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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC2F8C it is the complementary color #33D073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC2F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC2F8C shade: #D12F87, #E2419A, #F353AD, #FF65C0 and #FF77D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC2F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC2F8C shade: #CC2F8C, #BB1D79, #AA0B66, #990053 and #880040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC2F8C shade: #CC2E8B, #CC2E61, #CC2E37 and #CC2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC2F8C shade: #CC2E8B, #CC2EB6, #B72ECC, #8C2ECC and #622ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC2F8C shade matches the following richer shades: #CC2E8B, #E01A8F and #F40693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC2F8C shade: #CC2E8B, #B74288, #A35784, #8F6B80 and #7B7F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC2F8C shade: #B72ECC, #CC2EB7, #CC2E8D, #CC2E63 and #CC2E39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC2F8C shade: #881F5D, #AA2774, #CC2E8B, #D74D9E and #DE6EB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC2F8C shade: #CC2F8C, #CC8D2E and #2ECCCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC2F8C shade: #CC2F8C, #8DCC2E and #2E8DCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC2F8C shade: #CC2F8C, #CC8D2E, #2ECC6D and #2E6DCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC2F8C shade: #CC2F8C, #CCBC2E, #2ECC6D and #2E3ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

Complementary color

CMYK 75 / 0 / 45 / 18

HEX #33D073

RGB 51 208 115

HSL 144.46, 0.63%, 0.51%

LAB 74.22, -60.15, 34.95

 

CMYK 0 / 78 / 35 / 18

HEX #D12F87

RGB 209 47 135

HSL 327.41, 0.64%, 0.5%

LAB 48.68, 67.88, -10.29

 

CMYK 0 / 71 / 32 / 11

HEX #E2419A

RGB 226 65 154

HSL 326.83, 0.74%, 0.57%

LAB 54.33, 68.7, -12.84

 

CMYK 0 / 66 / 29 / 5

HEX #F353AD

RGB 243 83 173

HSL 326.25, 0.87%, 0.64%

LAB 60.12, 68.95, -14.9

 

CMYK 0 / 60 / 25 / 0

HEX #FF65C0

RGB 255 101 192

HSL 324.55, 1%, 0.7%

LAB 65.26, 67.44, -17.8

 

CMYK 0 / 53 / 17 / 0

HEX #FF77D3

RGB 255 119 211

HSL 319.41, 1%, 0.73%

LAB 68.86, 62.15, -22.98

 

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

CMYK 0 / 84 / 35 / 27

HEX #BB1D79

RGB 187 29 121

HSL 325.06, 0.73%, 0.42%

LAB 42.5, 65.56, -11.45

 

CMYK 0 / 94 / 40 / 33

HEX #AA0B66

RGB 170 11 102

HSL 325.66, 0.88%, 0.35%

LAB 37.38, 62.76, -7.56

 

CMYK 0 / 100 / 46 / 40

HEX #990053

RGB 153 0 83

HSL 327.45, 1%, 0.3%

LAB 32.69, 58.49, -2.64

 

CMYK 0 / 100 / 53 / 47

HEX #880040

RGB 136 0 64

HSL 331.76, 1%, 0.27%

LAB 28.39, 52.9, 3.29

 

CMYK 0 / 77 / 32 / 20

HEX #CC2E8B

RGB 204 46 139

HSL 324.68, 0.63%, 0.49%

LAB 47.82, 67.36, -14.09

 

CMYK 0 / 77 / 52 / 20

HEX #CC2E61

RGB 204 46 97

HSL 340.63, 0.63%, 0.49%

LAB 46.52, 63.36, 9.68

 

CMYK 0 / 77 / 73 / 20

HEX #CC2E37

RGB 204 46 55

HSL 356.58, 0.63%, 0.49%

LAB 45.73, 60.86, 34.22

 

CMYK 0 / 77 / 77 / 20

HEX #CC2E2E

RGB 204 46 46

HSL 0, 0.63%, 0.49%

LAB 45.62, 60.52, 39.27

 

CMYK 0 / 77 / 32 / 20

HEX #CC2E8B

RGB 204 46 139

HSL 324.68, 0.63%, 0.49%

LAB 47.82, 67.36, -14.09

 

CMYK 0 / 77 / 11 / 20

HEX #CC2EB6

RGB 204 46 182

HSL 308.35, 0.63%, 0.49%

LAB 49.7, 72.86, -36.74

 

CMYK 10 / 77 / 0 / 20

HEX #B72ECC

RGB 183 46 204

HSL 292.03, 0.63%, 0.49%

LAB 47.47, 72.09, -53.28

 

CMYK 31 / 77 / 0 / 20

HEX #8C2ECC

RGB 140 46 204

HSL 275.7, 0.63%, 0.49%

LAB 41.04, 64.32, -63.99

 

CMYK 52 / 77 / 0 / 20

HEX #622ECC

RGB 98 46 204

HSL 259.75, 0.63%, 0.49%

LAB 35.81, 57.91, -72.75

 

CMYK 0 / 77 / 32 / 20

HEX #CC2E8B

RGB 204 46 139

HSL 324.68, 0.63%, 0.49%

LAB 47.82, 67.36, -14.09

 

CMYK 0 / 88 / 36 / 12

HEX #E01A8F

RGB 224 26 143

HSL 324.55, 0.79%, 0.49%

LAB 50.18, 76.73, -12.58

 

CMYK 0 / 98 / 40 / 4

HEX #F40693

RGB 244 6 147

HSL 324.45, 0.95%, 0.49%

LAB 53.46, 83.37, -9.66

 

CMYK 0 / 77 / 32 / 20

HEX #CC2E8B

RGB 204 46 139

HSL 324.68, 0.63%, 0.49%

LAB 47.82, 67.36, -14.09

 

CMYK 0 / 64 / 26 / 28

HEX #B74288

RGB 183 66 136

HSL 324.1, 0.47%, 0.49%

LAB 46.63, 54.27, -14.42

 

CMYK 0 / 47 / 19 / 36

HEX #A35784

RGB 163 87 132

HSL 324.47, 0.3%, 0.49%

LAB 47.33, 37.16, -11.25

 

CMYK 0 / 25 / 10 / 44

HEX #8F6B80

RGB 143 107 128

HSL 325, 0.14%, 0.49%

LAB 49.39, 17.91, -6.02

 

CMYK 3 / 0 / 2 / 50

HEX #7B7F7D

RGB 123 127 125

HSL 150, 0.02%, 0.49%

LAB 52.81, -1.89, 0.56

 

CMYK 10 / 77 / 0 / 20

HEX #B72ECC

RGB 183 46 204

HSL 292.03, 0.63%, 0.49%

LAB 47.47, 72.09, -53.28

 

CMYK 0 / 77 / 10 / 20

HEX #CC2EB7

RGB 204 46 183

HSL 307.97, 0.63%, 0.49%

LAB 49.75, 73.01, -37.25

 

CMYK 0 / 77 / 31 / 20

HEX #CC2E8D

RGB 204 46 141

HSL 323.92, 0.63%, 0.49%

LAB 47.9, 67.59, -15.18

 

CMYK 0 / 77 / 51 / 20

HEX #CC2E63

RGB 204 46 99

HSL 339.87, 0.63%, 0.49%

LAB 46.57, 63.52, 8.52

 

CMYK 0 / 77 / 72 / 20

HEX #CC2E39

RGB 204 46 57

HSL 355.82, 0.63%, 0.49%

LAB 45.75, 60.95, 33.08

 

CMYK 0 / 77 / 32 / 47

HEX #881F5D

RGB 136 31 93

HSL 324.57, 0.63%, 0.33%

LAB 31.82, 48.97, -10.83

 

CMYK 0 / 77 / 32 / 33

HEX #AA2774

RGB 170 39 116

HSL 324.73, 0.63%, 0.41%

LAB 40.01, 58.21, -12.41

 

CMYK 0 / 77 / 32 / 20

HEX #CC2E8B

RGB 204 46 139

HSL 324.68, 0.63%, 0.49%

LAB 47.82, 67.36, -14.09

 

CMYK 0 / 64 / 27 / 16

HEX #D74D9E

RGB 215 77 158

HSL 324.78, 0.63%, 0.57%

LAB 54.26, 61.73, -15.46

 

CMYK 0 / 50 / 20 / 13

HEX #DE6EB1

RGB 222 110 177

HSL 324.11, 0.63%, 0.65%

LAB 61.53, 51.54, -15.37

 

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

CMYK 0 / 31 / 77 / 20

HEX #CC8D2E

RGB 204 141 46

HSL 36.08, 0.63%, 0.49%

LAB 63.41, 15.81, 57.04

 

CMYK 77 / 0 / 0 / 20

HEX #2ECCCC

RGB 46 204 204

HSL 180, 0.63%, 0.49%

LAB 74.9, -38.23, -11.36

 

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

CMYK 31 / 0 / 77 / 20

HEX #8DCC2E

RGB 141 204 46

HSL 83.92, 0.63%, 0.49%

LAB 75.48, -42.64, 66.57

 

CMYK 77 / 31 / 0 / 20

HEX #2E8DCC

RGB 46 141 204

HSL 203.92, 0.63%, 0.49%

LAB 56.08, -5.79, -40.26

 

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

CMYK 0 / 31 / 77 / 20

HEX #CC8D2E

RGB 204 141 46

HSL 36.08, 0.63%, 0.49%

LAB 63.41, 15.81, 57.04

 

CMYK 77 / 0 / 47 / 20

HEX #2ECC6D

RGB 46 204 109

HSL 143.92, 0.63%, 0.49%

LAB 72.81, -60.39, 36.14

 

CMYK 77 / 47 / 0 / 20

HEX #2E6DCC

RGB 46 109 204

HSL 216.08, 0.63%, 0.49%

LAB 46.81, 13.67, -55

 

CMYK 0 / 77 / 31 / 20

HEX #CC2F8C

RGB 204 47 140

HSL 324.46, 0.63%, 0.49%

LAB 47.96, 67.19, -14.48

 

CMYK 0 / 8 / 77 / 20

HEX #CCBC2E

RGB 204 188 46

HSL 53.92, 0.63%, 0.49%

LAB 75.45, -9.23, 68.18

 

CMYK 77 / 0 / 47 / 20

HEX #2ECC6D

RGB 46 204 109

HSL 143.92, 0.63%, 0.49%

LAB 72.81, -60.39, 36.14

 

CMYK 77 / 70 / 0 / 20

HEX #2E3ECC

RGB 46 62 204

HSL 233.92, 0.63%, 0.49%

LAB 34.77, 43.62, -74.6

 

Description

Color code: HEX #CC2F8C | qconv.com Color code: HEX #CC2F8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 47 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 47 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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