: #CC2FD0, #D0CA2F and #2FD0CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC2FD0 shade: #CC2FD0, #D04A2F, #35D02F and #2FB5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC2FD0 shade: #CC2FD0, #D07A2F, #35D02F and #2F85D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

Complementary color

CMYK 75 / 0 / 77 / 18

HEX #33D02F

RGB 51 208 47

HSL 118.51, 0.63%, 0.5%

LAB 73.56, -68.11, 63.33

 

CMYK 0 / 78 / 3 / 18

HEX #D12FCB

RGB 209 47 203

HSL 302.22, 0.64%, 0.5%

LAB 51.72, 76.72, -45.67

 

CMYK 0 / 71 / 2 / 11

HEX #E241DE

RGB 226 65 222

HSL 301.49, 0.74%, 0.57%

LAB 57.29, 77.89, -47.5

 

CMYK 0 / 66 / 1 / 5

HEX #F353F1

RGB 243 83 241

HSL 300.75, 0.87%, 0.64%

LAB 63, 78.46, -48.92

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 1 / 85 / 0 / 26

HEX #BB1DBD

RGB 187 29 189

HSL 299.25, 0.73%, 0.43%

LAB 45.79, 74.52, -47.22

 

CMYK 0 / 94 / 0 / 33

HEX #AA0BAA

RGB 170 11 170

HSL 300, 0.88%, 0.35%

LAB 40.72, 71.36, -44.28

 

CMYK 0 / 100 / 1 / 40

HEX #990097

RGB 153 0 151

HSL 300.78, 1%, 0.3%

LAB 36, 66.8, -40.53

 

CMYK 0 / 100 / 3 / 47

HEX #880084

RGB 136 0 132

HSL 301.76, 1%, 0.27%

LAB 31.58, 60.96, -36.05

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 0 / 77 / 19 / 18

HEX #D02FA8

RGB 208 47 168

HSL 314.91, 0.63%, 0.5%

LAB 49.82, 71.56, -28.28

 

CMYK 0 / 77 / 40 / 18

HEX #D02F7D

RGB 208 47 125

HSL 330.93, 0.63%, 0.5%

LAB 48.16, 66.61, -5.02

 

CMYK 0 / 77 / 61 / 18

HEX #D02F52

RGB 208 47 82

HSL 346.96, 0.63%, 0.5%

LAB 47.04, 63.13, 19.75

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 23 / 77 / 0 / 18

HEX #A12FD0

RGB 161 47 208

HSL 282.48, 0.63%, 0.5%

LAB 44.47, 68.45, -60.6

 

CMYK 44 / 77 / 0 / 18

HEX #752FD0

RGB 117 47 208

HSL 266.09, 0.63%, 0.5%

LAB 38.5, 61.19, -70.59

 

CMYK 64 / 77 / 0 / 18

HEX #4A2FD0

RGB 74 47 208

HSL 250.06, 0.63%, 0.5%

LAB 34.07, 55.72, -78.02

 

CMYK 77 / 77 / 0 / 18

HEX #2F2FD0

RGB 47 47 208

HSL 240, 0.63%, 0.5%

LAB 32.24, 53.43, -81.11

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 2 / 88 / 0 / 11

HEX #DF1BE4

RGB 223 27 228

HSL 298.51, 0.79%, 0.5%

LAB 54.1, 87.02, -55.99

 

CMYK 2 / 98 / 0 / 2

HEX #F306F9

RGB 243 6 249

HSL 298.52, 0.95%, 0.5%

LAB 58.06, 95.21, -61.25

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 2 / 64 / 0 / 27

HEX #B844BB

RGB 184 68 187

HSL 298.49, 0.47%, 0.5%

LAB 49.39, 61.59, -40.36

 

CMYK 1 / 47 / 0 / 35

HEX #A558A7

RGB 165 88 167

HSL 298.48, 0.31%, 0.5%

LAB 49.21, 43.4, -29.13

 

CMYK 1 / 25 / 0 / 43

HEX #916D92

RGB 145 109 146

HSL 298.38, 0.15%, 0.5%

LAB 50.73, 20.93, -14.65

 

CMYK 4 / 0 / 4 / 49

HEX #7D827D

RGB 125 130 125

HSL 120, 0.02%, 0.5%

LAB 53.82, -2.85, 2.05

 

CMYK 44 / 77 / 0 / 18

HEX #752FD0

RGB 117 47 208

HSL 266.09, 0.63%, 0.5%

LAB 38.5, 61.19, -70.59

 

CMYK 23 / 77 / 0 / 18

HEX #A02FD0

RGB 160 47 208

HSL 282.11, 0.63%, 0.5%

LAB 44.32, 68.27, -60.85

 

CMYK 3 / 77 / 0 / 18

HEX #CA2FD0

RGB 202 47 208

HSL 297.76, 0.63%, 0.5%

LAB 50.85, 76.12, -50

 

CMYK 0 / 77 / 18 / 18

HEX #D02FAA

RGB 208 47 170

HSL 314.16, 0.63%, 0.5%

LAB 49.91, 71.82, -29.32

 

CMYK 0 / 77 / 38 / 18

HEX #D02F80

RGB 208 47 128

HSL 329.81, 0.63%, 0.5%

LAB 48.26, 66.91, -6.69

 

CMYK 2 / 77 / 0 / 45

HEX #8A208D

RGB 138 32 141

HSL 298.35, 0.63%, 0.34%

LAB 34.72, 56.33, -36.6

 

CMYK 2 / 77 / 0 / 32

HEX #AB28AE

RGB 171 40 174

HSL 298.66, 0.63%, 0.42%

LAB 43.11, 66.4, -42.83

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 1 / 62 / 0 / 16

HEX #D451D7

RGB 212 81 215

HSL 298.66, 0.63%, 0.58%

LAB 56.87, 67.83, -44.34

 

CMYK 1 / 49 / 0 / 13

HEX #DC72DF

RGB 220 114 223

HSL 298.35, 0.63%, 0.66%

LAB 63.82, 56.47, -37.85

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 0 / 64 / 77 / 18

HEX #D04A2F

RGB 208 74 47

HSL 10.06, 0.63%, 0.5%

LAB 50.11, 51.54, 43.65

 

CMYK 77 / 0 / 34 / 18

HEX #2FD08A

RGB 47 208 138

HSL 153.91, 0.63%, 0.5%

LAB 74.54, -56.32, 23.51

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 0 / 3 / 77 / 18

HEX #D0CA2F

RGB 208 202 47

HSL 57.76, 0.63%, 0.5%

LAB 79.53, -14.58, 71.68

 

CMYK 77 / 0 / 3 / 18

HEX #2FD0CA

RGB 47 208 202

HSL 177.76, 0.63%, 0.5%

LAB 76.06, -40.51, -8.56

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 0 / 64 / 77 / 18

HEX #D04A2F

RGB 208 74 47

HSL 10.06, 0.63%, 0.5%

LAB 50.11, 51.54, 43.65

 

CMYK 75 / 0 / 77 / 18

HEX #35D02F

RGB 53 208 47

HSL 117.76, 0.63%, 0.5%

LAB 73.59, -67.81, 63.37

 

CMYK 77 / 13 / 0 / 18

HEX #2FB5D0

RGB 47 181 208

HSL 190.06, 0.63%, 0.5%

LAB 68.17, -25.89, -23.72

 

CMYK 2 / 77 / 0 / 18

HEX #CC2FD0

RGB 204 47 208

HSL 298.51, 0.63%, 0.5%

LAB 51.18, 76.51, -49.46

 

CMYK 0 / 41 / 77 / 18

HEX #D07A2F

RGB 208 122 47

HSL 27.95, 0.63%, 0.5%

LAB 59.47, 27.85, 53.01

 

CMYK 75 / 0 / 77 / 18

HEX #35D02F

RGB 53 208 47

HSL 117.76, 0.63%, 0.5%

LAB 73.59, -67.81, 63.37

 

CMYK 77 / 36 / 0 / 18

HEX #2F85D0

RGB 47 133 208

HSL 207.95, 0.63%, 0.5%

LAB 53.96, 0.47, -45.87

 

Description

Color code: HEX #CC2FD0 | qconv.com Color code: HEX #CC2FD0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 47 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 47 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 77 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 77% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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