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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC269A it is the complementary color #33D965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC269A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC269A shade: #D12695, #E238A8, #F34ABB, #FF5CCE and #FF6EE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC269A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC269A shade: #CC269A, #BB1487, #AA0274, #990061 and #88004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC269A shade: #CB2599, #CB256C, #CB2540 and #CB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC269A shade: #CB2599, #CB25C5, #A325CB, #7725CB and #4A25CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC269A shade matches the following richer shades: #CB2599 and #DE12A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC269A shade: #CB2599, #B73991, #A44C89, #905F82 and #7D737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC269A shade: #A425CB, #CB25C5, #CB2599, #CB256D and #CB2541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC269A shade: #851864, #A81F7E, #CB2599, #DB3DAC and #E260BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC269A shade: #CC269A, #CB7825 and #25CBBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC269A shade: #CC269A, #99CB25 and #2599CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC269A shade: #CC269A, #CB7825, #25CB57 and #2578CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC269A shade: #CC269A, #CBA925, #25CB57 and #2546CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

Complementary color

CMYK 76 / 0 / 53 / 15

HEX #33D965

RGB 51 217 101

HSL 138.07, 0.69%, 0.53%

LAB 76.84, -65.41, 45.06

 

CMYK 0 / 82 / 29 / 18

HEX #D12695

RGB 209 38 149

HSL 321.05, 0.69%, 0.48%

LAB 48.4, 71.74, -19.15

 

CMYK 0 / 75 / 26 / 11

HEX #E238A8

RGB 226 56 168

HSL 320.47, 0.75%, 0.55%

LAB 53.84, 73.18, -21.81

 

CMYK 0 / 70 / 23 / 5

HEX #F34ABB

RGB 243 74 187

HSL 319.88, 0.88%, 0.62%

LAB 59.47, 73.92, -23.95

 

CMYK 0 / 64 / 19 / 0

HEX #FF5CCE

RGB 255 92 206

HSL 318.04, 1%, 0.68%

LAB 64.46, 72.87, -26.93

 

CMYK 0 / 57 / 12 / 0

HEX #FF6EE1

RGB 255 110 225

HSL 312.41, 1%, 0.72%

LAB 67.91, 68.21, -32.24

 

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

CMYK 0 / 89 / 28 / 27

HEX #BB1487

RGB 187 20 135

HSL 318.68, 0.81%, 0.41%

LAB 42.48, 68.78, -20.1

 

CMYK 0 / 99 / 32 / 33

HEX #AA0274

RGB 170 2 116

HSL 319.29, 0.98%, 0.34%

LAB 37.57, 65.24, -16.13

 

CMYK 0 / 100 / 37 / 40

HEX #990061

RGB 153 0 97

HSL 321.96, 1%, 0.3%

LAB 33.21, 59.84, -10.98

 

CMYK 0 / 100 / 43 / 47

HEX #88004E

RGB 136 0 78

HSL 325.59, 1%, 0.27%

LAB 28.86, 54.13, -5.42

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 82 / 47 / 20

HEX #CB256C

RGB 203 37 108

HSL 334.34, 0.69%, 0.47%

LAB 45.77, 66.41, 1.79

 

CMYK 0 / 82 / 68 / 20

HEX #CB2540

RGB 203 37 64

HSL 350.24, 0.69%, 0.47%

LAB 44.79, 63.46, 27.67

 

CMYK 0 / 82 / 82 / 20

HEX #CB2525

RGB 203 37 37

HSL 0, 0.69%, 0.47%

LAB 44.45, 62.43, 42.95

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 82 / 3 / 20

HEX #CB25C5

RGB 203 37 197

HSL 302.17, 0.69%, 0.47%

LAB 49.56, 77.06, -45.71

 

CMYK 20 / 82 / 0 / 20

HEX #A325CB

RGB 163 37 203

HSL 285.54, 0.69%, 0.47%

LAB 43.39, 70.83, -59.44

 

CMYK 41 / 82 / 0 / 20

HEX #7725CB

RGB 119 37 203

HSL 269.64, 0.69%, 0.47%

LAB 37.04, 64, -70.07

 

CMYK 64 / 82 / 0 / 20

HEX #4A25CB

RGB 74 37 203

HSL 253.37, 0.69%, 0.47%

LAB 32.01, 58.76, -78.52

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 92 / 28 / 13

HEX #DE12A0

RGB 222 18 160

HSL 318.24, 0.85%, 0.47%

LAB 50.1, 79.14, -22.91

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 69 / 21 / 28

HEX #B73991

RGB 183 57 145

HSL 318.1, 0.53%, 0.47%

LAB 45.69, 59.11, -21.3

 

CMYK 0 / 54 / 16 / 36

HEX #A44C89

RGB 164 76 137

HSL 318.41, 0.37%, 0.47%

LAB 45.45, 44.01, -17.09

 

CMYK 0 / 34 / 10 / 44

HEX #905F82

RGB 144 95 130

HSL 317.14, 0.21%, 0.47%

LAB 46.61, 25.63, -11.37

 

CMYK 0 / 8 / 2 / 51

HEX #7D737A

RGB 125 115 122

HSL 318, 0.04%, 0.47%

LAB 49.53, 5.22, -2.46

 

CMYK 19 / 82 / 0 / 20

HEX #A425CB

RGB 164 37 203

HSL 285.9, 0.69%, 0.47%

LAB 43.55, 71, -59.18

 

CMYK 0 / 82 / 3 / 20

HEX #CB25C5

RGB 203 37 197

HSL 302.17, 0.69%, 0.47%

LAB 49.56, 77.06, -45.71

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 82 / 46 / 20

HEX #CB256D

RGB 203 37 109

HSL 333.98, 0.69%, 0.47%

LAB 45.8, 66.5, 1.22

 

CMYK 0 / 82 / 68 / 20

HEX #CB2541

RGB 203 37 65

HSL 349.88, 0.69%, 0.47%

LAB 44.8, 63.51, 27.08

 

CMYK 0 / 82 / 25 / 48

HEX #851864

RGB 133 24 100

HSL 318.17, 0.69%, 0.31%

LAB 30.78, 51.25, -16.99

 

CMYK 0 / 82 / 25 / 34

HEX #A81F7E

RGB 168 31 126

HSL 318.39, 0.69%, 0.39%

LAB 39.26, 61.19, -19.82

 

CMYK 0 / 82 / 25 / 20

HEX #CB2599

RGB 203 37 153

HSL 318.07, 0.69%, 0.47%

LAB 47.39, 71.08, -23.19

 

CMYK 0 / 72 / 21 / 14

HEX #DB3DAC

RGB 219 61 172

HSL 317.85, 0.69%, 0.55%

LAB 53.36, 70.44, -25

 

CMYK 0 / 58 / 17 / 11

HEX #E260BB

RGB 226 96 187

HSL 318, 0.69%, 0.63%

LAB 60, 60.71, -23.37

 

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

CMYK 0 / 41 / 82 / 20

HEX #CB7825

RGB 203 120 37

HSL 30, 0.69%, 0.47%

LAB 58.29, 26.47, 55.75

 

CMYK 82 / 0 / 8 / 20

HEX #25CBBA

RGB 37 203 186

HSL 173.86, 0.69%, 0.47%

LAB 73.97, -43.68, -3.03

 

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

CMYK 25 / 0 / 82 / 20

HEX #99CB25

RGB 153 203 37

HSL 78.07, 0.69%, 0.47%

LAB 75.83, -38.05, 69.65

 

CMYK 82 / 25 / 0 / 20

HEX #2599CB

RGB 37 153 203

HSL 198.07, 0.69%, 0.47%

LAB 59.42, -13.82, -34.47

 

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

CMYK 0 / 41 / 82 / 20

HEX #CB7825

RGB 203 120 37

HSL 30, 0.69%, 0.47%

LAB 58.29, 26.47, 55.75

 

CMYK 82 / 0 / 57 / 20

HEX #25CB57

RGB 37 203 87

HSL 138.07, 0.69%, 0.47%

LAB 72.09, -64.38, 45.87

 

CMYK 82 / 41 / 0 / 20

HEX #2578CB

RGB 37 120 203

HSL 210, 0.69%, 0.47%

LAB 49.66, 5.47, -49.88

 

CMYK 0 / 81 / 25 / 20

HEX #CC269A

RGB 204 38 154

HSL 318.07, 0.69%, 0.47%

LAB 47.7, 71.2, -23.3

 

CMYK 0 / 17 / 82 / 20

HEX #CBA925

RGB 203 169 37

HSL 47.71, 0.69%, 0.47%

LAB 70.32, -0.05, 66.34

 

CMYK 82 / 0 / 57 / 20

HEX #25CB57

RGB 37 203 87

HSL 138.07, 0.69%, 0.47%

LAB 72.09, -64.38, 45.87

 

CMYK 82 / 66 / 0 / 20

HEX #2546CB

RGB 37 70 203

HSL 228.07, 0.69%, 0.47%

LAB 36.15, 37.59, -71.78

 

Description

Color code: HEX #CC269A | qconv.com Color code: HEX #CC269A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 38 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 38 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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